Philippe Parreno

PHILIPPE PARRENO

Solo Exhibition Catalogues and Monographs


2014

Philippe Parreno: Anywhere, Anywhere Out of the World. Köln: Walther Koenig, 2014.


2011

Philippe Parreno: Films 1987 – 2010: Serpentine Gallery. Köln: Walther Koenig, 2011.

 

Spector, Nancy. C.H.Z. Philippe Parreno. Italy: Grafiche Damiani, Bologna, 2011.


2009

Critchley, Simon. Philippe Parreno. Zurich: JRP Ringier, 2009.

Parreno, Philippe and Johan Olander. Parade ?, Paris: Editions du Centre Pompidou, 2009.


2008

Obrist, Hans Ulrich and Philippe Parreno. Hans Ulrich Obrist & Philippe Parreno: The Conversation Series. Koln: Walther Konig, 2008.

Suicide in Vermillion Sands. New York: Friedrich Petzel Gallery, 2008.

Live Recorded Delay: An Archive of Il Tempo del Postino. Berlin: Sternberg Press, 2008.


2005

Philippe Parreno: Fade to Black, Brussels: MFC-Michele Didier, 2005.


2004

The Boy from Mars, Kitakyushu: CCA Kitakyushu, 2004.

Point d’ironie, no. 33, Paris: Agnés B, 2004.


2002

No Ghost Just a Shell, Köln: Walther Konig, 2002.

Philippe Parreno, Stockholm: Moderna Museet Projekt, 2002.

Obrist, Hans-Ulrich. Philippe Parreno: Alien Affection, Paris: Paris-Musées, 2002.


2001

Philippe Parreno: Speech Bubbles, Dijon: Les presses du reel, 2001.


1995

Gillick, Liam and Jack Wendler. Snow Dancing by Philippe Parreno, Washington DC: GW Press, 1995.

Group Exhibition Catalogues


2016

Eccles, Tom, ed. Invisible Adversaries. Annandale-on-Hudson: Hessel Museum of Art, 2016.


2015

Artistes et Architecture: Dimensions variables. Paris: Editions du Pavillon de l’Arsenal, 2015.


2014

Macel, Christine. Ûne Histoire: Art, Architecture, Design des années 1980 à nos jours, Paris: Centre Pompidou and Flammarion, 2014.

Babel: Works from the Igal Ahouvi Art Collection. Tel Aviv: Igal Ahouvi Art Collection/Tel Aviv University, 2014.


2012

Ruins, London: Whitechapel Gallery, 2012.

Cherix, Christophe. Print/Out: 20 Years in Print, New York: MOMA Publications, 2012.


2009

Serpentine Gallery Poetry Marathon, London: Koenig Books, 2009.

La Biennale di Venezia 53: Making Worlds Exhibition, Venice: Fondazione La Biennale di Venezia, 2009, p. 126 – 127, 246 – 247.

Scherf, Angeline. Entre-Temps, Paris: MAMVP/ARC, 2009, p.122-127.

FRAC Nord-Pas de Calais, #2: Collection 1991-2000, Dunkirk: Nord-Pas de Calais, 2009, p. 76-77.


2008

Obrist, Hans Ulrich and Daniel Birnbaum. THEANYSPACEWHATEVER, New York: Guggenheim Museum, 2008, p. 98-104.

Macel, Christine. The Time Taken: Time to Work, Time at Work, Paris:  Monografik and Centre Pompidou, 2008.

Richard, Lionel. Art et energies, Paris: Cercle d’Art, 2008.


2007

Marcoci, Roxana. Comic Abstraction, New York: MoMA, 2007, p. 24-25, 102-107.

Lequeux, Emmanuelle. AF 21.1 Art France 1990 – 2007, Paris: Editions Particules, 2007, p. 154-155.

Birnbaum, Daniel and Christine Macel. Airs de Paris, Paris: Centre Pompidou, 2007.

 

All Hawaii entrées / Lunar Reggae, Dublin: Irish Museum of Modern Art, 2007.


2006

Again for Tomorrow, London: Royal College of Art, 2006.


2005

War is Over, Bergamo: GAMeC, 2005.

Le Magasin: 1986-2006, Grenoble: JRP Ringier, 2005.

Expérience de la Durée, Lyon: Biennale de Lyon, 2005.

Universal Experience: Art, Life and the Tourist’s Eye, Chicago: Museum of Contemporary Art, 2005.


2004

Hors D’oeuvre, Bordeaux: CAPC, 2004.

Sportivement Vôtre, Chamarande: Domaine départemental de Chamarande, 2004.


2003

The Big Nothing, Philadelphia: Institute of Contemporary Art, 2003.

