Miroslaw Balka

MIROSLAW BALKA

Monographs/Solo Exhibition Catalogues


2013

Goncharova, Natalia, Mikhail Mindlin and Vitaly Patsukov. Fragment. Moscow: Centre for Contemporary Art, 2013.

Signals. Helsinki: IHME Contemporary Art Festival, 2013.


2012

Bojarska, Katarzyna. bes-sennosh-ch. Lubin: Galeria Labirynt, 2012.          


2011

Bauman, Zygmunt, Marek Goździewski, Julian Heynen, Piotr Krajewski, and Frances Morris. Miroslaw Balka. fragment.  Warsaw: Centre for Contemporary Art, 2011.

Arbeitsplatz. Warsaw: Academy of Fine Arts Warsaw, 2011.

Cooke, Lynne, Georges Didi-Huberman and Zigniew Herbert.  Miroslaw Balka. Ctrl.  Museo Reina Sofia: Madrid, 2011.


2010

Miroslaw Balka Wir sehen dich. Karlsruhe: Staatliche Kunsthalle Karlsruhe, 2010.


2009

Sainsbury, Helen, ed. Miroslaw Balka: How It Is.  London: Tate Publishing, 2009.

Cotter, Suzanne, ed. Topography. Oxford: Modern Art Oxford, 2009.

Gravity. Amherst: University of Massachusetts, Amherst, 2009.


2008

Jetzt. Wroclaw: WRO Art Center, 2008.

17 x 2,35 x 1,6. London: White Cube, 2008.


2007

Tristes Tropiques. Dublin: Irish Museum of Modern Art, 2007.

Reflejos condicionados. Santander: Fundacion Marcelino Botin, 2007.

AAA+ rauchsignale. Rijeka: Museum of Modern and Contemporary Art, 2007.


2006

Lichtzwang. Dusseldorf: K21, 2006.


2005

hipnoza. Bialystok: Galeria Arsenal, 2005.


2004

Guigon, Emmanuel, ed. Bon Voyage. Strasbourg: Musées de la Ville de Strasbourg, 2004.


2003

Winterreise. Krakow: Galeria Starmach, 2003.


2002

Dig, dug, dug.  Dublin: The Douglas Hyde Gallery, 2002.

Cekaonica.  Zagreb: Museum of Contemporary Art, 2002.


2001

eclipse. Otterlo: Kroller Muller Museum, 2001.

Ruhe. Zielona Gora: BWA, 2001.

Miroslaw Balka Around 21˚ 15’oo’E 52˚06’17”N + GO-GO (1985-2001). Warsaw: Galeria Sztuki Wspótczesnej Zacjheta, 2001.


2000

Between Meals. Osaka: The National Museum of Art, 2000.


1999

sza.  Warsaw: Galeria Foksal, 1999.


1998

Hygiene. Lubin: Galeria Labirynt 2, 1998.

Miroslaw Balka: A Memorial.  Stockholm: Statens konstrads, 1998.


1997

Aliaga, Juan Vicente and Jean Manuel Bonet. Revision 1986-1997. Valencia: Instituto    Valenciano de Arte Moderno Centre Julio Gonzalez, 1997.

a,e,i,o,u. Warsaw: Galeria Foksal, 1997.

Selection. Oslo: Museet for Samtidskunst, 1997.


1995

Dawn. London: Tate Gallery, 1995.


1994

Debbaut, Jan, Selma Klein Essink, Jaromir Jedlinski, Maria Morzuch, and Anda Rottenberg. Die Rampe. Van Abbemuseum, Eindhoven and Museum Sztuki, Lodz: 1994.


1993

37, I (cont.). Venezia: La Biennale di Venezia. 1993.


1992

Schjedahl, Peter and Julian Heynen. 36,6. Chicago: The Renaissance Society and MIT List Visual Arts Center, Cambridge, 1992.

bitte. Krefeld: Museum Haus Lange, 1992.


1991

April / My body cannot do everything I ask for. Warsaw: Galeria Foksal, 1991.

xxx. Amsterdam: De Appel Foundation, 1991.


1990

Good God. Warsaw: Galeria Dziekanka, 1990.


1989

River. Lublin: Galeria Labirynt 2, 1989.


1986

Percepta Patris Mei Servivi Semper. Warsaw: Galeria Pokaz, 1986.

Books and Catalogues


2015

Three Narratives. Memory, Barcelona: Obra Social la Caixa, 2015.

Eccles, Tom, Charles Esche, Pablo Lafuente, Paul O’Neill, and Lucy Steeds, eds. Cultural Anthropophagy: The 24th Bienal de Sao Paulo 1998. London: Afterall Books, 2015.


2014

Profress and Hygiene. Warsaw: National Gallery of Art, 2014.

25 Works from the Serralves Collection. Porto: Fundacao de Serralves, 2014.

Morality in Fragments. Rotterdam: Witte de With, 2014.

La Disparition des Lucioles. Avignon: Prison Sainte-Anne, 2014.

Denegri, Dobrla. Arena. Torun: Centrum Sztuki Wspolczesnej Znaki Czasu2014.

Daszewska, Marzena and Lukasz Galusek. Mit Galicji. Krakow: Miedzynarodowe Centrum Kultury, 2014.

Babel: Works from the Igal Ahouvi Art Collection. Tel Aviv: Igal Ahouvi Art Collection/Tel Aviv University, 2014.


2013

Arts and Memories. Tasuno: Tatsuno Art Project 2013, 2013.

Pamiex. Rajestry I Terytoria. Krakow: Miedzynarodowe Centrum Kultury, 2013.

An Approach to Being—Darkness, Infinity, Everyday Life. Kyoto: Kyoto University of Arts, 2013.

