3 x Jan Dibbets, Cultuurcetrum Mechelen, Cultuurcetrum Strombeek, White-Out Studio, Knokke-Heist, Belgium.

Jan Dibbets: Horizons, Musee d”Art moderne de la Ville de Paris, Gemeentemuseum Den Haag, Kunstsammlungen Chemnitz, Kunstverein Heilbronn, Germany, Snoeck, Köln, Germany.

Jan Dibbets: The Photographic Work 1967-2007, Editions du Panama, Paris, 2007 (text by Erik Verhagen).
Jan Dibbets, Centro Arte Moderna e Contemporanea La Spezia, Logos, Modena, Italy, 2007 (text by Bruno Corà, Rudy Fuchs and Eric Verhagen).

Jan Dibbets: Interior Light, Rizzoli, New York, 1991 (text by Rudi Fuchs and Gloria Moure).

Jan Dibbets, Galerie Lelong,  Paris, 1989 (text by Rudi Fuchs).

Jan Dibbets, Walker Art Center, Minneapolis, 1987 (texts by Martin Friedman, R. H. Fuchs, and M.M.M. Vos.)

Jan Dibbets, Muzej Savremene Umetnosti, Belgrade, 1985. (Texts by Jesa Denegri, and M.M.M. Vos.)

Jan Dibbets, Waddington Galleries, London, 1984.

Jan Dibbets, Kamakura Gallery, Tokyo, 1982. (Text by Toshiaki Minemura.)

Saenredam Sénanque Jan Dibbets 1980-81, Renault recherches Art et Industrie, Centre Internationale de Création Artistique, Abbaye de Sénanque, Gordes,1980. (Texts by M.M.M. Vos., Micheline Renard and George Duby).

Jan Dibbets, Stedelijk Van Abbe Museum, Eindhoven, 1980. (Texts by R.H. Fuchs).

Jan Dibbets, Bonnefantenmuseum, Maastricht, 1978. (Texts by Alexander van Grevenstein).

Jan Dibbets, Scottisch Arts Council, Edinburgh, 1976. (Texts by  Barbara Reise and M.M.M. Vos).

Jan Dibbets: Autumn Melody, Kunstmuseum Luzern, Lucerne, 1975. (Text by J Jean-Christophe Amman).

Jan Dibbets. XXXVI Biennale Venezia, Edition C R M, Rijswijk, 1972. (Texts by R.H. Fuchs).

Jan Dibbets. Four Pieces: 1 Dutch Mountains, 1971, 2. Horizon, 1971, 3. Shortest Day, 1970, 4. Diagonals, 1971, Stedelijk Van Abbe Museum, Eindhoven, 1971. (Texts by R.H.Fuchs and J. Leering).

Beschreibungen zu Projecten von Jan Dibbets, Gegenverkehr, Aachen, 1970. (Texts by Klaus Honnef).

Jan Dibbets: Audio-visuelle Dokumentationen, Museum Haus Lange, Krefeld, 1969. (Texts by Paul Wember).

Ends of the Earth: Land Art to 1974. Munich: Presetel; Los Angeles: Museum of Contemporary Art, 2012.

“Light Years Conceptual Art and the Photograph 1964 – 1977, Ed. By Matthew S. Witkovsky, Art Institute of Chicago & Yale University Press, 2011.

Tomassoni, Italo, Anni Settanta: Artisti italiani fra cronaca e mito, Editori Laterza, Bari, Italy.
5 Days to the End of Art, Ed. By Birgit Eusterschulte & Solvej Helweg Ovesen, Kunsthalle Fridericianum, Germany.
Land Art, By Michael Lailach, Taschen, Köln.

No. 1: First Works by 362 Artists, Ed. By Francesca Richer & Matthew Rosenzweig, DAP, New York.
5 Days to the End of Art, Ed. By Birgit Eusterschulte & Solvej Helweg Ovesen, Kunsthalle Fridericianum,  Germany.
Nicolau, Ricardo (Ed.), Fotografia Na Arte. Coleccao de Arte  Contemporanea Publico Serralves,  Portugal, 2006.

