Sol Lewitt
Selected Group and Solo Catalogues
2011
Dander, Patrizia and Ulrich Wilmes, eds. A Bit of Matter and a Little Bit More: Daled Collection. Verlag der Buchhandlung Walther Konig, Cologne, Germany, 2011, p. 224-229.
Davidson, Margaret. Contemporary Drawing: Key Concepts and Techniques. Watson-Guptill Publications, New York, NY, 2011, p. 62-63.
Extended Drawing: Sol LeWitt, Robert Mangold, Bruce Nauman, Richard Serra, exhibition brochure, Bonnefantenmuseum, Maastricht, The Netherlands, p. 2-19.
Weatherspoon Art Museum: 70 Years of Collecting, Weatherspoon Art Museum, Greensboro, 2011, p. 150.
Witkovsky, Matthew, ed. Light Years: Conceptual Art and Photograph, 1964-1977, Art Institute of Chicago and Yale University Press, p. 28-29, 246-248.
Modern Art, 1870-2000, Taschen, 2011, p. 517-528, 532-533.
Davidson, Margaret. Contemporary Drawing: Key Concepts and Techniques. Watson-Guptill Publications, New York, NY, 2011, p. 62-63.
Extended Drawing: Sol LeWitt, Robert Mangold, Bruce Nauman, Richard Serra, exhibition brochure, Bonnefantenmuseum, Maastricht, The Netherlands, p. 2-19.
Weatherspoon Art Museum: 70 Years of Collecting, Weatherspoon Art Museum, Greensboro, 2011, p. 150.
Witkovsky, Matthew, ed. Light Years: Conceptual Art and Photograph, 1964-1977, Art Institute of Chicago and Yale University Press, p. 28-29, 246-248.
Modern Art, 1870-2000, Taschen, 2011, p. 517-528, 532-533.
2010
Furthermore, Fraenkel Gallery, San Francisco, CA, 2010, p. 16.
Getlein, Mark. Living with Art, Ninth Edition, McGraw-Hill Companies, Inc., 2010, p. 154.
Corwin, Sharon, Elizabeth Finch, and Lauren Lessing. Art at Colby: Celebrating the Fiftieth Anniversary of the Colby College Museum of Art, Colby College Museum of Art, Waterville, ME, 2009, p. 330-333.
Arnason, H.H., and Elizabeth C. Mansfield. History of Modern Art, Sixth Edition, Pearson Education, Inc., Prentice Hall, Upper Saddle River, NJ, 2010, p. 548.
Getlein, Mark. Living with Art, Ninth Edition, McGraw-Hill Companies, Inc., 2010, p. 154.
Corwin, Sharon, Elizabeth Finch, and Lauren Lessing. Art at Colby: Celebrating the Fiftieth Anniversary of the Colby College Museum of Art, Colby College Museum of Art, Waterville, ME, 2009, p. 330-333.
Arnason, H.H., and Elizabeth C. Mansfield. History of Modern Art, Sixth Edition, Pearson Education, Inc., Prentice Hall, Upper Saddle River, NJ, 2010, p. 548.
2009
Schellmann, Jörg. Forty Are Better Than One: Edition Schellmann 1969-2009, Schellmann Art Production, Munich and New York, 2009, p. 212-219, 374, 379, 389, 398-399, 403, 413, 427, 433-435.
Thomas, Elizabeth. Matrix: Berkeley A Changing Exhibition of Contemporary Art, University of California, Berkeley Art Museum and Pacific Film Archive, 2009, p. 131.
Yale University Art Gallery Bulletin 2009, State of the Art: Contemporary Sculpture, Yale University Art Gallery, New Haven, CT, 2009, p. 204.
Lodermeyer, Peter, Karlyn de Jongh and Sarah Gold. Personal Structures: Time, Space, Existence, DuMont Buchverlag Gmbh & Co. KG, Cologne, Germany, 2009, p. 426-427.
Bonham-Carter, Charlotte and David Hodge. The Contemporary Art Book, Goodman, 2009, p. 139.
Rattemeyer, Christian. The Judith Rothschild Foundation Contemporary Drawings Collection: Catalogue Raisonné, The Museum of Modern Art, New York, 2009, p. 175-176.
