Matthew Barney

MATTHEW BARNEY

Exhibition Catalogues, Artist’s Books, and Monographs


2016

Matthew Barney: Otto Trilogy. New York: Gladstone Gallery, 2016.

Matthew Barney: Bildungsroman. Oslo: Astrup Fearnley, 2016.


2015

Marcopoulos, Ari. Fumes. New York: Karma, 2015.


2014

Enwezor, Okwui. Matthew Barney: River of Fundament. New York: Skira Rizzoli, 2014. 


2013

Obrist, Hans Ulrich. The Conversation Series 27: Matthew Barney.  Koln: Verlag der Buchhandlung Walther König, 2013. 

Subliming Vessel: The Drawings of Matthew Barney. New York: Skira Rizzoli, 2013.


2012

Matthew Barney: polimorfismo multimodalita neobarocco. Milan: Silvana Editoriale, 2012.


2011

Matthew Barney: DJED Playbill, feat. “I Am Yesterday I Know Tomorrow” by Angus Cook, Gladstone Gallery, New York


2010

Matthew Barney: KHU Playbill, feat. “Osiris in Detroit” by Angus Cook, Barney Studio, New York

Matthew Barney: DRAWING RESTRAINT Volume 6, Schaulager/Laurenz Foundation, Basel

Matthew Barney: Prayer Sheet with the Wound and the Nail, Schaulager, Switzerland, Schwabe Verlag Basel


2009

Matthew Barney • Elizabeth Peyton Blood of Two, Deste Foundation Centre for Contemporary Art, Greece, Walther Koenig


2007

Matthew Barney: DRAWING RESTRAINT Volume 5, Verlag der Buchhandlung Walther König,Köln, Germany

Matthew Barney: DRAWING RESTRAINT Volume 4, JMc & GHB Editions, New York

Matthew Barney, Sammlung Goetz, Munich

Matthew Barney: Kaiserring 2007,  Mönchehaus Museum für moderne Kunst, Goslar, Germany, Eulogy by Dr. D. Ronte


2005

Matthew Barney: DRAWING RESTRAINT Volume 1, Verlag der Buchhandlung Walther König, Köln, Germany

Matthew Barney: DRAWING RESTRAINT Volume 2, Uplink Co., Tokyo

Matthew Barney: DRAWING RESTRAINT Volume 3, Leeum, Samsung Museum of Art, Seoul


2003

Matthew Barney: The Cremaster Cycle, Astrup Fearnley Museet for Moderne Kunst, Oslo


2002

Spector, Nancy and Neville Wakefield, Matthew Barney: The Cremaster Cycle, Harry N. Abrams Inc., and Guggenheim Museum Publications, New York

Matthew Barney/ The Cremaster Cycle, Meeting House Square, Temple Bar, Dublin 


1999

Matthew Barney: CREMASTER 2, Walker Art Center, Minneapolis


1997

Matthew Barney: CREMASTER 5, Portikus Frankfurt, Germany and Barbara Gladstone Gallery, New York

Matthew Barney: CREMASTER 1, Kunsthalle Wien, Museum für Gegenwartskunst Basel


1995

Matthew Barney: CREMASTER 4, Fondation Cartier, Paris and Barbara Gladstone Gallery, New York, Essay by James Lingwood

Matthew Barney: PACE CAR FOR THE HUBRIS PILL, Museum Boymans van Beuningen, Rotterdam

Matthew Barney: DRAWING RESTRAINT, Cantz Verlag, Ostfildern, Germany, Essay by Klaus Kertess


1991

MATTHEW BARNEY: New Work, San Francisco: San Francisco Museum of Modern Art

Selected Group Exhibitions Catalogues/Books


2015

Writers Respond: Storylines: Contemporary Art at the Guggenheim, New York: Solomon R. Guggenheim Foundation, 2015.

Whitney Museum of American Art: Handbook of the Collection, New York: Whitney Museum of American Art, 2015.

Schwartz, Alexandra. Come As You Are: Art of the 1990s. Montclair: Montclair Art Museum, 2015.

Artistes et Architecture: Dimensions variables. Paris: Editions du Pavillon de l’Arsenal, 2015.


2014

Intenzione Manifesta: Il Disegno in Tutte Sue Forme. Torino: Castello di Rivoli Museo D'Arte Contemporanea, 2014.

A Secret Affair: Selections from the Fuhrman Family Collection. Austin: The Contemporary Austin, 2014.


2013

Altars of Madness. Luxembourg: Casino Luxembourg, 2013. 

NYC 1993: Experimental Jet Set, Trash and No Star. New York: New Museum, 2013.

For øjeblikket Samtidskunst til Billedkunst. Denmark: Lindhardt og Ringhof, 2013.


2012

The Circus as a Parallel Universe (Parallelwelt Zirkus). Vienna: Kunsthalle Wien, 2012.

Regarding Warhol: Sixty Artists Fifty Years. New York: Metropolitan Museum of Art, 2012.

Kvaran, Gunnar. To Be With Art is All We Ask. Oslo: Astrup Fearnley, 2012.

V15IONS: 15 Years Deutsche Guggenheim. Berlin: Deutsche Bank AG, 2012.


2011

Dion, Mark, Oceanomania, Nouveau Musée National de Monaco, 2011

Defining Contemporary Art – 25 years in 200 pivotal artworks. London: Phaidon, 2011

Albert Oehlen.  Nimes: Musée D’Art Contemporain de Nimes, 2011.

The Luminous Interval: The D. Daskalopoulos Collection. Bilbao: Guggenheim Bilbao, 2011.

The Mask & The Mirror. New York: Leila Heller Gallery, 2011.

Danser Sa Vie. Paris: Editions du Centre Pompidou, 2011.

NOMA 100: Gifts for the Second Century: Celebrating the Centennial of the New Orleans Museum of Art. New Orleans: New Orleans Museum of Art, 2011.

Smith, Marianne W. Albright-Knox Art Gallery: Highlights of the Collection. London: Scala, 2011.


2010

Skin Fruit, New Museum, New York, D.A.P., New York, 2010


2009

Matthew Barney: DRAWING RESTRAINT Volume 2, Whitney Biennial 2010 exhibition catalogue, Whitney Museum of American Art, Yale University Press, 2010


2008

Beck, Hubert, and Günter Engelhard, Index: Fotografie, - DZ Bank Sammlung Im Städel

Museum, Hatje Cantz Verlag, Ostfildern, 2008

Bousteau, Fabric, ed., Qu’est-ce que L’Art Vidéo Aujourd’hui? Beaux Arts Editions, Boulogne, France, 2008

Strickland, Carol, The Annotated Mona Lisa," Andrew McMeel Publishing, Kansas City, 2008

Love is a prison. Love is a possibility, Bayerische Staatsoper, München, 2009

Las Implicaciones de la Imagen, Museo Universitario de Ciencias y Arte, Mexico City, 2008

Art Editions 6, Edition Schellmann, New York, 2008

Stations: 100 Masterpieces of Contemporary Art, DuMont Buchverlag, Köln

Qu’est-ce que La Sculpture Aujourd’hui? Caroline Cross, Beaux Arts Editions

Time Crevasse, Yokohama International Triennale of Contemporary Art, 2008


2007

Into Me/Out of Me, KW Institute for Contemporary Art, P.S.1 Contemporary Art Center, Hatje Cantz, Ostfildern, 2007

Gioni, Massimiliano, Supercontemporary: Matthew Barney, Electa, New York, 2007

I Am As You Will Be: The Skeleton in Art, Cheim & Read, New York, 2007

Art Now: 2008 Taschen Diary, Taschen, 2007

Brasil Des Focos, Banco do Brasil, Brasil, 2007

Sculptors Drawing, Aspen Art Press, Aspen, 2007

Davidson, Susan, ed., "Art in America: 300 Years of Innovation," Merrell, New York, 2007

"Matthew Barney," Frieze Art Fair: Yearbook 2007-08, Frieze, London, 2007

Gielen, Denis, Atlas of Contemporary Art For Use By Everyone, Musée des Arts Contemporains au Grand-Hornu, Belgium, 2007

Kvaran, Gunnar B. et al., Not all is Visible, Astrup Fearnley Museum of Modern Art, Oslo, 2007

De Corral, Maria and John R. Lane, Fast Forward: Contemporary Collections for the Dallas Museum of Art, Yale University Press, New Haven and London, 2007

Schneider, Eckhard, Mythos, Kunsthaus Bregenz, 2007


2006

Garbagna, Crista, C’era Una Volta Un Re: La Fiaba Contemporanea, Arcos/Electa, 2006

 Esquiador en el fondo de un pozo, La Fondación Jumex, Ecatepec de Morelos, 2006

 Schmidt, Jason, Artists, Edition 7L, Paris, 2006

Rogers, Henry, and Aaron Williamson ed., Art Becomes You, Article Press, Birmingham

Richer, Francesca, and Matthew Rosenzweig, No. 1: First Works by 362 Artists, DAP, New York

The Eighth Square: Gender, Life, and Desire in the Arts since 1960, Hatje Cantz, 2006

Catalogue, Dark Places, Santa Monica Museum of Art, Santa Monica, 2006

Aitken, Doug, Broken Screen: 26 Conversations with Doug Aitken, New York, DAP, 2006

Adams, Laurie Schneider, Exploring the Humanities: Creativity and Culture in the West Vol. 2, New Jersey: Pearson Prentice Hall, 2006


2005

Paparoni, Demetrio, L’arte contemporanea e il suo metodo, Grafica Veneta S.p.A. di Trebaseleghe, Venice, 2005

Marsh, Margaret, Michelle Watts, and Craig Malyon, eds., Art 2: Practice, Oxford University Press, New York, 2005, p. 257

Art Now Vol 2, Taschen, New York, 2005

Les Grand Spectacles: 120 Jahre Kunst und Massenkultur, Museum der Moderne Salzburg und die Autoren, 2005

“L’art du Xxe Siecle: De l’art Moderne a l’art Contemporain 1939- 2002,” Citadelles & Mazenod,  Paris, 2005

Mahon, Alyce, Eroticism & art, Oxford University Press, New York, 2005

Grunenberg, Christoph, and Jonathan Harris, eds., Summer of Love, edited, Liverpool University Press, London, 2005

Uberschonheit: About Beauty, Haus der Kulturen der Welt, Germany, 2005


2004

Il Bello e le bestie. MARTA, Skira Ginevra, Milano,  2004

Fondation Cartier pour l’art contemporain. Paris, Cartier Foundation, 2004

Bonami, Francesco, ed.,  Bidibidobidiboo:  Works from Collezione Sandretto Re Rebaudengo, Skira Editore S.p.A., Milano, 2005

Deitch, Jeffrey, ed., Monument to Now, The Dakis Joannou Collection, DESTE Foundation for Contemporary Art, Athens, 2004

Coetzee, Mark, Not Afraid: Rubell Family Collection,  Phaidon Press, New York, London, 2004

Sinnreich, Ursula, “Uber die poetische Hydraulik des Wagenhebers oder wie Matthew Barney,” Kurt, Basel, 2004

Beatrice, Luca, L’arte in testa, MACI: Museo Arte Contemporanea Isernia, 2004

Rotterdam 33rd International Film Festival, Catalogue, 2004


2003

Schwerfel, Heinz Peter, Kinoundkunst: Eine Liebesgeschichte, Dumont, Germany, 2003

Black Box Illuminated.  Propexus:  Lund, Sweden, 2003, essay by Saul Anton, pp.9-24

Fast Forward:  Media Art Sammlung Goetz, Kunstverlag Ingvild Goetz G.m.b.H: Karlsruhe, 2003

Subjective Realities, The Refco Group, LTD,New York and Chicago, 2003

Molesworth, Helen, Image Stream. Ohio State University: Wexner Center for the Arts, 2003

Himmel & Helvete: Amerikansk og tysk samtidsfotografi. Kistefos-Museet, Labyrinth Press, 2003

Moving Pictures: Contemporary Photography and Video from the Guggenheim Museum Collections, The Solomon R. Guggenheim Foundation, New York, 2003

Ein / Blicke in Privat / Sammlungen, Zeitgenössische / Fotografie. Museum Folkwang Essen, 2003

Schumacher, Rainald and Matthias Winzen, Just Love Me: Post\Feminist Positions of the Weintraub, Linda, 1990s from the Goetz Collection. Köln: Verlag der Buchhandlung, Walther König, 2003

In the Making: Creative Options for Contemporary Art, By, DAP, New York, 2003


2002

Art Tomorrow, Edward Lucie-Smith, Paris 2002

HAUTNAH, “Interview between Matthew Barney and Thyrza Nichols Goodeve,” Munich, 2002


