Allora & Calzadilla

ALLORA & CALZADILLA

Solo Exhibition Catalogues and Monographs


2011

Gloria: Allora & Calzadilla. New York: DelMonico Books and Prestel, 2011.

Allora, Jennifer and Yates McKee. Allora & Calzadilla: Vieques Videos 2003-2010. London: Lisson Gallery, 2011.


2010

Stange, Raimar. Allora & Calzadilla. Nurnberg: Verlag fur moderne Kunst Nurnberg, 2010.

Allora & Calzadilla. Zurich: JRP | Ringier, 2010.


2009

Allora & Calzadilla. Zurich: JRP/Ringier, 2009.

Martin, Sylvia. Allora & Calzadilla – A Man Screaming is Not a Dancing Bear. How To Appear Invisible. Krefeld: Kunstmuseen Krefeld/Museum Haus Esters, 2009.

Allora & Calzadilla & Et Cetera. Cologne: Verlag der Buchhandlung Walther Konig Books, 2009.

Rosenberg, Angela. Allora & Calzadilla: COMPASS. Berlin: Temporäre Kunsthalle Berlin, 2009.


2008

Lorz, Julienne. Allora & Calzadilla: Stop, Repair, Prepare. Cologne: Verlag der Buchhandlung Walther Konig, 2008.


2006

Miki, Akiko, et al. Allora & Calzadilla: Land Mark. Paris: Paris Musees, 2006.


2005

Hernandez Chong-Cuy, Sofia ed. Allora & Calzadilla, Ink, Monterrey and the Americas Society, New York


2004

Common Sense? ICA Boston, USA, 2004.

Selected Group Exhibitions Catalogues/Books


2015

Pérez Rubio, Agustín and Alan Pauls. Inifinite Experience. Buenos Aires: Fundación Eduardo F. Costantini, 2015.


2014

Catambas, Renata and Samuel Leuenberger, eds. 14 Rooms. Ostfildern: Hatje Cantz, 2014.


2013

Holzwarth, Hans Werner. Art Now Vol 4. Cologne: Taschen, 2013. 

Schneider, Claire. More Love: Art, Politics, and Sharing since the 1990s. Chapel Hill: Ackland Art Museum, 2013.


2012

Thompson, Nato, ed. Living As Form: Socially Engaged Art From 1991-2011. New York: Creative Time Books, 2012.

Hoffmann, Jens. Life in your Head: When Attitudes Became Form Become Attitudes. San Francisco: California College of the Arts, 2012. 

Documenta (13): Das Logbuch/The Logbook, Katalog/Catalog 2/3. Kassel: Hatje Cantaz, 2012.


2011

Bishop, Claire. Artificial Hells: Participatory Art and the Politics of Spectatorship, Verso, 2011.

Contemporary Art in North America. London: Black Dog Publishing, 2011.

Slavick, Susanne. Out of Rubble. Milan: Charta, 2011.

La Biennale di Venezia 2011: ILLUMInations. Venice: Marsilio Editore, 2011.
Aux Tuileries. Paris: FIAC/Editions Dilecta, 2011.
Wappler, Friederike, ed. New Relations in Art and Society. Zurich: JRP Ringier, 2011.


2010

Hoptman, Laura, and Yilmaz Dziewior, Uta Grozenick, eds. The Art of Tomorrow. Berlin: DISTANZ Verlag, 2010.

Adaptation, Between Species. Toronto: The Power Plant, 2010.


2009

Tragicomedia, I Cajasol, Cadiz, 2009, pp. 38-47.


2008

Las Implicaciones de la Imagen, Museo Universitario de Ciencias y Arte (MUCA), Mexico City, 2008.

Holzwarth, Hans Werner. Art Now Vol. 3. Cologne: Taschen, 2008.

Revolutions - Forms That Turn: 2008 Biennale of Sydney. London: Thames & Hudson, 2008.


2007

Ravenal, John B., Artificial Light: New Light-Based Sculpture and Installation Art, Virginia Museum of Fine Arts, 2007.

Sollins, Susan and Marybeth Sollins, Art 21: Art in the Twenty-First Century, Abrams Books, 2007.

Curiger, Bice, ed. Parkett 80: Dominique Gonzalez-Foerster, Mark Grotjahn, and Allora & Calzadilla, Parkett, New York.

