Philippe Parreno

Mineral Mutations

April 6 May 22, 2022

Seoul

This exhibition presents what could be described as “Mineral Mutations”. A series of reconfigurations of works shown in the past, resurfacing once again as transmutated versions of themselves. Here, within the walls of this new gallery space, a process of mineralization has occurred.

Installation

Installation view, Philippe Parreno: Mineral Mutations, Gladstone Gallery, Seoul, 2022. Photo: Chunho Ahn

Work

Philippe Parreno

Mount Analogue, 2022
LED light engine, glass, metal
26 38 x 26 38 x 18 38 inches (67 x 67 x 46.6 cm)

About

Photo: Ola Rindal

A key artist of his generation, Philippe Parreno has radically redefined the exhibition experience by taking it as a medium and placing its construction at the heart of his process. Working in a diverse range of media including film, sculpture, drawing, and text, Parreno conceives his exhibitions as a scripted space where a series of events unfold. He seeks to transform the exhibition visit into a singular experience that plays with spatial and temporal boundaries and the sensory experience of the visitor. For the artist, the exhibition is less a total work of art than a necessary interdependence that offers an ongoing series of open possibilities. Based in Paris, France, Philippe Parreno has exhibited and published internationally. He studied at the Ecole des Beaux-Arts in Grenoble from 1983 until 1988 and at the Institut des Hautes Etudes en arts plastiques at the Palais de Tokyo, Paris from 1988 until 1989.

Parreno has presented solo exhibitions at Haus der Kunst, Munich, Germany (2024-2025); Leeum Museum of Art, Seoul, South Korea (2023); La Bourse de Commerce, Paris (2021); LUMA, Arles (2021); The Museum of Modern Art, New York (2019); Watari-Um, Tokyo (2019); Gropius Bau, Berlin (2018); Jumex, Mexico City (2017); The Rockbund Art Museum, Shanghai (2017); Serralves Museum of Contemporary Art, Porto (2017); ACMI, Melbourne (2016/17); HangarBicocca, Milan (2015/2016); Park Avenue Armory, New York (2015); Palais de Tokyo, Paris (2014/2013); CAC Malaga (2014); Garage Museum of Contemporary Art, Moscow (2013); Fondation Beyeler, Riehen/Basel (2012); Serpentine Gallery, London (2010-2011); Centre for Curatorial Studies, Bard College, New York (2009–10); Irish Museum of Modern Art, Dublin (2009–10); Kunsthalle Zürich (2009) and Centre Georges Pompidou, Paris (2009). Parreno’s work is represented in numerous major museum collections, including Tate, London; MoMA, New York; Centre Pompidou, Paris; Solomon R. Guggenheim Museum, New York; Kanazawa Museum of the 21st Century, Japan; Musée d’Art Modern de la Ville de Paris, Paris; SFMOMA, San Francisco; Walker Art Center, Minneapolis. His work was also presented at the Venice Biennale (1993, 1995, 2005, 2007, 2009, 2015, and 2017), Venice Biennale of Architecture (2014), Lyon Biennale (1997, 2003, and 2005), and Istanbul Biennial (2001).

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