2001

Voilà, le Monde dans la Tête, Musée d’Art de la Ville de Paris, Paris, 2001

Steiner, Wendy, and William Heineman, The Trouble with Beauty, London

Ten Photographers, Galleri K, Oslo

American Art from the Goetz Collection, Galerie Rudolfinum, Prague

ART NOW, Burkhard Riemschneider and Uta Grosenick, Taschen, 2001

Die Sammlung Olbricht Teil 2, First View, Wolfgang Schoppmann and Neues Museum Weserburg Bremen, Sammlung Olbricht Essen, 2001

The Glen Dimplex Artists Award Exhibition 2001, Caoimhin Mac Giolla Léith and Annie

Fletcher, Irish Museum of Modern Art, Irish Museum of Art, 2001

Parkett, Collaborations and Editions since 1984, Deborah Wye and Susan Tallman, Parkett Publishers, 2001

Storr, Robert, Art: 21, Art for the Twenty First Century, Harry N. Abrams, Inc., New York, 2001


2000

Art at Work:  Forty Years of the JP Morgan Chase Collection, The Chase Manhattan Corporation, New York, 2000

Anton, Saul, Fiction or Other Accounts of Photography, Dazibao, Montreal, Canada

Invisible London, Ellipses, London, 2000

Curiger, Bice, and Christoph Henrich, Hyper Mental, Kunsthaus Zurich, 2000

Varnedoe, Kirk, and Paola Antonelli, Joshua Siegel, Art At MoMA Since 1980, Museum Of Modern Art, New York, 2000

Warr, Tracey, and Amelia Jones, The Artists Body, Phaidon Press, 2000

Storr, Robert, Modern Art Despite Modernism, The Museum of Modern Art, New York, 2000

Voilà, le monde dans la tête, Musée d’art moderne de la ville de Paris, June-October 2000


1997

“Rrose is a Rrose is a Rrose,” Gender Performance In Photography, Solomon R. Guggenheim Museum, New York, 1997


1995

Altered states: American Art in the 90's, Forum for Contemporary Art, St. Louis, MO, 1995, p.24

The Masculine Masquerade. MIT List Visual Arts Center, Cambridge, Massachusetts, January-March 1995, pp.102-103, ill


1994

Acting Out (The Body In Video: Then and Now), The Royal College of Art, London, 1994. ill (and cover)


1993

Witte de With - Cahier #1, Witte de With, Rotterdam, Netherlands, October, 1993, ill

Aperto '93 Emergency, XLV Biennale de Venezia.  Giancarlo Politi Editore, Milan, Italy, May 1993. pp. 236-7, ill

1993 Biennial Exhibition, Whitney Museum of American Art, New York, 1993


1992

Documenta IX,  Edition Cantz, Stuttgart / Abrams, New York, Kassel, 1992, Vol. 1, p. 115; Vol. 2, pp. 32-5

General Art Books


2013

Grovier, Kelly. 100 Works of Art That Will Define Our Age. London: Thames & Hudson, 2013.

Holzwarth, Hans Werner. Art Now Vol 4. Cologne: Taschen, 2013. 

Serrus, Charlotte. Glissades: Instabilité, indistinction et postures humoristiques à l’ère dite postmoderne. Aix-en-Provence: Presses Universitaires de Provence, 2013. 


2012

Perl, Jed. Magicians and Charlatans: Essays on Art and Culture. New York: Eakins Press Foundation, 2012.

Gateways to Art: Understanding the Visual Arts. New York: Thames & Hudson, 2012.

Müller, Ulrich. Joseph Beuys: Parallelprozesse: Archäologie einer Künstlerischen Praxis. Munich: Hirmer Verlag, 2012.

The Art Book. London: Phaidon Press, 2012.

Gielen, Denis. S.F. Art Science & Fiction. Hornu: Musée des Arts Contemporains au Grand-Hornu, 2012.

Finger, Brad. Modern Art: The Groundbreaking Moments. Munich: Prestel, 2012.


2011

Petry, Michael. The Art of Not Making: The New Artist/Artisan Relationship. London: Thames & Hudson, 2011.

Contemporary Art in North America. London: Black Dog Publishing, 2011.

Are You Experienced? How Psychedelic Consciousness Transformed Modern Art. London: Prestel, 2011.

Vervoordt, Axel, ed. TRA: Edge of Becoming. Belgium: Vervoordt Foundation, 2011.

Parent, Francis. Le Portrait dans l’art contemporain. Arcueil: Editions Patou, 2011.


2010

Olivares, Rosa, ed., 100 Video Artists, EXIT Publicaciones, Madrid, 2010


2007

Keith Edmier 1991 – 2007, Bard College Center for Curatorial Studies, New York, 2007


2006

Higgins, Steven, Still Moving The Film and Media Collections of the Museum of Modern Art, The Museum of Modern Art, New York, 2006


2004

Lovejoy, Margot, Digital Currents:  Art in the Electronic Age, Routledge, New York, 2004

Anker, Suzanne, and Dorothy Nelkin, The Molecular Gaze: Art in The Genetic Age, Cold Spring Harbor Laboratory Press, New York, 2004

Video 25 Jahre Videoästhetik Hatje Cantz Verlag:  Düsseldorf, 2004


2003

Naldi, Fabiola, I'll Be Your Mirror, Rome, 2003

Andersen, Karin, and Roberto Marchesini, Animal Appeal: Uno Studio sul Teriomorfismo, Hybris, Bologna, 2003

Boutoux, Thomas, ed., Hans Ulrich Obrist Interviews, Volume 1: Edizioni Charta: Milan, 2003

Onfray, Michel, Archéologie du Présent: Manifeste pour une esthétique cynique, Adam Biro, Paris, 2003

Sparks, Karen J., “Redefining Art.” Encyclopedia Britannica: 2002-03 Year in Review, Encyclopedia Britannica


2002

Kertess, Klaus, Photography Transformed: The Metropolitan Bank & Trust Collection, Harry N. Abrams Inc., New York, 2002

Honour, Hugh, and John Fleming, A World History of Art, Laurence King, 2002


2001

Getlein, Mark, Living with Art,  McGraw Hill, New York, 2001


1998

History of Modern Art, Fourth Edition, Harry N. Abrams Inc., New York, 1998


1997

Gender Performance In Photography, Solomon R. Guggenheim Museum, 1997


1996

The 20th Century Art Book, Phaidon, London, 1996

Selected Articles and Reviews


2017

Farago, Jason. "Matthew Barney," Even Magazine, Issue 6, Spring 2017. 


2016

Saltz, Jerry. "A New Show Restages Matthew Barney's 1991 Breakthrough, and It's Even Better the Second Time," New York Magazine, October 17, 2016.

Gopnik, Blake. "Matthew Barney's Early Work Is Messed Up, and It Rivals Cezanne." artnet News, October 13, 2016.

Johnson, Ken. "Matthew Barney: 'Facility of DECLINE,'" The New York Times, October 7, 2016.

Smith, William S. "Matthew Barney," Art in America, October 6, 2016.

Krasinski, Jennifer. "Matthew Barney at Gladstone: Gorgeous, Creepy, and Sublimely Strange," The Village Voice, October 5, 2016.

McNicholas, Darragh. "MATTHEW BARNEY: Facility of Decline," The Brooklyn Rail, October 4, 2016.

Gutkin, Len. “Matthew Barney’s ‘Excrementitious’ Transcendentalism: On ‘River of Fundament,’” Los Angeles Review of Books, April 8, 2016.

Smee, Sebastian. “Barney’s extravagant video opera washes into MFA,” Boston Globe, January 28, 2016.


2015

Holubiak, Ian. “Matthew Barney’s ‘River of Fundament’ Celebrates Norman Mailer and Ancient Ritual,” Classicalite, December 9, 2015.

Kenny, Glenn. “Review: In ‘River of Fundament,’ Matthew Barney Contemplates Waste,” The New York Times, December 3, 2015.

“Matthew Barney and Jonathan Bepler Talk ‘River of Fundament’ on Pitchfork.tv,” Pitchfork, December 3, 2015.

Swenson, Eric Minh. “Matthew Barney and the Fountain of Youth,” Huffington Post, September 25, 2015.

Kennedy, Randy. “Matthew Barney’s Most Punishing Tour: River of Fundament,” The New York Times, September 16, 2015.

Hoffman, Jordan and Alex Needham. “Matthew Barney’s Cremaster Cycle: nine hours of ‘challenging’ art on film,” The Guardian, July 14, 2015.

Byrt, Anthony. "Reviews: Matthew Barney Museum of Old and New Art," Artforum, May 2015.

Schjeldahl, Peter. "New York Odyssey," The New Yorker, April 27, 2015.

"Top 100 Artists Worldwide," Zeit Kunstverlag, March 20, 2015.

Crawford, Ashley. "Matthew Barney's River of Fundament," The Saturday Paper, February 14, 2015.

Rees, Lucy. "Matthew Barney," Flash Art, January — February 2015.

Fortescue, Elizabeth. "Matthew Barney: Exploring the Myths," The Art Newspaper, January 2015.

Buffalo Mailer, John. "Modern Myth," Wallpaper, January 2015.

Barney, Matthew. Wallpaper, January 2015.


2014

Simonini, Ross. "Both and Neither: On Matthew Barney, Debbie Harry and the Uncanny," Artand, December 2014.

Searle, Adrian. “Matthew Barney: ‘My work is not for everyone,’” The Guardian, June 16, 2014.

Skeggs, Toby. “Wagner had a word for it: gesamtkunstwerk. Matthew Barney’s epic film ‘River of Fundament’ makes its Swiss debut at Art Basel,” The Art Newspaper, June 18, 2014.

Reiman, Joshua. “The Drama of Proportion: A Conversation with Matthew Barney,” Sculpture, May 2014, p.30-37.

Simonini, Ross. “Black Water: Combustion and Digestion in Matthew Barney’s Latest Work,” Frieze, May 2014, p.29-30.

Greenberg, Kevin. "Matthew Barney." PIN-UP Magazine, Summer 2014, p.129-133.

Ebony, David. “Matthew Barney: New York- Brooklyn Academy of Music,” Art in America, May 2014, p.169-170.

Pieknik, Matt. “Crude Thoughts & Fierce Forces: Matthew Barney’s ‘River of Fundament’,” The American Reader, 2014.

“These Weary Territories: A Conversation Between Matthew Barney and Okwui Enwezor,” Modern Painters, April 2014, p. 64- 73.

“Whitechapel Gallery and ENO Collaborate With Matthew Barney in New Exhibition,” Artlyst, March 29, 2014.

"Matthew Barney and Gaspar Noé," Bomb​, Spring 2014, p.37-43.

Scarano, Ross. "Sh*t Talking: A Conversation About Artist Matthew Barney's Epic Film 'River of Fundament,'" Complex Art + Design, February 18, 2014.

Ricciardi, Nicola. “Matthew Barney & Jonathan Bepler ‘River of Fundament (2014)’,” The Brooklyn Rail, March 4, 2014.

Hickling, Alfred. “River of Fundament review- Matthew Barney’s magnum opus is calculated to divide opinion,” The Guardian, March 3, 2014.

Creahan, D. "New York- The World Premiere of Matthew Barney and Jonathan Bepler's River of Fundament at BAM," Art Observed, March 2, 2014.

Battaglia, Andy. “River of Fundament,” Paris Review, February 12, 2014.

Yablonsky, Linda. “Art Matters |  Sexy Beast,,” T Magazine, February 7, 2014.

Cheng, Susan. “Matthew Barney Will Make His Debut at the Brooklyn Academy of Music With Another Stunning Film,” Complex, February 4, 2014.

 


2013

Chroman, Brooke. “A Conversation With Matthew Barney,” The Travel Almanac, Autumn 2013, pp. 44-53.

“Matthew Barney,” Modern Painters, October, 2013, p. 107.

Akel, Joseph. "Subliming Vessel: The Drawings of Matthew Barney," Art Review, September, 2013, p. 158.

Hoby, Hermione. “Matthew Barney Interview: ‘It’s what’s outside the frame that’s scary,’” The Telegraph, July 13, 2013.

McCoy, Ann. “Subliming Vessel: The Drawings of Matthew Barney,” The Brooklyn Rail, July 15, 2013.  

Nichols Goodeve, Thyrza. “The Library For Non-Amnesiacs: A Possible Reading of Matthew Barney’s Drawings,” The Brooklyn Rail, July 15, 2013. 

Tavecchia, Elena. “Subliming Vessel: The Drawings of Matthew Barney,” Mousse, Issue 39, Summer 2013, p. 188-190.

Micchelli, Thomas. “Bridge to Nowhere: Matthew Barney’s Drawings,” Hyperallergic.com, June 15, 2013.

Esplund, Lance. “Barney Incest, Messy Remnant; Met’s Boxer: Lance Esplund,” Bloomberg.com, June 15, 2013.

Pollack, Maika. “‘Subliming Vessel: The Drawings of Matthew Barney’ at the Morgan Library & Museum,” GalleristNY, June 18, 2013. 

Epstein, Edward M. “Mythology, Mortality, Mailer, and Vaseline: Matthew Barney at the Morgan,” Artcritical, June 12, 2013. 