Cross, Susan, Denise Markonish. Sol LeWitt 100 Views, MASS MoCA, North Adams, 2009.
Cherix, Christophe. In & Out of Amsterdam: Travels in Conceptual Art. 1960-1976, The Museum of Modern Art, New York, NY, 2009, p. 99-106.
Archer, Michael. Itʼs Like This, Hiroshima City Museum of Contemporary Art, Japan, 2009, p. 42.
Kellein, Thomas. 1968. Die Grobe Unschuld, Kunsthalle Bielefeld, Germany, DuMont Buchverlag, 2009, p. 16, 38, 89, 259, 292, 307, 316, 408, 451, 501, 549.
Maffei, Giorgio, Emanuele De Donno. Sol LeWitt Artist’s Books, Edizioni Viaindustriae, CMF Moduli, Foligno, Italy 2009.
Thomas, Elizabeth. Matrix: Berkeley A Changing Exhibition of Contemporary Art, University of California, Berkeley Art Museum and Pacific Film Archive, 2009, p. 131.
Yale University Art Gallery Bulletin 2009, State of the Art: Contemporary Sculpture, Yale University Art Gallery, New Haven, CT, 2009, p. 204.
Lodermeyer, Peter, Karlyn de Jongh and Sarah Gold. Personal Structures: Time, Space, Existence, DuMont Buchverlag Gmbh & Co. KG, Cologne, Germany, 2009, p. 426-427.
Bonham-Carter, Charlotte and David Hodge. The Contemporary Art Book, Goodman, 2009, p. 139.
Rattemeyer, Christian. The Judith Rothschild Foundation Contemporary Drawings Collection: Catalogue Raisonné, The Museum of Modern Art, New York, 2009, p. 175-176.
Cross, Susan, Denise Markonish. Sol LeWitt 100 Views, MASS MoCA, North Adams, 2009.
Cherix, Christophe. In & Out of Amsterdam: Travels in Conceptual Art. 1960-1976, The Museum of Modern Art, New York, NY, 2009, p. 99-106.
Archer, Michael. Itʼs Like This, Hiroshima City Museum of Contemporary Art, Japan, 2009, p. 42.
Kellein, Thomas. 1968. Die Grobe Unschuld, Kunsthalle Bielefeld, Germany, DuMont Buchverlag, 2009, p. 16, 38, 89, 259, 292, 307, 316, 408, 451, 501, 549.
Maffei, Giorgio, Emanuele De Donno. Sol LeWitt Artist’s Books, Edizioni Viaindustriae, CMF Moduli, Foligno, Italy 2009.
2008
Cohen, Jean-Louis. New York. Paris: Citadelles & Mazenod, 2008. p. 419, 421.
The Castle, The Collection. Castello di Rivoli Museum of Contemporary Art, Skira Editore, Milan, Italy 2008, p. 331-332.
Order. Desire. Light. Contemporary Drawing. Irish Museum of Modern Art, Dublin, Ireland, 2008, p. 96.
Glenstone: The Inaugural Exhibition. Glenstone Foundation, Potomac, MD, 2008, p.156.
This Is Not To Be Looked At: Highlights from the Permanent Collection of The Museum of Contemporary Art, Los Angeles, The Museum of Contemporary Art, Los Angeles, CA, 2008, p. 172-173.
Heartney, Eleanor. Art & Today, Phaidon Press, New York, NY, 2008, p. 84, 86, 88, 298.
Eshoo, Amy, ed. 560 Broadway: A New York Drawing Collection at Work, 1991-2006. Yale University Press, New Haven, CT, 2008.
The Castle, The Collection. Castello di Rivoli Museum of Contemporary Art, Skira Editore, Milan, Italy 2008, p. 331-332.
Order. Desire. Light. Contemporary Drawing. Irish Museum of Modern Art, Dublin, Ireland, 2008, p. 96.
Glenstone: The Inaugural Exhibition. Glenstone Foundation, Potomac, MD, 2008, p.156.
This Is Not To Be Looked At: Highlights from the Permanent Collection of The Museum of Contemporary Art, Los Angeles, The Museum of Contemporary Art, Los Angeles, CA, 2008, p. 172-173.
