What Remains. Stockholm: Skreid, February 2017.
Campany, David; Luckraft, Paul; Neilson, Elizabeth; Wiley, Chris. You Are Looking at Something That Never Occurred. London: Zabludowicz Collection, 2017.
Collier, Anne. Women With Cameras (Anonymous). New York: Karma; London: Studio Voltaire. Text by Hilton Als.

Collier, Anne. Women Crying. New York: Hassla Books, 2016.

Darling, Michael. Anne Collier. Chicago: The Museum of Contemporary Art, Chicago, 2014.
The Art of Collaboration. San Antonio: Hare & Hound Press, artpace, and Linda Pace Foundation, p. 36, 2014.
Anne Collier: Still Lifes. Los Angeles: Wood Kusaka Studios, 2014.

Lombino, Mary-Kay. The Polaroid Years: Instant Photography and Experimentation. Poughkeepsie: Vassar College; Munich: Prestel Verlag, 2013.
Revealed. Text by Suzanne Modica. Calistoga: Stonescape, Norah and Norman Stone Collection, 2013, p. 12-13.
Museum of Modern Art and Western Antiquities Department of Light Recordings, Section IV: Lens Drawing. Paris: Marian Goodman Gallery, 2013, p. 30.
Rien faire et laisser rire. (Do nothing and let them laugh). Brussels: Galerie Rodolphe Janssen, 2013.
Alchemical. New York: Steven Kasher Gallery, 2013 p. 10-11.

Anne Collier. New York: Anton Kern Gallery, 2012.
Chaillou, Timothée, ed. Seuls quelques fragments de nous tourcheront quelques fragments d’autrui (Only parts of us will ever touch parts of others). Paris/Salzburg: Galerie Thaddaeus Ropac, 2012.
Blancsubé, Michael. Poule!. Ecatepec: Fundación/Colección Jumex, 2012.
Napoleone, Valeria. Valeria Napoleone’s Catalogue of Exquisite Recipes. London: Koenig Books, 2012, p. 44.

The 2011 Bridgehampton Biennial. New York: Martos Gallery, 2011.
Anne Collier & Jack Goldstein. Nottingham: Nottingham Contemporary, 2011.
That’s The Way We Do It. The Techniques and Aesthetic of Appropriation, From Ei Arakawa to Andy Warhol. Bergenz: Kunsthaus Bregenz. 2011, p. 8-9.
Still Life. Waterford: Lismore Castle 2013, p. 48-49.

Mobley, Chuck. An Autobiography of the San Francisco Bay Area, Part 1: San Francisco Plays Itself and Part 2: The Future Lasts Forever. San Francisco: SF Camerawork, 2010.
Creamier: Contemporary Art in Culture: 10 Curators, 100 Contemporary Artists, 10 Sources. London/New York: Phaidon Press, 2010.
Drutt, Matt. DreamWorks. San Antonio: Artspace San Antonio, 2010.
Blessing, Jennifer, Trotman, Nat, Peggy Phelan, Lisa Saltzman, and Nancy Spector. Haunted: Contemporary Photography, Video, Performance. New York: Guggenheim Museum Publications, 2010, p. 150-51.
Lay Flat 02: Meta. New York: Lavalette, 2010, p. 36-37.
10000 Lives Gwangju Biennale 2010. Gwangju: Gwangju Biennale Foundation, 2010, p. 9.

Looking at Display, Images of Contemporary Art in London Galleries. London: Rachmainoff’s Gallery, 2009.
Woman With A Camera. New York: Hassla Books, 2009. Essay by Tom McDonough.

Shier, Reid, and Mark Soo. Anne Collier. Vancouver: Presentation House Gallery, 2008. Essays by Bob Nickas and Jan Verwoert.
Dispersion. London: Institute of Contemporary Arts, London, 2008, p. 17-29.

Pierini, Marco. Good Vibrations: Visual Arts and Rock Culture. Siena: Palazzo delle Papesse Centro Arte Contemporanea, 2006.
Hunt, Andrew. Writing in Strobe. London: Dicksmith Gallery, 2006.

