Anish Kapoor Studio ed. Anish Kapoor: Make New Space. Göttingen: Steidl, 2019.
Anish Kapoor Studio ed. Anish Kapoor: Uluru & Kata Tjuta Photographs. Göttingen: Steidl, 2019.

Anish Kapoor: Macro The Contemporary Art Museum. Imola: Manfredi Edizioni, 2017.

Romero, Ekaterina Álvarez. Anish Kapoor: Archaeology: Biology. Mexico City: Museo Universitario Arte Contemporáneo, 2016.

Anish Kapoor Versailles. Paris: ADAGP, 2015.

Symphony for a Beloved Sun: Anish Kapoor. Kôln: Walther Kôning, 2013.

Anish Kapoor/Objects. Seoul: Leeum, Samsung Museum of Art, 2012.
In the shadow of the tree and the knot of the earth: Anish Kapoor. London: Lisson Gallery, 2012.

Bhabha, Homi K., Anish Kapoor, Paris: Flammarion, 2011.
Leviathan/Anish Kapoor/Grand Palais, Paris/Monumenta 2011/. Coédition RMN-Grand Palais/CNAP, Paris: Grand Palais.
Leydier, Richard ed. I have nothing to say. Interviews with Anish Kapoor. Coédition RMN-Grand Palais/CNAP, Paris: Grand Palais.
Mercurio, Gianni and Demetrio Paparoni, Anish Kapoor: Dirty Corner. Milan: Skira.
Anish Kapoor. Paris: Editions Dilecta, 2011.

Anish Kapoor: Turning the World Upside Down. The Royal Parks/Serpentine Gallery/Koenig Books, 2010.
Anish Kapoor. Guggenheim Museum/Bilbao 2010, Essays by Homi K. Bhabha, Jean de Loisy, Norman Rosenthal.

Anish Kapoor: To Darkness: Svayambh. Prestel. Essays by Rainer Crone and Alexandra von Stosch.
Anish Kapoor: Past, Present, Future. Boston: Institute of Contemporary Art.
Poddar, Sandhini, ed. Anish Kapoor: Memory. New York: Solomon R. Guggenheim Foundation.

Anish Kapoor: My Red Homeland. Malaga: Centro de Arte Contemporaneo de Malaga, 2006.

Anish Kapoor Drawings. Koln: Verlag der Buchhandlung Walther Konig.

Melancholia. Text by Laurent Busine & Denis Gielen, MAC Grand Hornu – Belgium.
Anish Kapoor: WHITEOUT. Text Anthony Vidler, Gladstone Gallery.

Anish Kapoor: My Red Homeland. Kunsthaus Bregenz, 2003. Text by Eckhard Schneider
Anish Kapoor. Regione Campania, Naples: Museo Archeologico Nazionale Napoli, 2003. Text by Eduardo Cicelyn & Mario Codognato.

Anish Kapoor: Marsyas. London: Tate Modern.

Anish Kapoor. Kunsthalle Helsinki. Text by Michael Tarantino.
Taratantara, Naples, 2001. Text, Eduardo Cicelyn and Mario Codognato.

Taratantara. Gateshead: BALTIC Centre for Contemporary Art.

Anish Kapoor. Hayward Gallery and University of California Press. Essays by Homi K.Bhabha and Pier Luigi Tazzi.
Anish Kapoor. CapcMusée d’art contemporain de Bordeaux. Essays by Henry-Claude Couseau, Marie-Laure Bernadac, Homi K. Bhabha, Yehuda E. Safran, Deepak Ananth, Renaud Camus.
Cattedrali d'Arte, Dan Flavin per Santa Maria in Chiesa Rossa. Milano: Fondazione Prada.

Anish Kapoor. De Pont, Tilburg. Essay by Camiel van Winkel.
Anish Kapoor. Germano Celant, Milan: Charta.
Taylor, Brandon, Avant-Garde and After, Rethinking Art Now. New York: Abrams, p. 84.
Feminimasculin. Paris: Gallimard/Electa.
Bowness, Sophie and Clive Phillpot, Britain at the Venice Biennial 1895-1995. London: The British Council.
Contemporary British Art in Print. Scottish National Gallery of Modern Art and The Paragon Press.
Arte Inglese d'oggi. Milano: Galleria Civica, Modena, Mazzotta.

Anish Kapoor. San Diego Museum of Contemporary Art. Essay by Pier Luigi Tazzi
Anish Kapoor. Slovenia, Ljubljana: Moderna Galerija. Text by Zdenka Badovinac.

Anish Kapoor: Obra Reciente. Madrid, Spain: Galeria Soledad Lorenzo.
Anish Kapoor. Madrid: Galeria Soledad Lorenzo.
Anish Kapoor invita Gary Woodley. Verona: Foro per l'Arte Contemporanea. Texts by Erno Vroonen and paolo Gambazzi.

Anish Kapoor. Spain: Centre de Arte Reina Sofia, Madrid and The British Council. (Spanish edition of XLIV Venice Biennial)
Anish Kapoor. Kunstverein Hannover and The British Council.

Anish Kapoor. British Pavilion, XLIV Venice Biennale. London: The British Council. Texts by Thomas McEvilley and Marjorie Allthorpe-Guyton.
Anish Kapoor. Drawings. London: Tate Gallery. Text by Jeremy Lewison.
Livingstone, Marco ed. Anish Kapoor. Art Random, Tokyo, Japan: Tokyo Shoin International.

Anish Kapoor. Nagoya, Japan: Kohji Ogura Gallery, In co-operation with Lisson Gallery, London. Text by Pier Luigi Tazzi.

Anish Kapoor. Oslo: Kunstnernes Hus. Texts by Arne Malmedal and Lynne Cooke.
Anish Kapoor: Recent Sculpture and Drawings. Amherst: University Gallery, Fine Arts Center, University of Massachusetts. Text by Helaine Posner.
Anish Kapoor. Buffalo, New York: Albright-Knox Art Gallery. Text by Helen Raye.

Anish Kapoor. Kunsthalle, Basel. Text by Jean-Christophe Ammann, Alexander von Grevenstein and Ananda Coomaraswamy.                         

Anish Kapoor. Beeldhouwwerken. Rotterdam: Galerie't Venster. (organized by Rotterdam Arts Council). Text by Michael Newman.

COLORI: emotions of color in art. Milan: Silvana Editorial S.p.A., 2017.
Jakubowicz, Alexis and Camille Richert. XAU For an Ounce of Art.  Amsterdam: Collection MKS and Roula Peyer at Simon Studer Art, 2017.

Albu, Christina. Mirror Affect: Seeing Self, Observing Others in Contemporary Art. Minneapolis: University of Minnesota Press, 2016.
Elcott, Noam M. Artificial Blackness. Chicago: University of Chicago Press, 2016.

Phantom Bodies: The Human Aura in Art. Nashville, TN: Frist Center for the Visual Arts, 2015.
13e Biennale de Lyon. Dijon, France: Les presses du reel, 2015.
Artistes et Architecture: Dimensions variables. Paris: Editions du Pavillon de l’Arsenal, 2015.

A Secret Affair: Selections from the Fuhrman Family Collection. Austin: The Contemporary Austin, 2014.
Babel: Works from the Igal Ahouvi Art Collection. Tel Aviv: Igal Ahouvi Art Collection/Tel Aviv University, 2014.

Grovier, Kelly. 100 Works of Art That Will Define a Generation. London: Thames & Hudson, 2013.
Meschede, Friedrich. Köln Skulpture # 7ˆ. Germany: Walther König, 2013.
Dixon, Schuyler. “Dallas Cowboys get Anish Kapoor’s ‘Sky Mirror’ as 1st Outdoor Piece in Art-Filled Stadium,” Associated Press, October 16, 2013.
“Kapoor piece to grace Dallas Cowboys’ stadium,” Huston Chronicle, October 18, 2013.
Hahne, Robert, ed. Kammerlohr Epochen der Kunst Von der Moderne zu aktuellen Tendenze, 3. Munich: Oldenbourg Schulbuchverlag GmbH, 2013. 
Holzwarth, Hans Werner. Art Now Vol 4. Cologne: Taschen, 2013. 

V15IONS: 15 Years Deutsche Guggenheim. Berlin: Deutsche Bank AG, 2012. 
Klein Byars Kapoor. Monaco: CUDEMO, 2012.

Roundabout. Wellington: City Gallery Wellington, 2011.
Made in the UK: Contemporary Art from the Richard Brown Baker Collection. Providence: Museum of Art, Rhode Island School of Design, 2011.
Koln Skulptur #6. Cologne: Walther Koenig, 2011.

Rudolf Steiner and Contemporary Art. DuMont Buchverlag, Kunstmuseum Wolfsburg.

Traces du Sacré. Paris: Le Centre Pompidou.
Sparks!: The William T. Kemper Collecting Initiative. The Nelson-Atkins Museum of Art, Kansas City: Missouri.
Cross, Caroline, Qu’est-ce que La Sculpture Aujourd’hui? Beaux Arts. Editions.

The Last Seduction. Chicago: Carrie Secret Gallery.
Mercurio, Gianni and Demetrio Paparoni, ed. Timer: Intimacy. Italy: Skira Editore, 2007.
Gielen, Denis, Atlas of Contemporary Art For Use By Everyone. Belgium: Musée des Arts Contemporains au Grand-Hornu.
Talking Art: Interviews with Artists Since 1976. Manchester: Art Monthly, 2007.
 Bonami, Francesco et al., Passion for Art: 35th Anniversary of the Essl Collection. Edition Sammlung Essl, Wein.

Madill, Shirley, Sublime Embrace: Experiencing Consciousness in Contemporary Art. Ontario: Art Gallery of Hamilton.
Gronlund, Melissa ed. Frieze Projects: Artists’ Commissions and Talks 2003-2005. London: Frieze.
Richer, Francesca and Matthew Rosenzweig, ed. No. 1: First Works by 362 Artists. New York: DAP. 

Paparoni, Demetrio, L’arte contemporanea e il suo metodo. Venice: Grafica Veneta S.p.A. di Trebaseleghe.
Bonami, Francesco ed. Bidibidobidiboo: Works from Collezione Sandretto Re Rebaudengo, Milano: Skira Editore S.p.A.

Mind Space. Seoul: Samsung Museum of Modern Art.
Bewitched, Bothered and Bewildered: Spacial Emotion in Contemporary Art & Architecture.  Migros Museum Für Gegenwartskunst & Laznia Centre For Contemporary Art.

Art for the World ArtCité, Quand Montréal devient Musée. Musée d’Art Contemporain de Montréal.
Peeble, Duane and Sarah Peeble and Patrick Frank, ArtForms. PrenticeHall, Upper Sadle River New Jersey.

Varnedoe, Kirk and Paola Antonelli and Joshua Siegel, Art At MoMA Since 1980. New York: Museum Of Modern Art.
Artecinema. 5th International Film Festival on Contemorary Art, Napoli: Teatro Sannazaro.
Ravenal, John B., Vanitas: Meditations on Life and Death in Contemporary Art. Viriginia Musuem of Fines Arts.

Breaking the Mould, British Art of the 1980s and 1990s. London: The Weltkunst Collection.
Vision. 50 years British creativity. Thames & Hudson. Texts by David Sylvester, David Hockney, Melvyn Bragg, Michael Crig- Martin, Nicholas Serota.      
Regarding Beauty. Hirschhorn Museum and Sculpture Garden, Smithsonian Institution, Washington D.C.: Hatje Cantz Publishers.