Heartney, Eleanor. Art & Today, Phaidon Press, New York, NY, 2008, p. 84, 86, 88, 298.
Eshoo, Amy, ed. 560 Broadway: A New York Drawing Collection at Work, 1991-2006. Yale University Press, New Haven, CT, 2008.
2007
Treasures of the DIA: Detroit Institute of Arts, Detroit Institute of Arts, Detroit, 2007, p. 428.
Art Works: The Progressive Collection, Distributed Art Publishers, New York, NY, 2007, p.104.
Dreishpoon, Douglas, and David Bonetti. The Panza Collection: An Experience of Color and Light, The Buffalo Fine Arts Academy, Buffalo, New York, 2007.
Contemporary + Cutting Edge: Pleasures of Collecting, Part III, Bruce Museum, Greenwich, CT, 2007.
Kotz, Liz. Words to Be Looked At: Language in 1960ʼs Art, The MIT Press, London, England, 2007.
Design contre Design, Galeries Nationales du Grand Palais, Paris, France, 2007.
Wallworks: Contemporary Artists and Place, Art Gallery Ontario, Toronto, Ontario, 2007, p. 39-43.
Bickers, Patricia and Andrew Wilson, eds. Talking Art: Inteviews with Artists Since 1976. London: Art Monthly and Ridinghouse, 2007, p. 414-421.
Sol LeWitt: Scribble Wall Drawings, Pace Wildenstein, New York, NY, 2007.
De Corral, Maria and John Lane. Fast Forward; Contemporary Collections for the Dallas Museum of Art, Dallas Museum of Art and Yale University Press, New Haven and London, CT, 2007, p .34, 51, 137.
Art Works: The Progressive Collection, Distributed Art Publishers, New York, NY, 2007, p.104.
Dreishpoon, Douglas, and David Bonetti. The Panza Collection: An Experience of Color and Light, The Buffalo Fine Arts Academy, Buffalo, New York, 2007.
Contemporary + Cutting Edge: Pleasures of Collecting, Part III, Bruce Museum, Greenwich, CT, 2007.
Kotz, Liz. Words to Be Looked At: Language in 1960ʼs Art, The MIT Press, London, England, 2007.
Design contre Design, Galeries Nationales du Grand Palais, Paris, France, 2007.
Wallworks: Contemporary Artists and Place, Art Gallery Ontario, Toronto, Ontario, 2007, p. 39-43.
Bickers, Patricia and Andrew Wilson, eds. Talking Art: Inteviews with Artists Since 1976. London: Art Monthly and Ridinghouse, 2007, p. 414-421.
Sol LeWitt: Scribble Wall Drawings, Pace Wildenstein, New York, NY, 2007.
De Corral, Maria and John Lane. Fast Forward; Contemporary Collections for the Dallas Museum of Art, Dallas Museum of Art and Yale University Press, New Haven and London, CT, 2007, p .34, 51, 137.
2006
Art Metropole: The Top 100. National Gallery of Canada, Ottowa, Canada, 2006, p. 59, 73.
Six Feet Under: Autopsy of Our Relation to the Dead, Kunstmuseum Bern, 2006, p. 92, 113, 154, 212, 217.
van Voolen, Edward. My Grandparents, My Parents and I: Jewish Art and Culture, Munich: Prestel Verlag, 2006, p. 154-155.
Nothing and Everything, Fraenkel Gallery, San Francisco, and Peter Freeman, Inc., New York, 2006, p. 12.
Swanson, Dean, Stephen Fleischman and Martin Friedman. LeWitt x 2: Structure and Line and Selections from the LeWitt Collection, Madison: Madison Museum of Contemporary Art, 2006.
Liesbrock, Heinz. Sol LeWitt: Seven Basic Colors and All their Combinations in a Square Within a Square, Dänischenhagen: Richter Verlag, 2006.
Coen, Ester and Giovanni Maria Accame. Sol LeWitt, Galleria Studio G7, Bologna, Italy: Damiani, 2006.
Ideal City – Invisible Cities, European Art Projects, Berlin, Germany, 2006, p. 216-221.
Six Feet Under: Autopsy of Our Relation to the Dead, Kunstmuseum Bern, 2006, p. 92, 113, 154, 212, 217.
van Voolen, Edward. My Grandparents, My Parents and I: Jewish Art and Culture, Munich: Prestel Verlag, 2006, p. 154-155.
