Rirkrit Tiravanija
Exhibition Catalogues, Artist Books and General Publications
2022
Making Strange: The Chara Schreyer Collection. New York: DelMonico Books, D.A.P., 2022.
2019
The Bastard Cookbook. Helsinki: Garrett Publications, 2019. Texts by Rirkrit Tiravanija & Antto Melasniemi.
2015
DO WE DREAM UNDER THE SAME SKY. Berlin: Sternberg Press, 2015.
2008
Rirkrit Tiravanija - A Retrospective (Tomorrow is Another Fine Day). Geneva: JRP Ringier, 2008.
2013
Obrist, Hans Ulrich ed. do it. New York: Independent Curators International/D.A.P.
2012
Joselit, David. After Art. Princeton: Princeton University Press, 2012.
2011
Carrion-Murayari, Gary and Massimiliano Gioni ed. Apichatpong Weerawthakul. New York: New Museum, 2011. Essay by Tiravanija, Rirkrit, “Ghosts in the Projector.”
Knowles, Alison, and Rirkrit Tiravanija. Men and Women commonly Dress Alike. Freeport: Three Star Books, 2011.
2011
Carrion-Murayari, Gary and Massimiliano Gioni ed. Apichatpong Weerawthakul. New York: New Museum, 2011. Essay by Tiravanija, Rirkrit, “Ghosts in the Projector.”
Knowles, Alison, and Rirkrit Tiravanija. Men and Women commonly Dress Alike. Freeport: Three Star Books, 2011.
2006
Iles, Chrissie and Philippe Vergne eds. Whitney Biennial: Day For Night. New York: The Whitney Museum of American Art, 2006.
Andrews, Max, ed. Land Art: A Cultural Ecology Handbook. London: RSA, 2006.
All the Best: The Deutsche Bank Collection and Zaha Hadid. Frankfurt: Deutsche Bank, 2006.
Thomas, Rachel, and Philippe Pareno ed. All Hawaii Entrées / Lunar Reggae. Dublin: Irish Museum of Modern Art; Milan: Charta, 2006.
Andrews, Max, ed. Land Art: A Cultural Ecology Handbook. London: RSA, 2006.
All the Best: The Deutsche Bank Collection and Zaha Hadid. Frankfurt: Deutsche Bank, 2006.
Thomas, Rachel, and Philippe Pareno ed. All Hawaii Entrées / Lunar Reggae. Dublin: Irish Museum of Modern Art; Milan: Charta, 2006.
2005
Grosenick, Uta. Art Now Vol. 2: The New Directory to 136 International. Cologne: TASCHEN, 2006.
Bishop, Claire. Installation Art. London: Tate Publishing, 2005.
2004
Parreno, Philippe, Bruce Sterling, and Rirkrit Tiravanija. A Retrospective (Tomorrow is another fine day). Rotterdam: Museum Boijmans Van Beuningen, 2004.
Social Capital, Forms of Interaction. New York: The Whitney Museum of American Art, 2004.
Bishop, Claire. Installation Art. London: Tate Publishing, 2005.
2004
Parreno, Philippe, Bruce Sterling, and Rirkrit Tiravanija. A Retrospective (Tomorrow is another fine day). Rotterdam: Museum Boijmans Van Beuningen, 2004.
Social Capital, Forms of Interaction. New York: The Whitney Museum of American Art, 2004.
2003
Rirkrit Tiravanija: Secession. Cologne: Verlag der Buchhandlung Walter König, 2003. Texts by Matthias Hermann Philippe Parreno, and Andreas Spiegl.
Stange, Raimar. Zuruck in die Kunst, Rogner & Bernhard bei Zweitasendeins. Hamburg: Rogner und Bernhard bei Zweitausendeins, 2003.
Stange, Raimar. Zuruck in die Kunst, Rogner & Bernhard bei Zweitasendeins. Hamburg: Rogner und Bernhard bei Zweitausendeins, 2003.
2002
Curtis, Penelope. The Object Sculpture. Leeds: The Henry Moore Institute, 2002.
Art Now. Cologne: Taschen, 2002. Essay by Anke Kempkes.
Art Now. Cologne: Taschen, 2002. Essay by Anke Kempkes.
2001
Art Now. Cologne: Taschen, 2001. Essay by Yilmaz Dziewior.
2000
Continental Shift. Ludwig: Ludwig Forum for International Art, 2000.