Frank, Priscilla. “Matthew Barney’s New York Summer: Avant-Garde Art Darling Talks New Projects,” The Huffington Post, May 24, 2013. 

Cotter, Holland. “Fixations of a Fabulist, Hermetic and Mystical,” The New York Times, May 9, 2013. 

Cope, Mitch and Gina Reichert. “Lance Mountain and Matthew Barney,” Juxtapoz, February 2013, p. 38-47.

Vogel, Carol. “Matthew Barney Heads to the Morgan Library,” The New York Times, March 1, 2013.

Milliard, Coline. “From Death to Death and Other Small Tales,” Modern Painters, Vol. XXV No. 3, March 2013, p. 95.

Campbell-Dollaghan, Kelsey. “Matthew Barney Creates A Skateboard That Doubles as a Pencil,” Fast Company, February 2013.

“Updated: Matthew Barney, The Cremaster and the Markers of an Invisible Masculinity,” Seattle Post Intelligencer, February 2013.


2012

Romero, Simon “A Keeper of a Vast Garden of Art in the Hills of Brazil,” The New York Times, March 9, 2012.

Battaglia, Andy “An Artist’s River Journey Into a Writer’s World,” The Wall Street Journal, October 27 2012, p. A22.

Cotter, Holland, “Here’s Looking at You, Conceptualism,” New York Times, September 6, 2012.

Smith, Liz, “My ‘Ancient Evenings’ with Norman Mailer,” Chicago Tribune, September 7, 2012

“Museum Says Doomsday is not Here, Matthew Barney’s Norman Mailer Barge, and More,” Artinfo.com, October 29, 2012.


2011

Kastner, Jeffrey, “Matthew Barney: Gladstone Gallery,” Artforum, December 2011, p. 250.

Belcove, Julie. “Forged in Myth,” Financial Times, September 3/September 4, 2011, 12

Fioretti, Fabiana. “Matthew Barney and Piombo,” Italian Vogue, June 16, 2011

Gaddy, James. “For New Sculpture, Matthew Barney Dredges Up A Drowned 1967 Chrysler”, Fast Co. Design, October, 2011.

Heinrich, Will. “Richard Serra’s Junction/Cycle at Gagosian Gallery and Matthew Barney’s DJED at Gladstone Gallery,” New York Observer, September 20th, 2011

Prengel, Kate. “Junkyard of the Future,” CityArts, October 12, 2011

Saltz, Jerry. “Imported From Detroit,” New York Magazine, September 23, 2011

Thackara, Tess. “Drawing Restraint 17,” Art Practical, April 30, 2011

Warren, Tamara. “DJED: Matthew Barney x The Remains Of A 1967 Chrysler Imperial”, Forbes, October 5, 2011.

Yablonsky, Linda. “Artifacts: Matthew Barney.” New York Times Style Magazine. September 26, 2011.

“Matthew Barney, DJED, Ancient Evenings, Detroit, and a 1967 Chrysler Crown Imperial”, Juxtapoz, October 24, 2011.


2010

“Khu & The Gang”, Interview Magazine, Dec. 2010

Latimer, Quinn. “Matthew Barney.” Frieze. September 2010, Issue 133, p. 138-9.

Carducci, Vince. “Matthew Barney’s Heart of Darkness.” Brooklyn Rail. October 2, 2010, p. 30.

James, Nicholas, “Ancient Evenings, Ancient Rituals,” ArtSlant, February 14, 2010

Mack, Joshua, “Matthew Barney + Jonathan Bepler”, Art Review, December 2010, #46

Helfand, Glen. “KHU, Act 2 of Ancient Evenings, by Matthew Barney & Jonathan Bepler.” ArtPractical.com, October 15, 2010.

R.C. “Barney shared over the ocean.” The Art Newspaper, July/August 2010, p. 18.

Indrisek, Scott, “Matthew Barney’s “Cremaster” Cycles into a New York Theater”, artinfo.com, May 21, 2010

“Insight: Matthew Barney.” Art in America, June/July 2010, p. 30.

David Velasco, “Matthew Barney: Prayer Sheet with the Wound and the Nail,” Artforum, May 2010, p.147

Brett Littman, “Executive Director Brett Littman on Matthew Barney’s Prayer Sheet with the Wound and the Nail at Schaulager,” The Drawing Center, 6 Jul 2010.

Byrt, Anthony, “Matthew Barney,” Artforum, February 2010

Schlenzka, Jenny, “Matthew Barney,” Monopol, November 2010, pg. 108

Lindemann, Adam, “The Grand Tourist”, The New York Observer, July 12, 2010, p. 42

Uhlich, Keith, “The Cremaster Cycle”, Time Out New York, May 20-26th, Issue 764 2010, p. 76

Rose, Zak and Barney, Matthew, “Khu”, 032c, 19th Issue Berlin, Summer 2010


2009

Yablonsky, Linda, “Greek Mythology,” Artforum.com, June 23, 2009

David Velasco, “Matthew Barney and Elizabeth Peyton”, Artforum International, November 2009, 251

Bors, Chris, “Matthew Barney & Elizabeth Peyton: Blood of Two”, Art Review, September 2009, Issue 34

Biesenbach, Klaus, “Trans-former”, Monopol, November 11, 2009, pg 28 – 41


2008

Bonami, Francesco, "Matthew Barney: The Artist as a Young Athlete," Flash Art Vol. XLI No. 261, July -September 2008, p170-173

Neri, Louise, “Civilization and its Discontents: Barney and Bepler’s Ren,” Domus issue 917, September 2008, pp. 48-55

Campagnola, Sonia, “Matthew Barney,” Flash Art Vol. XLI No. 262, October 2008, p.136

"Who's Who at the Yokohama Triennale 2008," Art iT, Spring/Summer 2008, p.101

Young, Paul, "Black Box, White Cube," Art and Auction, February 2008, pp. 125-131

"Matthew Barney,” Arte Contemporanea: Cinque, Mondadori, 2008

Casadio, Mariuccia, "Motion Picture," Vogue Italia, March 2008

"Matthew Barney,” Arte Contemporanea: Sei, Mondadori, 2008

Arte Contemporanea: Nove Contaminazioni, Electra, Milan, 2008

“Matthew Barney & David Cronenberg,” tar mag, Fall 2008, pp. 177-190


2007

Caviness, Madeline H., "Retomando La Iconografie Vaginal," Quintana (6), 2007, pp.13-37

Griffin, Jonathan, “Il Tempo del Postino.” Frieze. September 2007, p. 176-177

Veis, Greg, "The Legacy Project," GQ Magazine, October 2007, p. 396

"The Artists' Artists," Artforum, December 2007, p. 122

Saltz, Jerry, "Best of 2007: Art," New York Magazine, December 2007, p. 74

Bishop, Claire, "Best of 2007," Artforum, December 2007, p. 324

Punj, Rajesh, "Matthew Barney: Drawing Restraint 15," Flash Art, November 2007, p. 71

Gioni, Massimiliano, "Where the Wild Things Are," Tate, etc, Autumn 2007, p.35

Rimanelli, David, “Preview: Matthew Barney, Serpentine Gallery,” Artforum, September 2007, p.188

Obrist, Hans Ulrich, "Matthew Barney's Stunning British Debut," Art World, November 2007, p.20

Herbert, Martin, and Daniel Birnbaum, “The Postman Rings Twice,” Artforum, September 2007, pp.97-101

Rappolt, Mark, "Playing For Time," Art Review, September 2007, pp. 52-61

Jack, Caroline, “Bizarre night at the Opera,” www.manchestereveningnews.co.uk, July 13, 2007

“Preview: Il Tempo del Postino, Opera House, Manchester: Reflect on giant mirrors and a live bull,” The Independent, July 11, 2007

Bourne, Dianne, “Art… or a load of bull?” www.manchestereveningnews.co.uk, July 10, 2007

Walker, Lynn, “How the Manchester International Festival looks set to break new ground,” The Independent, June 7, 2007

Zoller Seitz, Matt, “Movie Review I ‘De Lama Lamina’: Biomechanical Erotica,” The New York Times, July 6, 2007

Kunitz, Daniel, “When Artists Turn To Film,” The New York Sun, July 6, 2007  

Hillis, Aaron, “Barney in Brief,” The Village Voice, July 3, 2007

Seitz, Matt Zoller, “Movie Review: De Lama Lamina, Biomechanical Erotica,” The New York Times, July 6, 2007

“American Evolution,” The Financial Times, June 8, 2007

Garrett, Stephen, "De Lama Lamina and other shorts," Time Out New York, July 5-11, 2007, p.102

Powers, Bill, “ He Shall Perform,” New York Post, March 25, 2007, p. 49

Martin, Francesca, “ Serpentine gets ready for Matthew Barney and his Vaseline extravaganza,” The Guardian, March, 28th, 2007, p. 27

Saltz, Jerry, “Matthew Barney, the Bull, and the Chrysler,” New York Magazine, April 17, 2007

Holl, Jess, "Generally Speaking: with a new book, Matthew Barney," Black Book, April/May 2007, p. 148

Ebony, David, "Report from Lisbon: Sailing into the 21st Century," Art in America, April 2007, pp.52-57

Kishkovsky, Sophia, “Moscow biennale pokes fun at consumers and politicians,” International Herald Tribune, March 10-11, 2007

Hofstatter, Amrei, "Matthew Barney," Bello 022, February 2007, pp. 41-46

Stosuy, Brandon, “Matthew Barney,” The Believer, December 2006- January 2007, pp. 51-64

Plagens, Peter, "Contemporary Art, Uncovered," Art in America, February 2007, pp. 45-51

Lee, Chia-Ling,"The Cremaster Cycle by Matthew Barney," Fantasy 2007, Vol. 1, pp. 54-56

Rogers, Mike, "Matthew Barney's Drawing Restraint," artUS, February 2007, pp. 20-23

Zawadzki, Stephane, "The Cinema Otherwise," Canal Studio, 2006/7 No.8, pp. 20

Williams, Alena, and Stefan Heidenreich, "Broadcast yourself!" Monopol, January 2007, pp. 34-37

Wittneven, Katrin, "Entlarvend: Matthew Barney und Joseph Beuys im Deutschen Guggenheim Berlin," Monopol, January 2007, pg. 116

Romney, Jonathan, “Loving the Alien,” The Independent on Sunday, September 16, 2007, pp. 26-27

Gavin, Francesca, “Extreme reactions,” Dazed & Confused, Summer 2007, pp. 230-231

Aftab, Kaleem, “Mr. Björk comes to town,” The Independent, August 31, 2007

Laughlin, Nicholas, “Inspirational Island: Trinidad a supposed cultural backwater is actually art central,” Culture+Travel, Jan/Feb 2008


2006

Koerner von Gustorf, Oliver, “All in the Present Must Be Transformed: Nancy Spector on Matthew Barney and Joseph Beuys at the Deutsche Guggenheim,” Special Print Issue 2006, No. 1, pp. 22- 23

Albig, Jorg, "Into Me/Out of Me," Texte Zur Kunst, December 2006, pp. 173-175       

Catsoulis, Jeannette, “An Artist Shows His Process by Way of a Film Within a Film,” The New York Times, December 20, 2006

Morton, Tom, “’Destricted’ Round Table,” Frieze, Nov/Dec 2006, p. 53

Ryan, Jeffrey, “Matthew Barney,” Frieze, Nov/Dec 2006

“The Power 100: 90 Matthew Barney” Art Review, November 2006, p. 132

Mendelsohn, Adam, "Dark Star," The London Magazine, October/November 2006, p. 30

Cobb, Chris, "Review- Matthew Barney: SF MoMA," Flash Art, October 2006, p. 118

Korotkin, Joyce, "Matthew Barney," Tema Celeste, Sept/Oct 2006, p. 77

Moreno, Shonquis, "Cult Classic," Pol Oxygen, Issue 18, pp. 30-38

Joselit, David. “Matthew Barney: San Francisco Museum of Modern Art.” ARTFORUM, September 2006, p. 365

Maher, Kevin, "The Old In Out: Destricted," Art Review, September 2006, p. 99

"A Dialogue on Blood & Iron: Matthew Barney and Arthur C. Danto on Joseph Beuys," Modern Painters, September 2006, p. 62

Littlejohn, David, “Immersed in the Goo:  The Surreal World of Matthew Barney,” The Wall Street Journal Online, July 27, 2006

Miles, Christopher, “Proving himself a master of multiplicity,” Los Angeles Times Calendarlive.com, July 31, 2006

“Bazaar,” Art Review, Issue 02, August 2006, p. 29

Kotobuki, Shiriagari “Matthew Barney Drawing Restraint 9,” ArtIt, Spring/Summer 2006, pp. 26-27

Yablonsky, Linda, “A Satyr Wrapped In an Enigma,” Artnews, June 2006

Helfand, Glen, “The Occidental Tourist: Matthew Barney in Foreign Territory,” Res, vol. 9, #3