Sculpture Since 1945. Andrew Causey. Oxford University Press.
History of Modern Art. Fourth Edition, New York: Harry N. Abrams.
Cattedrali d'Arte, Dan Falvin per Santa Maria in Chiesa Rossa. Milano, Italy: Foundatione Prada.

London Magazine. Vol. 37, No. 3&4 August/September, p. 163.

Miroslaw Balka, Antony Gormley, Anish Kapoor, Betong, Malmö Konsthalls katalog No. 174.
New Art on Paper 2. Philadelphia Museum of Art.
Contemporary Art at Deutsche Bank London. London: Deutshe Bank.
Un siecle de sculpture anglaise. Paris: Jeu de Paume,.

Drawing the Line against AIDS. 45th Venice Biennale, Peggy Guggenheim Collection, Venice, Italy.
Punishment and decoration. Cologne: Hohenthal Und Bergen.
A Changing World: Fifty Years of Sculpture from the British Council Collection. The British Council.
Oliveira, Nicolas and Michael Petry, Nicola Oxley ed. Installation Art. London: Thames and Hudson, 1994, p. 55. Text by Michael Archer.

Another World. Mito Annual '93, Japan: Art Tower Mito,.Text by Yuko Hasegawa.
Cerco. Bienal Internacional de Obidos. Lisbon: Modus Operandi.
Art for Work. The New Renaissance in Corporate Collecting, 38. Text by Marjory Jacobson.
British Sculpture from the Arts Council Collection. Arts Council of Great Britain. Text by James Roberts.

The New British Sculpture, Selected Works from the Patsy R. and Raymond D. Nasher Collection. Texas: University of North Texas Art Gallery.
De Opening. Tilburg: De Pont Foundation.
New Voices, New Works for the British Council Collection. The British Council. Text by Gill Hedley.

Trans/Mission. Malmo, Sweden: Rooseum.
La Sculpture Contemporaine Apres 1970. Frejus, France: Fondation Daniel Templon.
Anish Kapoor & Ban Chiang.  Feuerle, Koln. Text by Angel Garcia.
The Turner Prize 1991. London: Tate Gallery. Text by Sean Rainbird.
Il Limite Delle Cose Nella Nuova Scultura Inglese, Milan: Studio Ogetto. Texts by Enrico Pedrini and Emilio Stabilini

Contemporary British Art for Japan. Tokyo: Setagaya Museum.
Heroes of Contemporary Art. Gstaad, Switzerland: Galerie Sapparsh. Text by Akim Monet
British Art Now: A Subjective View. The British Council and Asahi Shimbun.
Gercke, Hans ed. Blau: Farbe der Ferne, Heidelberg: Wonderhorn.
Benezra,  Neal ed. Affinities and Intuitions, The Gerald S. Elliott Collection of Contemporary Art. The Art Institute of Chicago and Thames and Hudson. Text by Lynne Cooke.
Made of Stone. Brussels: Galerie Isy Brachot.

Barzel, Amnon ed. Europa oggi/Europe now. Prato, Italy: Museo d'Arte Contemporanea.
Carnegie International. Pittsburgh, Pennsylvania: Carnegie Museum of Art. Text by Kellie Jones.
Britannica. 30 Ans de Sculpture.  Musee des Beaux-Arts Andre Malraux, Le Havre; Le Musee d'Evreux-Ancien Eveche; L'Ecole d'Architecture de Normandie. Darnetal-Rouen. Text by Catherine Grenier, Francoise Cohen and Lynne Cooke.
British Now: sculpture et autres dessins.  Musee d'art contemporain de Montreal. Text by Sandra Grant Marchand.
Fourth International Drawing Triennale. Kunsthalle Nuremburg. Text by David Reason.
Starlit Waters. British Sculpture: An International Art 1968-88. Liverpool: Tate Gallery.
Viewpoint. L'art contemporain en Grande Bretagne. Brussels: British Council and Museum of Modern Art. Interview by Richard Cork.
Crone, Rainer ed. Simila-Dissimila. Kunsthalle, Dusseldorf. Text by Cornelia Lauf.

A Quiet Revolution: British Sculpture Since 1965.  Museum of Contemporary Art, Chicago and San Francisco Museum of Modern Art.  Text by Lynne Cooke.
British Art of the 1980's.  The British Council.  Text by Lynne Cooke.
Crone, Rainer ed. Simila-Dissimila. Kunsthalle, Dusseldorf. Text by Cornelia Lauf.
 Inside/Outside. Antwerpen: Museum Van Hedendaagse Kunst.
Juxtapositions: Recent Sculpture from England and Germany. New York: The Institute for Art and Urban Resources.

International Sculpture Exhibition. Arnhem, The Netherlands: Sonsbeek, 1986.
Skulptur - 9 Kunstnere fra Storbrittanien.  Humlebaek, Denmark: Louisiana, Museum of Modern Art.
Prospect '86. Eine internationale Austellung aktueller Kunst, Frankfurt: Frankfurter Kunstverein.
Entre el Objecto y la Imagen. Spain: The British Council and Ministerio de Cultura. Texts by Lewis Biggs and Juan Munoz.

La Nouvelle Biennale de Paris. Paris.
The Poetic Object: Richard Deacon, Shirazeh Houshiary, Anish Kapoor.  Dublin: Douglas Hyde Gallery. Text by Richard Francis.
The British Show. Sydney: Art Gallery of New South Wales. Text by Stuart Morgan.
Bastian, Heiner ed. 7000 Eichen. Dunsthalle, Tubingen. Text by Heiner Bastian.
CURRENTS. Boston: The Institute of Contemporary Art. Text by Richard Francis.

The British Art Show: Old Allegiance and New Directions 1979-1984. Arts Council of Great Britain. Text by Jon Thompson, Alexander Moffat and Marjorie Allthorpe-Guyton.
An International Survey of Recent Painting and Sculpture. New York: Museum of Modern Art. Text by Kynaston McShine.
ROSC '84. Dublin, Ireland.

Transformations: New Sculpture from Britain. The British Council. Text by Lewis Biggs, Lynne Cooke, Mark Francis, John McEwen, Stuart Morgan, Nicholas Serota and John Roberts.
New Art. London: Tate Gallery.
The Sculpture Show. The Arts Council of Great Britain Texts by Kate Blacker, Fenella Crichton, Paul de Monchaix, Nena Dimitrijevic, Stuart Morgan, Deanna Petherbridge, Bryan Robertson and Nicholas Wadley.
Tema Celeste. Gibellina: Museo Civico d' Arte Contemporanea.Text by Demetrio Paparino.
Va der Geer, Gosse and Cees ed. Beelden/Sculpture 1983. Rotterdam Arts Council. Text by Oosterhaf, with essay by Paul Hefting.
La Trottola di Sirio. Siracusa: Centro d' Arte Cotemporanea. (organized by The British Council) Text by Demetrio Paparoni.
Feeling into Form. Walker Art Gallery, Livepool, and Le Nouveau Musee, Lyon. Text by Marco Livingstone.
Hayward Annual. London: Hyward Gallery, South Bank Centre, London. Text by Stuart Morgan Talking with Kate Blacker.
Douceur de l'Avant-Garde. Rennes, France: C'est Rie de le Dire.

XL Biennale di Venezia. Venice. Text for "Aperto '82 by Tommaso Trini.

Objects and Sculpture.  Institute of Contemporary Art, London, and Arnolfini Gallery, Bristol. Texts by Lewis Biggs, Iwona Blazwick and Sandy Nairne.

Gray, Lisa, Kim Janssen and Brian Rausch. “Dear Chicago: Houston’s bean is better. And so is Houston.,” Houston Chronicle, March 28, 2018. 
Wachs, Audrey. “Chicago mocks Houston’s new Anish Kapoor sculpture. You won’t believe what happens next,” The Architect’s Newspaper, March 28, 2018.
Jannsen, Kim. “Unoriginal 4thplace Houston gets its own bean sculpture….whatever,”Chicago Tribune, March 27, 2018.
Morgan, Tiernan. “Art Movements,” Hyperallergic, March 16, 2018. 
 “Sculptor Anish Kapoor Criticizes NRA’s ‘Nighmarish Vision’,” Blouin Artinfo, March 16, 2018.
Hye-bin, Choi. “Dallas Cowboy’s ‘Sky Mirror’ sculptor rages on NRA,” The Korea Daily, March 15, 2018.
“Anish Kapoor criticizes video that ‘perverts’ his work,” El Universal, March 15, 2018.
“Anish Kapoor against NRA weapons and xenophobia,” Artslife,March 15, 2018.
“Do not Politicize The Bean!,” Exhib Art, March 14, 2018.
 “Artist Anish Kapoor Sounds Off at the NRA,” Art Zealous, March 14, 2018.
 “Anish Kapoor Denounces NRA in Open Letter,” Artforum,March 14, 2018.
Kennicott, Philip. “At the city gate, an artist stands up to the NRA,” The Washington Post, March 13, 2018.
Lartey, Jamiles. “Anish Kapoor criticizes ‘intolerant divisive’ NRA after video used sculpture,” The Guardian, March 13, 2018.
“Anish Kapoor takes a distance from NRA’s use of his art,” Sveriges Radio, March 13, 2018.
Guarino, Mark and Kristen East. “RAHM faces questions over police accountability report – RAUNER hesitant to push for gun control – Josiah Bartlet endorses KENNEDY,” Politico, March 13, 2018.
Jagota, Vrinda. “Anish Kapoor Slams NRA for Using the Bean in Their Propaganda,” Paper Magazine, March 13, 2018.
Wilson, Michael. “Why Anish Kapoor Is Going After the NRA,” Garage Magazine, March 13, 2018. 
“Sculptor Anish Kapoor Blasts NRA’s ‘Nightmarish Vision’,” Frieze, March 13, 2018.
“Today’s News – Tuesday, March 13, 2018,” ArchNewsNow.com,March 13, 2018.
Bromer, Sam. “Anish Kapoor Calls Out the NRA For Using His Sculpture in a Political Ad,”The Forward, March 13, 2018.
“Anish Kapoor taps NRA on the fingers,” De Standaard, March 13, 2018.
Lesage-Munch, Anne-Sophie. “Anish Kapoor against the NRA, the American pro-firearms association,” Connaissance des Arts, March 13, 2018.
Hartz, Taylor. “Artist blasts NRA for using ‘The Bean’ in advertisement,” Chicago Sun Times, March 13, 2018.
Russeth, Andrew. “Trump Kills Teens’: Artist Paul Chan and Badlands Unlimited Mint Signs for Gun Protest,” Artnews, March 13 2018.
“Anish Kapoor Condemns Image of Chicago Sculpture in NRA Video,” Artlyst, March 13, 2018. 
Kennicott, Phillip. “One of the world’s greatest sculptors warns America about the NRA,” The Washington Post, March 12, 2018.
Kennicott, Phillip. “One of the greatest sculptors warns America about the NRA,” SF Gate, March 12, 2018.
“Anish Kapoor condemns use of his sculpture by US weapons lobby,” Monopol, March 12, 2018.
Granberry, Michael. “Sculptor Anish Kapoor, who created ‘Sky Mirror’ for the Dallas Cowboys, lashes out angrily at the NRA,” Dallas News, March 12, 2018.
Janssen, Kim. “Anish Kapoor ‘disgusted’ that The Bean appears in NRA ad,” Chicago Tribune, March 12, 2018.
Steinhauer, Jillian. “’Disgusted’ Anish Kapoor condemns NRA’s use of his Chicago ‘Bean’ sculpture in advert,” The Art Newspaper, March 12, 2018.
Duron, Maxilmiliano. “’Gun Violence in the United States Affects Every Citizen of Your Country’: Anish Kapoor Decries NRA Policies in Open Letter,” Artnews, March 12, 2018.
Kinsella, Eileen. “The NRA Used Anish Kapoor’s Most Famous Work in a Political Ad. Now the Artist is Blasting Back,” Artnet News, March 12, 2018.
“Anish Kapoor Denounces NRA in Open Letter,” Artforum,March 12, 2018.
Soloway, Diane. “How the Collector Patrizia Sandretto Re Rebaudengo Became Italy’s Peggy Guggenheim,” W Magazine, February 26, 2018.