1999
Bonami, Francesco and Hans Ulrich Obrist eds. Dreams. Rome: Castelvecchi Editore, 1999.
La Biennale di Venezia: 48a Esposizione Internazionale d’Arte – dAPERTutto. Venice: La Biennale di Venezia, 1999, p. p. 48,162-165.
La Biennale di Venezia: 48a Esposizione Internazionale d’Arte – dAPERTutto. Venice: La Biennale di Venezia, 1999, p. p. 48,162-165.
1998
Crossings. 1998. Text by Germaine Koh.
Secession: Cities on the Move. Bordeaux: CAPC Musée d’Art Contemporain de Bordeaux; Berlin: Hatje Cantz Verlag & Co KG, 1998. Text by Hou Hanru and Hans Ulrich-Obrist.
Cream Contemporary Art in Culture. London: Phaidon, 1998. Essay by Phatarawadee Phataranawik.
Saltz, Jerry ed. An Ideal Syllabus. London: Frieze, 1998.
Secession: Cities on the Move. Bordeaux: CAPC Musée d’Art Contemporain de Bordeaux; Berlin: Hatje Cantz Verlag & Co KG, 1998. Text by Hou Hanru and Hans Ulrich-Obrist.
Cream Contemporary Art in Culture. London: Phaidon, 1998. Essay by Phatarawadee Phataranawik.
Saltz, Jerry ed. An Ideal Syllabus. London: Frieze, 1998.
1997
Rirkrit Tiravanija Untitled, 1996 (tomorrow is another day). Cologne: Salon Verlag, 1997. Text by Udo Kittelmann.
a/drift. Annandale-on-Hudson: Bard College Publications, 1997. Text by Joshua Decter.
Performance Anxiety. Chicago: Museum of Contemporary Art Chicago, 1997.
Detterer, Gabriele ed. Artist’s Interviews and Statements in the Nineties. Ilford: Archer Fields, 1997.
Kunsthaus Bregenz, Köb, Edelbert ed. KünstlerInnen. 50 Gespräche. Cologne: Verlag der Buchhandlung Walther König, 1997.
Bosch, Susanne ed. Walking through society. Nurnberg: Institut fur moderne Kunst Nurnberg, 1997.
a/drift. Annandale-on-Hudson: Bard College Publications, 1997. Text by Joshua Decter.
Performance Anxiety. Chicago: Museum of Contemporary Art Chicago, 1997.
Detterer, Gabriele ed. Artist’s Interviews and Statements in the Nineties. Ilford: Archer Fields, 1997.
Kunsthaus Bregenz, Köb, Edelbert ed. KünstlerInnen. 50 Gespräche. Cologne: Verlag der Buchhandlung Walther König, 1997.
Bosch, Susanne ed. Walking through society. Nurnberg: Institut fur moderne Kunst Nurnberg, 1997.
1996
Thinking Print: Books to billboards, 1980-95. New York: Museum of Modern Art and Abrams, 1996.
1995
Cocido y crud. Madrid: Museo Nacional Centro de Arte Reina Sofía, 1995.
1994
L’Hiver de L’Amour. Paris: Société des amis du Musée d’art moderne de la ville de Paris, 1994.
Troncy, Eric ed. Surface de Reparations. Dijon: Le Consortium, Centre d’Art Contemporain, 1994.
New York: Threadwaxing Space, 1994. “Don’t Look Now,” essay by Joshua Decter.
Troncy, Eric ed. Surface de Reparations. Dijon: Le Consortium, Centre d’Art Contemporain, 1994.
New York: Threadwaxing Space, 1994. “Don’t Look Now,” essay by Joshua Decter.
1993
Simply Made in America. Ridgefield: Aldrich Museum of Contemporary Art, 1993. Text by Barry A. Rosenberg.
Wealth of Nations. Warsaw: Center for Contemporary Arts, Ujazdowski Castle, 1993.
Viennese Story. Vienna: Vienna Secession, 1993. Text by Jerome Sans.
Aperto ‘93: Emergency/Emergenza. Milan: Giancarlo Politi Editore, 1993.
Real Time. London: Institute of Contemporary Art, 1993. Texts by Gavin Brown and Emma Dexter.
Backstage: Topologie zeitgenössischer Kunst. Hamburg: Hamburg Kunstverein, 1993.
Sleepless Nights. New York: MoMA PS1, 1993 (Exhibition Pamphlet).