Chonin, Neva, “Barney, Björk, and Blubber.” SFGate, May, 21, 2006
Schjeldahl, Peter, “Post-Barney,” The New Yorker, May, 1, 2006, p. 26

Chen, Aric, “Five ‘Don’t Miss’ Exhibitions This Summer,” The New York Times, May, 7, 2006

Fineman, Mia, “Looks Brilliant on Paper. But Who, Exactly, Is Going to Make It?” The New York Times, May, 7, 2006

Saltz, Jerry, “Leviathan: Drawing Restraint 9 is a story that takes place nowhere but that touches on everything,” The Village Voice, May, 5, 2006

Karcher, Eva, “Der Klang der Perlenfischerinnen beim Auftauchen,” Monopol, April/May 2006, pp.58-68

“Der Bilder Sturmer,” German Elle, May 2006, pp. 24-30

“Björk & Matthew Barney Saga Drawing Restraint 9,” Art Actuel, Apr/May 2006

Wakefield, Neville, “Drawing Restraint 9; Matthew Barney,” Art Review, May 2006

Lee, Chris, “Master of all he surveys,” Art Review, May 2006

Taubin, Amy, “Backdoor Man: On Larry Clark and Destricted,” Artforum, May 2006, p. 67

Crippa, Antonella, “Patrizia Sandretto Re Rebaudengo,” Contemporary 21, Issue 80, p. 114

Belcove, Julie L., “Barney’s Voyage,” W Magazine, May 2006, pp. 190-199

Davis, Ben, “The Unbearable Lightness of Barney,” artnet.com, April 2006

Strauss, Bob, “Björk, Please use more ‘restraint,’” LA Daily News, April, 21, 2006

Cohen, David, “A Control Freak’s Prodigious Passion,” The New York Sun, April, 13, 2006

Yablonsky, Linda, “Whale Meat, Plastic, Erotic Nerve Create Barney’s Cinematic Art," Bloomberg.com, April 11, 2006

Kennedy, Randy, “The Björk-Barney Enigma Machine,” The New York Times, April, 9, 2006

Zafiris, Alex, “Slime Time,” Paper, April 2006, p. 34

Craig, Jeff, “DRAWING RESTRAINT 9” (Review) :60 Sixty Second Preview, April 2006

Robertson, Campbell “Boldface,” The New York Times, Mar 30, 2006, p. B2

Goodbody, Bridget L., “Sea change,” Timeout New York, Mar 30-Apr 5, 2006, p. 64

Fear, David, Reviews: Drawing Restraint 9, (Review) Timeout New York, Mar 29, 2006

Frimbois, Jean-Pierre, and Aude de Bourbon, "Björk & Matthew Barney: Saga Drawing Restraint 9," Art Actuel, March-April 2006, Issue #43, pp. 74-77

Stuart, Jan, “Tea for 2 may not be your cup,” Newsday, Mar, 29, 2006

Musetto, Vincent, “It’s not your typical whaling trip,” New York Post, Mar, 29, 2006

Holden, Stephen, “Adrift in Japanese Waters with Whales and a Wedding,” The New York Times, March 29, 2006, p. E5

Halter, Ed, “Barney’s Rubble,” The Village Voice. March 28, 2006

Hernandez, Eugene, “A Natural Love Story: Matthew Barney Talks About “Drawing Restraint 9,” indieWIRE, March 27, 2006

Rosenberg, Karen, “Influences: Matthew Barney,” New York Magazine, Mar 27, 2006

O’Steen, Danielle, “Matthew Barney and Wife Björk Make Feature-Length Film,” ArtInfo, March 16, 2006

Gonzalez, Ed, “Drawing Restraint 9,” Slantmagazine.com, February 2006

Goldstein, Gregg, “IFC Films nabs experimental ‘Restraint’,” Reuters, January, 17, 2006


2005

Crisell, Luke, “New Björk,” New York Magazine, November 28, 2005, pp.121-122

“Guggenheim International Gala,” New York Magazine, November 21, 2005, p. 20

Cunningham, Bill, “A Royal Night,” The New York Times, November 13, 2005

Wakefield, Neville, "For the Sceptic," I-D, November 2005, pp. 124- 135

Sarrazin, Stephen, "Jack London dans le ventre de la baleine," Turbulences video, October 2005, pp. 8-12

Mason, Christopher, "Ephemeral Art, Eternal Maintenance," New York Times, November 10, 2005

"Tokion's Heroes," Tokion, Nov/Dec 2005, p. 44

Miller, Ken, “Björk,” Tokion, Nov/Dec 2005, pp. 54-57

Felperin, Leslie, "Drawing Restraint 9," Variety, October 3-9, 2005, p. 56

Matsui, Midori, "Matthew Barney," Flash Art, Oct. 2005, p. 123

"Art Shows That Made Big Waves," TimeOut NY, September 29, 2005, p. 32

D'Arcy, David, "Matthew Barney confounds the critics," The Art Newspaper, Oct. 5, 2005

Heilman, Jeremy, "Drawing Restraint 9," Moviemartyr, September 2005

Macnab, Geoffrey, “Drawing Restraint 9,” Screen International, September 2005

Hasegawa, YuKo, “Matthew Barney: Drawing Restraint 1-9,” High Fashion, August 2005, pp. 88-95

“Matthew Barney,” Tema Celeste, Sep/Oct 2005, p. 110

Felperin, Leslie, “Drawing Restraint 9,” Variety, September, 1, 2005

Suzuki, Tomo, “Where is Drawing Restraint heading?” ArtIt, Summer/Fall 2005, pp. 10-15

Kasai, Chikashi,  “Matthew Barney’s Crazy Fantasy,” Studio Voice, Aug. 2005, pp. 28-61

Yuriko, Banno, “Matthew Barney,” Switch, Aug. 2005, pp. 18-69, cover

Darrieussecq, Marie, “Björk & Barney,” Beaux Arts, Sep. 2005, pp. 44-49

Robinson, W., “Matthew Barney’s Drawing Restraint 9 Premieres,” Artnet News, July 28, 2005

“Cremaster: Matthew Barney,” Art Actuel, Juillet-Aout 2005

Althen, Michael, “Tausend Tonnen Walpett,” F.A.Z., Sep 5, 2005, p. 33

D’Arcy, David, “Roth and Other Riches,” Modern Painters, July/August 2005, p. 43

Field, Marcus, “The Iceberg Cometh,” Modern Painters, June 2005, p. 40

Studiovoice, multi-media mix magazine (Japanese), cover, p. 13, pp. 28-61

Louie, Elaine, “How it Sparkled in the Skyline,” New York Times, May 26, 2005, pp. F8-F9

Kirwan-Taylor, Helen, “Living off the Wall,” ArtReview, International Edition, V3N2, p. 63

Bonami, Francesco, “The Legacy of the Myth Maker,” Tate Etc., London, Spring 2005, pp.75-6, ill

“Blitzlichter,” Monopol, Feb/March 2005, p. 74

“Ten Years of the Hugo Boss Prize,” Guggenheim Magazine, (New York), Winter 2005, pp.18-21


2004

“Matthew Barney vs. Jeff Koons,” Black Book. Oct/Nov 2004, No. 35, pp. 82-87

De Lama Lâmina, Domus 870

“Cremaster 3, 2003,”  WA:  World Architecture,  4/2004, issue 166, pp. 56-59

“1000 Words: Matthew Barney talks about DE LAMA LÂMINA, 2004” Artforum, May 2004, pp.190-191

Ezabella, Fernanda, “ENTREVISTA – Matthew Barney se rende à magia do Candomblé,” Yahoo Notícias Brasil, April 22, 2004

Ezabella, Fernanda, “Bienal descarta trator de Matthew Barney; tenta trazer video,” Yahoo Notícias Brasil and UOL Diversão & Arte, April 22, 2004

Nestruck, J. Kelly, “Barney’s Rubble,” National Post (Canada), Friday, April 23, 2004, p. PM5

Lacey, Liam, “The Cremaster Cycle,” Globe and Mail. April 23, 2004, p. R3

Anderson, Jason, “Cremastery for the beginner,” Eye Weekly,  April 22, 2004

Milroy, Sarah, “The Art of the male mystique,” Globe and Mail,  April 21, 2004

Goddard, P, “Master of his freaky domain,” Toronto Star,  April 2004

Braun, Liz, “Sex Unappeal,” Toronto Sun, April 23, 2004, p. E11

Bailey, Cameron, “Cremaster’s Cream,” NOW, April 22-28, 2004

Stoilas, Helen, “Contemporary art leads museum acquisitions in 2003,” The Art Newspaper, No. 146, April 2004, pp. 22-26

Yuko, Hasegawa, “Interview with Matthew Barney,” R, Issue 03/2004, pp. 22-35

Paparoni, Demetrio, “Così barocco, così perverso,” Panorama, April, 1, 2004, pp. 214-216

Belchior, Camila, “Metamorfose,” Vogue Brazil, December(Summer) 2003, p.140

“Release,” 032c.  6th issue, Berlin Winter 2003/2004, pp. 68-80

Woodward, Richard, “ Home Team Advantage,” The New York Times, February 15, 2004

“Matthew Barney,” Tokion: Creativity Now, 2004, No. 39 Jan/Feb. pp. 70-73

“Numéro Scope: Les 30 Artistes Vivants les Plus Importants au Monde,” Beaux Arts Magazine, No. 236, January 2004


2003

Barney, Matthew, “Release,”  032c magazine, December 2003, pp. 68-80

Cousins, Mark, “The White Stuff,” Sight and Sound, December 2003

Runólfsson, Halldór Björn,  “Matthew Barney:  The Living Art Museum,” FlashArt, November-December 2003

Anderson, Allen,  “Escape Artistry and Entrapment,” Art Papers, Nov/Dec 2003

Gadegaard, Maria,  “Gender Displacement: A queer-theoretical reading of Matthew Barney’s Cremaster 4,” Statens Museum for Kunst,  Journal Vol. 6, 2002, pp. 139-155

Allen, Greg, “When Fans of Pricey Video Art Can Get it Free,” The New York Times. August 17, 2003

Blank, Gil and Louise Ner, “How can the artist isolate those ideas?” (discussion), Influence, Issue 01, 2003, pp. 19-23

French, Christopher,  “Matthew Barney:  Cremaster 3,” Glass Tire,  October 2003.

Schnoor, Chris,  “The Unauthorized Biography,” Ohio Arts Quarterly, Fall 2003

Schnoor, Chris,  “Back in Boise,”  Artweek, September 2003

Boettger, Susan, “Artistic Rivalry: An Ongoing Story or So Past-Century?” NYFA Quarterly, Fall 2003

Gibson, Jeff, “SMITHSON! SMITHSON! SMITHSON!” Visit, no. 6 Winter/Spring 2003

Pagel, David,  “Old haunts rethought, reinstalle:  A timidly haunted house,” Los Angeles Times, October 31, 2003

Monaghan, John,  “Cremaster Review,”  Detroit Free Press, October 29, 2003

Gregos, Katerina, “Dakis Joannou Collection, Athens,” ARCO: Contemporary Art, Number 29, autumn 2003, pp. 38-41

Bulie, Kåre, “Kroppsspråk,” DN Magasinet. 6./7, September 2003 (Norway)

Current Biography, Vol. 64, No. 8, August 2003, pp. 7-13

Schulze, Troy,  “Big Balls,” Houston Press. August 28, 2003

Johnson, Patricia,  “Dream Weaver,”  Houston Chronicle.  August 24, 2003

Rogers, Christina, “The Chrysler Building’s strange role in Cremaster 3,” Architectural Record, Volume 7, 2003, p. 65

Foundas, Scott, “Self-Portraiture Meets Mythology: Matthew Barney Talks About His Cremaster Cycle’” http://www.indiewire.com/people/people_03051barney.html

Ennis, Betsy, “Barney Show Hits the Mark,” Guggenheim Magazine, Summer 2003, pp. 5-9

Mazzoleni, Gian Emilio,“Matthew Barney,” Carnet, June, 2003

Picard, Charmaine, “The Eternal Return: Matthew Barney Zone of Potential,” Art Nexus, No. 49, Volume 2, Year 2003

Schnoor, Chris,  “Matthew Barney Comes Home,” Boise Weekly, July 23-29, 2003, pp. 15-18

Oland, Dana, “Matthew Barney ‘Cremaster,’” The Ohio Statesman, July 18, 2003

Oland, Dana, “Matthew Barney Comes Home,” The Ohio Statesman, July 17, 2003  

Oland, Dana,  “Matthew Barney,” The Ohio Statesman. March 9, 2003

O’Neal, Lauren “Denatured Beauty: Matthew Barney’s Cremaster Cycle,” Art New England, June/July 2003

“Cremaster a Blockbuster,” Art in American, Issue 7, July 2003, p. 112

“Cremaster 3,” ING hair magazine, Issue 6, p. 84

Chast, Roz, “The Back Page: The Cremaster Cycle,” The New York Times, June 2, 2003

