Rirkrit Tiravanija

untitled 2020 (Ancient Wall, 1976), 2020
Oil and newspaper on linen
15 34 x 11 78 inches (40 x 30 cm) each
15 34 x 23 58 inches (40 x 60 cm) overall
Diptych

About

Since the 1990s, Rirkrit Tiravanija (b. 1961, Buenos Aires, Argentina) has aligned his artistic production with an ethic of social engagement, often inviting viewers to inhabit and activate his work.

His work as been the subject of solo exhibitions at institutions including: Gropius Bau, Berlin; MoMA PS1, Queens, New York (2023, traveled to LUMA Arles, France 2024); Haus der Kunst, Munich (2023, 2022); Institute of Contemporary Arts London (permanent installation), Hirschhorn Museum and Sculpture Garden, Smithsonian, Washington D.C. (2019), the National Gallery of Singapore (2018); Stedelijk Museum, Amsterdam (2016); the Garage Museum of Contemporary Art, Moscow (2015), the Kunsthalle Bielefeld (2010), the Kunsthalle Fridericianum, Kassel (2009), the Musée d’Art Moderne de la Ville de Paris, the Guggenheim Museum, New York; the Serpentine Gallery in London (2005), as well as the Museum Boijmans Van Beuningen in Rotterdam (2004). Tiravanija's work has been recognized with numerous awards and grants including the 2010 Absolut Art Award, the 2004 Hugo Boss Prize awarded by the Guggenheim Museum, and the 2003 Smithsonian American Art Museum's Lucelia Artist Award.

Tiravanija lives and works in New York, Berlin, and Chiang Mai. Tiravanija is on the faculty of the School of Visual Arts at Columbia University, and is a founding member and curator of Utopia Station, a collective project of artists, art historians, and curators. Tiravanija is also President of an educationalecological project known as The Land Foundation, located in Chiang Mai, Thailand, and is part of a collective alternative space called VER in Bangkok.

Exhibitions

Select Press

Power 100

ArtReview

December 6, 2024

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Rirkrit Tiravanija at Gropuis Bau: interactive and enthralling

The Berliner

Duncan Ballantyne-Way

November 4, 2024

Rirkrit Tiravanija: DAS GLÜCK IST NICHT IMMER LUSTIG (Happiness is not always fun)

The Brooklyn Rail

Toby Kamps

November 1, 2024

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Culture Chronicles: Inside Korea’s Art Boom

Artnet

Sonia Manalili

September 19, 2024

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Berlin’s Best Exhibitions, Autumn 2024

Ocula

Elaine YJ Zheng, Emily Steer, and Dominic Eichler

September 18, 2024

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Major Museum Exhibitions During Frieze Seoul 2024

Frieze

Andy St. Louis

August 21, 2024

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‘Food is an easy door to go through. It’s something we all do’

Financial Times

Caroline Roux

July 30, 2024

Nothing Expected

The Brooklyn Rail

Sohrab Mahdavi

April 1, 2024

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