Wealth of Nations. Warsaw: Center for Contemporary Arts, Ujazdowski Castle, 1993.
Viennese Story. Vienna: Vienna Secession, 1993. Text by Jerome Sans.
Aperto ‘93: Emergency/Emergenza. Milan: Giancarlo Politi Editore, 1993.
Real Time. London: Institute of Contemporary Art, 1993. Texts by Gavin Brown and Emma Dexter.
Backstage: Topologie zeitgenössischer Kunst. Hamburg: Hamburg Kunstverein, 1993.
Sleepless Nights. New York: MoMA PS1, 1993 (Exhibition Pamphlet).
1992
Decter, Joshua ed. Transgression in the White Cube: Territorial Mapping. Bennington: Usdan Gallery, Bennington College, 1992.
Selected Bibliography
2022
Newell-Hanson, Alice. "Rirkrit Tiravanija Cooking Pad Thai with his Students," T: The New York Times Style Magazine, April 21, 2022.
Lloyd-Smith, Harriet. “Major contemporary artists sell prints to aid Artists at Risk in Ukraine,” Wallpaper*, March 16, 2022.
Lloyd-Smith, Harriet. “Major contemporary artists sell prints to aid Artists at Risk in Ukraine,” Wallpaper*, March 16, 2022.
2021
“Rirkrit Tiravanija & Tomas Vu with Yasi Alipour,” Brooklyn Rail, November 2021.
2020
Tiravanija, Rirkrit and Tomas Vu. “Rirkrit Tiravanija & with Yasi Alipour,” Brooklyn Rail, November 2020.
“NTU Centre for Contemporary Art Singapore / IdeasCity,” E-Flux Architecture, February 2020.
Pisuthipan, Arusa. “Messages of freedom,” Bangkok Post, February 2020.
“Bangkok Art Biennale Announces Theme of 2020 Edition,” Artforum, January 2020.
Roome, Kristine. “‘Fear Eats the Soul’ – Rirkrit Tiravanija at Glenstone Museum,” ARTE FUSE, January 2020.
Li, Vincent. “S.E.A. Focus: Inside Singapore’s contemporary art fair via the iPhone camera rolls of its VIPs,” BURO, January 2020.
Li, Toh Wen. “China artist makes a splash with swinging ‘sampan’,” The Straits Times, January 2020.
“12 things to do in the D.C. area this week,” The Washington Post, January 2020.
“NTU Centre for Contemporary Art Singapore / IdeasCity,” E-Flux Architecture, February 2020.
Pisuthipan, Arusa. “Messages of freedom,” Bangkok Post, February 2020.
“Bangkok Art Biennale Announces Theme of 2020 Edition,” Artforum, January 2020.
Roome, Kristine. “‘Fear Eats the Soul’ – Rirkrit Tiravanija at Glenstone Museum,” ARTE FUSE, January 2020.
Li, Vincent. “S.E.A. Focus: Inside Singapore’s contemporary art fair via the iPhone camera rolls of its VIPs,” BURO, January 2020.
Li, Toh Wen. “China artist makes a splash with swinging ‘sampan’,” The Straits Times, January 2020.
“12 things to do in the D.C. area this week,” The Washington Post, January 2020.
2019
Ortega, Daniela. “Art Basel Miami Beach ‘Conversations’ Returns December 5th with the Art Fair,” Miami Beach Times, December 2019.
Williams, Maxwell. “Meet the 6 Rising-Star Artists Competing for the Coveted $100,000 Hugo Boss Prize,” Artnet News, November 2019.
“Who are the shortlisted artists for the 2020 Hugo Boss Prize,” Yahoo! News, November 2019.
Hastings, Sophie. “Shanghai’s Profile Is Rising. How Long Before It Becomes the Go-To Art City in China?,” ARTNews, November 2019.
“Art event focuses on ‘Escape routes’,” TTR Weekly, November 2019.
Hastings, Sophie. “‘The scene has exploded’: China gets set to be leading global centre for art,” The Guardian, November 2019.
Somvichian-Clausen, Austa. “Five Under-the-Radar Artists on Display at the New Glenstone,” Inside Hook, November 2019.
“Bar Laika by e-flux,” e-flux, November 2019.
“Untitled 2019,” Ocula, October 2019.
“Join Columbia University MFA in Visual Arts for an Information Session and Open Studios,” Hyperallergic, October 2019.