Haller, Howard, “Dead Man Walking,” The New Yorker, March 6-13, 2003

Griffin, Tim, “ Creature Feature,” Time Out New York, April 24-May1, 2003

Viveros-Faune, Christian, “Art: Post Boredom,” New York Press, Volume 16, Issue 14, 2003

A.P. “Guggenheim Art Oozes Petroleum Jelly,” The New York Times, March, 5, 2003

Rockwell, John, “Man vs. Cremaster, The 10 Hour Test,” The New York Times, March 23

Gleiberman, Owen, “The Cremaster Cycle: A Sculptor turns director with a surreal film series Matthew Barney,” Palm Pictures News, June 13, 2003

“Matthew Barney versus Donkey Kong,” Game Girl Advance Online, May 23, 2003, pp. 1-11

Knight, Christopher, “Creation Commotion,” The New York Times, May 11, 2003, pp. E 26, 7

Reynolds, Christopher, “An Artist’s bold statements of ambiguity,” The Los Angeles Times, May 7, 2003    
“Matthew Barney, The Cremaster Cycle,”  Pioneer Press,  May 4, 2003
 Habich, John, “Crash of Symbols,”  Star Tribune,  May 4, 2003

 Ritter, Peter, “Body of Evidence,” City Pages,  May 7, 2003

Nelson, Rob, “Cremaster 2,” City Pages,  May 7, 2003
Baumgartner, Allison  “Cremaster of the Universe,” Surface,  No. 40  May, 2003

Griffin, Tim, “Matthew Barney: The Cremaster Cycle,” Artforum, May 2003 p. 162
Smith, Roberta, “Matthew Barney: The Cremaster Cycle,” Artforum, May03 p. 161
Hernando, Javier “Spaces for Art and Photography, Appropriation and Updating of a Traditional Pictorial Genre,” EXIT 9

“Matthew Barney” Flash Art, Jan/Feb 2003
Darst, Jeanne, “A Little Like Everest, Only Greasy and Illegal,” The New York Times, Spring 2003
“Matthew Barney: The  Cremaster Cycle,” Walker Art Center, May 2003 Calendar
Solomon, Deborah, “Seeking a Cure for Art Anxiety,” The New York Times, April 23, 2003
“Matthew Barney," Tokion, May /June, 2003
Schoeneman, Deborah, “Scene,” New York Magazine, April 21, 2003
“On With the Show,” ArtReview, April, 2003
“Hugo Boss,” ArtReview, April, 2003
“The Cremaster Cycle,” ArtReview, April, 2003

Baird, Daniel,  “Matthew Barney: The Cremaster Cycle” The Brooklyn Rail, April/May 03

Rimanelli, David, “Time Capsules: 1986-1990,” ARTFORUM, April, 2003

Fawcett, Marlowe, "Sex, Life and Video Games, The Economist, March 8, 2003
Sozanski, Edward  J., "Fertile brew in film cycle at Guggenheim,”  Philadelphia Enquirer, March 23, 2003
Rockwell, John, "Man vs. ‘Cremaster’: the 10-hour Test,”  New York Times, March 23, 2003
Schjeldahl, Peter, "The Art World,” The New Yorker,  March 24, 2003
Fong, William, "Eye Spy” Miami Sun Post,  March 20, 2003

Hoberman, J., "Cults of Personality," Village Voice, March 12-18, 2003
Milroy, Sarah, "Come into His Parlor," Globe Review, March 4, 2003

Halle, Howard, "Dead Man Walking," Time Out New York, March 6-13, 2003
Stevens, Mark, "Master of His Domain," New York Magazine, March 10, 2003

Kimmelman, Michael, “Free to Play and be Gooey,” New York Times, February 21

Saltz, Jerry, “Swept Away,” Village Voice, February, 26 – March 4, 2003

Chua, Lawrence, "Hideous Kinky," Black Book, March/April, 2003

Vincent, Erwan, “Le  Marché s’emballe," BeauxArts, January 2003

Madoff, Steven Henry, “Bewildering, Bewitching, Above All Strange," The New York Times, February 16, 2003

Wilson, Michael, “Caves of New York," ArtForum, February 2003

McNally, Whitney, “Life Imitates Art," Details, March 2003

Kinzer, Stephen, “Deep in the Heart of Modernity," The New York Times, January 29, 2003

Tomkins, Calvin, “His Body, Himself," The New Yorker,  January 27, 2003

Groth, Trevor, "Cremaster III,"  Sundance Film Festival, 2003

Ritter, Peter,  "Cremaster 3," City Pages, January 8, 2003

Pioneer Press, "Cremaster 3,"January 5, 2003

Holden, Stephen, "Cremaster 3," Star Tribute, January 3, 2003

White, Armond, “Double X: Bryan Singer’s complex comic book,” The New York Press, Volume 16, Issue 18, March 30, 2003

Bonisteel, Sara, “Art-House Flicks.” The New York Resident, April, 28, 2003

Knight, Christopher, “An Artists’ bold statements of ambiguity,” Calendar Live Online, May 7, 2003

Strauss, Bob, “Cremaster 3”: arty, edgy, repetitive, silly, draining,” LA Daily News, May, 16, 2003

Harvey, Doug, “Willful Perversity,” LA Weekly,  May 16-22, 2003

Harvey, Doug, “Review of Cremaster 1-2 and 4-5,” LA Weekly,  May 22-29, 2003

Morris, Wesley, “Completed film Cycle is the odyssey of a mind,” Boston Globe Online, May 30, 2003

Temin, Christine, “Cremaster feasts on imagery, architecture,” The Boston Globe Online, May 30, 2003

Keough, Peter, “ Pop Art,” The Boston Phoenix Online, May 29, 2003

McGavin, Patrick, “Bold, beautiful Cremaster 3 Conjures mesmerizing world,” The Chicago Tribune, May 23, 2003

Elder, Robert, “Movie Review: Cremaster cycle,” The Chicago Tribune, May 29, 2003.

Stamets, Bill, “Spectacle, not plot, defines Cremaster Cycle,” The Chicago Sun Times, May 23, 2003

Rosenbaum, Jonathan, “Cremaster: Capsule,” The Chicago Reader Guide to Movies, May 30, 2003

Shen, Ted, "Cremaster 2: Capsule,” The Chicago Reader Guide to Movies, May 30, 2003

Camper, Fred, “ Cremaster 3: Capsule,” The Chicago Reader guide to Movies, May 30, 2003

Pride, Ray, “ Review Cremaster 3,” Chicago Reader, May 23, 2003

Workman, Michael, “Eye Exam,” New City Chicago, May 30, 2003

Winn, Steven, “Hot Artist Barney exists in a ‘Zone’ all his own,” San Francisco Chronicle, May 22, 2003

Stephens, Chuck, “Thigh High Art,” The Guardian, May 21, 2003

Britton, Charles, “Cremaster 3, for surrealism lovers only,” Daily Breeze, May, 16, 2003

Klein, Andy, “A Long, Strange Trip,” The San Francisco Weekly, May 21, 2003

Habich, John, “Matthew Barney’s Whole Sensational Cremaster Film Series comes to Town,” Star Tribune, May 4, 2003

Ritter, Peter, “ Body of Evidence,” City Pages Online, May 7, 2003

Scheck, Frank, “Cremaster 3,” Palm Pictures Online, April 25, 2003

Danto, Arthur, “The Anatomy Lesson,” Books and the Arts.

Garrett, Stephen, “ Cremaster,” IFCRant Magazine, May/June 2003

Roman, Shari, “Matthew Barney,” Surface Magazine, March 2003

Baumgartner, Allison, “ Cremaster of the Universe,” Surplus

Torneo, Erin, “ Barneyland,” Soma Magazine

Craig, Jeff, “Cremaster 3,” 60 Second Preview, April 23, 2003

Reynaud, Berenice, “ Sundance Film Festival 2003- The Independent Body,” Senses of Cinema, June, 2, 2003

Heilman, Jeremy, “Cremaster 2,” Moviemartyr.com, April 7, 2003

Heilman, Jeremy,  “Cremaster 2, 1999,” Moviemartyr.com, April 10, 2003

Schoeneman, Deborah, “ Invisible Woman,” New York, April 21, 2003

Britton, Charles, Daily Breeze Review, April 25, 2003

Oei, Lily, “Blackwell’s Palm Pix up Cremaster,” Daily Variety, January 14, 2003

Brooks, Brian, “Palm Acquires Matthew Barney’s “Cremaster Cycle: Company Will Release Cremaster 3 This Spring,” Indie Wire, January 13, 2003

Variety Staff, “Artsy Crowd on ‘Cycle’ Ride,” Variety.com, April 16, 2003

Rooney, David, “Forum Slots ‘Cremaster’ Series,” Variety.com, April 21, 2003

“Barney hands ‘Cremaster 3’ to Palm,” The Hollywood Reporter, January 13, 2003

Goodridge, Mike, “Palm buys North America and UK rights to entire Cremaster Cycle,” Screendaily.com, January 13, 2003

Mitchell, Wendy, “Gen Art and ‘Cremaster’ Parties,” Indiewire.com, April 11, 2003

Brooks, Brian, “iPOP on the Scene at the party for Matthew Barney’s Cremaster Cycle,” Indiewire.com, April 28, 2003

Brooks, Brian, “Cremaster Muscles Its Way To Box Office Successes Amid Many Openers,” Indiewire.com, April 29, 2003

TOMOTOMO, January 2003

SEDA, January 2003

ROADSHOW, February 2003

Monthly Art Magazine Bijutsu Techo, January 2003
MAINICHI Daily News, December 19, 2002
Monthly Art Magazine Bijutsu Techo, February 2003
Monthly Art Magazine Bijutsu Techo, March 2003
Monthly Art Magazine Bijutsu Techo, April 2003
Monthly Art Magazine Bijutsu Techo, May 2003

Kaufman, Anthony, “Sundance On The Edge,” Indiewire, Page 2. 2003

Finkelstein, David, “Review of Cremaster 3,” Filmthreat.com, July 2, 2002

“Matthew Barney,” ING Hair Magazine, Issue 6, Spring 2003, p. 86

White, Ian, "Roll Up!” ArtReview, December/January 2003


2002

Birnbaum, Daniel, “Master of Ceremony,” Art Forum. September 2002, p. 181

Turner, Megan, “Visually Stunning Oddity,” NYPost, May 1, 2002

Spayde, Jon,  "Matthew Barney: Delirious Dreamer,"  UTNE, December 2002

Dagen, Philippe, "Le Big Bang de Matthew Barney," Le Monde 2, November 2002

Rimanelli, David, "Matthew Barney, artist and superstar," Paris Vogue, October 2002

Bulat, Vladimir, “Barney: pariuri fortate," Balkon, Autumn 2002

McGavin, Patrick Z.,  “Cremaster 3 offers a stunning concept,” Chicago Tribune,  September13, 2002

Stadel, Stephanie, Auf- und Abstract, Kunstjahr,  2002

Time Out, November 6-13, 2002

Cork, Richard, "Appetizingly Destructive,” The Times, October 28, 2002

Romney, Jonathan, "You've Not Seen Anything Like It (Unless You've Seen 1, 2, 4, 5)," The Independent, October 27, 2002

MacRitchie, Lynn, "Manly Mysteries Of A Golden Boy,” Financial Times, October 25, 2002

The Daily Telegraph, October 31, 2002

Renton, Andrew, "A Series of Remarkable Films Made by Artists is Redefining the  Genre," Evening Standard, October 22, 2002

Jalouse, October 2002

Smee, Sebastian, The Daily Telegraph, October 19, 2002

Jones, Jonathan, The Myth Maker, The Guardian, October 16, 2002

Guerrin, Michel, "Matthew Barney: Le Corps de L'imaginaire," Le Monde, Oct. 13-14, 2002

Dagen Philippe, L'art Total de Matthew Barney, Le Monde, October 13-14, 2002

Frodon, Jean-Michel, "Sur Grand Ecran, de Grandes Oevres Non Cinematographics," Le Monde, October 13-14, 2002

Exposition: "Matthew Barney, Artists Total, Investit Le musee d'art moderne," Le Monde, October 13-14, 2002

Templado, Louis, "Puzzling Journey Through Space, Time, and the Male Anatomy," The Asahi Shimbun, 2002

Kunst Bulletin, October, 2002

Gielen, Denis, "Le Cycle Cremaster," DITS, September, 2002

Holmes, Pernilla, "Can Contemporary Art Cut it?" Art Review, October 2002

Schwendener, Martha, "From Art to Film and Back," Art Index, Fall 2002

Bousteau, Fabrice, "Matthew Barney: Sculpteur D'outre Monde," Beaux Arts, October 2002