Nothing and Everything, Fraenkel Gallery, San Francisco, and Peter Freeman, Inc., New York, 2006, p. 12.
Swanson, Dean, Stephen Fleischman and Martin Friedman. LeWitt x 2: Structure and Line and Selections from the LeWitt Collection, Madison: Madison Museum of Contemporary Art, 2006.
Liesbrock, Heinz. Sol LeWitt: Seven Basic Colors and All their Combinations in a Square Within a Square, Dänischenhagen: Richter Verlag, 2006.
Coen, Ester and Giovanni Maria Accame. Sol LeWitt, Galleria Studio G7, Bologna, Italy: Damiani, 2006.
Ideal City – Invisible Cities, European Art Projects, Berlin, Germany, 2006, p. 216-221.
2005
Stedelijk Museum Amsterdam 2003/2004, Beeldrecht, Amsterdam, 2005, p. 9.
Guglielmino, Giorgio. Ladies & Gentelmen, Torino, 2005, p. 70.
Sol LeWitt, Madison Square Park Conservancy, New York, NY.
Guglielmino, Giorgio. Ladies & Gentelmen, Torino, 2005, p. 70.
Sol LeWitt, Madison Square Park Conservancy, New York, NY.
2004
Pakesch, Peter. Sol LeWitt: Wall, Kunthaus Graz am Landesmuseum Johanneum, Köln: Verlag der Buchhandlung Walther König, 2004.
Design ≠ Art: Functional Objects from Donald Judd to Rachel Whiteread, Cooper-Hewitt, National Design Museum, New York, 2004.
Goldstein, Ann. A Minimal Future? Art As Object 1958-1968, The Museum of Contemporary Art, Los Angeles, CA, 2004, p. 266-269.
Ozaki, Shinichiro, ed. Traces: Body and Idea in Contemporary Art, The National Museum of Modern Art, Kyoto, Japan, 2004, p. 262-263.
Singular Forms (Sometimes Repeated): Art from 1951 to the Present, The Solomon R. Guggenheim Foundation, New York, 2004.
Design ≠ Art: Functional Objects from Donald Judd to Rachel Whiteread, Cooper-Hewitt, National Design Museum, New York, 2004.
Goldstein, Ann. A Minimal Future? Art As Object 1958-1968, The Museum of Contemporary Art, Los Angeles, CA, 2004, p. 266-269.
Ozaki, Shinichiro, ed. Traces: Body and Idea in Contemporary Art, The National Museum of Modern Art, Kyoto, Japan, 2004, p. 262-263.
Singular Forms (Sometimes Repeated): Art from 1951 to the Present, The Solomon R. Guggenheim Foundation, New York, 2004.
2003
Buskirk, Martha. The Contingent of Contemporary Art, The MIT Press, Massachusetts, 2003, p. 39-40, 45-46, 48, 52,198, 215, 217.
Ross, James, ed. The Farm, Keystone Conservancy Limited, Kaipara, New Zealand, 2003.
Work Ethic, The Pennsylvania State University Press, PA, 2003, p. 158-159.
Ross, James, ed. The Farm, Keystone Conservancy Limited, Kaipara, New Zealand, 2003.
Work Ethic, The Pennsylvania State University Press, PA, 2003, p. 158-159.
2002
Works From the DaimlerChrysler Collection and from the Paul Maenz Collection: A Dialogue. Berlin: Impressum, 2002.
2001
LeWitt, Sol, Adachiara Zevi. Sol Lewitt Wall Drawings, Proa Fundacion, Buenos Aires, Argentina, December 2001.
Kellein, Thomas, ed. Art Works: The Marzona Collection Art around 1968, Hatje Cantz Verlag, Germany, 2001, p. 110 - 115.
LeWitt, Sol and Sachiko Cho. Equivalent, Kusnacht: Inktree Eds, 2001.
Marzona Villa Manin: a private collection. Hatje Cantz, Germany, 2001, p. 46-47, 113, 180-181.
Potts, Alex. The Sculptural Imagination, Yale University Press, New Haven and London, 2001, p. 256, 289, 340.