Killian, Kevin. Likeness: Portraits of Artists by Other Artists. San Francisco: CCA Wattis Institute New York: ICI, 2004.

Pritikin, Reny. Bay Area Now 3. San Francisco: Yerba Buena Center for the Arts, 2002.

Collier, Anne and Felix Petty. “David Macke on celebrating the beauty of the male nude,” i-D, March 14, 2022.
2021
Rutolo, Nick. “Anne Collier: Exhibition Review,” Musée Magazine, September 2021.
“The New Beginning. Le cover del numero di Vogue Italia di settembre,” Vogue Italia, September 2021.
Goodman, Jonathan. “Tales of Manhattan,” Brooklyn Rail, August 2021.

Duron, Maxmilano. “Cutting-Edge Art Takes Over Soon-to-Be-Obsolete New York Phone Booths in Outdoor Exhibition,” ArtNews, November, 2020.
Bidzus, Naya. “Heul doch! Warum wir offener und ehrlicher trauern sollten,” Blonde Magazine, November 2020.
Simons, Raf. “Anne Collier is capable of re-appropriating our memories and making them fresh,” Frieze, May 2020.
Roelandt, Els. “It’s No Use Crying,” Texte Zur Kunst, March, 2020.
Throne, Harry. “Reviews: Anne Collier at Galerie Neu,” Artforum, January 2020.

Syme, Rachel. “The Glamorous Cry Is Having a Moment….,” Vanity Fair, September 2019.
Warner, Marigold. “Studio Photography: 1887-2019,” British Journal of Photography, 2019.
“Berlin Art Week: The Highlights 2019. – Anne Collier at Galerie Neu,” Vogue Germany, 2019.
Speder, Lorina. “Weine, wenn du kannst, COMIC-FRAUEN von Anne Collier,” Der Tagesspiegel, 2019.
Nedo, Kito. “Kühle Träne,” Süddeutsche Zeitun, October 2019.
Heim, Christoph. “Gefrorene Gefühle,” Tages-Anzeiger, March 2019.
“Anne Collier,” Aperture Earth, no.234, 2019.
“Anne Collier – What I’m saying,” Kunstbulletin, April 2019.

Simmons, William J. “Portfolio by Anne Collier: Circulating Selves and Images,” BOMB Magazine, 2018.
“Culture: Anne Collier: This is the new photo exhibition at the Sprengel Museum,” Hannover Allgemeine, 2018.
Queren, Von Henning. “Träen, Fotos und Tradition: Sprengel Museum zeigt US-Küsterlin Anne Collier,” Kultur, 2018.
“Galleries – Uptown: Anne Collier,” Round: The New Yorker, 2018.
Coyle, Emma. “Exhibition Review: Strength in Anne Collier’s Tears,” Musée, 2018.
Hamilton, Diana. “Anne Collier: Reducing Women to Tears,” Frieze, 2018.
Cascone, Sarah. “Editor’s Pick: 12 Things to See in New York This Week,” ArtNet News, 2018.
Scott, Andrea K. “Photo Booth: A Decade Long Hunt for Images of Crying Women,” The New Yorker, 2018.
“Spring Gallery Guide: Cultivating a Tightknit Scene,” The New York Times, 2018.
“Best Free Art Exhibitions in NYC,” Time Out New York, 2018.
Schwendener, Martha. “10 Galleries to Visit Now on the Upper East Side,” The New York Times, 2018.
Wampler, Zack. “Eye of the Beholder,” Provokr, 2018.
“Anton Kern Through May 19,” The New York Times, 2018.
“Critic’s Pick: New York: Anne Collier,” Artforum, 2018.
“ANNE COLLIER Revue De Presse,” FRAC Normandie Rouen, 2018.
“Our Top picks for April 11-24,” Time Out New York, May 2018.
“Anne Collier,” Time Out New York, May 2018.
“9 Art Events to Attend in New York City This Week,” The Editors of ARTnews, April 2018.
“Anne Collier: See Women Crying,” Libération Magazine, March 2018.
“In Parallel: Creative Exchange: Anne Collier & Raf Simmons,” Dior Magazine, 2018.
Baud, Véronique. “Frac Normandie Rouen: In the eyes of Anne Collier,” Paris Normandie January 2018.
Hatt, Étienne. “ANNE COLLIER femme photographe,” Artpress, 2018.
“Visiting Beth Rudin DeWoody and Firooz Zahedi at Home Is Better Than a Trip to a Museum,” Architectural Digest, 2018.
Wheeler, André-Naquian. “this artist collected hundreds of images of female strangers, taking photos,” i-D, 2018.