Kiasma Hits. Helsinki: Joni Kling Museum of Contemporary ARt Kiasma, 2013.

Glasstress. White Light: White Heat. London: London College of Fashion, University of Arts, 2013.

Il Palazzo Enciclopedico. Venice: Marsilio Editori, 2013.

Grovier, Kelly. 100 Works of Art That Will Define Our Age. London: Thames & Hudson, 2013.

Twisted Entities, Zeitgenossische polnische Kunst. Leverkusen: Museum Morsbroich, 2013.

Polish Art and the Holocaust. Warsaw: Zydowski Instytut Historyczny im. Emanuela Ringelbluma, 2013.

My Pick 2003-2013. Trieste: CEI Venice Forum for Contemporary Art Curators, 2013.

D-O ARK Underground. Sarajevo: Association Biennial of Contemporary Art, 2013.

The Desire for Freedom: Art in Europe since 1945. Kraków: Museum of Contemporary Art in Krakow, 2013.


2012

PREPASTPOSTCONTINUOUS. Tel Aviv: Dvir Gallery, 2012.

Beros, Nada, ed. Zapisano na vodi/Written in Water. Zagreb: MSU, 2012.

Dziennik Getta – Rysunki. Z Podziemnego Archiwum Getta Warszawskiego. Warsaw: Kordegarda, 2012.

Void. Nowy Sącz: Galeria Sztuki Współczesnej BWA SOKÓŁ w Nowym Sączu, Małopolskie Centrum Kultury SOKÓŁ, 2012.

Selected Works from the Collection. Osaka: The National Museum of Art, 2012

Prażmowski, Wojciech. Towards Schulz / W stronę Schulza. Schulz w Warszawie-Drohobycz w Warszawie.  Warsaw: EKPictures, Academy of Fine Arts, 2012.

Kubiak, Jarosław and Malgorzata Ludwisiak, ed. Korespondencje. Sztuka nowoczesna i uniwersalizm / Correspondences. Modern Art and Universalism. Lodz: Muzeum Sztuki, Lodz, 2012.

Martinez, Rosa. Qué pensar. (Qué desear. Qué hacer) / What To Think. (What To Desire. What To Do), Barcelona: Obra Social "la Caixa", 2012.

Hohenegger, Beatrice, ed.The Last Days of Pompeii: Decadence, Apocalypse, Resurrection. Los Angeles: The J. Paul Getty Museum, 2012.


2011

Luc Tuymans: The Reality of the Lowest Rank - A Vision of Central Europe. Tielt: Lannoo Publishers, 2011.

Potocka, Maria Anna, ed. History in Art. Kraków: MOCAK Muzeum Sztuki Współczesnej w Krakowie, 2011.

Power of Fantasy. Modern and Contemporary Art from Poland. Brussels: Bozar Books and Prestel, 2011.                                                                                                        
Musiał, Grzegorz and Ewa Górniak-Morgan, ed. Particolare: Percorsi di democrazia. Paths of democracy. Venezia: Signum Foundation Palazzo Dona, 2011.

Gregory, Jarrett and Sarah Valdez, ed. Ostalgia. New York: New Museum, 2011.

Schalhorn, Andreas, ed. New Realities. PhotoGraphik from Warhol to Havekost. Berlin: Staatliche Museen zu Berlin, 2011.
Shaping a Collection. An interpretation of the Fundación Botín Collection. Santander: Fundacion Botin, 2011.

Rytmika ćwiczeń/Rhythmic exercises. Nowy Sącz: BWA Sokół, 2011.

Obok. Polska - Niemcy. 1000 lat historii w sztuce. Berlin: DuMont-Verlag, 2011.

Nowy porządek - New Order. Pozan: Art Stations Foundation, 2011.


2010

Che cosa sono le nuvole? Works from the Enea Righi Collection. Milan: Kaleidoscope Press, 2010.

Verzotti, Giorgio, ed. Elogio della Semplicità. Milan: Silvana Editoriale, 2010.

Cokolwiek. Poznań: Akademia Sztuk Pięknych, 2010.

Kupferstichkabinett: Between Thought and Action. London: White Cube, 2010.

Imielska, Joanna, ed. Roz-Poznanie Miejsca. Poznan: Uniwersytet Artystyczny w Poznaniu, 2010.

Siła sztuki. Lublin: Lubelskie Towarzystwo Zachęty Sztuk Pięknych, 2010.


2009

Horizontabschreitung. München: Kunstparterre, 2009.

Serralves 2009 – the Collection. Museu de Serralves, 2009.

Morawinska, Agnieszka and Zacheta Narodowa, ed. Invasion of Sound/Inwazja Dźwięku. Muzyka i Sztuki Wizualne. Warszawa: Galeria Sztuki, 2009.

Par lijevih cipela / A Pair of Left Shoes - reality Check in East Europe. Zagreb: Muzej suvremene umjetnosti Zagreb, 2009.

Bińczycka, Magdalena, and Małgorzata Gołębiewska, ed. Artboom. Krakow: Krakowskie Biuro Festiwalowe, 2009.

Kilkanaście koanów na (nie)istnienie. Słupsk: Bałtycka Galeria Sztuki Współczesnej, 2009.

Rattemeyer, Christian, ed. Compass in Hand: Selections from the Judith Rothschild Foundation. Contemporary Drawings Collection. New York: Museum of Modern Art, 2009.

Rattemeyer, Christian. Compass in Hand: Selections from the Judith Rothschild Foundation. Contemporary Drawings Collection. Catalogue Raisonne. New York: Museum of Modern Art, 2009.

