David Carrier
"An Artist’s Monument to the Monotony of Images"
Hyperallergic
April 13, 2022
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Morgan Becker
"Thomas Bayrle’s superforms construct the archetypes of mass society"
Document Journal
March 2022
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Jackson Arn
"Thomas Bayrle’s Hypnotic, Hyper-Detailed Art Will Change How You Look at Modern Cities"
Artsy
June 25, 2018
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Janique Viger "Thomas Bayrle’s Productive Doubt"
Frieze
August 24, 2018
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Martha Schwendener
"This Artist Foresaw Our Digital Future in a Meadow of Dandelions"
The New York Times
June 21, 2018
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Jim Henry “Sound engineering: Thomas Bayrle’s ‘compressed cathedrals’ whir to life at Lensbachhaus”
Wallpaper
January 24, 2017
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Martin Herbert
“Transcendent Boredom”
ArtReview
April, 2016
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“Thomas Bayrle”
The New Yorker
March, 2016
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“The World Goes Pop”
LEAP
January 13, 2016
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Joseph Nechvatal
“Thomas Bayrle, the Host in the Machine”
Hyperallergic
April 9, 2014
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Dominic Eichler
“Social Fabric”
Frieze
June, 2013
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Oliver Laric
“Repetition is the Source of Life”
Mousse Magazine
December, 2012
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Chris Wiley
“The Mass Ornament: On the Work of the German Pop Artist Thomas Bayrle"
Kaleidoscope
June, 2009
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Christine Mehring
“Mass Appeals”
Artforum
April, 2007
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