Anne Collier

Filter #1 (Cyan), 2019
C-print
Three parts: 36 x 29 1⁄4 inches (91.4 x 74.3 cm) each
Three parts: 36 3⁄4 x 30 x 1 5⁄8 inches (93.3 x 76.2 x 4.1 cm) each framed

About

Anne Collier (b. 1970, Los Angeles) lives and works in New York. Collier’s work was the subject of a survey exhibition at the Sprengel Museum, Hanover, Germany, (2018), that traveled to Fotomuseum Winterthur, Switzerland (2019). Other solo museum exhibitions include: ICA Miami, Florida (2023); Lismore Castle, Waterford, Ireland (2023); The Modern Institute, Glasgow, Scotland (2020); FRAC Normandie, Rouen, France (2017); and a major survey organized by the Museum of Contemporary Art, Chicago (2014), which traveled to the Hessel Museum of Art, CCS Bard College, Annandale-on-Hudson, NY (2014); the Aspen Art Museum, Colorado (2015), and the Art Gallery of Ontario, Toronto, Canada (2016). Her work is included in the permanent collections of the Museum of Modern Art; Whitney Museum of American Art; Solomon R. Guggenheim Museum; Museum of Contemporary Art, Los Angeles; the Hammer Museum; the Los Angeles County Museum of Art; the San Francisco Museum of Modern; the Art Institute of Chicago; Walker Art Center, Minneapolis; Art Gallery of Ontario; Centre Georges Pompidou; FRAC Normandie; Fotomuseum Winterthur; Moderna Museet; and Tate London, among others.

Exhibitions

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For Anne Collier, the eyes definitely have it

Apollo ↗

Kitty Grady

June 23, 2023

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Anne Collier turns her eyes toward the illustrious history of Lismore Castle in Ireland

The Art Newspaper ↗

Louisa Buck

April 20, 2023

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It’s No Use Crying

Texte Zur Kunst ↗

Els Roelandt

March 1, 2020

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Portfolio by Anne Collier

BOMB ↗

William J. Simmons

October 29, 2018

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Photographic

Artforum ↗

Mira Dayal

September 1, 2018

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A Decade – Long Hunt For Images of Women Crying

The New Yorker ↗

Andrea K. Scott

May 6, 2018

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Anne Collier

Art in America ↗

Kyle MacMillan

February 27, 2015

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Anne Collier’s MCA Chicago Retrospective Explores the Male Gaze

ARTnews ↗

Rebecca Robertson

November 20, 2014

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Anne Collier

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