Jenkins, Mark. “At Glenstone, ‘Fear Eats the Soul’ includes a show-within-a-show — and free soup,” The Washington Post, October 2019.
“Traversées \ Kimsooja,” e-flux, October 2019.
Yang, Tristen. “Creative Time Celebrates Annual Gala Honoring Jenny Holzer,” The Knockturnal, October 2019.
“Today’s Family & Kids Activities in Queens-Oct 20 2019,” NY Metro Parents, October 2019.
Lakin, Max. “When is Free Lunch Art?” Garage, October 2019.
Bernard, Julia. “Currying F[l]avor: Have Menu, Will Travel. Julia Bernard on Rirkrit Tiravanija at the Hirshhorn Museum and Sculpture Garden, Washington, D.C.,” Texte Zur Kunst, September 2019.
“Rirkrit Tiravanija serves Mexican food, anti-capitalist maxims in opulent Maryland museum,” The Art Newspaper, October 2019.
“Traversées,” e-flux, September 2019.
“15 things to do in the D.C. area this weekend,” The Washington Post, September 2019.
Crosbie-Jones, Max. “After the Academy: How Thai Contemporary Art Began,” Frieze, September 2019.
Siegel Burke, Stephanie. “Things to See and Do in the Bethesda Area in September and October,” Bethesda Magazine, August 2019.
Raicovich, Laura. “A Cookbook That Relishes the Impure and Adulterated,” Hyperallergic, August 2019.
“The Frieze Futurist Cookbook,” Frieze, August 2019.
“Issue 205,” Frieze, August 2019.
Borin, Sopheavuthtey. “A history of Thai contemporary art,” The Bangkok Post, August 2019.
Spellman, Lisa and Richard Prince. “Richard Prince and Lisa Spellman Regret Nothing The art-world exes on the occasion of the 35th anniversary of her 303 Gallery,” Vulture, August 2019.
Kinsella, Eilee. “Pace Gallery Hires Hirshhorn Museum Curator Mark Beasley to Head Up Its New ‘Live’ Art Program in New York,” Artnet, 2019.
AugustKeener, Katherine. “Mark Beasley names curatorial director of Pace Live,” ArtCritique, August 2019.
McMahon, Katherine. “Habitat: The Art of the Dinner Party, With New York Art Types Who Use Food to Foster Community,” Art News, July 2019.
DaFoe, Taylor. “How Does a Gallery Stay in Business for 35 Years? Lisa Spellman on 303 Gallery’s Staying Power and the Hardest Part of Being a Dealer,” Artnet News, July 2019.
Keener, Katherine. “25 Artists That Have Defined Contemporary Art,” Art Critique, July 2019.
“Philippe de Montebello Curates at Park Avenue Armory, and More: Morning Links from July 16, 2019,” Artnews, July 2019.
La Force, Thessaly. “The 25 Works of Art That Define the Contemporary Age,” The New York Times Style Magazine, July 2019.
Krishnamachari, Bosa. “Art, Unlimited,” The Week, July 2019.
Tuten, Elizabeth. “Put Down Your Phone and Eat Curry at the Hirshhorn,” Washington City Paper, July 2019.
Williams, Stephanie,.”Pink Line Project founder Philippa Hughes shares her favorite spots in D.C.,” The Washington Post, June 2019.
Russeth, Andrew. “MoMA PS1 Names Kate Fowle as Director,” Artnews, June 2019.
Humphries, Stephen. “Welcome to the museum. Did you bring a spoon?,” The Christian Science Monitor, June 2019.
Sheets, Hilarie M. “When Art Is More Than an Imitation of Life,” The New York Times, June 2019.
Buck, Luisa. “Rirkrit Tiravanija Offers Cups of Sake and Space for Contemplation at the ICA,” The Art Newspaper, June 2019.
“Gavin Brown’s enterprise Closes its Lower Manhattan Space, South Africa’s Goodman Gallery Expands to London, and More,” Artforum, June 2019.
Judkis, Maura. “An Art Exhibit You Can Eat In. Actually, You Eating is part of the Art,” Denton Record Chronicle, May 2019.
Landau, Lauren. “5 Ways To Have A Totally Free Weekend Around D.C.,” DCist, May 2019.
“How a Bowl of Thai Curry Can Be An Artwork, a Conservation Starter and a Protest,” South China Morning Post, May 2019.