Rimanelli, David, "Matthew Barney, Artiste and Superstar," Vogue, October 2002

McCormick, Carlo, "Dazzled & Confused," Paper, October 2002

Suzuki, Tomo, The Cremaster Film Cycle," So-En, September 2002

Shimizu, Toshio, Cut, September 2002

Shimizu, Toshio, "Ultimate Matthew Barney,” Vogue Japan, September 2002

Tietenberg, Annette, "Bodies of Evidence,” Form, September / October 2002

Birnbaum, Daniel, "Master of Ceremony,” Artforum, September 2002

"Sub-Culture is Super-Culture: SUBCULTURE," Hanatsubaki 2002, Shiseido, September 2002

Grosenick, Uta and Riemschneider, Burkhard, "Art Now: 137 Artists at the Rise of the New Millennium," The Art Newspaper, 2002

Stadel, Stefanie, "Das Auf Ab Im Hodenmuskel-Spiel," Die Rheinpfalz, June 2002

Schon, Jurgen, "Bizarre Visionen," Aachener Nachrichten, June 2002

Wiensowski, Ingeborg, "Klettern im Aufzugschacht," Kultur SPIEGEL, June 2002

Leske, Marion, "Kraftakt im Museum Ludwig: Matthew Barney's Kunst so viel Aufmerksamkeit erregt," DIE WELT, June 2002

"Matthew Barney: The Cremaster Cycle," Kollefornia nr. 63, 2002

Grob, Roland, "Albtraum-Produzent, Narziss und sterbender Schwan," Mannheimer Morgen, June 2002

Nebelung, Sigrid,  "Bodykult und Horrotrip," Handelsblatt, June 2002

Kummel, Von Peter, "Die Verruckte Suchmaschine," Suddeutsche Zeitung, June 2002

Proektteil, Dritter,  "Puppenspieler Libet Mutationen," Saarbrucker Zeitung, June 2002

Leske, Marion,  "Eros und Ekel," Kunstzeitung, #70, June 2002

Schulze, Karin, "Der Kunstler als Action-Held," Financial Times Deutschland, June 2002

Manigold, Anke, "Deutschland-Premiere Fur Einen Super-star aus New York," Kunst-Kultur Magazin, 2002

"Barocka Orgier sa att man Storknar," Dagens Nyheter, June 2002

Frangenberg, Frank, "Barney's Cremaster-Zyklus,” Kolner Stadt-Anzeiger, June 2002

Weif, Matthias, "Schwitzende Vaseline," Westphalischer Anzeiger, June 2002

Liebs, Holger,  "Manns Genug," Suddeutsche Zeitung,  June 2002

Kothenschulte, Daniel, "Wagner Aus Vaseline,” Frankfurter Rundschau, June 2002

De Righi, Roberta, "Kopfuber in die Unsterblichkeit," Munchner Abendzeitung, June

Haase, Amine, "Der Entfesselte Satyr," Kolner Stadt-Anzeiger, June 2002

"Muskelspiel des Lebens," Suddeutsche Zeitung, June 2002

Poschardt, Ulf, "Wegbereiter der Evolution," Welt am Sonntag, June 2002

Blebmann, Sabine, "Groteske Filmskulpturen," Ticket, June 2002

Linden, Thomas, "Wo ein Maurer Morbides treibt," Kolnische Rundschau, June 2002

"Spektakularer Irrsinn," Ausstellungen des Monats, June 2002

 "Ausstellungen," GQ (Gentleman's Quarterly), June 2002

Holert, Tom,  "Schottenrock Aus Menschenfleischer," Stadtrevue, June 2002.

"The Cremaster Cycle," Kultur News, June 2002

"Narziss am Abgrund," Focus, May 2002

Richter, Peter, "Hoden runter!" Frankfurter Allgemeine Sonntagszeitung, May 2002

"Barocke Exzesse oder der Ennui des Informations Zeitalters?" Apart, May 2002

"Tickets fur Film-Epos," Kolner Stadtanzeiger, 2002

"Mit Horror in die Hochsaison," Der Spiegel, May 2002

Mejias, Jordan, "Kletterpartie in den Weltuntergang," Feuilleton, May 2002

"Ludwig,” Stern extra, May 2002

"Der Korper-Mythen-Inszenator," Dbmobil, May 2002

Holden, Stephen, "Racing Dead Horses. Dental Torture. The Usual," The New York Times, May 2002

Lueken, Verena, "Kartenhaus," Frankfurter Allgemeine Zeitung, February 2002

Vincent, Stephen, "The Producers," Art & Auction, June 2002

"Cremaster 3," Newyorkmetro.com, May 13, 2002

Kehr, Dave, "'Cremaster' Is a Wrap," New York Times, May 10, 2002

Thon, Von Ute, "Der Alptraum-Fabrikant,” Art das Kunstmagazin, May 2002, pp.62-71

Rimanelli, David, "Matthew Barney:The CREMASTER Cycle at Museum Ludwig, Cologne," Artforum, May 2002, pp.64-65

Amalfitano, Madelynn, "Matthew Barney," SOMA, December 2001 January 2002,  Vol.15.10, p.16

Frankel, David, "Engine," 2wice, Vol. 5 No. 2, pp.38-45

"Matthew Barney: The Cremaster Cycle," Flash Art, March-April, 2002

Roman, Shari, "The Genius of the System," Filmmaker, Spring 2002, Vol. 10, #3

Wakefield, Neville, "The Passenger," Frieze, May 2002, Issue 67

Mead, Rebecca, "Opening Night, An Art-House Epic," The New Yorker, May 13, 2002

Anderson, John, "Welcome to the Chrysler: Going Up!" Newsday, May 15, 2002        

Lee, Nathan, "The Apotheosis of the 'Art Film'," The New York Sun, May 15, 2002

Weltzman, Elizabeth, "Double Vision," Daily News, May 15, 2002

Griffin, Tim, "Cremaster 3," Time Out New York, May 16-23, 2002

Turner, Megan, "Cremaster-full," New York Post, May 15, 2002

Halter, Ed, "Going To Extreme," Village Voice, May 21, 2002

Foundas, Scott, "Cremaster 3," Variety.com, May 15, 2002

Plagens, Peter, "Films Extreme Art House," Newsweek, May 13, 2002

Gonzalez, Ed, "Cremaster 3," Slant Magazine, May 13, 2002

Gopnik, Blake, "The Anti-Modern Film: Stopping at Nothing," Washington Post, May 14 , 2002

The Rake, "Cremaster 3," January 1, 2002

Chunichi Shimbun, March 9, 2002

The Asahi Shimbun, March 9, 2002

Monthly Art Magazine Bijutsu Techo. July 2002

High Fashion, August 2002

Studio Voice, August 2002

Casa BRUTUS, August 2002

Monthly Art Magazine Bijutsu Techo, August 2002

X-knowledge Home, August 2002

S0-EN, August 2002

Weekly Pia, August 5, 2002

Vogue Nippon, September, 2002

Ryuko Tsushin, September, 2002

FIGARO Japon, August 20, 2002

DAZED & CONFUSED JAPAN, August 2002

Hanatsubaki, September 2002

BRUTUS, August 1, 2002

Metropolis, August 16, 2002

SPUR, October 2002

Tokyo BROS, September 2002

Htwi, September 2002

SPA! September 3, 2002

Bien, September-October 2002

Tokyo Walker, No. 18, 2002

Chiba Walker, No. 18, 2002

Yokohama Walker, No. 18, 2002

Chou Chou  No. 19, 2002

The Asahi Shimbun, August 27, 2002

Shin-Bijyutsu Shimbun, September 1, 2002

MAINICHI Daily News, September 2, 2002

MAINICHI Daily News, September 6, 2002

The Kobe Shimbun, September 7, 2002

Weekly Pia, September 9, 2002

THE KYOTO SHIMBUN NEWS. September 12, 2002

CUT, October 2002

THE DAILY YOMIURI, September 20, 2002

PLUS ING, Autumn 2002

PADO, September 24, 2002

Weekly Pia (Kansai), September 24 , 2002

Leaf, November 2002

L Magazine, November 2002

HEADLINE TODAY, September 25, 2002

Weekly Pia (Kansai), October 7, 2002

Monthly Art Magazine Bijutsu Techo, November 2002.

The Kochi Shimbun, October 28, 2002

The Asahi Shimbu,  December 1, 2002

The Kochi Shimbun, November 20, 2002

Tokai Walker, November 26, 2002

Monthly Art Magazine Bijutsu Techo, December 2002.

X-Knowledge Home, December 2002


2001

Ratnam, Niru, “Please Let it All Mean Something,” The Face, October 2001

 Israel, Nico, “Public Offerings,” Art Forum, September

Moroney, Mic, “Who will win the Glen Dimplex,” iVenus.com, January 5, 2001

The Event Guide,  "Happy Birthday, IMMA!" May 16-29, 2001

Dunne, Aidan, “Glen Dimplex Award Goes to US Artist for Muscular Films,” The Irish Times, May 26, 2001

Dunne, Aidan, “Nominees for the Glen Dimplex Award are a Typical Mix of the Well and not so Well Known,” The Irish Times, May 24, 2001

Tynan, Jane, “The Lovable Matthew Barney,” The Irish Times, May 16, 2001

Poschardt, Ulf “Blows to the ‘Menschenpark,’” Kunste Werke Yearbook

Muchnic, Suzanne, “Ascent of the Early Risers,” Los Angeles Times Sunday Calendar, April 1, 2001

Danto, Arthur C., “L’Idee de-Chef-D’Ouevre dans L’Art Contemporain,” Art et Artistes, 2001

Sarah Douglas, “Contemporary Art Exhibitions in 2001,” The Art Newspaper,  January 2001

Erika Biddle,”Book report,” artnet.com

Keats, Jonathan, “Shelf Life,” Art&Auction, December 2001, p. 115

Poels, Jan-Willem, “Master, Let Me Enter,” Frame, November-December, pp.78-85

Jacobson, Marjory, "Art in Transition: At the Threshold of the New Media," ARCO, October 2001, p.61

Bohlen, Celestine, "The Guggenheim's Scaled-Back Ambition," NY Times, November 20, 2001

Bohlen, Celestine, "Suffering After Attack, Guggenheim Announces Plans for Layoffs," New York Times, November 9, 2001


2000

Jones, Jonathan, “Lonesome Cowboys-Matthew Barney,” Untitled, no. 21, Spring 2000

“Glen Dimplex shortlist, despite everything,” Circa.com, December 14, 2000

Dunne, Aidan, “Four Artists on Glen Dimplex List,” The Irish Times, December 14, 2000

Becker, Ilka, “Einblendung,” Imagineering, Jahresring 47

“Barbara Gladstone: 3,” The New York Observer, December 18 2000

Biddle, Erika, “Book Report,” artnet.com, December 19, 2000

Ploeebst, Helmut, “The Artist As Film-Maker as Choreographer,” Ballet Tanz Aktuell, December 2000

Johnson, Ray, “Matthew Barney, Jennifer Pastor, Charles Ray,” The New York Times, December 8, 2000

Birnbaum, Daniel, “top 10,” Artforum, December 2000

Levine, Karen A., “Open Collection,” Summer 2000, Open, the Magazine of the San Francisco Museum of Modern Art

Vogel, Carol, “Bicoastal ownership,” The New York Times, May 5, 2000

Baker, Kenneth, “SFMOMA acquires work from Matthew Barney,” San Francisco Chronicle, May 2, 2008

“Buying a Barney,” Star Tribune, Minneapolis, May 5, 2000

Vogel, Carol, “Museums expand audience via the Web,” Marin Independent Journal, Novato, CA May 6, 2000

Vogel, Carol, “A joint between galleries?” Santa Barbara News Press, May 19, 2000

“Far-flung museums join forces,” Charlotte Observer, Charlotte, NC, May 14, 2000

“Matthew Barney, Cremaster 2,” Time Out New York, May 11, 2000

Helfand, Glen, “Projections,”  San Francisco Bay Guardian, May 31, 2000

Bonetti, David, “Giving Art a  bad name?” San Francisco Examiner, May 22, 2000

Baker, Kenneth,"Cremaster 2, the Horror,” San Francisco Sunday Examiner, June 18, 2000

Reizman, Laura, “Cremaster 2,” The Arts, July 12, 2000

Friedman, Boberto, and Beau Ziegfeld, “ Out  there,” Bay Area Reporter, May 20, 2000

“Matthew Barney’s Cremaster 2,”  Artnews, January 2000

Jenkins, Steven , “Cremaster 2,” bayarea.Citysearch.com

“Matthew Barney: Cremaster 2: The Drones Exposition,” abolutearts.com

Breuvart, Valerie, “Voila’,” November 2000, Artforum. #4, 2000, Mohntop Unlimited

Berrebi, Sophie, “Volia’,” Frieze, November/December 2000

New York Magazine, October 9, 2000

“Scare Tactics,” Newsweek, September 4, 2000

“Art in the Media Era,” ART Vol. 9, 2000

Coleman, Beth, “Soft Machines,,”  Artbyte Magazine, September-October 2000

“Cremaster 2” July 7-16, Miff 2000 Program Guide

Scholder, Ramona “The Artistry of Cremaster 2,” THE magazine, July 2000

Frye Brian, “Video Triumphs in the Galleries,”  The Independent Film and Video Monthly, July 2000

“What's it all about, Barney,” The Irish Times, May 11, 2000

Porter, Amy Jean, “Fluid Talk,” CIRCA, Summer 2000

Mauriès Patrick, “Le dandy ou l’homme invisible/The dandy or the Invisible Man,” Summer 2000, Beaux-Arts Magazine, numéro spécial, “Qu’est-ce que la beauté ?”