Rivera, Erica. ‘“Women with Cameras’ at Mia reflects on selfies from a pre-Instagram era,” City Pages, September 7, 2017.
Smith, Roberta. “What to See in New York Art Galleries This Week,” New York Times, July 27, 2017.

“Anne Collier,” The New Yorker, May 16, 2016.
Michalska, Julia. “Big in Berlin: four trends spotted at Gallery Weekend,” The Art Newspaper, May 2, 2016.
Atallah, Lara. “Critics’s Picks: Anne Collier,” Artforum, April 29, 2016.
Rojas, Laurie. “Five to see during Berlin Gallery Weekend,” The Art Newspaper, April 26, 2016.
Johnson, Ken. “Chelsea Galleries, Like a Box of Chocolates,” The New York Times, April 22, 2016.
Laster, Paul. “Weekend Edition: 11 Things to Do in New York’s Art World Before April 11,” The New York Observer, April 7, 2016.
Dafoe, Taylor. “Artseen: Photo-Poetics: An Anthology,” The Brooklyn Rail, March 4, 2016.

Smith, Roberta. “Review: Wagner Collection at the Whitney, 25 Years of Astute Buying,” The New York Times, December 3, 2015.
Cotter, Holland. “Review: Roots of Conceptual Art, Caught by a Camera’s Eye,” The New York Times, December 3, 2015.
Baier, Simon. “Anne Collier,” Camera Austria, Issue 132, December 2015.
“The Tricks and Treats of Occult Photography,” The New Yorker, October 31, 2015.
Saltz, Jerry. “Can a Show As Dreary As This One Be Good for the Whitney? Yes.,” Vulture, November 24, 2015.
Whyte, Murray. “Photographing photographs, to impart new meaning,” OurWindsor.ca, October 5, 2015.
Artspace Editors. “10 Artists to Watch This November,” Artspace, October 30, 2015.
“Woman with Camera: Anne Collier’s Feminist Image Critique,” ArtMag, July 12, 2015.
“A Room of One’s Own,” The New Yorker, July 2015.
Von Thurn und Taxis, Elisabeth. “Anne Collier,” Salon, Summer 2015, p. 124-129.
Travers, A. “Anne Collier’s Pictures of Pictures at the Aspen Art Museum,” The Aspen Times, May 2015.
“20 Artists Who Make New York,” Elephant, Issue 22, Spring 2015, p. 141.
Indrisek, Scott. “The Whitney, Chapter by Chapter: How to See 100-Plus Years of Art in One Day,” Artinfo, April 23, 2015.
MacMillan, Kyle. “Exhibition Reviews: Chicago, Anne Collier Museum of Contemporary Art,” Art in America, March 2015, p. 162.
Wheat, Sarah. “Anne Collier’s eBay Archeology,” fnewsmagazine, March 4, 2015.
Lichtzier, Ruslana. “Anne Collier // MCA Chicago,” The Seen, January 25, 2015.
Dluzen, Robin. “Anne Collier,” art ltd., January 2015.
Coghlan, Niamh. “Redefining the Lens,” Aesthetica, Issue 62, December/January 2015, p. 26-31.