Dantas, Marcello. “Anish Kapoor: Destierro,” Divisare, July 18, 2017.
Perrottet, Tony. “Field of Dreams,” Wall Street Journal Magazine, June/July 2017.
Farago, Jason. “Across New York, a Summertime Tour of Public Art,” The New York Times, June 29, 2017.
Cascone, Sarah. “Anish Kapoor’s Bottomless Whirlpool Offers a Swirling Spectacle in Brooklyn Bridge Park.” Artnet News, May 9, 2017.
“Anish Kapoor: Decension,” The Art Newspaper, May 6-7, 2017.
“Kapoor: jump, Trump!,” The Art Newspaper, May 4-5, 2017.
Munzenrieder, Kyle. “The Worlds ‘Blackest Black’ and the Hilarious Artist Fued Behind It,” W Magazine, April 4, 2017.
Reyburn, Scott. “U.K. Art World Weighs ‘Brexit’ as ‘Depressing Moment’ or Golden Opportunity,” The New York Times, March 31, 2017.
Elbaor, Caroline. “Public Art Fund Brings Anish KApoor’s ‘Decension’ to Brooklyn Bridge Park,” Artnet News, February 17, 2017.
“Annish Kapoor condemns ‘abhorrent’ refugee policies as he wins Genesis Prize,” The Guardian, February 5, 2017.
Forrest, Nicholas. “Anish Kapoor’s Anti-Trump Protest Portrait,” BlouinArtinfo, January 31, 2017.

Smith, Roberta. “Anish Kapoor, ‘Today You Will Be In Paradise,’” The New York Times, May 12, 2016.
Miller, Meg. “Inside Anish Kapoor’s Sprawling New Studios,” Co. Design, May 6, 2016.
“The Arts Hour: Anish Kapoor,” BBC News, March, 2016.
Ellis-Petersen, Hannah. “Anish Kapoor says addition to artwork was ‘foisted’ on him by Boris Johnson,” The Guardian, April 26, 2016.
Wallace, Benjamin. “This Company Created the Blackest Black Ever Known—and Only One Artist Can Use It,” Vulture, April 21, 2016.
“Anish Kapoor in Milan,” Domus, May 13, 2016.
“Sir Anish Kapoor toys with the dark arts,” Apollo Magazine, March 7, 2016.
Lemonick, Sam. “The Most Important Thing About This Shade of Black is not an Artist’s Rights,” Forbes, March 11, 2016.
Woo-young, Lee. “Seoul braces for big art names,” The Nation, January 11, 2016.

Sharkov, Damien. “Chinese Artist Ai Weiwei Shares Images of Refugees from Greece,” Newsweek, December 30, 2015.
Abrams, Amah-Rose. “Anish Kapoor: From Conceptualism to Activism,” artnet, December 8, 2015.
Forrest, Nicholas. “Anish Kapoor Versus Rembrandt at the Rijksmuseum,” Artinfo, December 1, 2015.
Shariatmadari, David. “Anish and Antony to the rescue! Can the sculptors gentrify Afghanistan?,” The Guardian, November 30, 2015.
Pooler, Michael. “Sculptor Sir Anish Kapoor Launches Stop Slavery Award,” The Financial Times, November 15, 2015.
"Sculptor Sir Anish Kapoor on Art, Life and Immigration," BBC, April 9, 2015.
Bronner, Julian Elias. "500 Words: Anish Kapoor," Artforum, April 2015.
"Top 100 Artists Worldwide," Zeit Kunstverlag, March 20, 2015.
Kapoor, Anish. “My artwork has been vandalized. How should I respond,” The Guardian, June 19, 2015.
Wullschlager, Jackie. “Palace revolutionary: Anish Kapoor at Versailles,” Financial Times, June 5, 2015.
“Photos: Anish Kapoor’s ‘Dirty Corner’ at the Gardens of Versailles,” The Wall Street Journal, June 10, 2015.
Hossenally, Rooksana. “Anish Kaporr on His Controversial New Exhibition at the Chateau de Versailles,” Forbes, June 10, 2015.
“Invitation to a Dialogue: A Debate Over Public Art,” The New York Times, June 22, 2015.
Litt, Steven. “Cleveland Museum of Art installing Anish Kapoor sculpture on its ground Monday,” Cleveland Plain Dealer, June 29, 2015.
Greenberger, Alex. “Anish Kapoor and Cecil Balmond’s Arcelormittal Orbit Tower to Become a Slide,” ARTnews, July 30, 2015.

Wroe, Nicholas. “Anish Kapoor: ‘One piece of spaghetti props up another’,” The Guardian, April 4, 2014.
“Absolut Kapoor,” Flash Art, January 9, 2014.
Beautyman, Mairi. “Anish Kapoor and Arta Isozaki’s Inflatable Concert Hall in Japan,” Interior Design, January 7, 2014.
Barbieri, Claudia. "Anish Kapoor Chosen for Solo Show at Versailles," The New York Times, December 22, 2014.

Lyle, Peter. “The Truth in Stupidity,” Sleek, Summer 2013, p. 108-109.
“Anish Kapoor honoured with knighthood,” indianexpress.com, June 15, 2013.
Bermant, Yoel. “Queen Elizabeth II Recognizes Sculptor Anish Kapoor’s Contribution to Art by Honoring Him with a Knighthood,”             jewishbusinessnews.com, June 16, 2013. 
Hazra, Indrajit. “Anish Kapoor,” Outlookindia.com, June 17, 2013. 
Connolly, Kate. “Sculptor Anish Kapoor’s Berlin Show,” South China Morning Post, June 2, 2013. 
Moulson, Geir. “Wax and mirrors: Anish Kapoor opens show in Berlin,” Seattle Times, May 17, 2013.
“Anish Kapoor at Berlin’s Martin-Gropius-Bau Museum,” The Wall Street Journal, May 16, 2013.
Moulson, Geir. “Anish Kapoor Berlin Exhibit: Artist Brings Smoke, Mirrors and Gore to Martin-Gropius-Bau,” Huffington Post, May 17, 2013.
“New Anish Kapoor Retrospective Exhibition Opens in Berlin,” Artlyst, May 19, 2013.
“Ear Plugs Provided as Kapoor Cannon Flings Wax in Berlin,” Bloomberg Businessweek, May 20, 2013.
Glover, Michael. “Art review: Anish Kapoor, Martin-Gropius-Bau, Berlin,” The Independent, May 20, 2013.
Ray, Justin. “Anish Kapoor Unveils Large Retrospective in Berlin that Doesn’t Disappoint,” Complex Art and Design, May 20, 2013.
“Anish Kapoor in Berlin: ‘in short Britain’s fucked,’” The Guardian, May 15, 2013.
“Anish Kapoor Exhibition in Sydney Proves Hit with the Public,” Artlyst, March 4, 2013.
Maidman, Daniel. “In Praise of the Bean: Anish Kapoor’s ‘Cloud Gate,’ Millennium Park, Chicago,” The Huffington Post, February 20, 2013.
Forrest, Nicholas. “Watching MCA Sydney’s ‘Living’ Anish Kapoor Catalogue Evolve,” Artinfo, February 21, 2013.
Carroll, Grace. “Exhibition Review: Anish Kapoor,” Lip, February 18, 2013.
Wilson, Connie. “Anish Kapoor Exhibit at Sydney Australia’s Museum of Contemporary Art,” Yahoo, February 3, 2013.
Allen, Christopher. “Spiritual Paradox at Play in the Work of Anish Kapoor,” The Australian, February 2, 2013.
Hutcheon, Jane. “One Plus One: Anish Kapoor,” ABC News, February 1, 2013.
Jones, Catherine. “New Works at the Walker Features Artwork by Anish Kapoor, Paula Rego and Yoko Ono,” Echo Liverpool, January 28, 2013.
Shaw, Sarah. “Anish Kapoor at the Leesum Samsung,” Mapping Words, January 25, 2012.
“Dallas Cowboys get Anish Kapoor’s ‘Sky Mirror’ as 1st Outdoor Piece in Art-Filled Stadium,” The Washington Post, October 16, 2013.
Ng, David. “Dallas Cowboys unveil Anish Kapoor sculpture at AT&T Stadium,” Los Angeles Times, October 15, 2013.
“Anish Kapoor’s ‘Sky Mirror’ Finds a Home with the Dallas Cowboys,” Arts Observed, October 12, 2013.
Granberry, Michael. “The Dallas Cowboys give a big Texas howdy to Anish Kapoor and his Sky Mirror at AT&T,” The Dallas Morning News, October 12, 2013.
“See the stunning new Sky Mirror sculpture at Cowboy’s AT&T Stadium,” The Dallas Morning News, 2013.
“Japan to Open ‘World’s First’ Inflatable Concert Hall Designed by Anish Kapoor and Arata Isozaki,” Art Daily, October 11, 2013.
Smiek, Peter. “Sun in Tony Romo’s Eyes? Wait Until Anish Kapour Installs His Three Story Stainless Steel Sculpture at Cowboys Stadium,” D Magazine, October 9, 2013.
Grozdanic, Lidija. “Anish Kapoor and Arata Isozaki Unveil the World’s First Inflatable Concert Hall,” Orta Blue, 2013.
Starr, Benjamin. “A Mobile, Inflatable Concert Hall for Tsunami-Ravaged Japan,” Visual News, October 3, 2013.
Maxey, Kyle. “Inflatable Concert Hall,” Engineering.com, October 2, 2013.
“Anish Kapoor’s Disaster Dome Concert Hall Ark Nova Launches in Japan,” artlyst, September 29, 2013.
Granberry, Michael. “Art Notes: Dallas Cowboys Art Collection Score a Touchdown with Anish Kapoor,” The Dallas Morning News, September 27, 2013.
Zolfagharifard, Ellie. “The World’s First Inflatable Concert Designed with Help of Anish Kapoor Arrives in Japan’s disaster-hit North Eastern Coast,” Daily Mail, September 25, 2013.
“First Anish Kapoor Exhibit in Istanbul,” Hurriyet Daily News, August 29, 2013.
“Anish Kapoor Opens his First Exhibition in Turkey at the Sakip Sabanci Museum,” Artdaily, September 14, 2013.
“Anish Kappor Exhibition Opens at Istanbul’s Sabanci Museum,” Hurriyet Daily News, September 11, 2013.
 

