R. H. Quaytman

R. H. QUAYTMAN

Exhibition Catalogues, Monographs, and General Publications


2016

Simpson, Bennett, ed. R.H. Quaytman, Morning: Chapter 30, Los Angeles: The Museum of Contemporary Art, Los Angeles, 2016.


2015

Painting 2.0: Expression in the Information Age. Munich: Museum Brandhorst, 2015.       

Whitney Museum of American Art: Handbook of the Collection, New York: Whitney Museum of American Art, 2015.

Writers Respond: Storylines: Contemporary Art at the Guggenheim, New York: Solomon R. Guggenheim Foundation, 2015.

Hudson, Suzanne, ed. Painting Now. New York: Thames & Hudson, 2015.

Siegel, Katy, ed. “The heroine Paint”: After Frankenthaler. New York: Gagosian Gallery, 2015.


2014

Yasar, Begum, ed. “Hypothesis for an Exhibition”. New York: Dominique Lèvy, 2014.


2013

Gartenfeld, Alex and Norman Rosenthal, eds. Empire State: New York Art Now! Milan: Skira Rizzoli, 2013.

Bourriaud, Nicolas, ed. L’ange de l’histoire. Paris: Beaux Arts de Paris, 2013.

Lemoine, Serge, and Mathieu Poirier, eds. Dynamo. Un siècle de lumière et de mouvement dans l'art 1913-2013. Paris: RMN-Grand Palais, 2013.

Smith, Laura, ed. Tate St Lives Summer 2013. London: Tate St Ives, 2013.


2012

Cladders, Johannes, ed. Dalet, Chapter 24. Mönchengladbach: Museum Abteiberg, 2012.

Mansoor, Jaleh. Painting, Folding. Parkett, No. 90, Spring 2012.


2011

Curiger, Bice, ed. ILLUMInations: 54th International Art Exhibition Biennale Di Venezia. Venice: Marsilio, 2011.

Quaytman, R. H. Spine. Berlin: Sternberg Press, 2011.

Schwabsky, Barry and Jessica Stockholder, eds. Vitamin P2: New Perspectives in Painting. London: Phaidon, 2011.

Mackay, Robin, ed. The Medium of Contingency. London: Urbanomic and Ridinghouse, 2011.

Foster, Hal, et al. Art Since 1900: Modernism, Antimodernism, Postmodernism. 2nd ed. New York: Thames & Hudson, 2011.


2010

Bonami, Francesco, and Gary Carrion-Murayari. 2010: Whitney Biennial. New York: Whitney Museum of American Art, 2010.

Duncan, Thomas, et al. Gambaroff, Krebber, Quaytman, Rayne. Bergen: Bergen Kunsthall, 2010.


2009

Nickas, Bob, Painting Abstraction: New Elements in Abstract Painting. London & New York: Phaidon Press, 2009, 316-319.


2008

Quaytman, R. H. Allegorical Decoys. Ghent: MER Paper Kunsthalle, 2008.

Quaytman, R. H. “The Call of the Wind,” a poem taken from the words of Thomas Eggerer, Novel 1. Drucksache Kunst, 2008.


2005

McBride, Rita, and David Gray, eds. Myways. with essay by R. H. Quaytman, Arsenal Pulp Press, 2005.


2000

The Figure, Another Side of Modernism. Staten Island: Snug Harbor Cultural Center, 112, 83.

Pellegrin, Maurizio ed., Innerscapes. p. 237-40.


1995

Quaytman, Rebecca, The Notebooks of Paul Thek, The Wonderful World that Almost Was. Rotterdam: Witte de With Center for Contemporary Art, p. 11-2.


1993

Binda, Ausilia, Artedomani. Spoleto: Punti di Vista.

Karasov, Deborah, catalogue, Rome: American Academy in Rome.

Fraser, Kathleen, Black Bread #2.

Selected Articles and Reviews


2017

Kantor, Jordan. “R.H. Quaytman,” Artforum, March 2017.


2016

Krebber, Michael. "R.H. Quaytman," Interview, October 13, 2016.


2015

“R. H. Quaytman at Miguel Abreu,” Contemporary Art Daily, November 14, 2015.

Cotter, Holland. “R. H. Quaytman’s Variations on Klee’s Angel,” The New York Times, November 5, 2015.

Boucher, Brian. "Brian Boucher's 10 Reasons To Be Excited About The New Whitney Museum," Artnet, April 24, 2015.

Contag, Lisa. "The Impossibility of Painting: R. H. Quaytman and Michael Krebber in Cologne," Artinfo, April 14, 2015.

Smallwood, Christine. "The Mother-Daughter Thing,"T Magazine, March 24, 2015.

Birkett, Richard. "R. H. Quaytman: Paratexts and Palimpsets," Afterall, Spring 2015, p. 88-101.

Ganz Blythe, Sarah. "R. H. Quaytman: Archive to Ark, the Subjects of Painting," Afterall, Spring 2015, p. 76-87.

