Whitworth
February 27 — March 28, 2009
New York: 24th Street
Gladstone Gallery is pleased to announce its first exhibition with New York-based British artist Andrew Lord. From his earliest exhibitions in the late seventies and early eighties, Lord has used clay as a medium of fine art to explore various subjects. While these subjects are as varied as silhouettes of artists and writers traced by the outer contours of a vase or pendent fragments modeled from his own body, Lord’s work grasps sensation as physical form. He translates the action of the senses—hearing, seeing, tasting, feeling—from their liminal states into objects, both tactile and visual.
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Andrew Lord (b. 1950, Rochdale, England) is based in New York and works across the United States and Europe. His work has been the subject of numerous solo exhibitions at international institutions including a presentation in the Sculpture Gallery of Thirty pieces. Sorrow (for T.) and other works (with Carl Andre) at Kröller Müller Museum, Netherlands; unslumbrous night, Gladstone Gallery, New York; Unslumbrous Night, Art Institute of Chicago, Chicago (2017), Sorrow, a sculpture of thirty pieces and related work, Gladstone Gallery, Brussels (2017); On Carson Mesa, Galerie Eva Presenhuber, Zürich (2014); Milton Keynes Gallery, England (2010); Between my hands to water falling, selected works from 1990 to 2010, Santa Monica Museum of Art, California (2010); Whitworth, Gladstone Gallery (2009); New Sculpture, Rijksmuseum Twenthe, Netherlands (2003); New Sculpture, Camden Arts Centre, London (1996); Leo Castelli Gallery, New York (1993); Anthony d’Offay Gallery, London (1990). He has also been included in group exhibitions including: Atelier 15, Stedelijk Museum, Amsterdam; Westkunst. Heute, Museen der Stadt Köln; Anderer Leute Kunst, Museum Haus Lange, Krefeld; 1995 Whitney Biennial; Site and Insight, MoMA PS1, New York; The Third Mind, Palais de Tokyo; Artists and Poets, Secession, Vienna.