Molesworth, Helen. Work Ethic. The Pennsylvania State University Press: University Park, PA, 2003.
Fogle, Douglas. The Last Picture Show:  Artists Using Photography 1960-1982. New York: Distributed Art Publishers, 2003.
Bewitched, Bothered and Bewildered: Spacial Emotion in Contemporary Art & Architecture. Migros Museum Für Gegenwartskunst & Laznia Centre For Contemporary Art.

Conceptual art in the Netherlands and Belgium 1965-1975, Stedelijk Museum Amsterdam, 2002.
Photography Transformed: The Metropolitian Bank & Trust Collection,  Harry N. Abrams Inc.,  2002.
De Grote Hoop. Lecuwarden: Fries Museum, 2002.
Hofvijver in Poezie en Beeld. Den Haag: Kunstpassage in Rijksmonument, 2002.
Art Ou Nature? Paris: Orangerie and Jardin du Luxembourg, 2002.
Van Cuypers tot Dibbets, 100 Jarr Kunst in Limburg. Maastricht: Bonnefantenmuseum, 2002.
Marines. Namur: Maison de la Culture, Namur, 2002.

Conception. Conceptual Documents 1968 to 1972, Norwich School of Art and Design   and Article Press, Norwich.
Unlocked, Collection Rabobank Nederland, Kunstzaken Rabobank, Netherlands.
Jan Dibbets 'Fenster', Gunther Forg 'Skulpturen', Galerie Barbel Grasslin, Frankfurt
Spore, Arti Contemporanes Nel Transito Epocale, Universita Degli Studi Di Cassino,
From the Low Countries, Charlottenborg Udstillingsbygning, Copenhagen.
Ghent Op Bosch, Muziekcentrum Den Bosch.

Siah Armajani, Stephan Balkenhol, Jan Dibbets, Jessica Stockholder, Senior & Shopmaker Gallery, NYC.
Postmedia, Conceptual Photography in the Guggenheim Museum Collection, Solomon L. Guggenheim Museum, NYC.
Abstrakle Fotografie, Kunsthalle Bielefeld, Bielefeld.
Works of the Collection of Annick and Anton Herbert, Casino Luxembourg.
Changing Perceptions: The Panza Collection at the Guggenheim Museum, Bilbao.      
Richard Ross, Jan Dibbets, John Riddy, Milton Keynes Gallery, Milton Keynes.
Galleria Civica D'arte Moderna, Citta Di Spoleto, Spoleto.
Zwischenquartier Interim Quarters, Das Museum Moderner Kunst Stifrung Ludwig Wien im Kunstlerhaus, Vienna.

Arte conceptual: una perspectiva, Fundatión Caja de Pensiones, Madrid, 1990. (Texts by Claude Gintz, Benjamin Buchloh, Joseph Kosuth, Charles Harrison, Gabriel Guercio, Arthur R. Rose, Seth Siegelaub and Robert C. Morgan.)
 Bilderstreit, Ludwig Museum, Cologne, 1990. (Texts by Siegfried Gohr, Johannes Gachnang, Walter Nikkels.)
Ongevraagd Drukwerk en Andere Vormen Van Artistieke Vrijgevigheid, Sandberg Instituut, Amsterdam.
Keuze uit de Verzameling, Van Abbemuseum, Fundhoven.
Pars  pro Toto, Architectural Photography + Editions, Galerie Lelong, Zurich.

Ambiente Italia, XLIII Biennale di Venezia, Venice. (Texts by R.H. Fuchs.)

Estructuras Repetitivas, Fundatión Juan March, madrid 1985. (Text by Simón Marchán).

Group VIII, Waddington Galleries, London, 1985.
Ouverture, Allemandi and Castello di Rivoli, Turin, 1985. (Text by R.H. Fuchs).
Originals d’Amsterdam, Departement de Cultura de la Generalitat de Catalunya, Barcelona, 1985. (Texts by Gijs van Tuyl, Daniel Giralt-Miracle, Edy de Wilde, Annemieke van de Pas, and Rosa Queralt).
Wat Amsterdam Betreft…(as Far as Amsterdam Goes…), Stedelijk Museum, Amsterdam, 1985.