Mee-yoo, Kwon. “Anish Kapoor, Beyond Material Concerns,” The Korea Times, December 24, 2012.
Daniel Potts. “Anish Kapoor: Flashback at Yorkshire Sculpture Park,” aestheticamagazine.com, June 30, 2012.
“Major exhibition of new works by Annish Kapoor on view at Lisson Gallery in London,” ArtDaily, October 2012.
Baily, Martin. “Arts get for final Olympic hurdle,” The Art Newspaper, July/August 2012, p. 7.
Ruiz, Cristina. “Kapoor’s big gun gets Brazilian home,” The Art Newspaper, March 2012, p. 4.
“Anish Kapoor’s Gangnam Style Tribute to Ai Weiwei,” BBC News online, November 17, 2012.
Douglas Murphy. “Towers of Babel,” Frieze, May 2012.
Jackie Wullschlager. “Lunch with the FT: Anish Kapoor,” Financial Times, May 5, 2012.
Mark Brown. “Art Worls Goes Gangnam Style Mad in Solidarity With Ai Weiwei,” The Guardian online, November 15, 2012.
“Anish Kapoor,” Interview, May 2012, p. 29.
David Ng. “Anish Kapoor Creates ‘Gangnam Style’ Video to Support Ai Weiwei,” Los Angeles Times online, November 19, 2012.
“Anish Kapoor at Gladstone Gallery,” Mousse, June 2012.
Manisha Rajesh. “Lakshmi Mittal’s Million Dollar Tribute to London,” The New York Times Online, June 18, 2012.
“Anish Kapoor’s First Ever Show in Australia,” Phaidon.com, December 2012.
“The Spirituality of Anish Kapoor,” The Australian, October 27, 2012.

Sansom, Anna. “Anish Kapoor,” Whitewall, Fall 2011, p. 97-105.
Stancati, Margherita and Josh Chin. “Anish Kapoor Dedicates Art to Ai Weiwei,” The Wall Street Journal, May 11, 2011.
Duponchelle, Valérie. “Anish Kapoor au Grand Palais, c’est monumental!” Le Figaro, May 10, 2011.
Waters, Florence. “Anish Kapoor: close the world’s museums for a day,” The Telegraph, May 10, 2011.
Garnett, Natasha. “Anish in Paris,” The Wall Street Journal Magazine, April 28, 2011.
Espinoza, Javier. “Monumental Ambitions,” The Wall Street Journal, April 15, 2011.
“The Artist Designs,” Whitewall, Fall 2011, p. 30.

Halperin, Julia. “Europe, One Masterpiece at a Time, Art on the Continent, Anish Kapoor, Guggenheim, Bilbao,” The New York Observer, August 9, 2010.
"Finding Everything in the Space of Emptiness," Undergraduate Research Journal for the Human Sciences, Vol. 8, 2009.
Walker, Cassie. “Chicago,” Elle Décor, Summer 2010, p. 114-115.

ArtAsiaPacific, Almanac 2009, p. 81.
“Galleries,” ArtAsiaPacific, Almanac 2009, p. 111.
“Anish Kapoor. Memory,” Artnotes, 2009, p. 76-77.
“Museums,” ArtAsiaPacific, Almanac 2009, p. 119.
“Books,” ArtAsiaPacific, Almanac 2009, p. 125                  
“Korea, South,” ArtAsiaPacific, Almanac 2009, p. 201.
Foss, Paul. “Anish Kapoor,” Art in America, May 2009, p. 161-162.
Andress, Sarah, “Atmospheric Pressure: New Etchings by Anish Kapoor,” Art.
“Atmospheric Pressure,” Art on Paper, May/June 2009, p. 18-21.

Lebow, Edward. “Public Works,” American Craft, August/September 2008, p. 78-80.
Ward, Ossian, “Anish Kapoor: Memory,” Deutsche Guggenheim Magazine, Issue 5, Winter 2008, p. 4-7.
Celant, Germano. “Inside and Outside the Vortex,” Deutsche Guggenheim Magazine, Issue 5, Winter 2008, p. 8-13.
 “The Anti-Architect: Anish Kapoor at the RIBA in London,” www.DB-artmag.com, special print issue 3, 2008, p. 4-5.
Artco, July 2008, p. 2002.
Kent, Sarah, “Mr. Big Stuff,” Modern Painters, November 2008, p. 86-91.
Smith, Roberta.  “The Sculptor as Magician,” The New York Times.  May 30, 2008.  p. 25, 27.
Halle, Howard. "Anish Kapoor + Louise Lawler," Time Out New York, May 29-June 4, 2008, p. 68.
"Myth's Retold," Vision Magazine, May 2008, p. 227.
"Anish Kapoor," Artrade, May 01-14, 2008, p. 16-17.
"I Haven't Done Much at All," The Art Newspaper, May 2008, p. 48.
"Highlights," Christie's Magazine, January 2008, p. 86.
Poddar, Sandhini. “The Fiction of Auto-Generation,” Art Asia Pacific, No. 60, Sept/Oct 2008, p.150-159.

“Anish Kapoor’s visceral survey stuns Munich,” Art World, December 2007.
Godfrey, Mark. “Out of the Past: Artempo at Palazzo Fortuny,” Artforum, September 2007, p. 398-401 [Image].
Owen, David. “ The Anti-Gravity Men: Cecil Balmond and the structural engineers of Arup.,” The New Yorker, June 25, 2007, p. 70-81.
"Exhibition News: Anish Kapoor," Art World, December 2007, p. 12-15.
Duenas, Issa. "Art Basel 38," Art Nexus, No. 66, 2007, p. 116.
Vetrocq, Marcia. "The Venice Biennale, all'americana," Art in America, September 2007, p. 137.
Hirsch, Annabelle, Alexandra Link, and Jeffrey Work. “States of Matter: Sculptural sublimations in a state of flux,” sleek, Spring 2007, p. 89.
Edidin, Peter. “Arts, Briefly,” The New York Times, March 17, 2007.
Panero, James. “The New York Fairs,” The New Criterion, April 2007, p. 68-70.
Black, Ezrha Jean. "Armory Ad Infinitum: A New York Fair Wrap Up," Artillery, May 2007, Vol1 No. 5, p. 13.
Schwendener,  Martha. “A Fair’s Strategy: Solo Artists, Themes and Specters of Blockbusters,” The New York Times, February 23, 2007, p. E40.
Ebony, David. "Art Fairs Take Manhattan: The Art Show," Art in America, April 2007, p. 33-37.

Stoilas, Helen. “ Anish Kapoor: A brush with narrative,” The Art Newspaper/ Frieze Art Fair Daily, October 12, 2006. 
Sheets, Hilarie. "Anish Kapoor: Public Art fund at Rockefeller Center," ARTnews, December 2006, p. 148-150.
Peers, Alexander. “Urgent Luxuries,” Whitewall, Fall 2006, p. 32.
“Power 100:  94 Anish Kapoor,” Art Review, November 2006, p.133.
Hariyanawala, Farida. “Reflections of a Public Artist,” India Abroad, October 6, 2006, p. 6-7.
Kennedy, Randy. “A Most Public Artist Polishes A New York Image,” The New York Times, August 20, 2006, p. 25.
“Twelve Easy Ways to Tweak a Fall Look,” The Denver Post, October 1, 2006, p. 3.
Aiglon, Kelly. "Our Kind of Town," Panache, Fall 2006, p. 78.
Bone, James. “Salman, Anish and an Indian Summit,” Times Online, September 26, 2006, p. 1-3.
Allsop, Laura. "Sky Fidelity," Art Review, September 2006, p. 37-38.
Raza, Sara. "Anish Kapoor: My Red Homeland," Art Asia Pacific, Fall 2006, p. 121.
Kennedy, Randy. “A Most Public Artist Polishes A New York Image,” The New York Times, August 20, 2006, p. 1, 25.
Sharoff, Robert. “How a Park Changed a Chicago Neighborhood,” The New York Times, June 4, 2006, p. 7.
Schneider, Keith. “To Revitalize a City, Try Spreading Some Mulch,” The New York Times, May 17, 2006, p. 1, 6.
House & Garden, April 2006, p. 111. 

Dunning, Brad. "The Soul of Design: Chicago," GQ, October 2005, p. 128.  
Sheehan, Charles. "Can't rush a perfect Bean," Chicago Tribune, May 26, 2005, p. 1 and 8.
Garcia-Ormaechea, Carmen. "A Look at the History of Contemporary Indian Art," Arco, Autumn 2005, p. 7-11.   
"The Beauty of the Bean," Chicago Tribune, May 29, 2005, editorial.
Herrmann, Andrew. "Bean-Doggle," Chicago Sun-Times, May 26, 2005, front page.
Schmidt, Jason. "House Proud," New York Times Magazine, October 16, 2005, p. 65.
“The Sky Above, the Skyline Below,” New York Times, Aug. 26, 2005, p. 12.
Young, Paul. “21st Century Museum: Building the Sublime,” Surface, No. 54, p. 106-107.
Sheehan, Charles. “Partial clearing of the Bean,” Chicago Tribune, May 28, 2005.
Young, Paul. “21st Century Museum: Building the Sublime.”
Foucart, Julien, “Anish Kapoor, Melancholia,” DITS, Spring 2005, p. 4-13.
Bishop, Claire. “But is it-Instillation Art?” Tate Etc, Spring 2005, p. 30-32, ill.
Ludwigson, Hakan. “The Next 7 Wonders of the World,” Conde Nast Traveler, April 2005, p. 118-119.

Lidgus, Sarah. “Americas Next Top Model…” Surface, November/December 2004, p.152-156.
Filler, Martin. “Field of Dreams,” House and Garden, Ocober 2004, New York, p.138-140.
Weintraub, Linda. “Anish Kapoor,” Tema Celeste, September/October 2004, p. 86-7.
Cohen, David. Review “Gallery Going,” The New York Sun, June 17, 2004.
Camhi, Leslie. “Being and Nothingness,” The Village Voice, May 28, 2004.
Artner, Alan G. “Revealing the Bean,” Chicago Tribune Arts and Entertainment, April 25, 2004, section 7.
Johnson, Ken. Review “Anish Kapoor,” The New York Times, May 21, 2004, p. 27.
“Millennium Park to Open in Chicago,” Sculpture Magazine, Vol. 23, No. 4, p. 13.
Holmes, Pernilla. “Using Reflections, Voids and Intense Pigments, The Sculptor makes an Art of Perceptual Experience,” Art and Auction, May 2004, p. 51.
Cash, Stephen. “Millennium Park to Open in Chicago,” Art in America, May 2004, p. 45.
Cash, Stephen. “Britain’s 9/11 Memorial for NYC,” Art in America, May 2004, p. 45.
Vogel, Carol. “Inside Art: New-Look Chicago,” The New York Times, February 6, 2004, p. 36.

Warner, Marina. “The Perforate Self or Nought is Not Naught.” Parkett No. 69, p. 126.
Forster, Kurt W. “A Word in the Giant’s Ear,” Parkett No. 69, 2003, p. 104.
Bryson, Norman. ‘Kapoor’s Vertigo,” Parkett, No. 69, 2003, p. 104.
Wakefield, Neville. “Crosslines,” Interior Design, August 2003 p. 112-113.
“Not Only the Shoulders are big” Art and Auction, May 2003.
“Anish Kapoor” ING Hair Magazine, Issue 6, Spring 2003, p. 80.
“Anish Kapoor: Painting,” Contemporary, No. 55, p. 67.