Gisbourne, Mark. Double Act: Two Artists One Expression. London: Prestel, 2007.

Hoffman, Jens. Apocalypse Now: The Theater of War. San Francisco: CCA Wattis Institute for Contemporary Art, 2007.

Ice Cream: Contemporary Art in Culture, Phaidon, New York.

Lyon Biennial 2007: 00s - The History of a Decade That Has Not Yet Been Named, JRP Ringier, Zurich.

Allora & Calzadilla, Frieze Art Fair: Yearbook 2007-08, Frieze, London, 2007.

Nongovermental Politics, Mckee, Yates, ed. Zone Books, New York.

10th International Istanbul Biennial, Istanbul Kültür Sanat Vakfi, 2007.


2006

Cornwell, Donna and Sanchez, Osvaldo, ed. InSITE_05, Installation Gallery, San Diego.

Choi, Binna. Report, Not Announcement, Revolver, Archiv für aktuelle Kunst and BAK, basis voor actuele Kunst, Frankfurt.

Earl, Edward Mead and Brian Wallis. Ecotopia: The Second ICP Triennial of Photography and Video, Steidl, Göttingen.

Hoba, Stephen, ed. Hugo Boss Prize 2006, Guggenheim Museum Publications, New York.

Iles, Chrissie and Philippe Vergne. Whitney Biennial 2006: Day for Night, Whitney Museum of American Art, New York.

Obrist, Hans Ulrich. ….don’tstodon’tstopdon’tstopdon’tstop, Sternberg, New York.

Shohat, Ella. Taboo Memories, Diasporic Voices, Duke University Press, Raleigh.

Van Assche, Christine, Mark Nash, and Chantal Pontbriand, Une Vision de Monde: La Colllection Vidéo, Fage and La Maison Rouge, Paris.


2005

Birnbaum, Daniel, Gunnar B. Kvaran, and Hans Ulrich Obrist, ed. Uncertain States of America: American Art in the 3rd Millennium. Astrup Fearnley Museum of Modern Art, Oslo.

Bonami, Francesco, and Carolyn Christov-Bakargiev, ed. T1 Triennale Tremusei: La sindrome di Pantagruel, Milan.

De Corral, Maria and Rosa Martinez ed. La Biennale di Venezia: 51. International Art Exhibition, Rizzoli International Publications, New York.

Fokidis, Marina, Sergio Risaliti, and Daphne Vitali. The Gesture: A Visual Library in Progress, Artout-Maschietto, Florence.

Smith, Stephanie. Beyond Green: Towards a Sustainable Art, Smart Museum of Art at the University of Chicago, Chicago.

Rugoff, Ralph. Irreducible: Contemporary Short for Video, CCA Wattis Institute, San Francisco.

Rugoff, Ralph. Monuments to the USA, CCA Wattis Institute, San Francisco.

Hans Ulrich, ed. Do It, Obrist, Revolver, Archiv für aktuelle Kunst, Frankfurt.

Molok, Nikolai ed. 1 Moscow Biennale of Contemporary Art: Dialectics of Hope, Artchtonika, Moscow.

Morgan Jessica, and Bjorn Roth, ed. Material Time, Work Time, Life Time, Revolver, Archiv für aktuelle Kunst, Frankfurt.

Mariátegui, José-Carlos, and Jorge Villacorta, ed. Videografías Invisibles, Museo Patio Herreriano, Lima.


2004

Ailleurs, Ici, ARC, Musée d’art Moderne de la Ville de Paris, Paris.

5th Gwangju Biennial: A Grain of Dust A Drop of Water, Gwangju Biennial Foundation, Gwangiu.

Mckee, Yates. Common Sense? Institute of Contemporary Art, Boston.


2003

Barragán Paco, Miguel Angel Garca-Juez, & Mar Bartomeu, ed. The Art To Come, Actar, Madrid.

Fusco, Coco and Brian Wallis, ed. Only Skin Deep: Changing Visions of the American Self, Harry N. Abrams, New York.

Halbreich, Kathy, Paulo Herkenhoff, Hou Hanru, Vasif Kortun, and Philippe Vergne, ed. How Latitudes Become Forms: Art in A Global Age, Walker Arts Center, Minneapolis.

Massie, Annette, ed. Away From Home, Wexner Center for the Arts at the Ohio State University, Columbus.