Chamberlain, Colby." R. H. Quaytman," Artforum, March 2015.

Mac Adam, Alfred. "R. H. Quaytman," Artnews, February 2015.

"Reviews in Brief: R. H. Quaytman," Modern Painters, February 2015.

Piejko, Jennifer. "R. H. Quaytman," Flash Art, January — February 2015.

Smith, William S. “R. H. Quaytman,” Art in America, January 9, 2015.


2014

Watson, Simon.  "A Brazil-Bound American Art Star," Huffington Post, December 16, 2014.

Sergio Bessa, Antonio.  "R. H. Quaytman," Bomb Magazine, December 10, 2014.

Herbert, Martin. "Previewed," Art Review, December 2014.

Halle, Howard. “R. H. Quaytman, ‘O Tópico, Chapter 27’,” Time Out New York, November 27, 2014.

Ebony, David. “David Ebony’s Top 10 New York Galelry Shows for November,” artnet, November 21, 2014.

Expósito, Frank. “R. H. Quaytman,” Artforum, November 7, 2014.

“R. H. Quaytman at Gladstone,” Art in America, November 2014.

“Minimalist Voices of the Past and Present,” Huffington Post, October 13, 2014.

 


2013

Nelson, Solveig. “R. H. Quaytman,” Artforum, April 2013, p. 265.

Quaytman, R. H. “Abstraction 1910-1925,” October, Winter 2013, p. 49-51.

Taft, Maggie. “Surface Studies: R. H. Quaytman at The Renaissance Society, Chicago,” Texte Zur Kunst, March 2013, p. 229-232.

“R. H. Quaytman at The Renaissance Society,” Contemporary Art Daily, February 12, 2013.

Deng, Tianyuan. “Quaytman Critiques a Campus Institution From Within,” The Chicago Maroon, January 15, 2013.

Withycombe, Claire. “Passing Through,” Chicagoweekly.net, January 11, 2013.

Weeman, Julia. “R. H. Quaytman Opens Show at Renaissance Society,” Chicagoist, January 6, 2013.


2012

Anastas, Rhea. “A Nude Poses in the Whitney Museum,” Parkett, No. 90, Spring 2012.

“R. H. Quaytman in Conversation with Jason Farago,” Annual Magazine, September 2012.

Heller-Roazen, Daniel. “Means and Equivalence,” Parkett, No. 90, Spring 2012.

Imdahl, Georg. “Mehrwert der Erinnerung,” Süddeutscher Zeitung, July 2012.

“50 Next Most Collectible Artists,” Art+Auction, June 2012.

Ryan, David. “On Painting,” Art Monthly, April 2012.

Ayche, Elie. “Point de Gaze,” Après le Marché, February 2, 2012.

“Thomas Eggerer and R. H. Quaytman: Preludes,” Time Out NY, January 15, 2012.


2011

Galvez, Paul. “Tabula Rasa: Paul Galvez on the Art of R. H. Quaytman,” ArtForum, September 2011.

Joselit, David. “Signal Processing: Abstractions Then and Now,” ArtForum, Summer 2011.

Schmidt, Jason.”R. H. Quaytman,” Monopol, No. 8, August 2011.

“Questionare: R. H. Quaytman,” Frieze, June, July, August 2011.

Joselit, David. “I Modi,” Mousse, Issue 29, June-August 2011.

“Questionnaire: R. H. Quaytman,” Frieze, Issue 140, June-August 2011.

Smee, Sebastian. “Biennale Starts in Fits,” Boston Globe, June 5, 2011.

Searle, Adrian. “The Venice Biennale’s balance of power,” The Guardian, June 6, 2011.

McLean-Ferris, Laura. “54th Venice Biennale: Tapping the light fantastic,” The Independent, June 7, 2011.


2010

Schwendener, Martha. “Idiosyncratic Imagery,” The New York Times, December 19, 2010.

Stern, Steven. “Past Present,” Frieze, Issue 132, June-August 2010.

Stillman, Steel. “In the Studio: R. H. Quaytman,” Art In America, June-July 2010.

“R. H. Quaytman,” Artforum, Summer 2010.

Fiduccia, Joanna. “Topical Optical,” Kaleidoscope, Issue 07, Summer 2010.

White, Roger. “R. H. Quaytman,” Art Review, May 2010.

Galvez, Paul. “R. H. Quaytman, Institute of Contemporary Art Boston,” ArtForum, May 2010.

Pobocha, Paulina. “R. H. Quaytman,” Museo Magazine XIV.

Cohen, Luke. “Catachreses / On R. H. Quaytman,” Texte Zur Kunst, No. 77, March 2010.

Halle, Howard. “2010 Whitney Biennial,” Time Out New York, March 4-10, 2010.

Yablonsky, Linda. “Women’s Work,” New York Times Magazine, Spring 2010.

Finch, Charlie. “A Room of One’s Own,” artnet.com.