Judkis, Maura. “When Eating Becomes Integral to Art,” The Guam Daily Post, May 2019.
“Cooking As an Art, Vol. 3, With Rirkrit Tiravanija,” The Ringer, May 2019.
Judkis, Maura. “An Art Exhibit You Can Eat in. Actually, You Eating is Part of the Art,” The Washington Post, May 2019.
Peischel, Will. “Enjoy Free Curry and Protest-Inspired Art at This New Hirshhorn Exhibit,” Washingtonian, May 2019.
“Red, Yellow, Green? Pick a Curry Colour, Thai Artist Dishes them out at US Museum,” Star2, May 2019.
“Art Industry News: The Astronomers Who Took That Viral Black Hole Photo Now Want to Do a Live Video Feed + Other Stories,” Artnet news, May 2019.
“Thai Artist Dishes Out Communal Curry at US Museum,” CNA, May 2019.
Elder, Kara. “The Hirshhorn’s Latest Art Exhibit Includes... Free Curry?” DCist, May 2019.
McKenna, Lyndsey. “10 Things To Do Around D.C. This Weekend,” DCist, May 2019.
Lewis, Catherine P. “Things to Do in DC This Weekend (May 16-19): Zoorfari, Bike to Work Day, and D-Day Girls who Sabotaged the Nazis,” Washingtonian, May 2019.
“18 Things To Do In the D.C. Area This Weekend,” The Washington Post, May 2019.
Dingfelder, Sadie. “Rirkrit Tiravanija is Giving Out Free Curry at The Hirshhorn. We Asked Him to Explain Why,” The Washington Post, May 2019.
Fabricant, Florence. “These Curries Are Works of Art,” The New York Times, May 2019.
“14 things to do in the D.C. area this week,” The Washington Post, May 2019.
McGrady, Clyde. “Car-free Streets and Cheese in a Box: Your Hill Horoscope,” Roll Call, May 2019.
Lee, Ethan. “What You Didn’t Know About Singaporean Artist Charles Lim’s National Gallery Singapore Ng Teg Fong Roof Garden Commission,” Buro 24-7 Singapore, May 2019.
Padua, Pat. “8 Exhibits To See (And Eat) In May,” DCist, April 2019.
“17 Things to Do Around DC This May,” Washingtonian, April 2019.
“Rirkrit Tiravanija Recalls Gretchen Bender’s Iconic ‘Total Recall’,” Cultured Magazine, April 2019.
Wen Li, Toh. “A Living, Breathing Art Project,” The Straits Times, April 2019.
Busta, Caroline. “Julieta Aranda Appointed Advisor to Art Basel Conservations,” e-flux, April 2019.
Yao Gioiello, Lulu. “‘Fades and Braids’, the Short Film Exploring Asian Identity Through Hairstyles,” Document Journal, April 2019.
Pollack, Barbara. “Speaking in Code: Artists from Thailand Find International Reach,” Art News, April 2019.
Kaspar, Tobias. “Filming and Being Filmed,” Provence Magazine, April 2019.
“Rirkrit Tiravanija: Who’s Afraid of Red, Yellow, and Green,” Smithsonian Institute, March 2019.
“Eugene Tan to Lead Singapore Art Museum,” Artforum, March 2019.
Wen Li, Toh. “Overcoming Fear Through Art,” The Straits Times, March 2019.
Losmithgul, Mary. “Contemporary Artists Bring Back Thailand’s Forgotten Palace in Collaborative Exhibition,” Prestige, March 2019.
“‘Life to Come’ at Metro Pictures, New York,” Art News, February 2019.
Pholdhampalit, Khetsirin. “Singapore Gets to Enjoy Contemporary Thai Dining, Fashion, and Art - All with a Luxury Twist,” The Nation, February 2019.
“‘appearing unannounced’ at Rirkrit Tiravanija’s Studio at Tambon Nam-bo-luang,” Contemporary Art Daily, February 2019.
“Comps Insider: Ritvik Kar’19,” Carleton Now, January 2019.
Williams, Maxwell. “Meet the 6 Rising-Star Artists Competing for the Coveted $100,000 Hugo Boss Prize,” Artnet News, November 2019.
“Who are the shortlisted artists for the 2020 Hugo Boss Prize,” Yahoo! News, November 2019.
Hastings, Sophie. “Shanghai’s Profile Is Rising. How Long Before It Becomes the Go-To Art City in China?,” ARTNews, November 2019.