Termińska, Agnieszka, ed. Labirynt Pamięci. Oblicza zła 1939-2009. Katowice: BWA Katowice, 2009.

Bochyński, Romuald K., ed. Koany w elektrowni. Radom: Mazowieckie Centrum Sztuki Współczesnej "Elektrownia", 2009. 


2008

Leszkowicz, Pawet. Imperium zmysłów/The Empire of the Senses. Pozan: Academy of Fine Arts, 2007.

Akiko, Kayasu. Still / Motion: Liquid Crystal Painting. Tokyo: The Asahi Shimbun,   2008.

Ciesielska, Jolanta. Republika Bananowa. Ekspresja lat 80. Wrocław, 2008.

Lewandowski, Roman. Medium... Post... Mortem..., (Wolumian I & II), Słupsk: Bałtycka Galeria Sztuki Współczesnej, 2008.

Souvenirs. Beersheba: University of Ben Gurion University, 2008.

Driessen, Chris and Heidi van Mierlo, ed. Wanderlust. Excursions In Contemporary Sculpture. Tilburg: Fundament Foundation, 2008.
Morris, Frances, ed. Tate Modern, The Handbook. London: Tate Publishing, 2008.

International Triennale of Contemporary Art; Re-reading the Future. Prague: KANT, 2008.


2007

Hoffman, Jens. The Exotic Journey Ends/Koniec egzotycznej podróży. Warszawa: Fundacja Galerii Foksal, 2007.
Montani, Pietro. Mirosław Bałka, Alfredo Pirri: Beyond. Kraków: Galeria Sztuki Współczesnej Bunkier Sztuki, 2007.

Identity/Tozsamosc. Wroclaw: Dolnoslaskie Towarzystwo Zachety Sztuk Pieknych, 2007.

New Agora. International Academy on Intercultural Dialog. Sejny: Borderland Foundation, 2007
Loock, Ulrich, ed. The 80s - A Topology. Porto: Fundacao Serralves / Edicoes Asa, 2007.


2006

Madill, Shirley. Sublime Embrace: Experiencing Consciousness in Contemporary Art. Hamilton: Art Gallery of Hamilton, 2006.

Merewether, Charles, ed. Zones of contact. Sydney: The Biennale of Sydney Ltd., 2006.

Arteast Collection 2000+23. Ljubljana: Moderna Galerija, 2006.

van der Ley, Sabrina, and Markus Ritcher, ed. Ideal City - Invisible Cities. Frankfurt: Revolver, 2006.

Premio Biella Per L'incisione 2006. Geneva-Milan: SKIRA, 2006

Trzupek, Jan, ed. Kolekcja Małopolskiej Fundacji Muzeum Sztuki Współczesnej Znaki czasu. MBWA w Nowym Sączu, 2006.

Still points of turning world. Santa Fe: Site, 2006 ISBN 0-9764492-3-4
Ciepło/zimno – Letnia miłość. Warszawa: Zachęta Narodowa Galeria Sztuki, 2006.
Tulli, Mara Chiara, ed. Polemos. The work of art between conflict and resolution. Milano: Silvana Editoriale Spa, 2006.
Tatarczuk, W. Terytoria. Lublin: Centrum Kultury w Lublinie, 2006.

Forma Jest pustką - Pustka Jest Formą Górnośląskie. Katowice: Centrum Kultury, Katowice, 2006.
Wobec zła / In the face of Evil. Częstochowa: Miejska Galeria Sztuki, 2006.

GK Collection #1. Poznan: Stary Browar, 2006.
Leaving in material world: "Things" in Art of the 20th Century and Beyond. Tokyo: The National Art Centre, 2006.


2005

Jowlewa, Lidia and Maria Poprzęcka, ed. Warszawa - Moskwa/Moskwa - Warszawa 1900-2000.  Warszawa: Narodowa Galeria Sztuki Zachęta and Galeria Trietjakowska, Moskwa, 2005.

Sygnowano Stańko, Fabryka Trzciny, 2004.
Nassisi, Anna Maria. Vis a Vis. Rome: Volume, 2005.

Landau, Suzanne. Vanishing Point: Hidden Beauty in Contemporary Art. Jerusalem: The Israel Museum, 2005.
Theorema. A Private Collection in Italy. The Enea Righi Collection. Avignon: Collection Lambert, 2005.
Idyl. Anwerp: The Middelheimmuseum, 2005.

Positioning In the New Reality of Europe: Art from Poland, the Czech Republic, Slovakia and Hungary. Osaka: The National Museum of Art, 2005.
La Biennale Di Venezia:  51 International Art Exhibition. Venezia: La Biennale di Venezia, 2005.

Drawing from the Modern 1975-2005. New York: The Museum of Modern Art, 2005.
Barber, Anna, ed. Beauty and Sanctity. The Israel Museum at 40. Jerusalem: The Israel Museum, 2005.

Acqua, Aria, Terra, Fuoco. Milano: Skira, 2005.

Chocolate Grinder No.3./ Continental Breakfast. Trieste: Trieste Contemporanea, 2005. 


2004

Mytkowska, Joanna and Pawl Althamer.  Prym: Galeria BWA Zielona Gora. Frankfurt am Main: Revolver, 2004.           
Lerm Hayes, Christa-Maria. Joyce in Art: Visual Art inspired by James Joyce. Dublin: The Lilliput Press LTD, 2004.
Art Poznan 2004. Pozan: Fundacja Akademii Sztuk Pięknych w Poznaniu, Stary Browar, 2004.
Boellert, Arvid, ed. Rohkunstbau.  Spreewald: Wasserschloss Gross, 2004.

Transcultures. Athens: The National Museum of Contemporary Art, 2004.