Johnston, Rachel Campbell. "Giant Trumpet Creates Blast of Visual Energy," New York Times, October, 9, 2002.
Glover, Michael. "Unveiled Today: The Biggest Idea in British Art," The Independent, October 9, 2002.
O'Sullivan, Kevin. "Herculean, Vast, Massive, Giant, Huge, Colossal .. Yep, This Thing Is Really Big," The Daily Mirror, October 9, 2002.
Kennedy, Maev. "Tate  Unveils its Biggest work," The Guardian, October 9, 2002, p. 5.
Sirmans, Franklin. "Anish Kapoor at Barbara Gladstone Gallery," Tema Celeste, January/February 2002, p. 78.
Gioni, Massimiliano. "New York Cut Up," Flash Art, January/February 2002, p. 63.
Jurosz, Gabriela. "Zahranici > Umelecky svet po 11. zari 2001," 9 AT. March 7, 2002.

Kornbluth, Elena. "India Mahdavi: 12 things she can't live without," Elle Decor, June/July, 2001, p. 98.
“Chelsea,” Connaisance des Arts, Visuell, Kunst Deutsche Bank, November.
Kornbluth, Ellen. “India Mahdavi, 12 Things She Can’t Live with Out,” Elle Décor, June/July 2001.
"Baltic,” Tema Celeste, March-April 2001.
Kaplan, Cheryl. “Strange Attractors: Kapoor / Petronio,” Tema Celeste, January/February 2001.
Kimmelman, Michael. "Anish Kapoor at Barbara Gladstone," The New York Times, December 14, 2001.
Dannatt, Adrian. "Adrian Dannatt's choice of New York contemporary galleries," The Art Newspaper, No. 120, December 2001, p. 73.
Levin. "Anish Kapoor," Village Voice, December 4, 2001, p. 87.
Dailey, Meghan. "Anish Kapoor, Barbara Gladstone Gallery, through Dec.22," Time Out New York, Issue No. 323, December 6-13, 2001, p. 62. 

Kourlas, Gia. “Physical Attraction,” Time Out, October 12-19, 2000.
Carasso, Roberta. “Anish Kapoor,” Art Issues, No. 64, September/October 2000.
Paparoni, Demetrio. “Anish Kapoor,” Tema Celeste,  May-June 2000.

Review, “Anish Kapoor. Taratantara,” Baltic Newsletter, No. 6.       
Nordgren, Sune. “Interview,” Baltic Newsletter, No. 5.
Ossiane, Ward. “MM=2000=massive monuments,” The Art Newspaper, December 1999.
Forte, Lorraine. “Newest Art icon to reflect our world,” Chicago Sun-Times, October 21,1999.
Patner, Andrew. “Artist considered to be among best sculptors,” Chicago Sun-Times, October 21, 1999.
Cork, Richard. “Red sky’s last night, our delight,” The Times, September 1, 1999, p. 37.
Thorncroft, Anthony. “An Artist at your workstation,” Financial Times, August 2, 1999, p. 14.
Gayford, Martin. “Crimson tide hits Tyneside,” The Daily Telegraph – Arts, July 28, 1999.
“Home is where modern Art is,” Birmingham Express & Star, July 29, 1999.
“New Home is where the art is” Eastern Daily Pressx – Norwich, July 28, 1999.
Lee, Vinny. “Hechter’s House,” The Times Magazine, July 24, 1999.
Barr, Gordon. “Mill’s monster is plastic and it’s fantastic,” Newcastle Evening Chronicle Museums, July 21, 1999.
Gayford, Martin. “Crimson tide hits Tyneside,” Daily Telegraph, July 28, 1999, p. 24.
Savage King, Chris. “The class acts of a classless art,” The Independent – Friday Review, July 23, 1999, p. 5.
Ungoed-Thomas, Jon. “Trumpet sculpture blows an Arts Council bundle,” Sunday Times, July 11, 1999, p. 9.
Anthony Thorncroft. “An irreverent peek behind the installation,” Financial Times, June 23, 1999.
“Art in church,” The Tablet, June 5, 1999, p. 776.
“It was them,” Art Monthly, No. 227, June 1999, p. 15-16.
Fernanda Maio, “Anish Kapoor,” Arte Iberica, June 1999.
Allison, Phil, “Upfront,” Tate, Summer 1999.
Spalding, Frances. “A cast of millions,” The Independent, 25 May, 1999.
“Kapoor man’s Monet,” Evening Standard, May 24, p. 24.
Sewell, Brian. “Scandal of a man who can’t stop winning art’s lottery,” Evening Standard, May 18, p. 15.
Glover, Michael. “The Decline and fall of the watercolour,” The Independent, 11 May, 1999.
Walter, Natasha. “Wait till you see inside,” The Independent on Sunday, May 9, 1999, p. 3.
Cork, Richard. “Artist’s impressions,” The Times, May 1, 1999, p. 32-36.
Henry, Clare. “Museums away,” The Art Newspaper, No. 92, May, p. 24.
“Anish Kapoor,” Espresso, May 1999.
Shulman, Ken. “Chic to Cheek,” Artnews, April, p. 68-69.
Bohm-Dunchen, Monica. “Sally Heywood and Ingrid Kerma,” Modern Painters, Vol. 12, No.1, Spring 1999, p. 115-116.
“Prime,” Contemporary Visual Arts, issue 22, p. 88.
“Kapoor – Zen Interaction,” Les cahiers de la sculpture, No.1, p.12-15.

Morrisey, Simon. “Anish Kapoor,” Untitled, No. 16.
Cotter, Holland. “Anish Kapoor,” The New York Times, Reviews, May 8, 1998, p. 33.
Gili, Oberto. ”The big questions,” Vogue, May 1998.
Kuspit, Donald. “Icon and illusion,” Artnet, www.arnet.com/magazine/features/kuspit/kuspit4-9-98.htm
Lambirth, Andrew. “ Embrace the void,” The independent: Saturday Magazine, April 25, 1998.
Lowe, Adam. “From sculpture into print: Anish Kapoor’s wounds and absent objects,” Artbyte, June-July 1998, p. 12-14.
Packer, William. “How you see it, now you don’t,” Financial Times, May 12, 1998.
Plagens, Peter. “Anish Kapoor - Hayward Gallery,” Artforum, September 1998.
Princenthal, Nancy. “Anish Kapoor at Barbara Gladstone,” Art in America, No. 7 July 1998.
The Independent, London, January 27, 1998.
The Independent, London, January 24, 1998.
 Sumpter, Helen. “My art on Blair’s wall,” The Big Issue, January 19, 1998.
 Ingleby, Richard. “Leaving no stone unturned,” The Independent, January 24, 1998.
 Lambirth, Andrew, “Space in vader,” Royal Academy Magazine, March 1998.
Marianne, MacDonald. “The colour issue,” The Observer Weekend supplement, April 12, 1998, p. 22-23.
Glover, Michael. “Anish Kapoor at Lisson,” Artnews, April, p. 190-191.
Hughes-Hallett, Lucy. “The big question,” Vogue, May 1998, p. 175-178.
Searle, Adrian. “Don’t look up…,” The Guardian, May 5, p. 10-11.
Cork, Richard. “Face to face with our fear of flying,” The Times, May 5, p. 18.
Carlisle, Isabel. “Into the wold blue yonder,” New Statesman, May 1998.
Hilton, Tim. “It’s all in what the eye cannot see,” The Independent on Sunday, May 10, p. 22-23.
Sewell, Brian. “Talking up a load of spherical objects,” Evening Standard, 14 May, p. 28-29.
Gail, Ian. “Terror vision,” Scotland on Sunday Edinburgh, May 10, p.19.
Haldane, John. “Out of the darkness comes the light of Easter,” The Times, April 11, 1998.
Wilson Lloyd, Ann. “Anish Kapoor,” Sculpture, September 1998, p. 74-75.
Glaister, Dan. “Streamlined Arts Council presages halving of staff,” The Guardian, 18 June.
Hensher, Philip. “How deep is a hole?” Modern Painters, June 1998, p. 42-45.
Haldane, John. “Anish Kapoor,” Burlington Magazine, July, p. 493-494.
Spiegel, Olga. “El gran reto del arte consiste en ser íntimo y, de algún modo, absoluto y apasionado,” La Vanguardia, May 17, p. 69.
“Anish Kapoor au Festival d’ Automne,” Le Journal des Arts, August 28.
Castiel, Anita. “L’Incontournable Festival d’ Automne,” France TGV, September, p. 68.
Colard, Jean-Max. “Prémises,” Les Inrockupibles, September 9-15.
Ph. R., “Les méditations de Kapoor,” Le Journal des Arts, September 11.
Nuridsany, Michel. “Les effets miroir d’ Anish Kapoor,” Le Figaro/ Aurore, September 29.
Boudier, Laurent. “Anish Kapoor,” Télérama Paris, September 30, p. 17.
Pinte, Jean-Louis. “Le sacre du vide,” Figaroscope, September 30, p. 33.
“Les vides et les pleins d’ Anish Kapoor,” Le Magazine de ‘Optimum, October, p. 40.
Picard, Denis. “La Salpêtrière pur Kapoor,” Connaissance des Arts, October 1998.
Bader, Joerg. “Anish Kapoor, beauté et peur du vide,” L’Oeil, October 1998, p. 73-77.
“Anish Kapoor,” L’Oeil, October 1998.
Bernadac, Marie-Laure. “Anish Kapoor, sculpting the invisible,” Tandem, Franco-British, Arts review, London/Paris, September/December, p. 3.
Edwards, Natasha. “Interview, Anish Kapoor- In Search of the Sublime,” Time Out Paris Guide, Autumn1998.
Dyer, Richard. “Anish Kapoor,” Citizen K International, Autumn, p. 62-63.

Bevan, Roger. “Kapoor versus Armani,” The Art Newspaper, Vol. 8, No. 70, May 1997.
Edward, Leffingwell. “Report From Sao Paulo ‘Nationalism And Beyond’,” Art In America, No. 3, March 1997, p. 34-41.
Reindl, Uta M. “Anish Kapoor - Kunst-Station St. Peter,” Kunstforum, February - May 1997, p. 422 – 423.
Kent, Sarah. “Hell’s belles,” Time Out, February 1997.
Searle, Adrian. “It came from Planet Blah,” The Guardian, February 4, p. 14.
Beard, Steve. Arena, March 1997.                                                               
Sladen, Mark. Art Monthly, March 1997, p. 204.                                         
“Critic’s Choice,” Time Out, February 12– April 9.
Januszczak, Waldemar. “A true reflection of the age,” The Sunday Times, April 13.
 Cork, Richard. “Intimations,” The Times, 8 April.
Dorment, Richard. “Hypnotic Power of the object,” The Daily Telegraph, April 23.
Searle, Adrian. “Isn’t it offal?” The Guardian, April 8.
Gayfork, Martin. “Poppet Green is alive and well,” The Spectator, April 10.
O’Reilly, John. “The object of seeing,” The Independent Long Weekend, April 5.
Hensher, Philip. “Object Lessons,” Mail On Sunday ‘Night and Day’, April 6.
Shone, Richard. “Material Witness,” The Observer Review, April 6.
Burton, Jane. The Express, April 1.
Lister, David. “When the art world painted the city of dreams bright red,” The Independent, June 16, p. 20.
Verzotti, Giorgio. “Party Lines,” ArtForum, Summer 1997, p. 43-49.
Vaizey, Marina. “An Enduring Inspiration,” Art Quarterly, No. 30, Summer 1997.
Khanna, Balraj. “Passage from India,” Artists & Illustrators, October 1997, p. 43-45.