Alberro, Alexander, and Patricia Norvell. Recording Conceptual Art, Berkeley: University of California Press, 2001, p. 112-23.
Rorimer, Anne. New Art in the 60s and 70s Redefining Reality, Thames & Hudson Ltd., London, 2001, p. 22, 23, 154-160, 230-233.
Kellein, Thomas, ed. Art Works: The Marzona Collection Art around 1968, Hatje Cantz Verlag, Germany, 2001, p. 110 - 115.
LeWitt, Sol and Sachiko Cho. Equivalent, Kusnacht: Inktree Eds, 2001.
Marzona Villa Manin: a private collection. Hatje Cantz, Germany, 2001, p. 46-47, 113, 180-181.
Potts, Alex. The Sculptural Imagination, Yale University Press, New Haven and London, 2001, p. 256, 289, 340.
Alberro, Alexander, and Patricia Norvell. Recording Conceptual Art, Berkeley: University of California Press, 2001, p. 112-23.
Rorimer, Anne. New Art in the 60s and 70s Redefining Reality, Thames & Hudson Ltd., London, 2001, p. 22, 23, 154-160, 230-233.
2000
Garrels, Gary, ed. Sol LeWitt: A Retrospective, The San Francisco Museum of Modern Art, New Haven: Yale University Press, 2000.
Nacking, Asa, and Bo Nilsson, eds. Century Of Innocence: The History of the White Monochrome, Rooseum Center for Contemporary Art, Malmo Sweden, and Liljevalchs Konsthall, Stockholm, Sweden.
Nacking, Asa, and Bo Nilsson, eds. Century Of Innocence: The History of the White Monochrome, Rooseum Center for Contemporary Art, Malmo Sweden, and Liljevalchs Konsthall, Stockholm, Sweden.
1999
Emerson, Stephanie. Afterimage: Drawing Through Process, The Museum of Contemporary Art, Los Angeles, CA, The MIT Press, Cambridge, MA and London, England.
The American Century: Art & Culture 1950 - 2000, The Whitney Museum of American Art, New York, New York, 1999.
Princenthal, Nancy. Sol LeWitt Wall Drawings, Paula Cooper Gallery. New York, 1999.
Schick, Ulrike. Sol LeWitt Wall Drawing, Museum Moderner Kunst Landkreis Cuxhaven, Otterndorf, Germany.
The American Century: Art & Culture 1950 - 2000, The Whitney Museum of American Art, New York, New York, 1999.
Princenthal, Nancy. Sol LeWitt Wall Drawings, Paula Cooper Gallery. New York, 1999.
Schick, Ulrike. Sol LeWitt Wall Drawing, Museum Moderner Kunst Landkreis Cuxhaven, Otterndorf, Germany.
1998
Causey, Andrew. Sculpture Since 1945, Oxford University Press.
Borthe, Rolf. Die Sammlung Paul Maenz, Neues Museum Weimar, Cantz Verlag.
Sauer, Christel. Minimal Art: Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Robert Morris, Bank Brussels Lambert, 1998.
Cora, Bruno. Sol LeWitt in Italia, Centro Espositivo della Rocca Paolina, Perugia, Italy.
Borthe, Rolf. Die Sammlung Paul Maenz, Neues Museum Weimar, Cantz Verlag.
Sauer, Christel. Minimal Art: Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Robert Morris, Bank Brussels Lambert, 1998.
Cora, Bruno. Sol LeWitt in Italia, Centro Espositivo della Rocca Paolina, Perugia, Italy.
1997
Davies, Hugh. Blurring the Boundaries: Installation Art 1969-1996, Museum of Contemporary Art, San Diego, CA.
Iles, Chrissie, and Russell Roberts, eds. In Visible Light: Photography and Classification in Art, Science and the Everyday, Museum of Modern Art, Oxford, England.
Stringer, John. Material Perfection: Minimal Art & Its Aftermath: Selected from the Kerry Stokes Collection, Lawrence Wilson Art Gallery, University of Western Australia, Perth, Australia.
Fine, Ruth E., Karin Breuer, and Steven A. Nash. Thirty Five Years at Crown Point Press: Making Prints, Doing Art, University of California Press, Berkeley and Los Angeles, 1997.