Eclipse: Towards the Edge of Visible.  London: Jay Jopling/White Cube.

Continental Breakfast.  Belgrade: Belgrade Cultural Center, 2004.

Myślą, słowem, formą, obrazem. Poznań: Wydział Edukacji Artystycznej ASP w Poznaniu, Stary Browar, 2004.

Ellis, Andrew, ed. Passage Europe. Realities, References. A Certain Look at Central and Eastern European Art.  St-Etienne: Musee d'Art Moderne de Saint-Etienne Metropole, 2004.

Między różnicami/Amongst differences. Galeria Hansgrohe-AquademiaTarnow Podgorny, 2004. 


2003

Dekada. Warszawa: Centrum Sztuki Współczesnej/Center of Contemporary Art, 2003.

Rituale in der zeitgenössischen Kunst. Berlin: Akademie der Künste, 2003.

Phantom der Lust. Visionen des Masochismus in der Kunst/Phantom of Desire. Graz: Neue Galerie, 2003.
Szeemann, Harald. Sic! sa langt/Sic! So far. Stavanger: Stavanger International Collection, 2003.
An International Legacy: Selections from Carnegie Museum of Art.  New York: American Federation of Arts, 2003.

ICANOF Media Art Show 2002-03: Distopia and Heterotopia between meals. ICANOF Hachinohe 2003,.
Le creazione ansiosa da Picasso a Bacon. Verona: Galeria d'Arte Moderna e Cont., 2003.

Labirynt. Hatfield: University of Hertfordshire Galleries, 2003.


2002

The Unthought Known. London: Jay Jopling / White Cube, 2002.

ARTEAST 2000+. Kunst Aus Osteuropa, Karlsruhe: Zentrum Fur Kunst U.Medientech, 2002.

Badovinac, Zdenka and Peter Weibel, ed. 2000+ Arteast Collection: The Art of Eastern Europa.  Bozen: Folio Verlag Wein, 2002.

converstion? Athens: van Abbemuseum and Galeria Bernier/Eliades, 2002.

Arte all Arte 7, Arte Continua. San Gimignano, 2002.

Rottenberg, Anda. Tanz. On the occasion of 2nd International Art Biennial of Buenos Aires. Buenos Aires: National Museum of Fine Arts, Buenos Aires, 2002.


2001

Oblicza smierci we współczesnej sztuce polskiej / The faces of Death in Polish Contemporary Art. Katowice: Galeria Sztuki Współczesnej BWA, 2001.

Lugares de la Memoria. Valencia: Espai d'Art Contemporain de Castelló, 2001.

Mala, Olga. Milano Europa 2000. Milan: PAC e La Triennale de Milano, 2001.

'Motel Jezevo Project', 2001.

I'm Not Here: Constructing Idenity at the Turn of the Century. Harrinsburg: Susquehanna Art Museum, 2001.
Ikus Usaina 6. Esencias 6 : colección Ernesto Ventós Omedes. Fundación Kutxa, 2001.


2000

Vanitas. Meditations on Life and Death in Contemporary Art. Richmond: Virginia Museum of Fine Arts, 2000.

L'ombra della ragione. Bologna: Galeria d'Arte Moderna, 2000.

The Oldest Possible Memory. Lokremise St.Gallen: Sammlung Hauser und Wirth, 2000.

Czas i chwile/Time and Moments. Lublin: BWA, 2000.

Absolut Ego. Paris: Palais du Louvre, 2000.

Wanås 2000.  Wanås: The Wanås Foundation, 2000.
OO. New York: Barbara Gladstone Gallery, 2000.

2000+ Arteast Collection. Umetnost Vzhodne Evrope V Dialogu Z Zahodom Od 1960. Ljubljana: Let Do Danes Moderna Galerija Ljublijana - Metelkova, 2000.

The Vincent: The Shortlisted Artists. Maastricht: Bonnefanten Museum, 2000.
c/o Haus Lange. Haus Esters, Krefelder Kunstmuseen, 1999.

Heynen, Julian. Ein Ort der denkt/A Place That Thinks. Krefelder Kunstmuseen, 2000.
Amnesia. Bremen: Neues Museum Weserburg, 2000.

Between Cinema and the Hard Place. London: Tate Modern, 2000.

Distant Similarities/Uzdalene Podobnosti. Prague: National Gallery, 2000.

Absolut Art. Stockholm: Milesgarden, 2000.
Czubak, Bożena, ed. Negotiators of Art. Facing Reality / Negocjatorzy sztuki. Wobec rzeczywistości. Gdańsk: Centrum Sztuki Współczesnej Łaźnia, 2000.

L'autre moitié de l'Europe. Paris: Jeu de Paume, 2000.


1999

Poliptyk, VII Biennale "Wobec wartości". Katowice: Galeria Sztuki Współczesnej BWA,     1999.

Displacements. Toronto: Art Gallery of Ontario,1999.

Three Stanzas: Miroslaw Balka, Robert Gober and Seamus Heaney.  Philadelphia: University of Pennsylvania, Institute of Contemporary Art, Philadelphia, 1999.

7. Triennale der Kleinplastik 1998 : zeitgenossische Skulptur : Europa, Afrika. Ostfildern-Ruit: Cantz, 1999.
Figura w rzeźbie polskiej XIX i XX wieku. Warszawa: Galeria Sztuki Współczesnej Zachęta, 1999.
Ars Aevi 1994-1997. Bosnia: Museum of Contemporary Art Sarajevo, 1999.
Trace, 1st Biennial of International Contemporary Art. Liverpool: Tate Liverpool,1999.
Lost Paradise. Porto: Galeria Presença, 1999.

