Marisa Merz

Catalog of an exhibition held at Winterthur Kunstmuseum, Sept. 6-Nov. 23, 2003 and Barbara Gladstone Gallery, New York, Jan. 23-Feb. 21, 2004.

 

Marisa Merz’s expressive yet tranquil drawings reveal a deeply personal world teeming with intricate mazes of figures and signs. Her gestures subtly inhabit distinct spaces, as the delicately drawn portraits seem to emerge from a smoky, sumptuous field. Though these portraits maintain an­­ air of intimacy, the underlying themes associated with the Arte Povera movement nevertheless continue to inform her work.  The Italian movement, which formed in 1967 and counts Merz and her late husband Mario Merz as founding members, called into question established ideas and assumptions about the processes and materials that had come to define Western art.  Though the name has no literal translation, it can be roughly interpreted as “impoverished art,” and Merz, along with the other innovative, seminal artists associated with Arte Povera, began using everyday and organic materials in an effort to subvert the elite status that the art object had attained in its role in the consumerism-based culture of advanced capitalism.

 

Merz’s attention to sinuous, organic forms, her focus on subjectivity, and the way in which her work negotiates 'low' types of art such as craft underline her position on the relationship between art and life. “There has never been any division between my life and my work,” she has said. Merz advanced this critical framework by drawing on traditional customs associated with female domesticity.  Thus she began knitting and the idea of home as a feminine space, a private, intimate realm became central to her work. Passionate though calm, her personal investigations continue in her delicate portrait drawings.

 

Published by Kunstmuseum Winterthur and Gladstone Gallery, 2004

 

Hardcover
English
68 pages
6.75 x 9.75 inches
ISBN 978-8877572555