O’Neill-Butler, Lauren. “Ladies First,” artforum.com, February 25, 2010.

Douglas, Sarah. “Hooray for Whitneywood,” artinfo.com, February 25, 2010.

White, Roger. “R. H. Quaytman: Exhibition Guide, Chapter 15 at ICA Boston,” Art Review, February 15, 2010.

Pobocha, Paulina. “R. H. Quaytman’s Storage Rack: An Archive of Images and Associations,” MoMA Inside/Out, January 21, 2010.

Launay, Aude. “Liz Deschenes, Rebecca Quaytman, Meredyth Sparks,” Zero Deux, Issue 52, Winter 2009/2010.


2009

Chamberlain, Colby. “Besides, With, Against and Yet: Abstraction and the Ready-Made Gesture,” Artforum, 10 December 2009.

McQuaid, Cate. “Signs and Sensibility,” Boston Globe, November 15, 2009.

Joselit, David. “Painting Beside Itself,” October, No. 130, Fall 2009.

Joselit, David. “Institutional Responsibility: The Short Life of Orchard,” Grey Room 35, Spring 2009.

Coburn, Tyler. Art Review, Issue 13, April 2009.

Stillman, Nick. “R. H. Quaytman,” ArtForum, April 2009.

Gregory, Stamatina. “R. H. Quaytman,” Modern Painters, April 2009.

Walthemath, Joan. “R. H. Quaytman Chapter 12: iamb,” The Brooklyn Rail, Febuary 6, 2009.

Maine, Stephen. “R. H. Quaytman: Chapter 12: iamb at Miguel Abreu Gallery," artcitical.com, January 2009.

Smith, Roberta. “Chapter 12: iamb,” The New York Times, January 23, 2009.

Schwendener, Martha. “Eva Lundsager, R. H. Quaytman, and Mary Heilman Bursh Up on Their Painting: Things get drippy and trippy in three current shows of new work,” The Village Voice, January 21, 2009.

“R. H. Quaytman,” The New Yorker, January 20, 2009.

Lewis, David. “R. H. Quaytman,” Frieze, January 20, 2009.

Reid, Alan. “R. H. Quaytman, Chapter 12: iamb at Miguel Abreu Gallery,” bigredandshiny.com, January 2009.


2008

Smith, Roberta. “Painting Now and Forever, Part II,” The New York Times, August 7, 2008.

Jones, Kristin M. “From One O to the Other,” Frieze, July 16, 2008.

Mack, Joshua. “One Less Alternative: The Lower East Side’s Orchard Gallery Closes as Planned,” artreview.com, May 26, 2008.

Carlin, T.J. “From One O to the Other,” Time Out New York, April 10-16, 2008.

“Focus: The Lower East Side,” Flash Art, March-April 2008.


2006

Smith, Roberta. “Who Needs a White Cube These Days,” The New York Times, January 13, 2006.


2005

Gilligan, Melanie. “Kollektive Erhebung,” Texte zur Kunst, No. 59, September 2005.

Scott, Andrea K. “The Best and Worst of 2005,” Time Out New York, December 29-January 4, 2005.

Wilson, Michael. “Scene and Heard,” artforum.com, May 16, 2005.

Lyon, Christopher. “Report from Poland, Constructing a Biennial,” Art in America, April 2005.


2002

Cotter, Holland. “Art in Review: Pictures,” The New York Times, Febuary 15, 2002.

Mannisto, Glen. “Blood on the Tracks,” Metrotimes, Vol. 22, No. 52, 2002.


2001

Weil, Rex. “Review,” ArtNews, October 2001.

Simpson, Bennett. “Review: Crossing the line,” Frieze, No. 62, 2001.

Sundell, Margaret. “Review,” ArtForum, October 2001.

Williams, Gregory. “Critic’s Picks,” artforum.com.

Wehr, Ann. “Review,” Time Out New York, No. 302, 2001.

“Review,” The New Yorker, July 4, 2001.


2000

Morgan, Robert. “Women and Geometric Abstraction,” Review, December 2000.

Kent, Sarah. “Review,” Time Out London, No. 1501, May 26-June 2, 2000.


1998

Moody, Tom. “Review,” Artforum, September, p. 158.

Princenthal, Nancy. “Review,” Art in America, No. 6, June 1998.

McAdam, Barbara. “Review,” Art News, October 1998.

Dalton, Jennifer. “Exhibitions: Rebecca Quaytman,” Review, p. 22.

Heartney, Eleanor. “The Return of the Red Brick Alternative,” Art In America, January 1998.

“All in the Family,” Art News, Febuary 1998.


1994

Quaytman, Rebecca. “Picture in Profile,” M/E/A/N/I/N/G.


1991

Etra, Jon. Art News, May.


1990

Cyphers, Peggy. Arts Magazine, September.


1989

Quaytman, Rebecca. M/E/A/N/I/N/G.

Audio CD


2001

“Crossing the Line,” audio CD, Queens Museum of Art, NY.