Die Sprache der Geometrie, Kunstmuseum Bern, Bern, 1984. (Text by Joseph Helfenstein).
El Arte del siglo XX en un Museo holandés de Heindhoven, Fundación Juan March, Madrid 1984. (Texts by Jaap Bremer, Jan Debbaut, R.H. Fuchs, Piet de Jonge and Magriet Suren).
20 years of Art Collection, Stedelijk Museum, amsterdam, 1984. (Texts by Karel Schampers, Joop M. Joosten, Alexander van grevenstein, Edy de Wilde).
La Grande Parade, Stedelijk Museum, Amsterdam, 1984. (Texts by Alexander van Grevenstein, Edy de Wilde and Karel Schampers).

Fragments, Tangeman Fine Arts Gallery, University of Cincinnati, Cincinnati, 1983. (Texts by Karen S. Chambers).
Ars’83, Ateneumin Taidemuseo, Helsinki, 1983. (Texts by Leena Peltola, Yrijänä Levanto, Mats B. Barbara J. London and J. O. Mallander).

Attitudes/Concepts/Images, Stedelijk Museun, Amsterdam, 1982. (Texts by Edy de  Wilde, George Weissman, Ad Petersen, Gijs van Tuyl, Wim Beeren, Antje von Graevenitz and Cor Blok).
Postminimalism, The Aldrich Museum of Contemporary Art, Rigefield, 1982.
Documenta 7, Verlag Dierich, Kassel, 1982, vols 1-2.

Murs, Centre Georges Pompidou, Musée National d’Art Moderne, paris, 1981. (Texts by Alfred Pacquement).

From Reinhardt to Christo, Allen Memorial Art Museum, Oberlin, 1980. (Text by William Olander).

Concept Narrative Document: Recent Photographic works from the Morton Neumann Family Collection, Museum of Contemporary Art, Chicago,1979. (Text by Judith Tannenbaum).
European Dialogue: The third Biennale of Sidney, Art Gallery of New South Wales, Sydney, 1979.

Illusion and  Reality, Australian National Gallery, Canberra 1977.(texts byJohn Stringer).
A View of a Decade, Museum of Contemporary Art, Chicago, 1977. (Texts by Martin Friedman, Robert Pincus-Witten and Peter Gay).
Works from the Collection of Dorothy and Herbert Vogel, The University of Michigan Museum of Art, Ann Arbor, 1077. (Text by Bret Waller).
Europe in the Seventies: Aspects of Recent Art, The Institute of Chicago, 1977. (Texts by Jean-Christophe Amman).
The Record as Artwork: From Futurism to Conceptual Art: The collection of Germano Celant, Fort Worth Art Museum, Fort Worth, 1977. (Texts by Anne Livet and   Germano Celant).
Documenta 6, Verlag Dierichs, Kassel, 1977, vol. 3.

20 Jahre Museum Haus Lange, Museum Haus Lange, Krefeld, 1976. (Text by Gisela Bender).
The Artist and the Photograph, The Israel Museum, Jerusalem, 1976. (Texts by Yona Fisher).

(photo) (photo)…(photo): Sequence Photographs, Art Gallery, The University of Maryland, College Park, 1975, (text by David Bourdon).

Eight Contemporary Artists, The Museum of Modern Art, New York, 1974. (Text by Jennifer Licht).
Ars’74, Ateneumin Taidemuseo, Helsinki, 1974.

Art in Space: Some Turning Points, The Detroit Institute of Arts, Detroit, 1973.
Contemporanea, Incontri internazionali d’Arte, Rome, 1973.

