Mario Merz

Early Works

November 10 December 17, 2016

New York: 24th Street

Gladstone, in collaboration with Fondazione Merz, is pleased to present an exhibition of historic early works by Mario Merz. A leading member of Italy’s Arte Povera movement of the 1960s and 70s, Merz created paintings, sculptures, and installations with an aim to oppose a monolithic culture and to celebrate perplexity. This goal manifested itself in the artist’s deviation from the mass-media iconography popularized by Pop Art, the mythic emotionalism of Abstract Expressionism, and the machismo detachment of Minimalism. Instead, Merz and his Arte Povera contemporaries – such as Alighiero e Boetti, Luciano Fabro, and Jannis Kounellis, among others – employed simple, everyday materials and perceptive references to nature in order to ground their art in a relatable existential ambiguity.

Installation

Installation view, Mario Merz, Early Works, at Gladstone Gallery, New York, 2016.

Work

Mario Merz

Sitin, 1968
Metal structure, wire mesh, wax and neon
7 x 25 14 x 22 inches (18 x 64 x 56 cm)

About

Mario Merz was born in 1925 and died in 2003 in Milan, Italy. He was awarded the Praemium Imperiale, Tokyo; the Oskar Kokoschka Prize, Vienna; and the Arnold Bode Prize, Kassel, Germany. Merz was the subject of numerous solo exhibitions at institutions around the world, including Fundação de Serralves, Porto, Portugal; Welhelm Lehmbruck Museum, Duisberg, Germany; Fundación Antoni Tàpies, Barcelona; and Solomon R. Guggenheim Museum, New York. His work is included in many prominent public collections, including Centre Georges Pompidou, Paris; Hirshhorn Museum and Sculpture Garden, Washington D.C.; The Museum of Modern Art, New York; Stedelijk Museum, Amsterdam; Walker Art Center, Minneapolis; and the Art Institute of Chicago, Illinois, among many others. The Fondazione Merz in Turin, Italy, regularly displays both the works of its namesake and sponsors exhibitions by living artists.

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