Morgan, Jessica. Common Wealth, Tate Modern, London.


2002

III Bienal Iberoamericana, Casa Rimac, Lima.


2000

PR’00 (Parentesis en la Cuidad), Marxuach, Michelle, ed. M&M Proyectos y Agnes B, San Juan

Puerto Rico, Rico Puerto, Que Puerto, Lugo Betrán, Dorian and Kevin Power. Instituto de America, Santa Fe

VII Bienal de la Habana, Centro de Arte Contemporaneo Wilfredo Lam, Consejo Nacional de Artes Plasticas, Havana


1998

XXIV Bienal de Sao Paulo, Herkenhoff, Paulo and Pedrosa, Adriano ed. A Fundacao, Sao Paulo

Pista de Baile de Carbon: Centroamerico y el Caribe: Una Historia en Blanco y Negro, XXIV Bienal de Sao Paulo, Perez-Ratton, Virginia. A Fundacao, Sao Paulo

Borràs, Maria Lluïsa and Antonio Zaya Vega. Caribe: Exclusión, Fragmentación, y Paraiso, Museo Extremeno e Iberoamericano de Arte Contemporaneo, Badajoz

Selected Articles and Reviews


2015

Ruiz, Cristina. “It’s cave art, but not as we know it,” The Art Newspaper, December 2, 2015.

“Best of 2015: Artists’ Artist,” Artforum, December 2015.

Newhall, Edith. “Allora & Calzadilla, Philadelphia Museum of Art & Fabric Workshop and Museum Philadelphia,” Artnews, May 2015.

Rottenberg, Silvia. "MALBA comes alive with bold exhibit," Buenos Aires Herald, March 23, 2015.

Lew, Christopher Y. "Allora & Calzadilla," BOMB Magazine, January 26, 2015.

Gopnik, Blake and Christian Viveros-Fauné. "Allora & Calzadilla Test Interspecies Communication," Artnetm January 6, 2015.


2014

Nathan, Emily. "Allora & Calzadilla Fill Two Philly Museums With Choir Mashups and Whale Bone Songs," New York Observer, December 15, 2014.

Halle, Howard. "Allora & Calzadilla, Fault Lines," Time Out New York, October 9, 2014.

Vidrine, Art. “Confrontational Aesthetics: Choirboys Sing Insults in Allora & Calzadilla Performance,” ARTslant, October 2, 2014.

Ramey, Corinne. “The Art of Trash Talking Comes Alive at Chelsea Gallery,” The Wall Street Journal, September 15, 2014.

“Art Basel Picks Up The Performance Theme,” The Art Newspaper, June 2014, p.14

Mizota, Sharon. “Review: Allora & Calzadilla Celebrate Beauty, Oddity of Animal World,” LA Times, July 25, 2014.

Beck, Chelsea. “Review: Allora & Calzadilla at Redcat,” Blouin ArtInfo, July 27, 2014.


2013

Viliani, Andrea. “Allora e Calzadilla. La musica del potere,” Flash Art Italia, October/November, 2013.

“American Artistic Duo Allora & Calzadilla Takes Over Palazzo Cusani,” Huffington Post, October 25, 2013.

Allora & Calzadilla at Fondazione Nicola Trussardi,” Designboom, October 23, 2013.

“Allora & Calzadilla: Fault Lines,” e-flux, 2013.

Forster, Siegfried. “Le Festival d’automne à Paris s’ouvre avec un concert pour deux éléphants”, RFI.fr, September 13, 2013.

Lequeux, Emmanuelle. “Sons et Sens pour Allora et Calzadilla,” Le Monde, September 11, 2013, p.4

Moulene, Claire. “Unchained Melody,” Les Inrockuptibles, September 2013, p.16

“Allora & Calzadilla per Trussardi,” Marie Claire.it, September 20, 2013.

Kalmar, Stefan. “Allora & Calzadilla,” Artforum, September 2013, p. 197.

Byrt, Anthony. “The 5th Auckland Triennial,” Artforum, May 2013, p. 179.

Marino, John. “New York Arts Sponsor to Support Outdoor Puerto Rico Project,” Caribbean Business, Volume 41, No. 6., February 21, 2013.

“Allora & Calzadilla,” Jillmgrant’s Blog, February 7, 2013.