Konzept-Kunst, Kunstmuseum Basel, Basel, 1972. (Texts by Zdenek Fisher, Basel and Klaus Honnef).
Documenta 5, Verlag GmbH, Kassel, 1972. (Texts by Harald Szeemann, Marlis Grüterich, Katia von de Velde and Jennifer Cough-Cooper).
Yvon Lambert: actualitéd’un bilan, Galerie Yvon Lambert, Paris, 1972. (Texts by Yvonne Lambert and Michael Claura).

Prospect 71-Projection, Kunsthalle Düsseldorf, Düsseldorf, 1971.

Conceptual Art and Conceptual Aspects, The New York Cultural Center, New York, 1970.
Conceptual Art-Arte Povera-Land Art, Galleria Civica d’Arte Moderna,Turin, 1970.

Earth Art, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, 1969. (Texts by Willoughby Sharp and William C. Lipke).
Op Losse schroevewn-situatiesen cryptostructuren, Stedelijk Museum, Amsterdam, 1969.
555, 087, The Contemporary Art Council, Seattle, 1969.

Public Eye, Kunsthalle, Hamburg, 1968. (Text by Peter Raufmann).

Boothroyd, Sharon. “An Interview with Jan Dibbets,” This is Tomorrow, April 25, 2013.
“Solo exhibition of works by Dutch artist Jan Dibbets opens at Alan Cristea Gallery,” artdaily.org, March 2013.
Milliard, Coline. “Full Tilt, Jan Dibbets Ponders Photography,” Modern Painters, Vol. XXV No. 3, March 2013, p. 29.

Griffin, Tim, “Taking Place,” Artforum, December 2011, p. 218 – 221.

Coggins, David, "Jan Dibbets at the Miami Museum of Art," Art in America, December 2007, p163.      

Lange, Christy, “Bound to Fail,” Tate Etc., Summer 2005, pp.35.

Sholis, Brian, “Before the End,” ArtForum, Sept. 2004, online.

Jan Dibbets. Blind Spot Magazine. Issue 24.
"Art Listings." Time Out New York, January 9-16, 2003.
“Jan Dibbets: Shortest Day at my House in Amsterdam,” 1970, Blind Spot, Issue 24.

Paul Stimson: “Jan Dibbets at castelli downtown”, Art in America, Jan. – Feb.
Ann Sargent Wooster, Artforum, January.

Wite de With, Cahier #5, Richter Verlag.
Gilmore, Jonathan, “JanDibbets at Barbara Gladstone,” Art in America, May 2001.
Israel, Nico, “Jan Dibbets,” Art Forum, April.
‘Jan Dibbets, Early Works,” www.abartonline.com, February 13.
Smith, Roberta, “Jan Dibbets, Early Works,” The New York Times, February 9.
Rimanelli, David, "Jan Dibbits," Artforum, December 2001, p.110.

Robert C. Morgan: “Jan Dibbets”, Flash Art, November – December.
Rudi Fuchs: “Seeing is believing”, Artnews, September.
Robetra Smith: “Shifting Art Scene Gets Fresh Venues”, The New York Times, September 11.
John Russel: “Art: Jan Dibbets show”, The New York Times, September 11.

Nena Dimitrijevic: “Jan Dibbets”, Flash Art, March.

Paul Groot: “Asterdam:: Jan Dibbets”, Artforum, Summer.

Micky Piller: “Holland,Eindhoven: Jan Dibbets”, Artforum, May.

Michael Starenko: “Art After Photography”, The New Art Examiner, June 1979.
1976/77
R.H. Fuchs: “Jan Dibbets”, Art Monthly, (London), December – January.
Prudence Carlson: “Report from Amsterdam: Arriving at the ‘80s”, Art in America, January.
Marjorie Welish: “Jan Dibbets at Castelli”, Art in America, November.

Marcel Vos: “Jan Dibbets” Flash Art, January.

David L. Shirey: “Impossible Art – What it is”, Art in America, May – June.
Peter Plagens: “The relation of Art  to objecthood is solved…by literature”, Artforum, November.

Jan Dibbets: Land Sea Colour. London: Alan Cristea Gallery, 2013.