“Anne Collier at MCA Chicago,” the aperture blog, December 2, 2014.
“Curator’s Choice: Michael Darling, Chief Curator at the MCA Chicago,” Artinfo, November 23, 2014.
McGarry, Kevin. “The Other Women,” W, November 19, 2014.
Robertson, Rebecca. “Ways of Seeing,” Artnews, November 2014, p. 33.
Linnert, Nicolas. “Anne Collier,” Camera Austria, No. 127, November 2014, p. 79-80.
McDonough, Tom. “Anne Collier,” Artforum, November 2014, p. 271.
“Anne Collier,” Spike, Issue 142, Autumn 2014, p. 55-57.
Sawyer, Drew. “Woman with a Camera,” Document, No.5, Fall/Winter 2014, p. 196-201.
Yablonsky, Linda. “Scene & Heard: First Wave,” Artforum, October 13, 2014.
Dillon, Brian. “Anne Collier,” Artforum, September 2014, p. 200.
Vogel, Wendy. “Anne Collier Retrospective at Bard’s Center for Curatorial Studies,” Artinfo, September 20, 2014.
Rosenberg, Karen. “Anne Collier,” The New York Times, August 29, 2014, p. C17.
“The Thing Itself.” The New Yorker, August 25, 2014, p. 12.
Buck, Louisa. “Hydra Therapy,” The Telegraph, August 15, 2014.
Halle, Howard, ed. “Self-Exposure: Three Centuries of Photos about Photos,” Time Out New York, July 31- August 6, 2014, p. 31.
Grabner, Michelle. “Anne Collier: CCS Bard Hessel Museum,” Artforum, August 2014.
Rosenberg, Karen. “A Tale in Pictures of Pictures: ‘Anne Collier,’ a Photography Retrospective at Bard College,” The New York Times, July 31, 2014.
Reynolds, Cory. “‘Anne Collier,” artbook, July 27, 2014.
Morton, Tom. “Various Venues.” Frieze, June/July 2014, p. 196-197.
Bowles, Rachel. “Anne Collier @ The Modern Institute,” The Skinny, April 28, 2014.
Clark, Robert. “Glasgow International,” Guardian Guide, April 5, 2014, p. 36.
“Viewfinder: Woman With A Camera (2009) By Anne Collier,” The Daily Telegraph, March 22, 2014, p. R3.
Taxter, Kelly, ed. “You Should’ve Heard Just What I Seen,” Gregory R. Miller & Co., 2014.

“Highlights From the High Line,” ELLE, November 21, 2013.
Finkel, Jori. “An Artist Whose Medium Really Is the Message,” The New York Times, November 2, 2013, p. C1.
Jaeger, Anne-Celine. “Reporting from Frieze: Eight Exciting Discoveries at the Contemporary Art Fair,” TIME magazine: Lightbox, October 23, 2013.
Beck, Martin. “Forum,” Camera Austria International, Issue 123, September 2013, p. 61.
Schwendener, Martha. “Leslie Hewitt,” The New York Times, September 13, 2013, p. C25.
Smith, Roberta. “Art in Review: 10 Years,” The New York Times, July 26, 2013, p. C3.
Wolff, Rachel. “50 Under 50: The Next Most Collectible Artsts,” Art + Auction, June 2013, p. 122.
Woodward, Richard. “The SX-70 as Sexy Tech,” The Wall Street Journal, May 6, 2013.
Holmes, Pernilla. “Thinking Outside The Box,” The Financial Times: How To Spend It Issue 304, May 4, 2013, p. 10-14.
Schwendener, Martha. “Instant Photographs, Lasting Images,” The New York Times April 28, 2013, p. WE10.
Menegoi, Simone. “Critics’ Picks: Revolution from Within.” ArtForum March 19, 2013.

