Philippe Parreno

Marquee, 2008
Translucid acrylic glass, steel frame, incandescent light bulbs, fluorescent tubes, and translucid acrylic glass chains
80 × 500 × 500 cm
Installation view, Phlippe Parreno: Theanyspacewhatever, Solomon R. Guggenheim Museum, New York, 2008.
Courtesy of Solomon R. Guggenheim Foundation, New York.
Photo: Kristopher McKay.

About

Photo: Ola Rindal

A key artist of his generation, Philippe Parreno has radically redefined the exhibition experience by taking it as a medium and placing its construction at the heart of his process. Working in a diverse range of media including film, sculpture, drawing, and text, Parreno conceives his exhibitions as a scripted space where a series of events unfold. He seeks to transform the exhibition visit into a singular experience that plays with spatial and temporal boundaries and the sensory experience of the visitor. For the artist, the exhibition is less a total work of art than a necessary interdependence that offers an ongoing series of open possibilities. Based in Paris, France, Philippe Parreno has exhibited and published internationally. He studied at the Ecole des Beaux-Arts in Grenoble from 1983 until 1988 and at the Institut des Hautes Etudes en arts plastiques at the Palais de Tokyo, Paris from 1988 until 1989.

Parreno has presented solo exhibitions at Haus der Kunst, Munich, Germany (2024-2025); Leeum Museum of Art, Seoul, South Korea (2023); La Bourse de Commerce, Paris (2021); LUMA, Arles (2021); The Museum of Modern Art, New York (2019); Watari-Um, Tokyo (2019); Gropius Bau, Berlin (2018); Jumex, Mexico City (2017); The Rockbund Art Museum, Shanghai (2017); Serralves Museum of Contemporary Art, Porto (2017); ACMI, Melbourne (2016/17); HangarBicocca, Milan (2015/2016); Park Avenue Armory, New York (2015); Palais de Tokyo, Paris (2014/2013); CAC Malaga (2014); Garage Museum of Contemporary Art, Moscow (2013); Fondation Beyeler, Riehen/Basel (2012); Serpentine Gallery, London (2010-2011); Centre for Curatorial Studies, Bard College, New York (2009–10); Irish Museum of Modern Art, Dublin (2009–10); Kunsthalle Zürich (2009) and Centre Georges Pompidou, Paris (2009). Parreno’s work is represented in numerous major museum collections, including Tate, London; MoMA, New York; Centre Pompidou, Paris; Solomon R. Guggenheim Museum, New York; Kanazawa Museum of the 21st Century, Japan; Musée d’Art Modern de la Ville de Paris, Paris; SFMOMA, San Francisco; Walker Art Center, Minneapolis. His work was also presented at the Venice Biennale (1993, 1995, 2005, 2007, 2009, 2015, and 2017), Venice Biennale of Architecture (2014), Lyon Biennale (1997, 2003, and 2005), and Istanbul Biennial (2001).

Exhibitions

Select Press

Philippe Parreno: Between Difficulty and Possibility

ArtReview

Martin Herbert

February 19, 2025

Download PDF

Art Project: Philippe Parreno on His Ephemeral, Conceptual Works

AnOther

Ben Luke

July 26, 2024

Philippe Parreno’s Largest Exhibition in Japan is Worth the Trek

Observer

Elisa Carollo

July 24, 2024

Observer’s Top Five Pieces Not to Miss at Art Basel 2024

Observer

Dan Duray

June 14, 2024

The Algorithmic Fissures of Philippe Parreno

Frieze

Emma McCormick-Goodhart

March 20, 2024

Philippe Parreno Invites You to Play at Illusionary Show

The Korea Herald

Park Yuna

March 14, 2024

Artists Reclaim Art by Utilizing AI in Three Seoul Exhibitions

Korea Joong-Ang Daily

Moon So-Young

February 28, 2024

Munch, Parreno, Do Ho Suh: must-see exhibitions in 2024

The Korea Times

Park Han Sol

December 29, 2023

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