Aspects — Positions. Wien: Museum Moderner Kunst Stiftung Ludwig Wien,1999. 


1998

Wounds: Between Democracy and Redemption in Contemporary Art. Stockholm: Moderna Museet,1998.

Wróblewska, Hannam and Jerger Krisztina, ed. Lengyelorszag. Muveszet 1945-1996. Budapest: Mucsarnok Szepmuveszeti Museum and Kortars Muveszeti Muzeum Ludwig Muzeum, 1997.

Kasuya, Akiko, ed. Art and environment. From an ecological point of view. Osaka: National Museum of Art, 1998.
Privacy. Porto: Fundaçaõ de Serralves,1998.

Pedrosa, Adriano, ed. XXIV Bienal de Sao Paulo, Representacoes Nacionais. Sao Paolo: Fundacao Bienal de Sao Paolo, 1998.

10-Intensita in Europa.  Prato: Centro per l'Arte Contemporanea, Luigi Pecci, 1998.
MINIMAL MAXIMAL. Minimal Art and it's infulence on intenational art of the 1990s. Bremen: Neues Museum Weserburg Bremen,1998. 


1997

Niemansland. Krefeld: Museum Krefeld Kunstmuseen,1997. 


1996

City Space. Copenhagen: City Space, 1996.

Distemper. Dissonant Themes in the Art of the 1990s, Washington D.C.: Hirshhorn Museum and Sculpture Garden, 1996.

Horizons.14 Polish Contemporary Artists. Kyongiu: Sonje Museum of Contemporary Art, 1996.

Styki/Contact Prints. Warszawa: Galeria Foksal, 1996.
Betong/Concrete. Malmo: Malmo Konsthall, 1996. 


1995

Jaukkuri, Maarretta, ed. ARS 95. Helsinki: The Museum of Contemporary Art,1995.
Carnegie International. Pittsburgh: Carnegie Museum of Art, 1995.

Gdzie jest brat twój, Abel?/Where is Able, thy brother?. Warsaw: Galeria Sztuki Współczesnej Zachęta, 1995.
Ripple across the Water. Tokyo: The Watari Museum of Contemporary Art, 1995.

Rites of Passage: Art for the End of the Century. London: Tate Gallery Publications, 1995. 


1994

Winterhilfsverein. Ljubljana: Moderna Galerija,1994.

Stanisławski, Ryszard and Christoph Brockhaus, ed. Europa, Europa: Das Jahrhundert der Avantgarde in Mittel- und Osteuropa. Ostfildern: Hatje Cantz Verlag,1994.
Tuning Up #2: Kunstmuseum Wolfsburg. Wolfsburg: Das Kunstmuseum,1994.

Till Brancusi: Malmö Konsthall. Malmö: Konsthalle Malmö, 1994.

Borkowski, Wiesław, Małgorzata Jurkiewicz, and Andrzej Przywara, ed. GALERIA FOKSAL 1966-1994. Warszawa: Galeria Foksal, 1994.

Flügge, Matthias and Jiri Svestka, ed. Der Riss im Raum. Positionen der Kunst seit 1945 in Deuschland, Polen, der Slowakei und Tschechien. Berlin and Dresdin: Guardini Stiftung/Verlag der Kunst, 1994.
Broeker, Holger. Tuning up-2. Wolfsburg: Kunstmuseum-Wolfsburg, 1994.


1993

Sonsbeek 93. Ghent: Snoeck-Ducaju & Zoon,1993.

Konfrontationen : Neuerwerbungen, 1990–1993 : Museum Moderner Kunst Stiftung Ludwig Wien : Ausstellung im Palais Liechtenstein und im Museum des 20. Jahrhunderts, Wien: Das Museum, 1993.
Baltic Sculpture Gotland '93. Visby: Baltic Art Center,1993.
Domaine 1993. Domaine de Kerguehennec, 1993.

XLV Espozizione Internazionale d'Art La Biennale di Venezia. Venice: Marsilio,1993.
Zugabe : 1983-1993: zehn Jahre Förderkreis für das Kaiser Wilhelm Museum in Krefeld e.V.  Krefeld: Förderkreis für das Kaiser Wilhelm Museum, 1993.
Jancou, Marc. Restaurant. Zurich: Galerie Marc Jancou, 1993.


1992

Nachtigaller, Roland and Nicola von Velsen, ed. Documenta IX. Stuttgart: Edition Cantz, 1992.

Polnische Avantgarde, 1930–1990. Berlin: Neuer Berliner Kunstverein and Łódź: Muzeum Sztuki,1992.

Muzeum Sztuki w Lodzi 1931–1992. Lyon: Musée d'Art Contemporain and ELAC,1992.
Bond, Anthony. The Boundary Rider, 9th Biennale of Sydney. Sydney: Biennale of Sydeny,1992.


1991

Borealis V. Pohjoismaisen Taiteen Biennale. Helskini: Nordic Art Centre and Pori Art Museum, 1991.

Europa nieznana. Kraków: Pałac Sztuki, 1991.

Kunst, Europa: 63 deutsche Kunstvereine zeigen Kunst aus 20 Ländern. Mainz: Verlag Hermann Schmidt, 1991.

Kolekcja sztuki XX w., Muzeum Sztuki w Łodzi, 1991

Le monde critique. Hamburg: Neue Kunst, 1991.

Metropolis: International Art Exhibition Berlin. New York: Rizzoli, 1991.

Rosa e Giallo. Roma: Galeria Pieroni, 1991.
Von Angesicht zu Angesicht/Face to Face. Kiel: Stadt Galerie, Kiel, 1991. 


1990

Possible Worlds. London: Institute of Contemporary Art and Serpentine Gallery, 1990.