“Sydney Dance Company to Perform Allora and Calzadilla Artwork,” Artinfo, February 12, 2013.

Spada, Sabina. “La musica del potere,” ARTE, January 11, 2013.


2012

Luke, Ben. “Picks,” Artforum, January 2012.

Farquharson, Alex and Kaelen Wilson-Goldie, “Get Together,” Frieze, September 2012, p. 150 – 160.

Punj, Rajesh. “Allora & Calzadilla,” flashartonline.com, April 2012.

Turner, Brook. “Coup for Kaldor in Moving Ode to Art,” The Australian Financial Review, October 4, 2012.

Forrest, Nicholas. “Kaldor Snatches Allora & Calzadilla’s ‘Stop, Repair, Prepare’ for Australia,” Artinfo.com, October 23, 2012.

Herzberg, Julia P. “dOCUMENTA (13),” Arte al Dia International, Issue 140, p .90.


2011

“Work in Progress,” V Magazine, September 2011, p. 162-163.

Wilson-Goldie, Kaelene. “54th Venice Biennale,” Frieze, Issue 141, September 2011.

Navarrete, Jose Antonio. “Between Reflection and Affection,” Arte Al Dia International ed. 135, September 2011, p. 66-71.

Saltz, Jerry. “Notes on Venice Biennales,” Flash Art, July-September, 2011.

Mizota, Sharon. “’Paraiso’ at Ltd Los Angeles,” Los Angeles Times, July 14, 2011.

Jeffery, Phil. “Manchester International Festival: 11 Rooms of Interactive Art,” BBC News Manchester, July 14, 2011.

Rosenberg, Karen, “Going for the Gold,” Art in America, June-July 2011.

Scardi, Gabi. “Venice Biennale: The National Pavilions of the Giardini Surveyed,” Domus, June 22, 2011.

Vogel, Carol. “Stars of Venice Shine in Basel,” The New York Times, June 17, 2011.

Bodin, Claudia. “Allora & Calzadilla,” Art, June 2011.

Yablonsky, Linda. “Venice Biennale: Close Encounters,” Artnet Magazine, June 13, 2011.

Lindemann, Adam. “On Sale Now: The Venice Biennale!” The New York Observer, June 13, 2011.

Johnson, Paddy. “Venice Biennale Remainders: Allora and Calzadilla Aren’t So Bad, Christian Marclay’s ‘Timeless’ Clock, Scads of Flickr Photos,” Art Fag City, June 10, 2011.

Yablonsky, Linda. “Idol Rich,” Artforum, June 9, 2011.

“Art as a political game,” The Economist, June 9, 2011.

Finnegan, Molly. “U.S. Athletes are Part of the Art at Venice Biennale,” PBS, June 9, 2011.

“Allora & Calzadilla: Gloria at Venice art biennale 2011,” Design Boom, June 8, 2011

“Venice Biennale: Tough Subjects on the World’s Art Stage,” Artfix Daily, June 7, 2011.

Martin, JJ. “Venice Biennale 2011,” Wallpaper*, June 7, 2011.

McLean-Ferris, Laura. “54th Venice Biennale: Tapping the light fantastic,” The Independent, June 7, 2011.

Finkel, Jori. “At Venice Biennale, National Artists Know No Boundaries,” Los Angeles Times, June 6, 2011.

Hannaford, Kat. “An Overturned Army Tank is a Treadmill for Olympic Athletes,” Gizmodo, June 6, 2011.

“Highlights From the 54th Venice Biennale 2011,” Huffington Post, June 6, 2011.

“The Nine Best National Pavilions at the Venice Biennale,” ARTINFO, June 6, 2011.

Smee, Sebastian. “Biennale starts in fits: In Venice, standout artworks amid tumult,” boston.com, June 5, 2011.

Cumming, Laura. “The 54th Venice Biennale – review,” the Guardian, June 5, 2011.

Luse, Mimi, “Venice Biennale Dispatch, Part Two: Deconstructing Nationalism,” BlackBook, June 3, 2011.

Scott, Andrea. “Critics Notebook: Moving Piano” The New Yorker, 2011 p. 8.

Sutton, Benjamin. “America’s Allora & Calzadilla Crushing Competition at Venice Biennale,” The L Magazine, June 3, 2011.

