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January 16 — February 27, 2021
Brussels
I don’t know anything about David Rappeneau and nor does anybody else here. This is OK. It means there’s only the luxurious mystery of his new paintings to contemplate without any extraneous interpretative trash, much like how you experience God’s creation (if S/He/They exist) without any backstory spelt out in the stars. Religious questions, matters of faith, are inescapable: maybe because ††††††††††††††††††††††††††† is the only title here, a mini-Golgotha; maybe because they’re paintings of vulnerable flesh on show in the midst of a plague.
– Charlie Fox, 2020

Installation
Work
About
David Rappeneau is a French artist. Those are the only facts he will confirm: his name, citizenry, and occupation. In a time of ever-expanding transparency and dissolving privacy standards, his refusal to participate in interviews, appear at his openings, or participate in person with the art world stands apart from accepted practices of self-promotion. Often referred to as an enigma himself, Rappeneau’s work mirrors this aura of laconic mystique, creating a stark contrast between heavily and carefully worked drawings and an artist impossible to see. His drawings, devoid of explicit language, employ ballpoint pens, fluorescent markers, and acrylic paint to craft distorted yet deeply saturated depictions of enigmatic individuals and cryptic landscapes. His subjects can be grungy youth, absorbed in mundane yet mesmerizing activities, video games, fleeting encounters, conspicuous consumption, or any other quickly achievable means of escape. Rappeneau’s depictions recall surrealism with a documentarian lens, revealing youth culture with the stylized allure reminiscent of graphic novels and anime, with art historical references as far reaching as Mannerism, Albrecht Dürer, and Egon Schiele. Experimenting with perspective and figuration, Rappeneau captures the complexities of youth within an eerie and seductive world. Rappeneau’s provocative artworks offer a glimpse into a dystopian realm where mutated bodies, narcotics, and melancholic longing converge within the embodied celestial creations. David Rappeneau has exhibited with Gladstone Gallery, Brussels; Queer Thoughts; FRAC Corsica; Super Dakota; Galerie Derouillon; Peres Projects; Edward Ressle; Centre d’Art Contemporain La Synagogue de Delme; Galerie Crevecoeur.
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