7th Biennale de Lyon: It Happened Tomorrow: Après, Dijon: Les Presses du Réel, 2003.

Coolustre, Avignon: Collection Lambert, 2003.

Animations, Berlin: Kunst-Werke, 2003.


2002

The Object Sculpture, Hertfordshire: The Henry Moore Institute, 2002.


2001

Double Life, Wien: Generali Foundation, 2001.


1999

X Squared, Vienna: Secession, 1999.


1998

Dominique Gonzales-Foerster, Pierre Huyghe, Philippe Parreno, Paris: Musee d'Art Moderne, 1998.

Project 8, Seoul: Total Museum of Contemporary Art, 1998.


1997

Enter: Artist/Audience/Institution, Luzern: Kunstmuseum Luzern, 1997.

Campo 6, Turin: Museum of Turin and Fondazione Sandretto Re Rebaudengo, 1997.


1996

More Time Less History, Porto: Fundaçao Serralves, 1996.


1995

Surface de Réparations, Dijon: FRAC Bourgogne, 1995.

Infamie, Paris: Hazan, 1995.

Collection: Fin XXe, Poitiers: FRAC Poitou-Charentes, 1995.

NICAF, Paris: Air de Paris, 1995.

Traffic, Bordeaux: CAPC Musée d’art Contemporain de Bordeaux, 1995.


1994

Soggetto Soggetto, Milan: Charta, 1994.

“No More Reality,” ZAPP Video Magazine, no. 1, 1994 [video].

Nouvelle Vague, Nice: MAMAC, 1994, p. 51-57.


1993

“Snaking,” ZAPP Video Magazine, no. 0, 1993.

Backstage: Topologie Zeitgenössischer Kunst, Hamburg: Kunstverein im Hamburg and Kunstmuseum Luzern, 1993.

Aperto ’93: Emergency: Flash Art International, Milan: Giancarlo Politi Editore, 1993.

45th International Exhibition of Art 1993: Venice Biennale: Cardinal Points of Art, Venice: Marsilio Editori, 1993.

Le Principe de Réalité, Nice: Villa Arson, 1993.


1992

Le Dimanche de la vie, Milan: Gio Marconi, 1992.

We Must Build the Hacienda, Tours: C.C.C., 1992.


1991

L’amour de l’art: Lyon: Biennale de Lyon, 1991.

No Man’s Time, Nice: Villa Arson, 1991.


1990

Schafaff, Jörn. How we gonna behave?, Koln: König, 1990.

Graw, Isabelle. Nachschub: The Köln Show, Köln: Spex, 1990.

French Kiss: A Talk Show, Genève: Halle Sud, 1990.

Courts Métrages Immobiles, AFAA, 1990.

Selected Articles and Reviews


2016

Nathan, Emily. "An Art of Loopholes: How the French artist Philippe Parreno studiously avoids having ideas," The New Yorker, October 15, 2016.

Souter, Anna. "Parreno: Anywhen at Turbine Hall, Tate Modern," The Upcoming, October 14, 2016.

Sherwin, Skye. "Inside Philippe Parreno's Brave New World at The Tate Modern," W Magazine, October 11, 2016. 

Cohen, Alina. "Philippe Parreno Offers 'Journey' at Tate's Turbine Hall," BLOUIN ARTINFO, October 10, 2016.

Buck, Louisa. "Interview: Philippe Parreno goes with the flow," The Art Newspaper, October 6, 2016. 

Spence, Rachel. "Frieze Week special: Philippe Parreno, Tate Modern Turbine Hall, London," Financial Times, October 4, 2016. 

Searle, Adrian. "Parreno's Turbine Hall review- mesmerising and umissable," The Guardian, October 3, 2016.  

Florian, Federico. “Philippe Parreno at HangarBicocca,” Art in America, March 29, 2016.

Duray, Dan. “It’s alive: Philippe Parreno lights up Gladstone Gallery,” The Art Newspaper, March 24, 2016.

“Philippe Parreno Chosen for Tate’s 2016 Hyundai Commission,” Artforum, February 1, 2016.

Kuitert, Floor. “Philippe Parreno turns Milan’s HangarBiccoca into a cinematic production of shadows,” Frame Magazine, February 9, 2016.


2015

Obrist, Hans Ulrich. "Rethinking the Ritual of the Exhibition," Mousse Magazine, February 2015.

“Making Sense of Philippe Parreno in His Multifaceted Park Avenue Armory Exhibition,” Artsy, June 16 , 2015.

Jones, Justin. “When Creepy Kids Are Part of an Art Show,” The Daily Beast, June 29, 2015.

“500 Words: Philippe Parreno,” Artforum, June 10, 2015.