“Art event focuses on ‘Escape routes’,” TTR Weekly, November 2019.
Hastings, Sophie. “‘The scene has exploded’: China gets set to be leading global centre for art,” The Guardian, November 2019.
Somvichian-Clausen, Austa. “Five Under-the-Radar Artists on Display at the New Glenstone,” Inside Hook, November 2019.
“Bar Laika by e-flux,” e-flux, November 2019.
“Untitled 2019,” Ocula, October 2019.
“Join Columbia University MFA in Visual Arts for an Information Session and Open Studios,” Hyperallergic, October 2019.
Jenkins, Mark. “At Glenstone, ‘Fear Eats the Soul’ includes a show-within-a-show — and free soup,” The Washington Post, October 2019.
“Traversées \ Kimsooja,” e-flux, October 2019.
Yang, Tristen. “Creative Time Celebrates Annual Gala Honoring Jenny Holzer,” The Knockturnal, October 2019.
“Today’s Family & Kids Activities in Queens-Oct 20 2019,” NY Metro Parents, October 2019.
Lakin, Max. “When is Free Lunch Art?” Garage, October 2019.
Bernard, Julia. “Currying F[l]avor: Have Menu, Will Travel. Julia Bernard on Rirkrit Tiravanija at the Hirshhorn Museum and Sculpture Garden, Washington, D.C.,” Texte Zur Kunst, September 2019.
“Rirkrit Tiravanija serves Mexican food, anti-capitalist maxims in opulent Maryland museum,” The Art Newspaper, October 2019.
“Traversées,” e-flux, September 2019.
“15 things to do in the D.C. area this weekend,” The Washington Post, September 2019.
Crosbie-Jones, Max. “After the Academy: How Thai Contemporary Art Began,” Frieze, September 2019.
Siegel Burke, Stephanie. “Things to See and Do in the Bethesda Area in September and October,” Bethesda Magazine, August 2019.
Raicovich, Laura. “A Cookbook That Relishes the Impure and Adulterated,” Hyperallergic, August 2019.
“The Frieze Futurist Cookbook,” Frieze, August 2019.
“Issue 205,” Frieze, August 2019.
Borin, Sopheavuthtey. “A history of Thai contemporary art,” The Bangkok Post, August 2019.
Spellman, Lisa and Richard Prince. “Richard Prince and Lisa Spellman Regret Nothing The art-world exes on the occasion of the 35th anniversary of her 303 Gallery,” Vulture, August 2019.
Kinsella, Eilee. “Pace Gallery Hires Hirshhorn Museum Curator Mark Beasley to Head Up Its New ‘Live’ Art Program in New York,” Artnet, 2019.
AugustKeener, Katherine. “Mark Beasley names curatorial director of Pace Live,” ArtCritique, August 2019.
McMahon, Katherine. “Habitat: The Art of the Dinner Party, With New York Art Types Who Use Food to Foster Community,” Art News, July 2019.
DaFoe, Taylor. “How Does a Gallery Stay in Business for 35 Years? Lisa Spellman on 303 Gallery’s Staying Power and the Hardest Part of Being a Dealer,” Artnet News, July 2019.
Keener, Katherine. “25 Artists That Have Defined Contemporary Art,” Art Critique, July 2019.
“Philippe de Montebello Curates at Park Avenue Armory, and More: Morning Links from July 16, 2019,” Artnews, July 2019.
La Force, Thessaly. “The 25 Works of Art That Define the Contemporary Age,” The New York Times Style Magazine, July 2019.
Krishnamachari, Bosa. “Art, Unlimited,” The Week, July 2019.
Tuten, Elizabeth. “Put Down Your Phone and Eat Curry at the Hirshhorn,” Washington City Paper, July 2019.
Williams, Stephanie,.”Pink Line Project founder Philippa Hughes shares her favorite spots in D.C.,” The Washington Post, June 2019.
Russeth, Andrew. “MoMA PS1 Names Kate Fowle as Director,” Artnews, June 2019.
Humphries, Stephen. “Welcome to the museum. Did you bring a spoon?,” The Christian Science Monitor, June 2019.
Sheets, Hilarie M. “When Art Is More Than an Imitation of Life,” The New York Times, June 2019.
Buck, Luisa. “Rirkrit Tiravanija Offers Cups of Sake and Space for Contemplation at the ICA,” The Art Newspaper, June 2019.