Sculpture, Vol. 15, February, p. 2.
Giorgio, Verzotti. “Fondazione Prada,” Flash Art, No. 187, March-April 1996.
Izique, Claudia. “Viagem ao reino da invenção,” Correeio Braziliense,  October 20.
Guimarães, Guimarãngela. “Labirinto contemporãneo,” Gazeta do Povo, Curitiba, October 20.
Gayford, Martin. “Confusion for les rosgifs,” The Daily Telegraph, June 12.
Whiteford, Frank. “Albion market undersold,” Sunday Times London, June 16.
Feaver, William. “Impudence is bliss,” The Observer London, June 23.
Cork, Richard. “Brilliant century taken out of context,” The Times, June 25.
Levy, Paul. “British Artists Teach French a Lesson,” Wall Street Journal London, June 28.
Abrioux, Yves. “A Century of British Sculpture,” Untitled, No. 11 London, Summer 1996, p. 6-7.
Shedde, Meenakshi. The Art News Magazine of India, Vol. 1, 2, April/June 1996, p. 58. 
Mehta, Tasneem. “The Importance of Being Anish Kapoor,” The Art News Magazine of India, Vol. 1,2, August/October, p. 36-41.
Ariella, Giulivi. “Anish Kapoor,” Tema Celeste, No. 57, Summer 1996, p. 72.
Kapoor, Anish. “Dedication of the Sho’ah Memorial,” LJS News London, December 1996.
Illmaier, Thomas. “Eintauchen in eine andere Welt,” Junge Freiheit, No. 50, December 1996.
Illmaier, Thomas. “Zur Gegenwart Erwacdhen,” Ursache/Wirkung, No. 15, Winter 1996.
Lyttleton, Celia. “Anish Kapoor,” The Now Art Book, Japan.
Klempnow, Von Bernd. “Nur eine Wand aus Sandstein trennt Leben und Tod,” Prisma, August 21.
Cecchetto, Paolo, “Anish Kapoor,” Juliet Art Magazine, Trieste, No. 81, February/ March 1996.
De Chassey, Éric. “Entretien avec Daniel Abadie, directeur de la galerie nationale du jeu de Paume,” Beaux Arts Magazine, published in conjunction with the exhibition “Un Si~ecle de sculpture anglaise,” Jeu de Paume, Paris, p. 6-9.
Thomas, Mona. “Les annEees 80-90, jeunes sculptures anglaises,” Beaux Arts Magazine, Jeu de Paume, p. 48-55.

Mitchell, Charles Dee. "Report From Santa Fe- Introducing Site Santa Fe," Art in America, October, p. 44-47, ill.
Ci Caro, Roberto. “Non voglio più fare l’indiano,” L’Espresso, Rome, December 3, p. 160-62.
Guidobono, Raffaella. “Kapoor l’anarchico,” Lombardia oggi”, December 3.
Perazzi, Mario. “Anish Kapoor. I mille volti della scultura,” Amica, Milan, December 9, p. 119-126.
Negrotti, Rosanna. “Anish Kapoor,” What’s On in London, December 13, p. 17.
Chiappella, Simona. “Anish Kapoor in Italia,” Il Resto del Charlino, Bologna, December 14.
Cavadini, Luigi. “Anish Kapoor, Milano Fondazione Prada,” Il Corriere del Ticino, December 15.
Borrelli, Francesca. “Verso lo splendore dl buio,” Il Manifesto, Rome, December 16.
Vinatzer, Astrid. “Pietra scolpita, rito della natura,” Alto Adige, December 16.
“Ideal Standard Summertime,” The Guide, The Guardian weekly supplement, July 22, p.6.
Kent, Sarah. “Summer Frieze,” Time Out, No. 1301, July 26- August 2, p. 50.
Negrotti, Rosanna. “Ideal Standard Summertime,” What’s On In London, August 9, p. 21.
Gale, Iain. “Iain Gale on exhibitions,” The Independent, London, August 11.
Hilton, Tim. “Abstract expressions,” The Independent on Sunday, August 13.
Gayford, Martin. “The subject is anything,” The Daily Telegraph, August 16.
Cork, Richard. “Summer brings cold comfort,” The Times, London, August 15.
Talbot, Linda. “Threads of many ideals,” Hampstead & Highgate Express, August 18.
Sanderson, Philip. “Ideal Standard Summertime,” Art Monthly, No. 189, September, p. 37-38.
Lovatt, Estelle. “Ideal Standard Summertime,” Southern Cross, September 13, p. 13.
Patrick, Keith. “the complex web,” Ra Magazine, No. 48, London, Autumn, p. 24-25.
Hume, Christoper. “Anish Kapoor’s Mountain,” The Toronto Star, Section L, August 26.
Buchar, Suman. “The tingle factor,” The Telegraph Magazine Bombay, August 27, p. 5-11.
Shinoda, Tatsumi. “Sculptor Kapoor chooses Japan for new approach,” Asahi Evening News, Japan, September 23-24.
“Key Notes,” The Full Score, London, Autumn 1995, p. 4.
Lucie-Smith, Edward. “Critic’s Diary,” Art Review, October 1995, p. 8-9.
“Anish Kapoor alla Fondazione Prada,” Flash Art, No. 194, Milan, October/November, p. 56.
Deggiovanni, Piero. “Arte Inglese Oggi,” Tema Celeste, No. 53-54, Autumn, p. 88.
Sakurai, Takeshi. “Metamorphosis of Gourd,” Ryusei, Japan, November 1995.
Robertazzi, Silvia. “Première,” Elle Décor, November 1995.
S.D.O., “Kapoor o la pienezza del vuoto,” Il Giornale dell’Arte, Milan, November 1995.
“Pure spirit,” L’Uomo Vogue, Milan, November 1995.
Kent, Sarah. “Gourd Times,” Time Out, London, November 15.
“Falling for hole truths,” Hampstead & Highgate Express, November 24.
Vettese, Angela. “Dentro gli ambigui vuoti di Anish Kapoor,” Il Sole 24 Ore, November 26.
Somaini, Francesco. “Le forme oscure di Anish Kapoor,” Il Giorno, November 26.
L. Go., “Le sculture di Kapoor, mago dello spaesamento,” 7 Il Messaggero, Rome, November 26.
Meneguzzo, Marco. “I <buchi neri> di Kapoor,” Avvenire, Rome, 26 November.
“Anish Kapoor,” Abitare Milano, December 1995.
“Rocce metafisiche,” Interni Milan, December 1995.
L. Cab., “le Mostre,” Arte, Milan, December 1995.
Ferrario, Rachele. “A me gli occhi,” Arte in, December, p. 80-81.
Baldrighi, Luciana. “Il mondo <a parte>,” Il Giornale Milan, December 1, 1995.
Bai, Giovanni. “Abissi di pietra e di metallo le sculture-sogno di Kapoor,” L’Indipendente, Milan, December 3.
“Anish Kapoor,” Bijutsu Techo, Japan, Jan 1,1995, p. 185-82.
Fallon, Brian. “British sculpture here and now,” Irish Times, Dublin, 18 May.
Bickers, Patricia. “Generations of British sculpture: the British Sculpture Tradition,”  Art Press, No. 202, Paris, May 1995, p. 31-39.
Akasaka, Kideto. “Anish Kapoor,” GQ Japan, May 1995.
Godfrey, Tony. “Maastricht and Tilburg, the Bonnefanten Museum; Anish Kapoor,” The Burlington Magazine, London, June, p. 407-408.

Bonami, Francesco. "Jumping into the Void," Flash Art, November/December, p. 80-82, ill. 
Humphrey, David. "New York Fax," Art Issues, March-April, p.32-33.
Kuspit, Donald. "Anish Kapoor," Art Forum International, Vol. 32, No. 7, March 1994, p. 83-4.
Lewallen, Constance. Contemporary Artists Review, No. 12, Winter 1994.
Melrod, George. "Reviews," Sculpture, March/April, p.44.
Taplin, Robert. "Anish Kapoor at Barbara Gladstone, NY," Art in America, April, 1994, p.117.
"Anish Kapoor," Art News Japan, June, 1994, p. 92.
Staines, Judith. “Peripheral Vision,” Art Monthly, December/January 1994, No. 172, p. 32-33.
“Exporama: Anish Kapoor,” Artpress, No. 188, February, p. 72.
Kino, Carol. “Spiky Peaks and Shadowy Voids,” Artnews, March, p. 133.
Grande, John K. “Anish Kapoor,” Espace, No. 25 Fall/Autumn, Montreal,   Canada, p. 27-32.
Tougas, Colette. “Anish Kapoor,” Parachute, Canada, April/May/June, p. 30-31.
Corrias, Pilar. “Looking to the future: contemporary art in London,” The Society of London Art Dealers (1994/5 Yearbook & Directory of Members), London, p. 44-45.
“Artistas Extranjeros Adquisiciones, Donaciones y Daciones,” La Revista del Museo, Museo Nacional Centro de Arte Reina Sofia, July 1994, p. 20-23.
Giannoulis, Fiona. “Soul Mates,” The Telegraph Magazine, London, 23 July.
“Old Maters and Young Pretenders,” Time Out Visitors Guide,1994, p. 33-36.
“Luis Monreal, Director of La Caixa, Has a National Sized Budget to Spend,” The Art Newspaper, International Edition, London, Vol. 5, No. 41, Oct 1994.
Bernardina, Marta Dalla. “Kapoor e il Sacro,” Titolo, No. 16-17, Perugia, Autumn-Winter, p. 42-45.
“Die 100 Grobten,” Capital, Köln, No. 11, November p. 173-174.