Gopnik, Blake. “Appropriation, In The Flesh,” The Daily Beast, December 12, 2012.
Johnson, Ken. “Eyeing the Lens With Suspicion,” The New York Times, November 30, 2012, p. C27.
Vince Aletti. “Critic’s Notebook: Photo Sensitive,” The New Yorker, October 22, 2012, p. 12.
“New Photography 2012,” The New Yorker, October 2, 2012.
“Critics’ Picks,” Time Out New York, September 27-October 3, p. 40.
Stewart, Christabel and Ajay RS Hothi. “Nature’s Way: The Immaculate Conception of Nature’s Art,” Tank Magazine, Volume 7 Issue 5, Summer 2012, p. 94.
Not Our Class, Newsletter produced by Studio Voltaire, edited by Louise Shelley, Issue #1, May 2012, p. 6.
Wilson, Michael. “Anne Collier,” Time Out New York, May 3-9, Issue 858, p. 52.
“Going On About Town: Anne Collier,” The New Yorker, April 30, 2013, p. 11.
Rosenberg, Karen. “Anne Collier,” The New York Times, April 27,2013, p. C29.
Katsof, Alhena. “Visit: Anne Collier’s Solo Show at Anton Kern, New York,” Kaleidoscope Blog, April 13, 2013.
Fiske, Courtney. “Critics Picks: Anne Collier,” ArtForum, April 21, 2012.
Bollen, Christopher. “Anne Collier,” Interview Magazine, April 2012, p. 64-65.
“New Work: Photographs by Anne Collier,” Modern Painters, April 2012, p. 32-35.
Weist, Nicholas. “Cecilia Alemani Is the Eye Over the High Line,” Art in America, February 15, 2012.
Firestone, Lonnie. “High Art,” New York Press, February 11, 2012.
Sutton, Benjamin. “Giant Floating Eye Selected for Next High Line Billboard Commission,” The L Magazine, January 16, 2012.
Miller, Michael H. “Friends of the High Line Announce Two New Art Commissions,” GalleristNY, January 10, 2012.

Collier, Anne. “Woman With a Camera,” Spike, Issue 30, Winter 2011, p. 114.
Deller, Jeremy. “Best of 2011: Part 3,” Frieze, December 24, 2011.
Freyberg, Annabel. “Victorian Secret,” The World of Interiors, November 2011, p. 100-101.
Doubal, Rosalie. “Anne Collier,” Time Out London, October 10, 2011.
Rosenberg, Karen. “All Nooks, Crannies, Bedrooms and Trees Are Backdrops for Art,” The New York Times, August 8, 2011, p. C5.
Herbert, Martin. “Still Life,” Art Monthly, July-August 2011, p. 33-34.
Vogel, Carol. “Blockbuster Growth in the Met’s Attendance,” The New York Times, July 22, 2011, p.C22.
Curtin, Brian. “Critics Picks: Still Life,” ArtForum.com July 20, 2011.
McLean-Ferris, Laura. “Anti-Photography,” Art Review April 2011, p. 112.
“Reviews/Exhibitions: Jack Goldstein, Nottingham Contemporary,” Art Monthly, No. 344, March 2011, p. 29.
“The New Pop: Female Art Photographers Now,” Pop 2011, Spring Summer 2011, p. 113-116.
“Art Photographers to Watch,” Ten Magazine, No. 38, Spring/Summer 2011, p. 126-127.

“Special Project,” Nero, No. 24, 2010, p. 62-69.
“The Sea Series,” Fantom Autumn, Issue 05, 2010, p. 67.
Fresh Hell/Carte Blanche á Adam McEwen. Palais de Tokyo Magazine 13, Fall 2010, p. 59.
Lobel, Michael. “Scale Models, Michael Lobel on Laurie Simmons and Anne Collier,” Artforum, October 2010: 256-261.
Patrick, Martin. “Haunted: Contemporary Photography/Video/Performance,” Art Monthly, September 10, 2010, No. 339, p. 32-34. (cover)
McDonough, Tom. “In Between: Tom McDonough in conversation with Anne Collier,” Fantom, Summer 2010, Issue 04, p. 79-87.
Hodgson, Francis. “Arles Photography Festival,” FinancialTimes.com, July 9, 2010.
Demuth, Gary. “Photography Exhibition,” Salina Journal, May 7, 2010, p. D1.
McDowell, Tara. “Endgame,” Artfoum, May 2, 2010.
Fox, Dan. “Pictures of You,” Frieze, May 2010, p. 91-95 (cover).
Smith, Roberta. “In The Fields or Art, Snapping Photos,” New York Times, April 2, 2010, p. C29.
Parrott, Skye. “20 Questions, A Project By Matthew Higgs,” Dossier, Issue No. 5, p. 55-59.
Sholis, Brian. “Anne Collier,” Artforum, April 2010, p. 194.
Collier, Anne. “Art/T.J. Wilcox,” BOMB, Spring 2010, p. 78.
Tagliafierro, Marco. “The Ruslte of Language.” Artforum March 2010, p. 263.
“Anne Collier,” The New Yorker, February 15 & 22, 2010, p. 30.
Wilson, Michael. “Anne Collier,” Time Out New York, February 11-17, 2010, p. 54.
Nathan, Emily. “An ‘I’ On You,” Artslant, January 24, 2010.
Nikas, Bob. “Looking Forward 2010,” Frieze, Issue 128, January – February 2010.
Robinson, Walter. “Weekend Update,” Artnet, February 4, 2010.
“The Power 100 with Artwork by Anne Collier,” Art Review, November 2010, Issue 45, p. 94-141.