Ekspresja lat osiemdziesiątych. Warszawa: Wydawnictwo Andrzej Bonarski, 1990.

Pracownia Dziekanka: 1976–1987. Warsaw: Galeria Dziekanka, 1990.

XLIV Esposisizione Internazionale d'Arte la Biennale di Venezia. Catalogo Generale 1990. Venezia: Edizioni Biennale di Venezia realizzazione Fabbri Editori, 1990.


1989

Dialog.  Düsseldorf: Kunstmuseum Düsseldorf and Warsaw: Centrum Sztuki Współczesnej Zamek Ujazdowski, 1989.

Sitkowska, Maryla, ed. Co słychać. Warszawa: Wydawnictwo Andrzej Bonarski, 1989.
Metaphysical Visions: Middle Europe. New York: Artists Space, 1989.

Poruszanie myśli, działania równoległe. Warszawa: Centrum Sztuki Współczesnej Zamek Ujazdowski, 1989. 


1988

BKK. HCAK Bulletin nr 19. 1988 Haags Centrum voor Actuele Kunst, The Hague, 1988.

Rzeźba w ogrodzie. Warszawa: Fundacja EGIT,1988.
Polish Realities. New Art from Poland. Glasgow: Third Eye Centre and Łódz: Muzeum Sztuki, 1988. 


1987

2nd Biennale of the New Art. Gmina Zielona Góra: BWA Zielona Góra, 1987. 


1986

Dyplom '85. Sopot: Galeria BWA,1986.
Figures and Objects. Puławy: Galeria BWA,1986.

Ekspresja lat 80-tych. Sopot,1986.
Na rzecz wszystkich świętych. Poznań: Galeria Wielka,1986.

Selected Articles and Reviews


2015

Shea, Christopher D. “Summer Festivals, From the Eclectic to the Electric,” The New York Times, May 27, 2015.

Michalska, Julia. "Miroslaw Balka: what 'Shoah' means to me," The Art Newspaper, January 27, 2015.

Kerr, Dylan. "Miroslaw Balka on the Romance of Conceptual Art," Artspace, January 25, 2015.


2014

Milliard, Coline. “In Review: London’s Top 10 Exhibitions, from Herald Street to David Zwirner,” Artnet, April 18, 2014.

Cumming, Laura. “Balka: Die Traumdeutung 75,32m AMSL and 25,31m AMSL,” The Guardian, March 29, 2014.


2013

“Miroslaw Balka,” Modern Painters, June 2013. 

“Miroslaw Balka’s ‘The Order of Things’ on view at Gladstone Gallery,” artdaily.org, Saturday, April 13, 2013.

Balestine, Juliana. “Miroslaw Balka at Gladstone Gallery, New York,” purple Diary, March 18, 2013.

Lindemann, Adam. “Miroslaw Balka, ‘The Order of Things’ at Gladstone Gallery,” New York Observer, March 16, 2013.

Johnson, Ken. “Miroslaw Balka: The Order of Things,” The New York Times, March 1, 2013.

Zylski, Tomasz. “Zycie w architkturze,” Architektura Murator, February 2013.

Casavecchia, Barbara. “Gespräche über persönliche Themen: Miroslaw Balka and Roni Horn,” Art-Agenda, January 2013.


2012

Menegoi, Simone. “Miroslaw Balka and Roni Horn,” Artforum, 2012.

Blackwood, Jessica. “Miroslaw Balka at Scrap Metal,” Articula blog, November 28, 2012.

Perry, Colin. “Conference/The Penzance Convension,” Art Monthly, July/August 2012.

Kudielka, Robert. “Im Denkeln warden die Sinne wach.  Die Bildkunst von Miroslaw Balka,” Sinn und Form, January/February 2012.

“O wystawie bes-sennosh-ch, Galeria Labirynt,” Kultura i Program TV, August 2012.


2011

Vetrocq, Marcia E., “Eastern Promises: The New Museum Gets Post-Soviet with ‘Ostalgia,’” Artinfo, July 22, 2011.

Cotter, Holland, “When Repression Was a Muse,” New York Times, July 22, 2011.

Gregston, Brent, “The Man Who Tried to Stop the Holocaust,” Festival D’Avignon Report, Radio France Internationale, July 16, 2011.

Kurianowicz, Tomasz, “Was mir der Schneeball erzählt Angriffe auf den Verstand: Miroslaw Balka in der Berliner Akademie der Künste,” Frankfurter Allgemeine Zeitung, November 11, 2011.

Wahjudi, Claudia, “Wege der Angst,” Der Tagesspiegel, November 10, 2011.

Preuss, Sebastian, “Hall Nachbarn!” Berliner Zeitung, November 5, 2011.

Fuchs-Frotscher, “Korrider mit Kriegsschatten. Die Akademie der Künste präsentiert Videokunst des Polen Miroslaw Balka, Neues Deutschland, November 4, 2011.

Prince, Mark, “Miroslaw Balka at Norenhake Galerie,” Frieze, September 2011.

Zielinska, Joanna, “Miroslaw Balka, ‘Wege zur Behandlung von Schmerzen.’” Dwutygodnik, August 8, 2011.


2010

Rappolt, Mark, “Miroslaw Balka/Tate Modern”, ArtReview, issue 40, April, 2010, pg. 85-86.

Gartner, Barbara, “Kein Mitleid mit der Kunst,” Süddeutschen Zeitung, July 7, 2010.

“Der Betrachter im Käfig. Die Kunsthalle Karlsruhe wagt ein Experiment und befreit ihre Sammlung,” Frankfurter Allgemeine Zeitung, May 27, 2010.