Goldstein, Andrew M. “’It’s an Art Project, Let’s Keep it at That’: A Q&A With American Diplomat David Mees on the Politics of the U.S. Pavilion,” ARTINFO, June 2, 2011.

Goldstein, Andrew M. “Bound for Glory: Cavorting Athletes and Oblique Politics at the Debut of Allora & Calzadilla’s U.S. Pavilion in Venice,” ARTINFO, June 2, 2011.

Gonzalez, Laura. “U.S. Introspection in Venice,” Artlog, June 2, 2011.

Livesay, Christopher. “Art as ‘Smart Power’ At the Venice Biennale,” NPR, June 2, 2011.

Cameron, Dan. “Allora & Calzadilla: NO COMPETITION,” Art-it, June 1, 2011.

Smith, Roberta. “Venice Biennale: An Installation Art Contest,” NYTimes.com, June 1, 2011.

Yablonsky, Linda. “Jennifer Allora & Guillermo Calzadilla,” Interview, June 2011.

Hernandez Chong Cuy, Sofia. “Part of the Process,” Mousse, Summer 2011.

Higgins, Charlotte. “Tank turned into treadmill adds theatre to US Venice Biennale entry,” guardian.co.uk, June 1, 2011.

King, Elaine. “A Conversation with Allora & Calzadilla: Art as Monster,” Sculpture, June 2011.

“The US Pavilion at the 54th Venice Biennale 2011, Gloria by Jennifer Allora and Guillermo Calzadilla,” purple DIARY, June 2011.

“The Merchants of Venice,” W Magazine, 2011.

“2011 Preview: Venice Biennale,” Art+Auction, June 2011.

“Puerto Rico Based Artists Allora & Calzadilla Arrive at Venice Art Biennale,” Hispanically Speaking News, June 2, 2011.“Breadth in Venice,” Financial Times, June 4-5, 2011.

“Does an upside down tank with a jogger on top REALLY sell the U.S. at world’s leading arts festival?,” Daily Mail, June 3, 2011.

Saltz, Jerry. “Jerry Saltz on the Ugly American at the Venice Biennale,” NYMagazine.com, June 2, 2011.

“Musical ATM Goes on Display at Venice Biennale,” Finextra, June 1, 2011.

Crow, Kelly. “The Art World’s Olympics,” The Wall Street Journal, May 27, 2011.

Curiger, Bice. “My Biennale,” L’Uomo Vogue, May-June 2011.

Seliger, Mark. “Jennifer Allora E Guillermo Calzadilla,” L’uomo Vogue, May-June 2011.  

Gayford, Martin. “Venice Biennale Displays Upside-Down Tank, Ottoman Decay: Review,” Bloomberg, May 31, 2011.

Gopnik, Blake. “At Venice Biennale, U.S. Pavilion Somersaults Into Play,” The Daily Beast, May 31, 2011.

Gayford, Martin. “Koons, 52-Ton Tank, Sleazy Star Enliven European Summer: Preview,” Bloomberg, May 24, 2011.

Vogel, Carol. “War Machines (With Gymnasts),” The New York Times, May 15, 2011.

Vogel, Carol. “Pushing the limits in Venice,” The International Herald Tribune, May 14-     15, 2011.

Oliver, William. “Artist Interview: James Franco”, The Art Newspaper, March 2011.

Sheets, Hilarie. “Dynamic Duos”, Art News, February 2011.

“Stop, Repair, Prepare: Variation on Ode to Joy for a Prepared Piano,” ArtNexus.com, 2011.

Vogel, Carol. “Inside Art,” The New York Times, 2011.

“Allora & Calzadilla,” Poiesis, Volume Thirteen, 2011.          


2010

Howe, David Everitt. “Allora & Calzadilla’s Embodied Instrument,” Art in America, December 10, 2010.

Davis, Ben. “Striking Political NotesL A Q & A with Performance Duo Allora & Calzadilla,” Artinfo, December 2010.
Smith, Roberta. “I Just Popped Out To Play Beethoven,” The New York Times, December 9, 2010.
Yablonsky, Linda. “Two for One,” W Magazine, November 2010, p. 61-64.

Stollas, Helen. “Allora & Calzadilla to represent US in Venice,” The Art Newspaper, September 8,2010.

Vogel, Carol. “Art Team Represents U.S. at 2011 Venice Biennale,” The New York Times, September 8, 2010.