Iles, Chrissie, and Russell Roberts, eds. In Visible Light: Photography and Classification in Art, Science and the Everyday, Museum of Modern Art, Oxford, England.
Stringer, John. Material Perfection: Minimal Art & Its Aftermath: Selected from the Kerry Stokes Collection, Lawrence Wilson Art Gallery, University of Western Australia, Perth, Australia.
Fine, Ruth E., Karin Breuer, and Steven A. Nash. Thirty Five Years at Crown Point Press: Making Prints, Doing Art, University of California Press, Berkeley and Los Angeles, 1997.
1996
Drucker, Johanna, ed. Art at the End of the 20th Century: Selections from the Whitney Museum of American Art, 1996.
De Corral, Lorena M., ed. Sol LeWitt: Dibujos Murales, Wall Drawings, Sala de las Alhajas, Caja de Madrid. Museum of Modern Art, 1978.
Fraenkel, David, ed. Sniperʼs Nest: Art that has lived with Lucy Lippard, Center for Curatorial Studies and Art in Contemporary Culture, Bard College, Annandale-on-Hudson, NY.
Baume, Nicholas. From Christo and Jeanne-Claude to Jeff Koons: John Kaldor Art Projects and Collection, Museum of Contemporary Art, Sydney, Australia.
Main Stations: Newman, Pollock, Beuys, Broodthaers, Klein, Warhol, LeWitt, Johns, Stella, Ryman, Kounellis, Nauman, Weiner. Neue Kunst Bucher.
Miller-Keller, Andrea. Of Sun and Stars: Sol LeWitt Wall Drawings/Sobre o Sol e as Estrellas: Desenhos de Parede de Sol LeWitt, 23rd International Bienal of Sào Paolo, Brazil, 1996.
Traits Sensibles, Musées de Macon, France.
De Corral, Lorena M., ed. Sol LeWitt: Dibujos Murales, Wall Drawings, Sala de las Alhajas, Caja de Madrid. Museum of Modern Art, 1978.
Fraenkel, David, ed. Sniperʼs Nest: Art that has lived with Lucy Lippard, Center for Curatorial Studies and Art in Contemporary Culture, Bard College, Annandale-on-Hudson, NY.
Baume, Nicholas. From Christo and Jeanne-Claude to Jeff Koons: John Kaldor Art Projects and Collection, Museum of Contemporary Art, Sydney, Australia.
Main Stations: Newman, Pollock, Beuys, Broodthaers, Klein, Warhol, LeWitt, Johns, Stella, Ryman, Kounellis, Nauman, Weiner. Neue Kunst Bucher.
Miller-Keller, Andrea. Of Sun and Stars: Sol LeWitt Wall Drawings/Sobre o Sol e as Estrellas: Desenhos de Parede de Sol LeWitt, 23rd International Bienal of Sào Paolo, Brazil, 1996.
Traits Sensibles, Musées de Macon, France.
1995
Auping Michael, ed. Drawing Rooms: Jonathan Borofsky, Sol LeWitt, Richard Serra, Modern Art Museum of Fort Worth, Fort Worth, TX, 1995.
Wayson, Anne. Essence and Persuasion: The Power of Black and White, Anderson Gallery, Buffalo, NY, 1995.
Mickenberg, David. Printmaking in America: Collaborative Prints and Presses 1960-1990, Harry N. Abrams, New York, NY, 1995.
Goldstein, Ann, Anne Rorimer, Lucy Lippard. Reconsidering the Object of Art: 1965-1975, Museum of Contemporary Art, Los Angeles, CA, 1995.
Singer, Susanna, ed. Sol LeWitt Working Drawings, John Weber Gallery, New York, NY & Rhona Hoffman Gallery, Chicago, IL.
Hindry, Ann. Sol LeWitt, Centre National des Arts Plastiques, Editions du Regard, Paris.
Zevi, Adachiara, ed. Sol LeWitt Critical Texts, AEIUO, Incontri Internazionali DʼArte, Rome, Italy, 1995.
Wayson, Anne. Essence and Persuasion: The Power of Black and White, Anderson Gallery, Buffalo, NY, 1995.
Mickenberg, David. Printmaking in America: Collaborative Prints and Presses 1960-1990, Harry N. Abrams, New York, NY, 1995.