Forsha, Lynda. "Anish Kapoor/Museum of Contemporary Art, San Diego," Flash Art, Vol 26, No. 168, January/February, p. 132, ill.
Kasther, Jeffrey. "Anish Kapoor – Lisson," Flash Art, Vol  26, No. 171, Summer, p.122.
Extra BT, Vol. 45, No.666, Winter, p. 12-18.
Cohen, David. "Anish Kapoor," Sculpture, January/February 1993, p.30-37.
Duncan, Jim. "Sculptor's Granite Caves Pulls Meditative Viewers," Des Moines Business Record, January 25.
Mackrell, Judith. "River Run," The Independent, March 31.
Bevan, Roger. "Kapoor at Lisson with Stage Designs," The Art Newspaper, April.
Wills, Leslie. "The Mesmerizing Art of Anish Kapoor," The Weekly Journal, May 13.
Batchelor, David. "Anish Kapoor," Galeries Magazine, Paris, Summer 1993, p.136.
Dorment, Richard. “Body of Work that cries out to be touched,” Daily Telegraph, London, Wednesday, May 5.
Windsor, John. “Putting the art back into artisan,” The Independent, London, June 26.
Beale, Nancy. “Triple play at the National Gallery,” The Ottawa Citizen, June 20.
Gayford, Martin. “Forms that rhyme,” Sunday Telegraph, London, September 5.
 Bernard, Kate. “Which way to Turner?” Sunday Times, London, July 25.
Feaver, William. “New life out of old wood,” Observer, London, May 2.
Ewen, John Mc. “Come up and see me soap the wife sometimes,” Sunday Telegraph, London, May 2.
Bevan, Roger. “Eric Estorick returns,” The Art Newspaper, London, April 1993.
Henry, Clare. “Terrific sculptures but none by Scots,” Glasgow Herald, Glasgow, May 28.
Packer, William. “Never had it so good,” Financial times, London, May 4.
Enright, Robert. “Blue Angel,” Canadian Art, Winter/ December, Vol. 10, No. 4.
McEvilley, Thomas. “Venice the Menace,” Artforum, October, Vol. 32, No. 2.
“Anish Kapoor, Lisson,” Artnews, New York, October 1993, p. 174-175.
Maranz, Felice. “Serching for the Sacred Place,” The Jerusalem Report, October 7.
Cohen, David. “Reviews,” Sculpture, London, Vol. 6, November-December, No. 6, 1993, p. 58.
Bernardina, Marta Dalla. “Lo Spettatore e l’Opera,”  Segno, Italy, No. 126, Summer 1993.
Sacks, Anne. “Calm in an arctic limbo,” The Independent on Sunday, London, April 4.
Dromgoole, Nicholas. “Preferable to prison?” The Sunday Telegraph, London, April 4.
Parry, Jann. “Dance,” The Observer, London, April 4.
Gayford, Martin. “Watch this space,” Telegraph Magazine, The Daily Telegraph, London, April 10, p. 50-51.
King, Jane. “Meaningless meanderings,” The Morning Star, London, April 18.
Graham-Dixon, Andrew. “Flirting with hippie chic,” The Independent, London, April 20.
Cork, Richard. “The shapeliness of things to come,” The Times, London, April 23, p. 35.
Dance, sound and sculpture,” Somerset Country Gazette, Taunton, April 23.
Kent, Sarah. “Shaping up,” Time Out, London, April 28.
McEwen, John. “Anthony Green, Anish Kapoor, Alison Wilding, David Nash, and Sutherland,” The Sunday Telegraph, London, May 2.
Feaver, William. “New life out of old wood,” The Observer, London, May 2. 
Packer, William. “Sculpture never had it so good,” The Financial Times, London, May 4.
Dorment, Richard. “body of work that cries out to be touched,” The Daily Telegraph, London, May 5.
Norman, Geraldine. "Sculptor creates fiberglass vision," The Independent, London, May 10.
Grant, Simon. "Anish Kapoor, Lisson Gallery," What' s On In London, London, May 12.
Brown, Cathy. "Rare treat in store for dance fans at famous concert hall," What's On In London, London, May 1993.
"Main Chance," Sheffield Telegraph, Sheffield, May 14.
 Jacques, Alison Sarah. "Anish Kapoor, The distance between "here" and "there’," Quotidiano Flash Art Daily, Venice, June.  
Beale, Nancy. "Summer shows provide feast for all tastes," The Ottawa Citizen, June 30.
Mackay, Gillian. "British Sculptor," Canadian Art, Summer, p.11.
Taylor, Kate. "Healing visions carved in stone," Globe and Mail, Toronto, July 5.
Duncan, Ann. The Gazette Saturday,” Ottawa, 16 July.
Patrick, Keith. "Anish Kapoor, Lisson," Art Line, International Art News, Vol. 5, No. 8, Summer.
Peres, Claudia. "Sculpture da meditazione," Casa Vogue, Milan, July-August 1993
  "Plastiker Objektkünster," Art, no. 7, July, p. 44.
Williams, Andrew Gibbon. "Parts for art's sake," Sunday Times (Scottish Section), May 30.
Issaacks, Jeremy. "A sense of the future," Modern Painters, London, July.
Bergh, Jos van den. "Anish Kapoor, Gary Woodley," Artefactum, Antwerp, December - January, p. 55-56.
"Anish Kapoor," Art Watching (Freestyle), Japan, Winter 1993.
Wester Sussex Gazette, Arundel, January 21.
Farrow, Clare. "Anish Kapoor," Art and Design, No. 33, p.52-56.
Nusbaum, Eliot. "From floating stones to hollow tubes," The Register, Des Moines, February.
Mackrell, Judith. "Rock and Roll. The rising fall of Laurie Booth," Vogue, London, February.
Bealing, Jacqui. "Putting a spring into dancer's steps," Brighton Evening Argus, East Sussex, March 15.
Lyttelton, Celia. "Anish Kapoor," Interiors, London, April.

Jose Stals, Lebrero. "Anish Kapoor," Lapiz, Year 9, No. 77, April, p. 76-77, ill.
Jaisman, Yishai. "Anish Kapoor at Museum of Contemporary Art, San Diego," Art Issues, No. 25, November/December, p. 41, ill.
"Journey to Centre of a Void," Independent, January 8.
Bevan, Roge. "Anish Kapoor wins Turner Prize," The Art Newspaper, January 14.
Pincus, Robert L. "Kapoor's fame far exceeds his ego," The San Diego Union Tribune, February 2.
Baker, Kenneth. "Between a Rock and a Soft Place," San Francisco Chronicle, February 26.
Clothier, Peter. "Metaphor or Metaphysics: Jackie Winsor and Anish Kapoor."  
Hoet, Jan. "Documenta als Motor," Kunstforum, No.119, p. 220-503, ill.
Olivares, Rosa. "Anish Kapoor," Lapiz, Madrid, May-June, p. 97.
Newland, Joseph. "Spirit Forms, Anish Kapoor at the Museum of Contemporary Art, San Diego," Artweek, June 18.
Christensen, Judith. "Anish Kapoor, San Diego Museum of Contemporary Art," Sculpture, July/August, p. 64.
Perpinyå. "Anish Kapoor, la irradiació del buit," Papiers d'Art, June/July/August, p. 19.
"Documenta IX images," Artefactum, Antwerp, Sepember/November.
"San Diego, Kapoor at the MCA," Flash Art, Milan, October.
 Rugoff, Ralph. "Depth of Field. Anish Kapoor's erotic pigments," Los Angeles Weekly, October 9-15.
Kandel, Susan. "The Push and Pull of  Kapoor's Metaphors," Los Angeles Times, October.
Singh, Raghubir. "Banaras Transformed," Sunday, Calcutta/London, 1-7 November, p. 86-89.
Bernardina, Marta Dalla. "Erotismo e trascendenza nell scultura di Anish Kapoor," Palazzo Ruini, Reggio Emilia, Italy, October/November/ December, p. 4-5.
"Anish Kapoor/David Connor," SD. Art and Public Space, Japan.
Roger Bevan, "New contemporary art fair opens in Japan," The Art Newspaper, March.
Norman, Geraldine. "Eighties for sale," The Independent on Sunday, London, 3 May.
Massoni, Giovanna. "Kapoor scultore del vuoto," Carte d'Arte, No.1, Turin,  January, p. 26-29.
Lewison, Jeremy. "Idisegni di Anish Kapoor," Carte d'Arte, No.1, Turin, January, p. 26- 29
"Journey to the centre of a void," Independent, January 8.
Lister, Priscilla. "Anish Kapoor" Contradictions Say Something," San Diego Daily Transcript, January 29.
Freudenheim, Susan. "Creating art from a diverse heritage," San Diego Country Los Angeles Times, January 30.
Jarmusch, Ann. "Dark and dangerous," San Diego Tribune, January 31.
Cooper, Farida. "Anish Kapoor," Society, Bombay, January, p. 50-55.
Borelli, Francesca. "Sculture che sigillano il secolo," Wimbledon, Rome, February, p. 71-74.
Pincus, Robert L. "Sublime case of the blues," San Diego Union-Tribune, March 5.
MacAdam, Barbara. "Anish Kapoor, Crown Point Press," ARTnews, April, p. 119.
Plas, Els van der. "Rhizome, a rootstock that offers no hold, Haags Gemeentemuseum," Kunst and Museum Journal, No. 4, p. 60-62
Jarque, Fietta. "La cultura Monolítica europea ha dejado de existir, según el escultorAnish Kapoor," El Pais, Madrid/Barcelona, April 27.
Serraller, F. Calvo. "El arte del vaceio," El Pais, Madrid/Barcelona, April 27.
Pottecher, Betriz. "Se ha puesto el gallo incierto, hombre," El Mundo, Madrid, May 2.
Jiménez. "Anish Kapoor, entre el objeto y la pintura," ABC de las artes, Madrid, 8-14.
Jarque, Fietta. "La experiencia de Anish Kapoor. 'Cuando estoy emarazado'," Guia de  "El  Pais", Madrid, May 8.
Danvila, Jose Ramon. "Anish Kapoor, lo espiritual en la creación," El Punto de las Artes, Madrid, 8-14 May, p.5.
Barnatán, Marcos R. "Un misterioso aerolito azul," Magazine- El Mundo, Madrid, May 9-10.
Llorca, Pablo. "Anish Kapoor, 'Mi madre are judía; mi padre, hindú; mi nana, cristiana; mi profesor, budista.'," Diario 16, Madrid, May 10.
Reboiras, Ramón F. and Miguel Fernandez, "La Danza del cosmos," Cambio 16, Madrid, May 10, p. 124-127.
Bonetti, David. "Risk-taking artists find their Crowning Point," The San Francisco Examiner, May 27.      