McKee, Yates. “Wake, Vestige, Survival: Sustainability and the Politics of the Trace in Allora and Calzadilla’s Land Mark”, October, vol. 133, Summer 2010.

Garcia, Cornelia. “Allora & Calzadilla, Lisson Gallery,” Modern Painters, Summer 2010, p. 17.

Freude Schoner Gotterflugel. “Allora & Calzadilla @ Julia Stoschek Collection,” www.eiskellerberg.tv, 2010.


2009

Cotter, Holland, “Times Are Tough? Bring on Vermeer and the Pianos," The New York Times, December 17, 2009.

Schambelan, Elizabeth, “Being There,” Artforum, January 2009, p. 175.

Motta, Carlos, “Allora & Calzadilla,” Bomb, Number 109, Fall 2009, p. 64 - 71.

Wiley, Chris, “The Party is Over: Allora & Calzadilla’s Monstrous Art,” Kaleidoscope, March-April 2009, p. 18-22.

Saltz, Jerry, "Top of the Ninth," New York Magazine, February 23, 2009.

Droitcour, Brian, "Critics' Pick: Allora & Calzadilla," Artforum.com, 2009.

"Bones Beat: Allora & Calzadilla's Stop, Repair, Prepare at Gladstone Gallery," VillageVoice.com, February 5, 2009.

Mack, Joshua, “Allora & Calzadilla: Stop, Repair, Prepare,” Art Review, April 2009, p. 84, 86.

Taylor, Kate, “Nothing Lasts Forever,” Manhattan: Modern Luxury, May/June, 2009, p. 50-52, 119.

Cotter, Holland, "Allora & Calzadilla: Stop, Repair, Prepare," The New York Times, January 30, 2009.

Yablonsky, Linda, “You Had to Be There,” ARTnews, June 2009.

“Allora & Calzadilla,” Arte al Dia International, May/June/July, 2009, p.106.


2008

De Ruiter, Marinus, “Allora & Calzadilla," The Wire, no. 295, September 2008.

McDonough, Tom, “Use What Sinks," Art In America, January 2008, p. 83-87.

Charlesworth, J.J., "Shaping Politics," Art Review, January 2008, p. 70-73.

Rathgeber, Pirkko, “Allora & Calzadilla,” Flash Art Vol. XLI No. 262, October 2008, p. 141.


2007

“Allora & Calzadilla,” Tema Celeste, May/ June 2007, p. 88.

Wei, Lilly, "Report from Richmond: Light Fantastic," Art in America, September 2007, p. 83.

"The Artists' Artists," Artforum, December 2007, p. 122.

Charlesworth, J.J. "Power Plays," Art Review, October 2007, p. 82 - 85.

Bishop, Claire, "10th International Istanbul Biennial," Artforum, November 2007, p. 360 - 361.

Falguiéres, Patricia, "Archipelago," Parkett, No 80, 2007, p. 30-35.

Mckee, Yates and Jaleh Mansoor, "The Sediment of History," Parkett, No 80, p. 42-48.

Walker, Hamza, "Wake Up Call," Parkett, No 80, p. 56-62.

Cruger, George, "Artificial Light," D'Art International, Fall 2006, p. 35-37.

Morgan, Jessica, “What to see this month: Jennifer Allora and Guillermo Calzadilla,” Art Review, June 2007, Issue 12, p. 44.

Feldman, Hannah, “Sound Tracks: The Art of Allora and Calzadilla,” Artforum, May 2007, p. 336- 341, 396.

O'Reilly, Sally, "Trumpets and Turtles," Frieze, Issue 108, June, July, August, 2007, p. 204-207.

Feldman, Hannah, “Allora and Calzadilla,” Artforum, May 2007, pg. 196.

Ward, Ossian, “Clamor: Serpentine Gallery,” Time Out London, April 25 - May 1, 2007.

Lynskey, Dorian, “Torturer’s jukebox: The bunker contains the sound of modern warfare. And even its makers don’t like it,” The Guardian, April 24, 2007.

Hackworth, Nick, “Allora and Calzadilla Clamor,” Evening Standard, April 19, 2007.

Macdonald, Fiona, “Allora and Calzadilla Clamor,” Metro London, April 19, 2007.

Jacobs, Bell, “That’s the sound of violence,” Metro, April 12, 2007, p. 19.