“Gavin Brown’s enterprise Closes its Lower Manhattan Space, South Africa’s Goodman Gallery Expands to London, and More,” Artforum, June 2019.
Judkis, Maura. “An Art Exhibit You Can Eat In. Actually, You Eating is part of the Art,” Denton Record Chronicle, May 2019.
Landau, Lauren. “5 Ways To Have A Totally Free Weekend Around D.C.,” DCist, May 2019.
“How a Bowl of Thai Curry Can Be An Artwork, a Conservation Starter and a Protest,” South China Morning Post, May 2019.
Judkis, Maura. “When Eating Becomes Integral to Art,” The Guam Daily Post, May 2019.
“Cooking As an Art, Vol. 3, With Rirkrit Tiravanija,” The Ringer, May 2019.
Judkis, Maura. “An Art Exhibit You Can Eat in. Actually, You Eating is Part of the Art,” The Washington Post, May 2019.
Peischel, Will. “Enjoy Free Curry and Protest-Inspired Art at This New Hirshhorn Exhibit,” Washingtonian, May 2019.
“Red, Yellow, Green? Pick a Curry Colour, Thai Artist Dishes them out at US Museum,” Star2, May 2019.
“Art Industry News: The Astronomers Who Took That Viral Black Hole Photo Now Want to Do a Live Video Feed + Other Stories,” Artnet news, May 2019.
“Thai Artist Dishes Out Communal Curry at US Museum,” CNA, May 2019.
Elder, Kara. “The Hirshhorn’s Latest Art Exhibit Includes... Free Curry?” DCist, May 2019.
McKenna, Lyndsey. “10 Things To Do Around D.C. This Weekend,” DCist, May 2019.
Lewis, Catherine P. “Things to Do in DC This Weekend (May 16-19): Zoorfari, Bike to Work Day, and D-Day Girls who Sabotaged the Nazis,” Washingtonian, May 2019.
“18 Things To Do In the D.C. Area This Weekend,” The Washington Post, May 2019.
Dingfelder, Sadie. “Rirkrit Tiravanija is Giving Out Free Curry at The Hirshhorn. We Asked Him to Explain Why,” The Washington Post, May 2019.
Fabricant, Florence. “These Curries Are Works of Art,” The New York Times, May 2019.
“14 things to do in the D.C. area this week,” The Washington Post, May 2019.
McGrady, Clyde. “Car-free Streets and Cheese in a Box: Your Hill Horoscope,” Roll Call, May 2019.
Lee, Ethan. “What You Didn’t Know About Singaporean Artist Charles Lim’s National Gallery Singapore Ng Teg Fong Roof Garden Commission,” Buro 24-7 Singapore, May 2019.
Padua, Pat. “8 Exhibits To See (And Eat) In May,” DCist, April 2019.
“17 Things to Do Around DC This May,” Washingtonian, April 2019.
“Rirkrit Tiravanija Recalls Gretchen Bender’s Iconic ‘Total Recall’,” Cultured Magazine, April 2019.
Wen Li, Toh. “A Living, Breathing Art Project,” The Straits Times, April 2019.
Busta, Caroline. “Julieta Aranda Appointed Advisor to Art Basel Conservations,” e-flux, April 2019.
Yao Gioiello, Lulu. “‘Fades and Braids’, the Short Film Exploring Asian Identity Through Hairstyles,” Document Journal, April 2019.
Pollack, Barbara. “Speaking in Code: Artists from Thailand Find International Reach,” Art News, April 2019.
Kaspar, Tobias. “Filming and Being Filmed,” Provence Magazine, April 2019.
“Rirkrit Tiravanija: Who’s Afraid of Red, Yellow, and Green,” Smithsonian Institute, March 2019.
“Eugene Tan to Lead Singapore Art Museum,” Artforum, March 2019.
Wen Li, Toh. “Overcoming Fear Through Art,” The Straits Times, March 2019.
Losmithgul, Mary. “Contemporary Artists Bring Back Thailand’s Forgotten Palace in Collaborative Exhibition,” Prestige, March 2019.
“‘Life to Come’ at Metro Pictures, New York,” Art News, February 2019.
Pholdhampalit, Khetsirin. “Singapore Gets to Enjoy Contemporary Thai Dining, Fashion, and Art - All with a Luxury Twist,” The Nation, February 2019.