Wheeler, Daniel. Art Since Mid-Century: 1945 to the Present, The Vendome Press, New York.
"Turner Prize for Anish Kapoor," Indian Weekly, December.
Allthrope-Guyton, Marjorie. "Made in Heaven," Artscribe, December.
Lubbock Tom, "Safety in Numbness," Independent Weekly, December.
Dorment, Richard.  "A Winner in a Class of His Own," Daily Telegraph, November 27.
Kent, Sarah.  "Prize Fighters," Time Out, November.
"Anish Kapoor," View Vol. 7, No. 4, Fall. Crown Point Press, New York, ill. (profile with interview by C. Lewallen)
Hall, James. "Pure Gold(smiths')," New Statesman, August 2.
Galligan, Gregory. "Steamed-Up Mirrors and Boogie- Woogies," Art International, No. 14, Spring/Summer, p. 69, ill.
McEwen, John. "In the Buff, Out of the Cold," Sunday Telegraph, July 21.
Lubbock, Tom.  "Shortlist on Ideas," The Independent on Sunday, July 21.
Eickhoff, Beat. "Anish Kapoor und Gefasse der Ban-Chiang-Kultur," Kunstforum.
Gale, Iain,  and Alberge, Dalya. "Youth and Beauty?" The Independent, July 16.
 "A Prize Turnabout," Daily Telegraph, July 16.
Borras, Maria Lluisa. "Anish Kapoor exhibe esculturas de origine cromatismo en el palacio Valezques," La Vanguardia, February 18, p.35.
"Torres, Lupertz, Kapoor y Brossa, en el Reina," El Punto, February 14, p.19.
"El Reina Sofia, en plena actividad," El Punto, February 12, p.18.
"Hacia el esplendor," El Pais Magazine, February 17, p. 4-5.
"Lupertz y Kapoor, dos voces europeas de los ochenta," Magazine, February 14, p.126.
C I de Bustos. "Torres, Lupertz, Brossa y Kapoor: cita de la ultimas tendencias en el CARS," ABC Magazine, February 5, p. 50.
Llorca, Pablo. "Literatura complicada, orba sencilla," Diario 16, March 8, p. 42.
"Anish Kapoor, la escultura y el presente," El Punto, March 8.
Bierens, Cornel. "Urformen der Kulturen," Kolner Stadtanzeiger (KSTA), March 21.
"Vides et Pleins," Conaissance des Arts, January.
Piguet, Philippe. "Monolithes et Monochromes," La Croix, January 15.
Baker, Kenneth. "Sculptors Go Two-Dimensional," The San Francisco Chronicle, February 20.
Touraine, Liliane. "Anish Kapoor," Artefactum, Vol. 8, No. 38, April-May, p. 9-11.
"Anish Kapoor at le Magasin," Flash Art, January/ February.
Picazo, Gloria. "Anish Kapoor," Lapiz, February.
Steevensz, Bert. "Anish Kapoor," Metropolis M, February. Packer, William.
Overy, Paul. "Lions and Unicorns: The Britishness of Postwar British Sculpture," Art in America, September.
Morgan, Stuart. "The Turner Prize," Frieze, October, p. 4-8.
"Anish Kapoor's Twin Peaks," Bazaar, Issue no. 15.
Ikoma, Yoshiko.  "Anish Kapoor: Interview," Crea, No. 5.
Baranano, Kosme Maria de. "Anish Kapoor," Lapiz, June.
Packer, William. "The diminishing value of novelty," Financial Times, 6 August.
Plimmer, Martin. "Serching for the art of the matter," The Standard, 6 November.
"Mockery nook," The Standard, November 7.
Bevan, Roger. "Controversy over the Turner Prize short-list," The Art Newspaper, No.12, November, p. 3.
Hughes, Henry Meyric. "Art Exports," Art Review Yearbook, London, 1990 p. 32-34.             
Obigane, Akio.  "Anish Kapoor," Atelier, No. 755, January, p. 2-24.
"XLIV Venice Biennale 1990," Visual Arts News, The British Council, No. 31, January 1990, p. 1.
Smolik, Noemi. Noema, January-February, p.66-67.
Allthorpe-Guyton, Marjorie.  "Anish Kapoor: Lisson Gallery," Artforum, March, Vol. 28, No. 7, p. 175-176, ill.
Renton, Andrew.  "Anish Kapoor - Lisson Gallery,” Flash Art, No. 151, March/April, 1990,  p. 151-152, ill.
Allthorpe-Guyton, Marjorie. "Original Sites: The  Sculpture of Anish Kapoor," Artscribe, No. 81, May, p. 50-52, ill.
Curtis, Penelope. "Sculpture on the Threshold," The Antique Collector, May, p. 66-73.
Kent, Sarah. "Mind Over Matter," 20/20, May, p. 36-40.
Feaver, William. "Venice, vidi, vici:  William Feaver at  the Biennale," Vogue, May, p. 6-12.
Buck, Louisa.  "Pigments of the Imagination," Sunday Correspondent, London, May 13, p. 10-14, ill.
Williams, Joseph.  "Boulders for the Biennale," The Times, London, May 21.
Checkland, Sarah Jane. "No critics please, they're British," The Times, London, May 21.
Vaizey, Marina.  "Eye-opening tour around the bloc," The Sunday Times, London, May 27, p. 2.
Kimmelman, Michael.  "Venice Biennale Opens with Surprises," The New York Times, May 28, p. C11, 17,ill.
Mays, John Bentley.  "Looking at the Inwardness of Things" The Globe and Mail, London, 30 May, p. 7, ill.
Gibson, Michael. "From the Poetic to Kitsch at the Biennale," International Herald Tribune, London/Paris, June 2.
Plagens, Peter.  "The Venetian Carnival," Newsweek, June 11, p. 60-61, ill.
Royer, Ann Hindry.  "Champs de Pierre d'Anish Kapoor," Beaux-Arts, No. 80, June, 1990, p. 64-66, ill.
Meer, Ameena.  "Anish Kapoor," Interview, June, 1990, p. 93, ill.
Garlake, Margaret.  "Brown Bagging in Venice," Art Monthly, July, p. 3-5.
Nemeczek, Alfred. "Biennale 90:  Amerika verkauft sich am besten," Art, No. 7, July, p. 28-37, ill.
"Les Marchands", Le Nouvel Observateur/Artspectacles, 26 July-1 August, p. 72-73.
Archer, Michael.  "No Solo Escultura: Inglaterre," Lapiz, Madrid, Summer, p. 44-48.
Kemp, John. "Stones of Venice: Anish Kapoor at the Biennale," Modern Painters, Vol. 3, No. 2, Summer, p. 44-46, ill.
Kent, Sarah.  "Sculpting Inner Spaces," Contemporanea, Vol. 3, No. 6, Summer, 1990, p. 80-85, ill.
Watkins, Jonathan.  "Venice Preview - Anish Kapoor," Art International, No. 11, Summer, p. 86, ill.
Nuridsany, Michel. "Biennale de Venise," Galeries, August/September, p. 104-107, 142, ill.
Drateln, Doris Van. "Anish Kapoor," (Interview), Kunstforum International, Bd. 109, August/October, p. 304-315, ill.
Blanchard, Paul. "Venice Biennale," ARTS, Vol. 65, No. 1, September, p. 109-110.
Leigh, Christian. "Pop Goes the Biennale," Contemporanea, September, p. 88-91, ill.
Pejic, Bojana. "What Will Become of Our Sensitive Skin," Artforum, Vol. 19, No. 1, September, p. 130-132, ill.
Brenson, Michael. "Anish Kapoor," The New York Times, September 28.
Frank, Peter. "Sculpture at the 1990 Venice Biennale," Sculpture, September/October, p. 36-39.           
Lowenthal, Cecily. "The Venice Biennale 1990," Artention, Hong Kong, No. 14, September/October,  p. 46-50, ill.
Vetrocq, Marcia E. "Vexed in Venice," Art in America, Vol. 78, No. 10, October, p. 152-163, ill.
Shioda, Junichi. "Here's to Art! The Spirit of John Bull," Geijutsu Shincho, October, p. 12.
Taylor, John Russell.  "Shapes and Assemblies," The Times, October 3.
Tan, Stephanie du. "Pigments of the Imagination," (Interview), The Journal of Art, Vol. 3, No. 2, November, p. 31-33, ill.
Smulders, Caroline. "Anish Kapoor:  Vers la dematerialisation de l'objet," (Interview), Art Press, No. 152, November, p. 16-21, ill.
Frankel, Clair. "Watch Where You Walk at Tate," International Herald Tribune, November 17.
Perrard, Sylvie. "Quand la pierre devient immaterielle," Dauphiné Liberé, 22 November.
Engelson, Susanne.  "Du matériel à l'immatériel ... A Grenoble," Le Gutemberg, 29 November.
Scudero, Domenico. "XLIV Venice Biennale," Tema Celeste, No. 27-28, November/December, p. 52-54, ill.
Gabriel, Nelly. "Anish Kapoor, magicien et illusioniste," Lyon Figaro, December 4.
Gonnet, Philippe. "L'essence de la Matière," Dauphiné Liberé, December 4.
Dobbels, Daniel. "Kapoor: la forme de l'ineffable," Libération, December 8.
Praplan, Geneviève. "Le desir et la Croyance,"  La Suisse, December 11.
Bost, Bernadette. "Le bleu de l'inconnu," Le Monde Rhone-Alpes, December 15.
"Les délices de Kapoor, non sans pigment," Lyon Libération, December 20.
Pagneux, Jean. "Les grands cimitières sous la lune," L'Humanité, December 21.
Hilton, Tim. "When Photography Clicked," The Guardian, December 27.
Guilloteau, Claude.  Affiches de Grenoble et du Dauphiné, December 28.
Feaver, William. "View down the grant-aid road," The Observer, December 30.
"L'art du silence," La Suisse, December 31.
"Le trou noir et du trou," Grenoble Bimensuel, 18 December, 1990 - 18 January, 1991.
D'Amato, Brian. "Anish Kapoor: Barbara Gladstone," Flash Art, vol. 23, No. 155, p.154, ill.
Graham-Dixon, Andrew.  "Venice Biennale 1990,” Audio Arts Magazine, Vol. 10, No. 4.
Monnier, Geneviève.  "Brève histoire du bleu," Art Studio, No. 16. Affinities and Intuitions: The Gerald S. Elliott Collection, Chicago: The Art Institute of Chicago with Thames and Hudson, 1990.
Blau: Farbe der Ferne, Heidelberg: Wunderhorn, 1990.
N. Abrams, Harry. New Art, New York, 1990.
Surrogaat/Surrogate: 15 Years of Galerie 't Venster, from Kiefer to Koons, Amstelveen: SDU Uitgeverij,1990.
Spring, Justin. "Anish Kapoor, Barbara Gladstone Gallery," Artforum, December, p.137.
"New York in Review," Arts Magazine, December.
Cork, Richard. "Anish Kapoor," The Sunday Correspondent, p.12.
"Anish Kapoor interviewed by Douglas Mazwell," Art Monthly, May, p. 6-12.
Ponti, Lisa Licitra. "Journey to Venice," l'Arca, July/August.
"What will become of our sensitive skin…," Artforum, Vol. 29, No. 1, September, p. 130-137.
Packer, William. "British Artists Fly the Flag in Japan," The Financial Times, September 4.
"Kapoor en Long in Tate Gallery," Forum International, September/October.
Tan, Stephanie du. "Pigments of the Imagination," The Journal of Art, Vol. 3/ No. 2, November, p. 31-33.
Dobbels, Daniel. "Kapoor: la forme de l'ineffable," Libération, December 8.
Bost, Bernadette. "Le bleu de l'inconnu," Le Monde Rhone-Alpes, December 15.
Pagneux, Jean. "Les grands cimetiéres sous la lune," L'Humanité, December 21.
Builloteau, Claude. Affiches de Grenobles et du Dauphiné, December 28.

Szabat, A. M. "Sculptors on Paper' Serves as Letters of Introduction to most Lincolnites," Lincoln Journal Nebraska, April 6, p. 13.
Schjeldahl, Peter. "Earthy but Housebroken," 7 Days, New York, April 19, p. 64-65.
Larson, Kay.  "Art," New York Magazine, Vol. 22, April 24, 1989, p. 87.
Freudenheim, Susan. "New York Galleries Open Doors to International Artists," San Diego Tribune, May 5, p. 6.
Puvogel, Renate.  "British Sculpture  1960-1988," Kunstforum International, Bd. 101, June, p. 359-361.
Mueller, Cookie.  "Art and About," Details, June/July, p. 135-136.
Heartney, Eleanor.  "The New Social Sculpture," Sculpture Magazine, Vol. 8, July/August.
Zimmer, William. "Anish Kapoor," Sculpture Magazine, Vol. 8, July/August, p. 38.
 Westfall, Stephen. "Anish Kapoor: Barbara Gladstone Gallery," Flash Art, No. 147, Summer, p. 147.
Mahoney, Robert. "New York in Review," ARTS, Vol. 64, No. 1, September, p. 98.
Kapoor, Anish and Sylvie Primard and Pier Luigi Tazzi.  "Mother as a Mountain," Artforum, September, p. 126-131.
Princenthal, Nancy. "Anish Kapoor at Barbara Gladstone," Art in America, October, 1989.
Ottmann, Klaus. "The New Spiritual," ARTS, October, p. 44-46, ill.
Graham-Dixon, Andrew.  "Pride and Prejudice," The Independent, London, December 5.
 Dorment, Richard. "Vexed questions of color," Daily Telegraph, London, December 9.
Feaver, William.  "Voices from the void," Observer, December 10, p. 44.
Vaizey, Marin. "Why partiality does not tell the whole story," Sunday Times, London, December 10.
Packer, William. "Sculptor with the best of both worlds," Financial Times, London, December 12, p. 42.
Lillington, David.  "Anish Kapoor," Arts Review, Vol. 41, No. 25, December 15, p. 889-890.
"Anish Kapoor, Razgovor," Moment, No. 15, July September, p.16-18.
Heartney, Eleanor. "Anish Kapoor," Tema Celeste, English Edition, No. 21, July-September.
Arts Magazine, September, p.98
Marlow, Tim. "generation games in sculpture," Arts & Design, Vol. 5, No 3/4 p.63.
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