“Arts Brief,” The New York Times, April 10, 2007.  

Cripps, Charlotte, “Visual Arts: Clamor,” The Independent, April 2, 2007, pg. 21.

Schapiro, Rose, "A Spring Reveille Allora and Calzadilla answer the call at the Ren Society," Chicago Weekly, March 29, 2007, pg. 3.

Lopez, Ruth, "Smell the Coffee: Allora and Calzadilla urge viewers to Wake Up at the Renaissance Society," Time Out Chicago, March 22-28, 2007, p. 67.

Myers, Terry, “Allora & Calzadilla,” Modern Painters, March 2007.

Artner, Alan G., “Intersection of minimalism, politics,” Chicago Tribune, March 22, 2007, p. 3.

Ruf, Beatrix, “Allora and Calzadilla,” Monopol, January 2007, p. 88.

Ryan, Paul, “Artificial Light,” Art Papers, March/April 2007, p. 48-49.

Turner, Elisa, “Allora and Calzadilla Spotlighted at Two South Florida Venues,” The Miami Herald, February 4, 2007, p. 3M.

Smith, Roberta, “Art in Review: Cosmologies,” The New York Times, February 2, 2007.


2006

Allora, Jennifer and Guillermo Calzadilla, “Questionaire,” Frieze, January/ February 2006, p. 164.

Bonnet, Frédéric, “Allora and Calzadilla,” Le Journal des Arts, June/ July 2006.

Cirauqui, Manuel, “Jennifer Allora & Guillermo Calzadilla. Reading the Territory,” LAPIZ, October 2006.

McKee, Yates, “Interview: Allora and Calzadilla,” UOVO, December 2006, p. 26-47.

Morgan, Jessica, “Allora and Calzadilla,” Work in Progress, Autumn/ Winter 2006/2007, p. 26.

Yabroff, Jennie, “This Land Is My Land,” Newsweek, November 20, 2006.


2005

Baker, Kenneth, “Short Videos Can Pack Multiple Meanings into Little Time,” San Francisco Chronicle, January 2005.

Bishop, Claire, “Remote Possibilities: A Round Table Discussion and Land Art’s Changing Terrain,” Artforum, Summer 2005.

Iles, Chrissie, Tirdad Zolghadr and Ralph Rugoff, “Venice Biennial 2005,” Frieze, September 2005.

Kastner, Jeffrey, “The Center of Attention,” Artforum, May 2005.

Manacorda, Francesco, “Entropology: Monuments to Closed Systems,” Flash Art, April 2005.

Gropello, Giulio, Jennifer Allora and Guillermo Calzadilla, “That Sinking Feeling,” Artforum, September 2005, p. 22.

Obrist, Hans Ulrich, “Allora and Calzadilla Talk About Three Pieces in Vieques,” Artforum, March 2005, p. 205.

Karman Cubina, Silvia, “Allora & Calzadilla’s Floors,” Art Nexus, January/March 2005, p. 74-77.

McKee, Yates, “Allora & Calzadilla: The Monstrous Dimension of Art,” Flash Art (International Edition), January/February 2005, p. 96-99.

“The Venice Biennale, a leading showcase for avant-garde art, opened in mid-June,” National Review, July 4, 2005.


2004

Feinstein, Roni, “Miami Beach in December: cool stuff,” Art in America, December 2004.

Fyfe, Joe, “Jennifer Allora and Guillermo Calzadilla at Chantal Crousel,” Art in America, November 2004.

Dethridge, Anna, “The control of territory and social imagery,” Domus, March 2004, p. 108-109.

Manacorda, Francesco, “Allora & Calzadilla: Lisson,” Flash Art (International Edition), July/September 2004, p. 118.


2003

“Puerto Rican Light: Jennifer Allora and Guillermo Calzadilla (2003-05-17 until 2003-07-20)” Americas Society, Absolutearts.com.


2001

Turner, Grady, “Sweet Dreams- seventh Havana Biennial exhibition, Cuba,” Art In America, October, 2001.

León, Dermis P., “Havana, Biennial, Tourism: The Spectacle of Utopia,” Art Journal, Winter 2001, p. 68-73.


1998

 Benítez, Marimar, “Neurotic Imperatives: Contemporary Art from Puerto Rico,” Art Journal, Winter 1998, p. 74-85.