LaToya Ruby Frazier

Grandma Ruby, J.C. and Me watching Soap Operas, 2007
Gelatin silver print
20 x 24 inches (50.8 x 61 cm)
24 x 28 inches (61 x 71.1 cm) framed

About

Courtesy of Carnegie Museum of Art. Photo by Sean Eaton.

LaToya Ruby Frazier was born in 1982 in Braddock, Pennsylvania. Her artistic practice spans a range of media, including photography, video, performance, installation art and books, and centers on the nexus of social justice, cultural change, and commentary on the American experience. In various interconnected bodies of work, Frazier uses collaborative storytelling with the people who appear in her artwork to address topics of industrialism, Rust Belt revitalization, environmental justice, access to healthcare, access to clean water, Workers’ Rights, Human Rights, family, and communal history. This builds on her commitment to the legacy of 1930s social documentary work and 1960s and ’70s conceptual photography that address urgent social and political issues of everyday life.

Frazier’s work has been the subject of numerous solo exhibitions at institutions in the US and Europe, including the Brooklyn Museum of Art; Seattle Art Museum; The Institute of Contemporary Art in Boston; Contemporary Art Museum, Houston; Musée des Arts Contemporains, Grand-Hornu, Belgium; CAPC Musée d’Art Contemporain de Bordeaux, France; Carré d’Art - Musée d’art contemporain de Nîmes, France; The Silver Eye Center for Photography, Pittsburgh; The August Wilson Center, Pittsburgh; The Frost Art Museum, Miami; The Musée d’art Moderne, Luxembourg; The Newcomb Museum at Tulane University, New Orleans; and most recently, The Museum of Modern Art, New York; and the Baltimore Museum of Art, Baltimore.

LaToya Ruby Frazier is the recipient of many honors and awards including an Honorary Doctorate of Humane Letters from Edinboro University (2019); an Honorary Doctorate of Fine Arts from Pratt Institute (2017); fellowships from the John D. and Catherine T. MacArthur Foundation’s MacArthur Fellows Program (2015), TED Fellows (2015), and the John Simon Guggenheim Memorial Foundation (2014); and the Gwendolyn Knight & Jacob Lawrence Prize from the Seattle Art Museum (2013). In 2015, the Allegheny County Council, Pennsylvania, awarded Frazier a Proclamation thanking her for “examining race, class, gender and citizenship in our society and inspiring a vision for the future that offers inclusion, equity and justice to all.”

Exhibitions

Publications

Select Press

The 100 Best Artworks of the 21st Century: LaToya Ruby Frazier, “Flint is Family,” 2016

ARTnews

Francesca Aton

March 5, 2025

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More Than Conquerors

Baltimore Beat

Angela N. Carroll

January 29, 2025

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Top Ten

Artforum

Dawoud Bey

January 28, 2025

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LaToya Ruby Frazier

Artforum

Teri Henderson

January 15, 2025

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LaToya Ruby Frazier: Monuments of Solidarity

The Brooklyn Rail

Kamora Monroe

August 28, 2024

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In Photos of Flint and of Health Care Workers, LaToya Ruby Frazier Updates American Iconography

Art in America

Shameekia Shantel Johnson

August 8, 2024

LaToya Ruby Frazier Rewrites the Rules of Documentary Photography

The Nation

Jillian Steinhauer

July 3, 2024

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LaToya Ruby Frazier’s Monument to Empathy

Hyperallergic

Zoë Hopkins

June 6, 2024

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