Siegel, Jeanne, “ Matthew Barney,” May-June, Tema Celeste

Hetting, F., “Cremaster 2,” Metropolis M, April-May 2000

“Cremaster 2,” NAT, Filmfestivalen 2000, March 2000

Gibson, Jeff, “12th Biennale of Sydney,” May 2000, Artforum.Coagula, May 2000

“Barney traces the afterlife of a killer,” Austria Today, February 2, 2000,

“Tracing a killer’s afterlife,” Austria Today, February 8, 2000

“Matthew Barney,” Profile, January 31, 2000

Krumpl, Doris, “Jenseit des Willens,” Observer, January 29 2000

“Matthew Barney,” Falter, January 26, 2000

“Cremaster 2 im Kino,” Observer, January 25, 2000

Moller, Olaf, “Die einsame Weite Utahs,” Der Standard, January 25, 2000

“Kunsthalle Wien: Junge Kunst fur junge Menschen,” AM.PULS, January 1 2000

“Cremaster 2,” Le Monde, February 10, 2000

“Cremaster 2. Projections,” Le Monde, February 20 2000

“Matthew Barney,” Les Inrockuptibles, February 2000

“Poeme visuel,” Le Figaro, February 8, 2000,

Lebovich, Elisabeth, “ Le barnum de Barney,” Liberation, February 2000

“Cinema,” Liberation, February 9, 2000

Evans, Gareth, “The body politic - in the ring with Brisley and Barney,” Optic, April/May 2000

Neumaier, Otto, “Beauty Now,” Frame, March/April 2000

Whyte, Murra, “Two-stepping cowboys, Harry Houdini, Mormons and bees…it must be art,” National Post, March 3 2000

Jones, Jonathan, “Lonesome Cowboys. Matthew Barney,” Untitled, Spring 2000

Groen, Rick, “What planet is he from?” The Globe and Mail, March 3, 2000

Hodge, Roger D., “Onan the Magnificent. The triumph of the testicle in Contemporary art,” Harper’s Magazine, March 2000

Staple, Polly, “Cremaster of Crime,” Art Monthly, March 2000

Bourbon, Matt, “Regarding Beauty,” February 2000, N Y Arts, International Edition

Willis, Holly, “Cremaster 2,” LA Weekly, February 18-24 2000

Thomas, Kevin “Matthew Barney’s Surreal Western ‘Cremaster 2’…,” Los Angeles Times, February 17, 2000

Knofel, Ulrike, “Showmaster der Mutanten,” no. 7, Der Spiegel, February 14, 2000

McKenna, Christine, “Gary Gilmore , Meet Harry Houdini: Matthew Barney on his film Cremaster 2,” LA Weekly, February 11-17, 2000

Harvey, Doug, “Barney’s Sticky Adventure Beyond Death,” LA Weekly, February 11-17, 2000

Lebovici, Elisabeth, “Le barnum de Barney,” Liberation, February 9, 2000

Cumming, Laura, “Dottier than Warhol,” The Observer Review, January 30, 2000

Romney, Jonathan, “Barney and the beehive,” The Guardian, January 26, 2000

Kent, Sarah, “Matthew Barney” Time Out London, January 25, 2000

Mullins, Charlotte, “And it’s all beautifully executed,” The Independent on Sunday, January 23, 2000

Dorment, Richard ”The making of a man,” The Daily Telegraph, January 26, 2000

Etherington, Daniel, “Cremaster 2,”  AN, January 2000

Smith, Gavin, “Come dancing with Gary in Utah,” Sight and Sound, January 2000

Tom, Gilman , Sevcik Frantiska, “Cremaster 2,” Flash Art, January-February 2000


1999

Bless, Nancy, “Signs and Wonders” Sculpture, December 1999

Review, “Matthew Barney: Cremaster 2. A Firenze,” no. 76, 1999, Tema Celeste Artnews

Syman, Stefanie, “Matthew Barney’s Garden of Unearthly Delights,” Feedmag.com, December 8, 1999

Angus, Denis, “Post Human,” Beaux Arts, December 15, 1999

Birnbaum, Daniel, “Best of the ’90s,”(Special issue), Artforum, December 1999

Rosenblum, Robert, “Best of the ’90s,” (Special issue), Artforum, December 1999

Rimanel, David, “Best of the ’90s,” December 1999 (Special issue), Artforum

Pollack, Barbara, “The 10 Best Living Artists. The Wizard of Odd,” Artnews, December 1999

Eichler, Dominic, “Matthew Barney. Walker Art Center, Minneapolis,” Frieze, November-December

Erickson, Karl, “Matthew Barney at the Walker Art Center,” New Art Examiner,  November 1999

Jones, Oliver, “Cremaster 2. Film Review,” Daily Variety, October 25, 1999

Tabuin, Amy, “Erratic Artist with Sequel Syndrome,” Village Voice, October 19, 1999

Ken Fox, “Gary Gilmore’s eyes,” TV Guide Online, October 19, 1999

“Cremaster 2,” The New Yorker, October 18-25, 1999

“Previews: Phantom Premise,” New York, October 18, 1999

Anderson, John, “Fertile Imagery,” Newsday, October 15, 1999

“Cremaster of His Domain,” HX Magazine, October 15, 1999

“New Releases: Cremaster 2,” The Christian Science Monitor, October 15, 1999

Yablonsky, Linda, “A portrait of the artist as a gun man,” Time Out New York, October 14-21, 1999

 Lumenick, Lou,“ ’2’ slow a ‘Song’," New York Post,  October 14, 1999

Bernard, Jami, “’Cremaster’ is arty and opaque,” Daily News, October 14, 1999

Anton, Saul, “CREMASTER 2,” Time Out New York, October 14-21, 1999

Holden, Stephen, “It’s about a murderer And yes, Bees, Houdini…,” The New York Times, October 13, 1999

Kimmelman, Michael, “The Importance of Matthew Barney,” The New York Times Magazine, October 10, 1999

“Arts & Leisure Guide: Cremaster 2,” The New York Times, October 10, 1999

Poschardt, Ulf, “Squall in the genepool,” Suddeutsche Zeitung, October 1, 1999

'Cremaster 5', Temple Bar Properties, The Irish Times, September 18, 1999

'Cremaster 1&4,' Temple Bar Properties, The Sunday Times, September 19, 1999

'Cremaster 5', Temple Bar Properties, Evening Herald, September 20, 1999

'Al Fresco Flix', Temple Bar Properties, dSIDE, September 1999

'Dreamy and Barney', Temple Bar Properties, The Event Guide, September, 1999

"M: Matthew Barney,” Esquire, September, 1999

“Matthew Barney Cremaster 2,” Walker Art Center Calendar, September, 1999

Pitti Immagine, Florence, Press Release “Cremaster 2,” September 1999

'Cremaster 5', Temple Bar Properties, Circa, Autumn, 1999

Madoff, Steven Henry, “Hallucinatory Acts,” Time, August 30, 1999

Gell, Aaron, “Guns’ n’ poses,” Mirabella, August 1999

Sigel, Katy, “Nurture Boy: Matthew Barney’s Cremaster 2,” Artforum, Summer 1999

Patrick, Keith, “Global Vision: new art from the 90’s,” Contemporary Visual Arts, Number 22

Morrison, Angeline, “Barney bare,” The Sunday Tribune, May 9, 1999

Dunne, Adian, “On the edge of camp,” The Irish Times, April 28, 1999

'Cremaster 5', Temple Bar Properties, Irish Independent,  April 27, 1999

Green, Frank, “Anatomy. Matthew Barney’s extravaganzas,” Cleveland Free Times, March 17-23, 1999

Girst, Thomas, “Sex, art, and videotape,” National Post, January 30 1999


1998

Bijutsu Techo, BT 9, Vol. 50, No. 761, September 1998

von Buchau, Stephanie. “Matthew Barney’s candy box,” Bay Area Reporter, 39, April 2, 1998

Boyon IM, Seattle weekly goings on, April 2, 1998

Carlisle, Isabel, “Ursula Andress is now a work of art,” The Times, London March 19,1998

Carlisle, Isabel, “Cremaster 5,” Tate Summer, 1998

Dargis, Manohia, “ Cremaster4, Cremaster 5,” La Weekly, March 6-12 1998, p. 66

Everett-Green, Robert, “High-concept film making on a low budget,” The Globe and Mail, April, 1998

Hacket, Regina, “ Matthew Barney’s Cremaster series reaches delirious heights in ‘5’,” The Seattle Times Movies, April 3, 1998

Kent, Sarah, “Cremaster 5,” Time Out, London March 1998

Moestrup, Julie, “Cremaster 5,” Jyllandsposten, 28 February 1998

O’Farrell, Maggie, “The muscle man cometh, again,” Independent on Sunday, March 15,1998

Reid, Bruce, “Cult Rapture,” The Stranger, April 2, 1998

Ritchie, Matthew, “Barney’s CREMASTER 5,” Flash Art, 198, January-February1998, pp. 108-9

Romney, Jonathan, ”Sheep or goat?” The Guardian, London March 13. 1998

Shaw, Michael, “ Myth Media,” Resident, 25 February, March 3, 1998

Skotte, Kim, “Et barokt univers,” Politiken, Fredag 27, February 1998

Sladen, Mark, “Unspeakable Beautiful,” Art Monthly, 217, 6.98

A.K. The New Times Los Angeles, March 5-11, 1998

“another Cremaster oh so tired,” The Seattle Times Movies, Friday, April 3, 1998

Los Angeles Times, Thursday, March 5, 1998


1997

“4th Lyon Biennial,” Art Monthly, September 1997

Albrethsen, Pernille, “Vaseline, motorcykler og ungarsk opera,” Kunst, August 1997

Erfle, Anne, “Matthew Barneys Plazentäre Phantasmagorien-die Fünfte,” Neue Bildende Kunst, pp. 49-52

Frankel, David, “Hungarian Rhapsody,” Artforum, October 1997, pp. 76-79, ill

Greco, Stephan, “Flesh Prince,” New York Post, Saturday, November 1997, pp. 26-27

Hasegawa, Yuko, “Utopistics: Non-Determinate Eros,” BT, 6/97 pp. 28-33, Ill

Hultkrans, Andrew talks with J.G.Ballard and David Cronenberg, “Body Work,” Artforum, March 1997, pp. 76-81 

Kemp,Wolfgang, “Zeitgenössische Kunst und ihre Betrachter,”Jahresring 43, Jahrbuch für moderne Kunst, Oktagon, Köln

Nagoya, Satoru, “De-Genderism,” Flash Art, Summer 1997, pp. 132-3, ill

Pedrosa, Adriano,  “Matthew Barney,” Poliester, Volume 5, #17, Winter, pp. 22-25, ill

Rather, Megan, “ Matthew Barney’s obscure objects of desire,” NYarts magazine, 15 November

Saltz, Jerry, “Danube Blue,” Time Out, November 13-20. 1997, p. 43

Schaub, Mirjam, “Die Kunst als Foltergeschirr,” Die Zeit Nr. 31, 25.July 1997, p. 47

Smith, Roberta, “From a Fantasy Film, Luxury Transformed,” The New York Times, November 14,1997, p. E43


1996

Crump, James,  "Third Person Singular: Profiles and Personae," See: A Journal of Visual Culture, December, Vol.2, p. 3

The Hugo Boss Prize:1996, Comprehensive Press Coverage, Guggenheim Museum SoHo

Guardiola, Juan, ”Sangre, sudor y Software”, ALIAS REVISTA D ARTE, No. 15-16, pp. 70-88

Lebovici, Elisabeth,  "Barney dessine la carte du muscle," Liberation, Paris, Thursday, Feb.8, p.30

Macadam, Barbara A., "Here's Looking at Us!" Artnews, October, pp. 130 -33

Riley, Robert, "Matthew Barney," SF MOMA, March-April , pp.8-9, ill

Saltz, Jerry, "The Next Sex," Art in America, October, pp. 82-91,  ill

Taubin, Amy,  "Making Tracks," Village Voice, July 23, p. 66

Woods, Vicky,  "Matthew Barney's Personality Parade," Vogue, January , pp.160-63


1995

Matthew Barney’s Black and Blue Period,” New York, December 11, 1995, p. 18

Leonard, John, “Review of Cremaster 4,” New York, May 1, 1995, p. 69

Bryson, Norman,  "Matthew Barney's Gonadotrophic Cavalcade," Parkett, No.45, pp. 28-35, ill