Goldstein, Ann, Anne Rorimer, Lucy Lippard. Reconsidering the Object of Art: 1965-1975, Museum of Contemporary Art, Los Angeles, CA, 1995.
Singer, Susanna, ed. Sol LeWitt Working Drawings, John Weber Gallery, New York, NY & Rhona Hoffman Gallery, Chicago, IL.
Hindry, Ann. Sol LeWitt, Centre National des Arts Plastiques, Editions du Regard, Paris.
Zevi, Adachiara, ed. Sol LeWitt Critical Texts, AEIUO, Incontri Internazionali DʼArte, Rome, Italy, 1995.
1994
Schraenen, Guy. Sol LeWittʼs Systeme in Buchform, Neues Museum Weserburg, Bremen Germany, 1994.
Traum vom Absoluten - Dream of the Absolute, Galerie Beyeler, Basel, Switzerland, 1994.
Gill, Brendan, Barry Rosenberg. 30 years - Art in the Present Tense: The Aldrichʼs Curatorial History 1964-1994, The Aldrich Museum of Contemporary Art, Ridgefield CT, 1994.
From Minimal to Conceptual Art: Works from the Dorothy and Herbert Vogel Collection, National Gallery of Art, Washington, DC, 1994.
Traum vom Absoluten - Dream of the Absolute, Galerie Beyeler, Basel, Switzerland, 1994.
Gill, Brendan, Barry Rosenberg. 30 years - Art in the Present Tense: The Aldrichʼs Curatorial History 1964-1994, The Aldrich Museum of Contemporary Art, Ridgefield CT, 1994.
From Minimal to Conceptual Art: Works from the Dorothy and Herbert Vogel Collection, National Gallery of Art, Washington, DC, 1994.
1993
Scanlan, Joseph, ed. A History of the Renaissance Society at the University of Chicago: The First Seventy-Five Years, The Renaissance Society, Chicago, 1993, p. 81.
Sol LeWitt: Twenty-Five Years of Wall Drawings, 1968-93, Addison Gallery of American Art, Phillips Academy, Andover, MA, 1993.
Batchelor, David, David Elliott, Chrissie Iles, and Rosalind Krauss. Sol LeWitt Structures 1962 - 1993, Museum of Modern Art, Oxford, England, 1993.
Sol LeWitt: Twenty-Five Years of Wall Drawings, 1968-93, Addison Gallery of American Art, Phillips Academy, Andover, MA, 1993.
Batchelor, David, David Elliott, Chrissie Iles, and Rosalind Krauss. Sol LeWitt Structures 1962 - 1993, Museum of Modern Art, Oxford, England, 1993.
1992
Kaiser, Franz W., Rudi Fuchs. Sol LeWitt Drawings 1958-1992, The Haags Gemeentemuseum, The Hague, Netherlands, 1992.
Sol LeWitt, the Haags Gemeentemuseum.
Loock, Ulrich. Sol LeWitt Wall Drawings 1984-92, updated 1989 catalogue raisonné from the Kunsthalle Bern, Switzerland, 1992.
Sol LeWitt, the Haags Gemeentemuseum.
Loock, Ulrich. Sol LeWitt Wall Drawings 1984-92, updated 1989 catalogue raisonné from the Kunsthalle Bern, Switzerland, 1992.
1990
Sol LeWitt Books. 1966-90, Portikus, Frankfurt, Germany, 1990.
Sol LeWitt: A CUBE. Cologne: Walther König, 1990.
Sol LeWitt: A CUBE. Cologne: Walther König, 1990.
1986
Sol LeWitt Prints 1970-86, the Tate Gallery, London, 1986.
1984
Debbaut, Jan, Alexander van Grevenstein and Andrea Miller-Keller. Sol LeWitt Wall Drawings, the Stedelijk Museum, Amsterdam; Stedelijk Abbemuseum, Eindhoven, and the Wadsworth Atheneum, Hartford, CT, 1984.
1980
Sol LeWitt: All Four Part Combinations of Six Geometric Figures, Galerie Watari, Tokyo, Japan, 1980.
1978
Lippard, Lucy, Bernice Rose and Robert Rosenblum. Sol LeWitt, Museum of Modern Art, New York, 1978.