Indrisek, Scott. “Philippe Parreno’s Hypnotism at the Park Avenue Armory,” ArtInfo, June 11, 2015.

Tan. “Philippe Parreno’s H{N)YPN(Y}OSIS takeover of the Park Avenue Armory,” The Art Newspaper, June 11, 2015.

Cheung, Ysabelle. “Philippe Parreno Unveils His Glowing Gesamtkunstwerk,” Hyperallergic, June 11, 2015.

Coxhead, Gabriel and Ali Morris. “Philippe Parreno’s multimedia extravaganza, H{N)YPN(Y}OSIS, opens in New York’s Park Avenue Armory,” Wallpaper*, June 11, 2015.

Massara, Kathleen. “Philippe Parreno’s Spectacular Show at Park Avenue Armory Hypnotizes Visitors,” artnet, June 11, 2015.

Morris, Ali. “Parreno, Höller and Demand inaugurate Albania’s Center for Openness and Dialogue in Tirana,” Wallpaper*, July 14, 2015.


2014

Renner, J. "Atelier: Philippe Parreno," Arte TV, December 2014.

Eastham, Ben. “Interview with Philippe Parreno,” The White Review, August 2014.

Sirieix, Barbara. “The Snake and the Snail,” South as a State of Mind, Issue 4, Spring/Summer 2014, p. 140-141.

Launay, Aude. “De Décennies en Millénaires,” Revue 02, no. 70, 2014.

Rian, Jeff. “Philippe Parreno,” Artforum, January 2014.


2013

Pfeiffer, Alice. “Show & Tell,” Wallpaper, November 2013.

Herbert, Martin. “Philippe Parreno,” Kaleidoscope, November 5, 2013.

Higgie, Jennifer. “My Influences: Philippe Parreno,” Frieze, October 2013.

Khondji, Darius. “Philippe Parreno,” Interview Magazine, October 2013

Searle, Adrian. “Philippe Parreno’s Video Art: a moving spectacle full of snowdrifts and tears,” The Guardian, October 30, 2013.

Piettre, Céline. “Philippe Parreno’s New Megashow Fills the Palais de Tokyo,” Artinfo, October 26, 2013.

Pfeiffer, Alice. “Artist Philippe Parreno is given carte blanche to curate a multi-media exhibition at Paris’ Palais de Tokyo,” Wallpaper, October 24, 2013.

“Philippe Parreno & Andri Sala,” Mousse Magazine, February – March 2013, p. 158-165.

Searle, Adrian. “The Bride and the Bachelors: Delighting in Duchamp,” The Guardian, February 15, 2013.


2012

Béghin, Cyril. “A Matter of Synchronization,” Mousse, 2012.

Buck, Louisa. “The Uncanny World of Philippe Parreno,” Art Newspaper, June 15, 2012.


2011

Charlesworth, J. J. “Philippe Parreno,” Art Review, March 2011.

Verzotti, Giorgio. “Philippe Parreno,” Art Forum, March 2011.


2010

Waters, Florence. “Magic films that immerse you in poetry,” The Daily Telegraph, November 30, 2010.

Kunitz, Daniel. “Flying Solo,” Modern Painters, October 2010, p. 63-67.


2009

Gillick, Liam. “A Single Piano Note and a Giant Snowflake,” Parkett, volume 86, 2009.

Lagier, Luc. “A Sensation of Asphyxia,” Parkett, volume 86, 2009.

Obrist, Hans-Ulrich and Philippe Parreno. “A Polyphonic Conversation,” Parkett, volume 86, 2009.

Stillpass, Zoe. “Back to Her Future,” Parkett, volume 86, 2009.


2004

“Replay,” Flash Art, October 2004, p. 136.

General Publications


2009

Marcadé, Bernard. 53 Oeuvres oui M’ Ébranlérent le monde, Paris: Beaux Arts editions, 2009, p. 160-163.

Utopics: Systems and Landmarks, Zurich: JRP Ringier, 2009.


2008

Fried, Michael. Why Photography Matters as Art as Never Before, New Haven     and London: Yale University Press, 2008.

Monvoisin, Alain and Nadine Coleno. Dictionnaire International de la Sculpture Moderne et Contemporaine, Paris: Editions du Regard, Paris, 2008, p 418, 420.

Macel, Christine. French Connection, Paris: Black Jack editions, Paris 2008, p 560-567.

Qu’est-ce que l’art video aujourd’hui?, Paris: Beaux Arts éditions, 2008.

Heiser, Jorg. All of a Sudden, Berlin: Sternberg Press, 2008, p. 178-179, 196-199.