Onfray, Michel,  "Mannerist Variations on Matthew Barney," Parkett, No.45,  pp. 50-57, ill

Seward, Keith,  "Matthew Barney and Beyond," Parkett, No.45, pp. 58-60, ill

Czoppan, Gabi, "Kunstler des Jahres," Focus, number 23, October

Hainley, Bruce, "Creamy Kids' Stuff," Art Forum, December, p. 64, ill

Pontzen, Rutger, "De Videomythen van Matthew Barney," Vrij Nederland, 11 November, pp. 52 55

"Tanten und Mutanten,” Der Spiegel, No. 46, November 13, 1995, p. 254

De Vries, Marina, "Barney's wereld blijft een raadsel,” Het Parool, October 23, ill

Sütö, Wilma, "Barney's optocht, processie van prijsram en offerdier,” de Volkskrant, October 23, ill

Tazzi, Pier Luigi, "Berichten uit de polymorfe zone. De mythografie van Matthew Barney,” Metropolis M, October 1995

Keunen, Mirjam, "Matthew Barney maakt Belofte Niet Waar," Algemeen Dagblad, October

Mison, John Peter, "Modest Konst" O Mode, 1995, pp. 16-21

Sans, Jerome, "Die Moglichkeiten des Menshlichen Organismus," Album, August 25, 1995

Aukeman, Anastasia, "Rising Stars Under 40," Art News, Special Issue, p. 30

Als, Hilton, "Downtown Artthrob," New Yorker, November 6, 1995

Ritchie, Matthew, "Matthew Barney," Flash Art, October, p.105

Houser, Craig, "Matthew Barney,” World Art, 3/1995, p.100

Gaché, Sherry, "London Reviews," Sculpture, July-August, p.49

Sans, Jérôme, "Modern Heroes," art press, #204, July/August, pp.25-32, ill

Sladen, Marc, " Assault Course. Mark Sladen tackles Matthew Barney head on," Art Monthly, #187, June, p.8

ART, #6, Juni, " Narsiss und Fegefeuer. Der Körper als Thema und Material der Kunst - junge Künstler entdecken neue Dimensionen der Schönheit und der Provokation,"

Boyer, Charles-Arthur, "Histoires d'hommes sur l'île de Man," Tribus Magazine, June pp. 6-7, ill

Nichols Goodeve, Thyrza, "Travels in Hypertrophia," Artforum, May 1995

Schjeldahl, Peter, "The Isle of Male,” The Village Voice, May 9, 1995

"Matthew Barney," (cf.Spiral show), Nikkei Art, March 1995, p.45

Morgan, Stuart, "Of Goats and Men,” Frieze, January/February 1995, pp. 34-39, ill

"A Quirky Whitney Biennial," The New York Times, March 24, 1995

Jarton, Cyril, "Barney: Sexe et Mecanique,” Les Beaux Arts, April 1995

Kimmelman, Michae, "Matthew Barney's Surreal Visions, on Film and in the Gallery,” The New York Times, April 28, 1995

Stevens, Mark, New York, May 1, 1995, p. 69

Lingwood, James, "Keeping track of Matthew Barney,” Tate,The Art Magazine, Summer 1995, pp. 52-53

Manami, Fujimori,  "Matthew Barney,” BT (Japanese magazine), July p. 8-25

Nichols Goodeve, Thyrza, "Matthew Barney 95: Suspension (CREMASTER), Secretion  (PEARL), Secet (Biology)," Parkett, No. 45, pp. 66-69

Barclay Morgan, Anne, "Video-Installations : Shigeko Kubota, Marcel Odenbach, Matthew Barney, Pierrick Sorin, Bruce Nauman," Art Papers, Vol.18, May/June, p.61


1994

Birnbaum, Daniel, "Kroppen som forvandlingsnummer,” Dagens Nyheter, May16, 1994, p. B2

Bonami, Francesco, "Matthew Barney," Flash Art, May/June, p.101

Cameron, Dan, "Self-Determination," Vogue, July, pp. 152-158, 192, ill

Holert, Tom, "Too Much, Too Young? - Barney's Raum," Texte Zur Kunst, ill

McKenna, Kristine, "This Boise Life, or Hut Hut Houdini," Los Angeles Times, November 20, ill

 Melrod, George, "Boys Will Be Boys," Mirabella, April, pp. 67-71, ill

Pagel, David, "'Cremaster' Drama Explores Ideas of Self," Los Angeles Times, November 10, 1994

Saltz, Jerry, "The Chimes of Freedom Flashing," Art Vision, Vol. 22-2, pp.4-6

Wakefield, Neville, "Matthew Barney's Fornication  With the Fabric of Space," Parkett, #39, March 1994, pp. 118-130, ill

Artforum, Vol. 32, #8, April, p. 77, ill

Art News Japan, June 1994, p.28

"Face to Face," du, January 1994, pp. 16, ill


1993

Als, Hilton, "Two Character Play," Frieze, Issue 10, May, pp. 17, ill p. 14

BT, Vol 45, No 672, pp 22-25, ill

Boyer, Charles-Arthur, "Le corps mis al'epreuve," Omnibus, Number 7, October.

Fleissig, Peter, "Lèche-Vitrine," Parkett, No. 35, pp. 102-113, ill

Flood, Richard, "Rosebud, Anyone?" Frieze, Issue 9, March, pp. 35-36.

Haus, Mary, "Fast Forward," ARTnews, November, pp. 123-4, ill

Helfand, Glen, "Matthew Barney," (Interview) Shift, Vol. 6, No. 2, pp. 36-41, ill

Larson, Kay, "What a Long Strange Trip," New York Magazine, March 22, 1993, pp. 71-72

Lewis, Jim, "Anatomy of an Artist," Harper's Bazaar, Issue #3375, March, 1993 , pp. 272-277, 321, ill

Millet, Catherine, "45e Biennale," Artpress, 183, September, pp. 64-66, ill

O'Brien, Glenn, "Dividing the Sheep from the Goats," Artforum, Vol. 31, No. 9, May 1993, p. 8, ill

Pagel, David, "Notes Toward Art's Backside," Shift 15, Vol. 7, No. 1, pp. 16-23

Rankin-Reid, Jane, "Pocket Pool: A Matthew Barney Exclusive," Art & Text, No 45, May 1993, pp.42-47

Rees, Michael, "Yale Sculpture," Flash Art, Vol. XXVI, No. 170, May/June 1993, pp. 65-67, ill

Rian, Jeff, "The 1993 Whitney Biennial," Flash Art, Vol. XXVI, No. 170, May/June

Rian, Jeff, "What's All This Body Art?" Flash Art, Vol. XXVI, No. 168, January/February 1993

Saltz, Jerry, "10 Artists for the '90s," Art & Auction, May, pp. 122-125, 155, ill

Schjeldahl, Peter, "Canal Vision: The Venice Biennale," Village Voice, July 6, 1993, pp. 58-59

Siegel, Jeanne, "Unveiling The Male Body,” Artpress, No. 183, September 1993

"The News," Galeries, No. 54, April/May, p. 13, ill

"Looking Ahead: Venice Biennale 1995," Flash Art, Vol XXVI, No 172, October 1993


1992

Adams, Brooks, "Matthew Barney: nouvel androgyne," Art Press, No. 167, March, pp. 36-39, ill

Bonami, Francesco, "Matthew Barney: The Artist as a Young Athlete," Flash Art, Vol. XXV, No. 162, January/February, pp. 100-103, ill

Cameron, Dan, "The Changing Tide," Art & Auction, January, pp. 50-52.

Decter, Joshua, "New York in Review," Arts, Vol. 66, No. 5, January, pp. 80-81, ill

Dworkin, Nancy, "Matthew Barney - Barbara Gladstone," ARTnews, Vol. 91, No. 2, February, pp. 123-24, ill

Gallagher, Ed, "Fine Tune: Notes on Matthew Barney," Publicsfear, Volume 1, No. 1, pp. 71-74,

Helfand, Glen, "Fully pumped for fame: Artist/jock Matthew Barney works out at SFMOMA," SF Weekly, January 22, p. 19, ill

Hoet, Jan, "Documenta als Motor," Kunstforum, No. 119, pp. 220-503, ill

Johnson, Ken, "Matthew Barney at Barbara Gladstone," Art in America, Vol. 80, No. 1, January, pp. 115-117, ill

Kaplan, Steven, "Matthew Barney: Barbara Gladstone Gallery," etc. Montreal, No. 19,  August-November, pp. 64-66, ill

Kunz, Martin, "USA - Blickpunkt Eastcoast," Kunstforum, No. 119, pp. 164-174, ill

Larson, Kay, "Art on Site: Twenty-five Years in Two Hours," Atelier, July, pp. 64-83, ill

Liebmann, Lisa, "Mr. Hoet's Holiday," Artforum, September, Vol. 31, No. 1, pp. 87-89, ill

Morgan, Stuart, "Body Language," Frieze, Issue 6, September/October, pp. 28-34, ill

Nesbitt, Lois, "The Young, The Wild, and the Wicked: Art's Bad Boys," Elle, March, pp. 130-132

Nilsson, John Peter, "Här hänger nittiotalets konstnär," Aftonbladet - Kultur (Swedish), Nr. 2, October, pp. 20-23, ill

Padon, Thomas, "Matthew Barney - Barbara Gladstone Gallery," Sculpture, Vol. II, No. 2, March/April, p. 68, ill

Perl, Jed, "Review," Art & Antiques, Vol. IX, No. 2, February, p. 80, ill

Riley, Robert R., "Matthew Barney - Museum of Modern Art, San Francisco," Flash Art, Vol. XXV, No. 167, p. 139, ill

Saltz, Jerry, "Matthew Barney, Sam Reveles, & Nancy Rubins: Gladstone, New York," Flash Art, Vol. XXV, No. 167, November/December, p. 136

Saltz, Jerry, "Lufthansa Was Half the Fun," Galeries, No. 49, September, pp. 77-79, 88

Saltz, Jerry, "The Ten Commandments of Taste," Art & Auction, November, pp. 104-109, ill

Smolik, Noemi, "Matthew Barney und Constantin Zvezdochotov," Kunstforum, No. 119, pp. 155-157, ill

Sugiura, Kunié, "News from Abroad," Bijutsu Techo, Vol. 44, No. 649, January, p. 127

van den Boogerd, Dominic, "Perspectieven," Metropolis M, No. 4, August, p. 31, ill

Vogel, Sabine B., "Matthew Barney: Sport, Sex und Kunst," Artis, June, pp. 40-42, ill

Weil, Benjamin, "Matthew Barney," Flash Art, Vol. XXV, No. 162, January/February1992

"Matthew Barney at Modern Museum," San Francisco Chronicle, January 9, 1992, p. E2


1991

Bonetti, David, "This kid's just a jock," San Francisco Examiner, December 20, 1991

Cottingham, Laura, "Art and Thought," NYQ, November 24, 1991, p. 41

Krone, Larry, "Gladiator Art," 15 Minutes, Issue 9, December/January, pp. 15-16, ill

Larson, Kay, "Getting Physical," New York Magazine, Vol. 24, No. 45, November 18, 1991

McKenna, Kristine, "Body and Soul," The Los Angeles Times, June 4, 1991, Section F, page 4

Pagel, David, "Matthew Barney," Art Issues, No. 19, September/October, p. 39, ill

Relyea, Lane, "Openings: Matthew Barney," Artforum, Vol. XXX, No. 1, September 1991

Saltz, Jerry, "Wilder Shores of Art," ARTS Magazine, May, pp. 29-31, ill

Schneider, Greg, "A Sporting Subversion," Artweek, June 20, p. 13, ill

Selwyn, Marc, "Spotlight: Matthew Barney - Personal Best," Flash Art, Vol. XXIV, No. 160, October, p. 133, ill

Smith, Roberta, "Matthew Barney's Objects and Actions," The New York Times, October 25, p. C28, ill

The New Yorker, November 4, p. 18

Review, “Matthew Barney” Newsweek, September 6, 1991

Kramer, Hilton, “A fatality on Art’s Critical list?” The New York Observer, Vol. 5, Number 40, November 11, 1991

“Matthew Barney” Village Voice, October 30, 1991


1990

Nesbitt, Lois E., "New York Fax," Art Issues, September/October, p. 38

Smith, Roberta, "The Group as Crystal Ball," The New York Times, July 6, 1990

Writings by the Artist

 

Barney, Matthew. “1000 Words: Matthew Barney talks about DE LAMA LÂMINA, 2004,” Artforum, May 2004, p.190-191.

Barney, Matthew. "Headlever Near Side Cradle," (Found and manipulated text), Verbal Abuse Magazine, Issue #2, Fall 1993, p. 27.