Tramposch, Emma. “File Under: Monographs,” Camera Work, Fall/Winter 2009, Vol. 26 Issue 2, p. 43.
Gleizes, Serge. “Style AD,” Architectural Digest, September 2009, p. 98
Fisch, Sarah. “It’s Not You, It’s Me” San Antonio Current, July 22, 2009, p. 23-24.
Bennett, Steve. “New Works Push the Envelope at Artpace,” San Antonio Express News, August 2,2009: 1G, 3G.
“Artpace New Works: 09.2,” San Antonio Current, July 15, 2009, p. 37.
Bauman, Daniel. “Getting Controlled and Lose,” Spike, Summer 2009, p. 56-65.
Andress, Sarah. “‘Dispersion’ At The ICA,” Flash Art, March-April 2009, p. 42.
Gillig, Melanie. “Dispersion,” Artforum, April 2009, p. 198.
“To Be Determined,” The New Yorker, March 2-9, 2009.
Schwendener, Martha. “Paul Graham and Harris Lieberman's 'A Twilight Art' Confront the Future,” The Village Voice, February 18-24, 2009.
Lowenstein, Kate. “To Be Determined,” Time Out New York, February 15-25, 2009.
Schwendener, Martha. “Matthew Higgs,” The New Yorker, February 2009.
Flexer, Gabrielle. “Dispersion,” a-n.co.uk/interface.com, January 2009.
Verwoert, Jan. “Anne Collier,” Flash Art, January 2009.

“Cut Copy,” photographed by Jason Schmidt, V Magazine, Winter 2008/09, Issue 56, p. 56.
Lange, Christy. “All that is solid melts into air: Report from Los Angeles,” Frieze, December 17, 2008.
Campbell-Johnston, Rachel. “Cut, paste and get the close-up,” The Times, London, December 12, 2008.
Darwent, Charles. “Dispersion, ICA, London.” Independent.co.uk December 7, 2008.
Walleston, Aimee. “Anne Collier,” The Last Magazine, Issue #01, October 2008.
di Angelo, Flaccavento. “Modern Take on Collecting,” L’Uomo Vogue, July/August 2008, p. 161-162.
“Anne Collier,” Blind Spot, Issue 37, April 2008.
Aletti, Vince. "Anne Collier at Anton Kern," The New Yorker, February 25, 2008.
Doran, Anne. "Anne Collier at Anton Kern," Time Out, New York February 20, 2008.
Saltz, Jerry. “Anne Collier at Anton Kern,” New York Magazine, February 1, 2008.
Charlesworth, JJ. “Anne Collier,” Art Review, Issue 19, February 2008, p. 116
Sumpter, Helen. “Anne Collier,” Time Out New York, January 2, 2008.
Stewart, Christabel. “Girl On Film,” Tank Volume 5 Issue 3, p. 100-105.
Waldemar, Noe. “Double Marilyn,” Mister Motley, Number 17, 2008, p. 36-39.
Akalin, Ann-Kathrin. “Das Auge als Spiegel der Seele,” General-Anzeiger, 2008.
Fritzsche, Mathias. “Aneignung einer Ikone,” Kunstler, 2008.
Akalin, Ann-Kathrin. “Ein Künstler-Trio stellt im Kunstverein aus…” General-Anzeiger Online, 2008.
“Der Bonner Kunstverein macht keine Sommerpause,” Mensa Magazine, 2008, p. 9.