Loock, Ulrich, “Some Notes on Miroslaw Balka’s Work,” cura.magazine, Issue 4, April 18, 2010.

Hubbard, Sue, “Into the Shadows,” New Statesmen, January 14, 2010.

“Miroslaw Balka: Topography and Pawel Althamer: Common Task,” this is tomorrow, Contemporary Art Magazine, January 13, 2010.


2009

Dillon, Brian, “Miroslaw Balka: The Unilever Series,” Tate Etc., issue 17, Autumn 2009, pgs. 68 – 73.

Searle, Adrian, “Balka’s Bambi at Birkenau,” The Guardian, December 15, 2009.

Lubbock, Tom, “Art of Darkness,” The Independent, December 14, 2009.

Campbell-Johnston, Rachel, “Dark, brooding and magnificent,” The Times, October 12,  2009.

McLean-Ferris, Laura, “Medicine Man,” Art Review, August 2009.

Dillon, Brian, “Stories of a Continuous Past,” Tate Etc., Issue 17, Autumn 2009.

Searle, Adrian, “Why Miroslaw Balka is a great choice for the Tate’s Turbine Hall commission,” The Guardian, January 29, 2009.


2008

Clancy, Luke, "Miroslaw Balka: Tristes Tropqiques," Art Review, February 2008, pg. 126.

Cumming, Laura, “A master poet of infinitive vision,” The Observer Review, December 21, 2008.

Clancy, Luke, “Miroslaw Balka: Tristes Tropiques,” Art Review, February 2008.


2007

Kantor, Jordan, “Preview: Miroslaw Balka, Irish Museum of Modern Art,” Artforum, September 2007, p 200.


2006

French, Christopher, "SITE Santa Fe’s Sixth International Biennial," Flash Art, Oct 06, pg. 49.

Colpitt, Frances, "A Slow Motion Biennial," Art In America, Oct 2006, pg. 69-71.

“SITE Santa Fe,” Tema Celeste, July/August 2006, pg. 95.

Messimeris, Vivian, “Art Confronts Reality: Zones of Contact – Biennale of Sydney,” July 8, 2006, August 9, 2006.

Pagliuca, Francesca, 'the 15th biennale of Sydney,' Tema Celeste, May/June 2006.

“Artists Picked for SITE Santa Fe,” Art in America, April 2006, pg. 176.

Hall, Louise,  “Cultures Explored,” The Sun-Herald, April 9, 2006.


2005

“51st Venice Biennale Special,” Flash Art, July-September 2005, pp.146.


2004

Mears, Emily Speers, “Miroslaw Balka,” ArtForum, Sept. 2004, online.

Güner, Fisun. “Unusual Dimanetions” London Metro, March 5.

Falconer, Morgan. “Faint Human Traces.” What’s On in London Magazine. March 10-17, pp.27.

Kent, Sarah. “Miroslaw Balka, White Cube, East End.” Time Out London. March 17-24, pp.46.

Searle, Adrian.  “Silence is Golden.”  The Guardian.  3/9/04, pp. 12-13.

Pasini, Francesca. Review – Miroslaw Balka, Galleria Raffaella Cortese. Artforum

May 2004 pp. 219-220.


2002

Herbert, Martin, Frieze, Nov/Dec 2002.

Mahoney, Elisabeth, "The Ties That Bind," Art Review, September, 2002. 

Cork, Richard, "A Fear of the Dark Inside Us," The Times, March 22, 2002.

Searle, Adrian, "World of Interiors," The Guardian, March 12, 2002.

Volk, Gregory, "Miroslaw Balka at Barbara Gladstone," Art in America, April 2002.


2001

Burton, Johanna, “Miroslwa Balka, ‘sweep, swept, swept” Time Out, October 25.

Szablowski, Stach, “Otwocki Dom, Miroslaw Balki,” Prze Kroj, 27 May.

Gioni, Massimiliano, “New York Cut Up,” Flash Art, Nov-Dec 2001, pp. 63-65.


2000

Patrick Caulfield, “Miroslaw Balka,” Tate Report 2000.

Andrzej Pagowski, ”Pod wlos,” Playboy, Nr. 3.

Dorota Jarecka, ”Wedlug polityki”, Gazeta Wyborcza, Feb. 18, 2000.

Barbara Majewska, ”Strategia doklejania,” Rzeczpospolita, Feb. 25/26, 2000.

Hanna Krall, ”Siedze w pociagu, a pron odjezdza” rozmowa z R. Makowskim, Rzeczpospolita, Feb. 25/26, 2000.

Rafal Jakubowicz, ”Nekrologi pozostana po karnawale zycia,” Tygodnik Powszechny, nr. 3.

Monika Kuc, ”Alfabet Morse’a,” Elle, nr. 3.


1999

Lawrence Rinder, “Wall of Joy,” Nest, Fall 1999.

Aliaga, Juan Vincente, interview, ”Miroslav Balka: Life and Death Struggle,” Time Out,

November 22.

Belina, Dech; Fedisz Marcin, “Stal. Mydlo, wymiar, beton, sol I swinskie jelita-nosniki Historji,” Max, no 7.

Jaromir Jedlinski, ”Klepsydra Ciala,” Czas Kultury, Nr. 2,1999.

Rafal Jakubowicz, ”W jednej przestrzeni-Kantor, Balka,” Opcje,nr 3,1999.

Maria Morzuch, ”Three stanzas,” Max, Nr 2, 1999.

Piotr Sarzynski,”Najwieksi Tworcy Sztuki XX Wieku”-ankieta,”Polityka”,nr 40,1999.

Monika Kuc, ”sza sza sza,” Gazeta Stoleczna/Gazeta Wyborcza, Mar. 16 1999.

