Walter Swennen

  • Walter Swennen, I.M. Fidel
    I.M. Fidel, 2016

    Acrylic and oil on canvas

    51 3/8 x 63 1/8 x 1 1/8 inches (130.5 x 160.5 x 3 cm)

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  • Walter Swennen, Too many words
    Too many words, 2017

    Ink and oil on canvas

    63 x 51 3/8 inches (160.3 x 130.5 cm)

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  • Walter Swennen, The Black House
    The Black House, 2017

    Oil on canvas

    47 1/4 x 39 1/2 x 3/4 inches (120 x 99.8 x 1.8 cm)

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  • Walter Swennen, You look good to me
    You look good to me, 2017

    Oil on canvas

    15 3/4 x 19 3/4 x 3/4 inches (40 x 50 x 2 cm)

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  • Walter Swennen, Popeye
    Popeye, 2017

    Oil on canvas

    67 x 59 1/4 inches (170 x 150.5 cm)

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  • Walter Swennen, Black Flag
    Black Flag, 2017

    Oil on canvas

    31 1/2 x 23 3/4 inches (80 x 60 cm)

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  • Walter Swennen, Too many words
    Too many words, 2017

    Oil on canvas

    19 3/4 x 23 3/4 inches (50 x 60 cm)

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  • Walter Swennen, Demasiadas Palabras
    Demasiadas Palabras, 2017

    Oil on canvas

    67 x 63 1/4 x 1 1/4 inches (170.2 x 160.5 x 3 cm)

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  • Walter Swennen, Blitz
    Blitz, 2015

    Acrylic on canvas

    59 1/8 x 67 1/8 inches (150.2 x 170.4 cm)

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  • Walter Swennen, Installation View:
    Installation View: "So Far So Good", October 5, 2013 - January 26, 2014

    WIELS Contemporary Art Centre, Brussels

    Photo: Kristien Daem

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  • Walter Swennen, Untitled (Les regardeurs), 1990 and Untitled (Wake Up), 2006
    Untitled (Les regardeurs), 1990 and Untitled (Wake Up), 2006

    Installation View: "So Far So Good"

    WIELS Contemporary Art Centre, Brussels

    Photo: Kristien Daeum

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  • Walter Swennen, Untitled, 1988 and Goofy, 1989
    Untitled, 1988 and Goofy, 1989

    Installation View: "So Far So Good"

    WIELS Contemporary Art Centre, Brussels

    Photo: Kristien Daeum

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  • Walter Swennen, Untitled (Légume triste et musique), 1995 and Elsjes Triptiek, 1998
    Untitled (Légume triste et musique), 1995 and Elsjes Triptiek, 1998

    Installation View: "So Far So Good"

    WIELS Contemporary Art Center, Brussels

    Photo: Kristien Daem

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  • Walter Swennen, Untitled (Pile ou Face), 1990 and Failliet, 1994
    Untitled (Pile ou Face), 1990 and Failliet, 1994

    Installation View: "So Far So Good"

    WIELS Contemporary Art Centre, Brussels

    Photo: Kristien Daem

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  • Walter Swennen, Aton, 1998 and Super blaue reiter, 1998
    Aton, 1998 and Super blaue reiter, 1998

    Installation view: "So Far So Good"
    WIELS Contemporary Art Centre, Brussels

    Photo: Kristien Daem

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  • Walter Swennen, Installation view: Walter Swennen – Ein perfektes Alibi, Kunstverein für die Rheinlande und Westfalen, Düsseldorf
    Installation view: Walter Swennen – Ein perfektes Alibi, Kunstverein für die Rheinlande und Westfalen, Düsseldorf

     Courtesy Kunstverein für die Rheinlande und Westfalen, Düsseldorf 

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  • Walter Swennen, Installation view: Walter Swennen – Ein perfektes Alibi, Kunstverein für die Rheinlande und Westfalen, Düsseldorf
    Installation view: Walter Swennen – Ein perfektes Alibi, Kunstverein für die Rheinlande und Westfalen, Düsseldorf

     Courtesy Kunstverein für die Rheinlande und Westfalen, Düsseldorf 

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