It’s Not Up to You
January 26 — March 29, 2024
Brussels
Gladstone is pleased to present ‘It's Not Up to You,’ an exhibition of new works by contemporary artist Shahryar Nashat. Examining the complex relationship between the body and its representation in the production of art, Nashat embeds traces of the act of creation as an aesthetic byproduct within the work. Visceral, yet meditative, the works in this exhibition expand upon Nashat's continued exploration of themes of identity, mortality, and resilience.
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"The hustler is the artist as a young man, gazing into the camera, a smug, somewhat lazy look in his eyes. He is about to dye his hair – it won’t work. We are witnessing a moment of transition, the blurring of a line between a life and its outcome. The hustler is his own canvas, the painter as well as his pigments. To be an artist is to turn the collateral of survival into a living. The artist is a hustler and the hustler works alone. He stains and cleans up after himself as best he can. He wears a plastic glove and he looks at us, lazily, provocatively. His picture appears several times in the exhibition. Shahryar Nashat often works with this type of repetition, as if to see what matter accumulates, whose face emerges – this time his own." — Kristian Vistrup Madsen

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About

Photo by Gaëtan Malaparte.
Shahryar Nashat's practice explores the relationship between the human body and new technologies, often placing the two in conversation to highlight the vulnerability and adaptability of the human form. With video installations, paintings and sculptures, Nashat gets at the very experience of what it means to be a body at a moment when the technologies that filter experience encourage fragmentation and distance. Desire, mortality, fragility, and resilience are among the thematic concerns his work addresses. He has had solo shows at numerous institutions internationally, including MASI Lugano (2024); The Art Institute of Chicago (2023); The Renaissance Society at the University of Chicago with Bruce Hainley (2023); Museum of Modern Art, New York (2020); Swiss Institute, New York (2019); Kunsthalle Basel (2017); Portikus, Frankfurt (2016); Schinkel Pavillon, Berlin (with Adam Linder, 2016).
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