Richard Cork, ”We love you, Yeah, yeah, yeah,” The Times, Sept. 29 1999.

Matthew Sweet, ”All you need is a past,” The Independent on Sunday, Oct. 3.

Lynn Mac Ritchie, ”Memories are made of this,” Financial Times, Oct. 10 1999.


1998

Sommerman, Eileen, “Still Waters,” Canadian Art, Summer 1998.

Hume, Christopher, “A Sense of time and memory, sadness and loss,” The Toronto Star, Thursday, April 9.

Dault, Gary Michael, “The deafening silence of the past given voice in art,” The Globe and Mail, Saturday April 18.

Bozena Czubak, “Each boy fears differently” interview in “Magazyn Sztuki” no. 19 (3/98).

Rafal Jakubowicz, ”Pisze poezje,” Czas Kultury, nr. 6.

Alexandre Melo, M.Balka, Luc Tuymans, “Una conversa,” cat. ”Privacy,” Fundaçao de Serralves.


1996

Lukasz Gorczyca, Nieobecnosc w imie harmonii, ART&BUSINESS, no 5, 1996.

Dorota Jarecka, Cien lnstalacji, GAZETA WYBORCZA, Thursday April 4, 1996.

Piotr Sarzynski, Sztuka to nie anegdota, interview, POLITYKA, Februar 10, 1996.


1995

Adela Zeleznik, Bela snezna zgodba. RAZGLEDI, no 2(1033) January 20, 1995.

Neal Benezra, Bruce Nauman: Raw Material, ART PRESS, no 184 1995.

Lars O. Ericsson. Valdskonsten till Helsingfors, DAGENS NYHETER, 17 Feb., 1995.

Wanda Kemp-Welch, Prad Zycia. GAZETA WYBORCZA, Tuesday December 1995.

Mira Novak, Razstava v L>elem, DELO 1995 no XXXVII January 10.

Mieczystaw Pore, bski, Spothanie z Ablem, ZNAK 1995 no ?.

Andize; Przywara, Ma/twy Swit, RZECZPOSPOLITA, 1995 no 270 (4223) November 22. Slawomir Ratajczak, ODRA , 1995.

Adarn Szymczyk, Moczenie lozka przesiakniete eschatologia, ZYCIE WARSZAWY, Tuesday Aug. 2, 1995.


1994

Juan Vicente Aliaga, La figuracion nanativa de Miroslaw Balka, EL ARAGUENO, August 7,1994.

 Jolanta Ciesielska, Stalowe nerwy lin utrzymuja, sciany jego

(wiata: na marginesie spothah z Miroslawem Balka, OBIEG no 63/64/65, 1994.

Paul Kokke, Bji Miroslaw Balka loert de dood steeds mee, EINDHOVENS DAGBLAD, Feb. 1994.

Christopher Knight, Miroslaw Balka Takes Society's Temperature, THE LOS ANGELES TIMES, Monday July 4, 1994.

Stuart Morgan, Last Rites, FRIEZE, no 14 January/February, 1994.

Suzanne Muchnic, Miroslaw Balka, ART NEWS, November, 1994.

Jose Marin-Medina, Miroslav Balka, rituales ultimos, ABC, June 10, 1994.

John Peter Nilsson, En diffus dofl av Osteuropa, AFTONBLADET, 18 Oct.,1994.

 Santiago B Olmo, Miroslaw Balka, LAPIZ, no.104, 1994.

Felipe Pereda, Vientos del este, EL MUNDO, June 13, 1994.


1993

Peter Schjeldahl, Awash in the Venice Biennale, LOS ANGELES TIMES, Sunday Jun. 20.

Bert Steevensz, Miroslaw Balka, "... de rest is stilte", METROPOLIS, no 5 1993.

Wiestaw Borowski, Miroslaw Balka, 37,1, OBIEG, 1993.

Janet Koplos, Report from the Netherlands. Paratchuting into Arnhem, ART IN AMERICA, no 10, October, 1993.

Stuart Morgan, Into the trees, FRIEZE, no 12, September/October, 1993.

Philippe Regnier, Miroslaw Balka, BLOCNOTES, no 4, 1993.


1992

Noerni Smolik, Miroslaw Balka, ARTFORUM, January, 1992.

Christoph Blase, Tranen am Stahlzeit, FRANKFURTER ALLGEMEINE ZEITUNG. no 142 June 22, 1992.

Christian Karavagna, Miroslaw Balka, KUNSTFORUM, 1992.

John Peter Nilsson, Den manskliga svettens slutliga materia, Interview AFTONBLADET, no 192, Juli 15, 1992.

David Pagel, Miroslaw Balka, ARTS MAGAZINE, no 2, 1992.


1991

Andrze; Przywara, Miroslaw Balka, interview, FLASH ART, No.160, 1991.

Bert Steevensz, Miroslaw Balka, METROPOLIS, no 2, 1991.


1990

Joanna Kiliszek, Miroslaw Balka at Dziekanka Gallery, FLASH ART, no 152 May/June.


1989

Maria Morzuch, Trwanie, OKO I UCHO, no I.


1987

Anda Rottenberg, Draught, NIKE, no 16.

Writings by the Artist


1999

Gagarin, second edition, “Ksiazki (Books),” pg. 30.

“U mezczyzny cenie wrazliwosc,” kwestionarusz Prousta, ”Wysokie Obcasy”/”Gazeta Wyborcza,” Jan. 15.


1998

Balka, Miroslaw. “be in good company now and later.” In Francesco Bonami and Hans Ulrich Obrist, ed. Dreams. Turin: Fondazione Sandretto Re Rebaudengo per l’Arte, 1995 (18).