Esquire Magazine, Japan, 2007, p. 112.
Brzezinski, Kathleen. “Art of Melancholy,” Anthem Magazine, Holiday No. 31, p. 20.
Cotter, Holland. “Go Ahead, Expect Surprises,” The New York Times, August 9, 2007.
Rosenberg, Karen. “Strange Magic,” New York Magazine, July 23, 2007.
Pollack, Barbara. “Strange Magic,” Time Out New York, July 2007.
Smith, Roberta. "Strange Magic," The New York Times, July 13, 2007.
Bolland, Mark. “Some Coplex Visual Codes,” Source, Winter Issue 53, p. 60-62.
Curiger, Bice. “Emerging Artists,” Frieze, Issue 104 January-February 2007, p. 136

“Insert: Anne Collier,” Parkett, No. 78, 2006, p. 177-188.
Interview with Jennifer Cohen, North Drive Press, December 2006.
“Shape Shifters,” Men's Vogue, November 2006.
Leung, Cynthia. “Anne Collier,” Tokion, September 2006, p. 25-26.
“Strange Powers,” Time Out New York, August 31-September 6, 2006.
Smith, Roberta. “Strange Powers,” New York Times September 8, 2006.
Griffin, Jonathan. “Writing in Strobe,” Frieze, June/July/August 2006.
Charlesworth, JJ. “Writing in Strobe,” Art Monthly, No 296, May 2006, p. 28-30.
Dillon, Brian “Anne Collier: Photographs, Lps, abstraction humour and melancholy.” Frieze, Issue 97, March 2006, p. 140.
Sholis, Brian. “Mid Drift” Artforum.com, March 10, 2006.
Saltz, Jerry. “Biennial in Babylon,” The Village Voice, March 1, 2006.

Jones, Kristen M. “Bridge Freezes Before Road,” Frieze, October 2005.
“Bonds of Love,” The New Yorker, September 2005.
Conner-Greene, Rachel. “Reviews: Bonds of Love,” Time Out New York, September 15-21. 2005.
Johnson, Ken. “Art in Review: Bonds of Love,” The New York Times, September 9, 2005.
Smith, Roberta. “‘Along the Blurry Line Between Blotto and Buzzed,” The New York Times, August 26, 2005.
Clem, Chivas. “Bridge Freezes Before Road,” Time Out New York, August 4-10, 2005, p. 64.
Cotter, Holland. “Fanciful to Figurative to Wryly Inscrutable,” New York Times, July 8, 2005, p. 29-31.
Yablonski, Linda. “Bridge Line,” Artforum, June 27, 2005.
Slimane, Hedi. “Portfolio du designer Hedi Slimane, qui nous fait partager ses coups de cœurs artistiques,” Jalouse, April 2005, p. 110-121.
Saltz, Jerry. “Lesser New York: P.S.1 and MOMA want the wildness of youth but then they immediately try to tame it” Village Voice, March 27, 2005.

Miles, Christopher. “Anne Collier at Marc Foxx.” Artforum, December 2004, p. 144, 202-203.
LaFuente, Pablo. “The Faces of the Future,” Art Review, October 2004, p. 86.
Buuk, David. Art Week, April 2004.

Helfand, Glen. “‘Bay Area Now 3’ returns to the fountain,” San Francisco Bay Guardian, November 27 – December 3, 2002, p. 43.
Valentine, Christina. “Anne Collier,” Flash Art, November / December 2002, p. 104.
Wood, Sura. “Bay Area Now 3: A Showcase of Local Talent,” San Francisco Arts Monthly, November 2002, p. 1,3.
Baker, Kenneth. “‘Bay Area Now 3’ show peeks into artists’ inner worlds.” San Francisco Chronicle, October 30, 2002.
Ollman, Leah. “Exploring Metamorphosis and Ephemerality,” The Los Angeles Times, September 27, 2002, p. F-24.
Young, Paul. “Touchy Subjects.” Angeleno, 2002, p. 264-265.

Fowle, Kate. Contemporary, San Francisco: p. 114-118 (editorial).