2007

Moulène, Claire. Contemporary Art and Social Ties, Paris: Cercle d’Art, 2007.

L’artiste, l’atelier, le verre, Paris: CIRVA, 2007.

Blom, Ina. On the Style Site Art, Sociality, and Media Culture, Berlin: Sternberg Press, 2007.

Moisdon, Stéphanie. Stéphanie Moisdon, Dijon and Zürich: Les Presses du Réel and JRP Ringier, 2007, p. 221-242.

Gielen, Denis. Atlas de l’art contemporain à l’usage de tous, Paris: Musée des Arts Contemporains au Grand-Hornu, 2007.

Parkett, no. 80, 2007.

Obrist, Hans-Ulrich. …dontstopdontstopdontstopdontstop, Dijon/Zurich: Les presses du reel/JRP Ringier, 2007, p. 125-129, 135-143.

Birnbaum, Daniel. Chronology, Berlin: Sternberg Press, 2007, p. 97-112.

Caioli, Luca. Zidane: Cent dix minutes pour partir, France: editions Prolongations, 2007, p. 162-165.

Cassagnau, Pascale. Future Amnesia: Investigations on a Third Cinema, Paris: Isthmus, 2007, p. 87.

Bonnet, Frédéric. Collection Nouveaux Médias Installations, Paris: Centre Pompidou, 2007, p. 238.

Dupis, Dorothée. Collection  Art Contemporain, Paris: Centre Pompidou, 2007, p. 351.

Richardson, Phyllis. XS Green: Big Ideas Small Buildings, London: Thames & Hudson, 2007, p.162-165.


2006

Fresh Théorie II, Paris: Léo Scheer, 2006.

Obrist, Hans-Ulrich. …dontstopdontstopdontstop, Berlin/NewYork: Sternberg Press, 2006.

Vidal, Jordi. Traité du Combat Moderne, Paris: Alla, 2006.


2005

Birnbaum, Daniel. Chronology, New York: Lukas & Sternberg Press, 2005.

Piron, François. Prêts à Prêter, Provence-Alpes-Côte d’Azur: Regional Contemporary Art PACA, 2005.

Art Now: Volume 2, Köln: Taschen GmbH, 2005.

La Ville au Cinéma, Paris: Cahiers du Cinéma & Éditions de l’Etoile, 2005.

Huitorel, Jean-Marc. The Beauty of Gesture: Contemporary Art and Sport, Paris: Editions du Regard, 2005.


2004

Douroux, Xavier. Nouveaux Commanditaire en Bourgogne, Dijon: Les presses du reel, 2004.

Couturier, Elisabeth. l’Art Contemporain Mode d’Emploi, Paris: Flammarion, 2004.

Mattick, Paul and Katy Siegel. Art Works: Money, London: Thames & Hudson, 2004, p, 84-84; 158-159.

Turbulenz,  Frankfurt: Portikus, 2004.


2003

The In-Between: Anna Sanders Films, Dijon: Les Presses du Réel, 2003.


2002

Art Now, Köln: Taschen, 2002.

Ann-Lee, in Diatxt, no. 6, Tokyo: Tokyo Art Center, 2002.


2001

Bourriaud, Nicolas. Postproduction, New York: Lukas & Sternberg, 2001.


2000

Bony, Anne. The 90’s, Paris: Editions du Regard, 2000.


1999

Cream, London: Phaidon, 1999, p. 28 and 28.

Art at the Turn of the Millenium, Cologne: Taschen, 1999, p. 378-381.

Writings by the Artist


2008

Parreno, Philippe and Hans-Ulrich Obrist. “An Interview with Pierre Boulez,” Sound Unbound: Sampling Digital Music and Culture, Cambridge: MIT Press, 2008, p. 361.


2007

Parreno, Philippe. "Sitcom Ghost," Rirkrit Tiravanija: A Retrospective (Tomorrow Is Another Fine Day), Zurich: JRP Ringier, 2007.

“La musique des évènements,” Maps and Legends, Paris: Le Presses du Réel, 2007.


2002

Parreno, Philippe. “My days are shorter than your t-shirt,” Olafur Eliasson: Surroundings Surrounded: Essays on Space and Science, Cambridge: MIT Press, 2002.


2001

Parreno, Philippe. "Bjork," Bjork, New York: Bloomsbury USA, 2001, p. 119-122.

Parreno, Philippe. “Evidences to be submitted to the free time litigation,” Pierre Huyghe, Zurich: Kunsthalle Zurich with Seccession Wien and Le Consortium Dijon, 2001.


2000

Parreno, Philippe. "its me and the system...," Jorge Pardo: What Does This Object Do?Ostfildern: Hatje Cantz Verlag, 2000.