“‘appearing unannounced’ at Rirkrit Tiravanija’s Studio at Tambon Nam-bo-luang,” Contemporary Art Daily, February 2019.
“Comps Insider: Ritvik Kar’19,” Carleton Now, January 2019.
2018
Micchelli, Thomas. “Hoarding and Spending at Art Basel Miami Beach,” Hyperallergic, December 2018.
Indrisek, Scott. “The Best Public Art of 2018,” Artsy, December 2018.
“We Are Many: Art, The Political and Multiple Truths,” Art Fix daily, November 2018.
Cook, Xerxes, “Three Artists Ponder The Future of Food at Magnus Nilsson’s Fäviken,” Interview, November 2018.
Zeiba, Drew. “Johnston Marklee selected to design permanent home for Philadelphia Contemporary,” The Architect’s Newspaper, October 2018.
Selig-Addiss, Rosey. “When Artists are Tamed by the Institutions that Exhibit Them,”Hyperallergic, October 2018.
On, Wenin Samila. “Absurdity in Paradise: Contemporary Thai Art Exhibition in Germany,” Prestige, September 2018.
“Thai works goes on show in Germany,” The Nation, August 2018.
Giles, Oliver. “5 Hong Kong Art Exhibitions To See In July,” Hong Kong Tatler, July 2018.
Popescu, Adam. “Tobias Rehberger’s Friends Are Always With Him,” The New York Times, June 2018.
“Hong Kong art show ‘In Search of Southeast Asia’ explores the region’s diversity,” Malay Mail, June 2018.
Harrison, Anya. “Top Ten Booths at This Year’s Basel,” Blouin Artinfo, June 2018.
“5 things to do this weekend: 15-17 June,” Buro 24/7, June 2018.
“A Conceptual Artist Sets The New York Times on Fire,” The New York Times Style Magazine, June 2018.
“Rirkrit Tiravanija, Nikolaus Hirsch, Michel Müller DO WE DREAM UNDER THE SAME SKY,” e-flux, May 2018.
“Behind the Paintings,” The Nation, May 2018.
“National gallery Singapore’s new exhibition unveils untold stories behind its massive art collection,” Coconuts Singapore, May 2018.
“Rirkrit Tiravanija on ‘Brilliant Ideas,’” Bloomberg, April 2018.
“Rirkrit Tiravanija’s Pledges Of Allegiance Flag Flies Across 21 Locations In America,” Broadway World, April 2018.
Russeth, Andrew. “Fear Eats the Soul, Rirkrit Tiravanija Flag Flies!” ArtNews, April 2018.
“‘Ng Teng Fong Roof Garden Commission: Rirkrit Tiravanija’ at National Gallery Singapore,” Blouin Artinfo, April 2018.
Min-jee, Kim. “Merck Lights Up Luminale 2018 in Frankfurt to inspire the future of lighting solutions,” Korea It Times, March 2018.
Tsui, Enid. “Singapore artist uses Straits Times to illustrate distortion of new media,” South China Morning Post, February 2018.
Ditzig, Kathleen. “A Star is Born,” Artforum, February 2018.
Phataranawik, Phatarawadee. “Thai contemporary art on top at Art Stage Singapore,” The Nation, January 2018.
“A Look at Rirkrit Tiravanija’s ‘Bamboo Maze,’” Singapore News, January 18, 2018.
“Navigate through this Bamboo Maze to Find a Teahouse on the Rooftop Garden of National Gallery Singapore,” Coconuts Singapore, January 2018.
“A first look at Rirkrit Tiravanija’s ‘bamboo maze’ in Singapore,” Malay Mail Online, January 2018.
Nanda, Akshita. “Tea room in a bamboo maze on National Gallery rooftop,” Straits Times, January 2018.
“Street art, new commissions on tap for Singapore Art Week,” Malay Mail Online, January 2018.
‘“After Midnight: Fast Forward Art History,’ a panel with Molly Nesbit, Hilton Als, Yasmin Ramirez, and Ann Reynolds,” E-Flux, January 2018.
Indrisek, Scott. “The Best Public Art of 2018,” Artsy, December 2018.
“We Are Many: Art, The Political and Multiple Truths,” Art Fix daily, November 2018.
Cook, Xerxes, “Three Artists Ponder The Future of Food at Magnus Nilsson’s Fäviken,” Interview, November 2018.
Zeiba, Drew. “Johnston Marklee selected to design permanent home for Philadelphia Contemporary,” The Architect’s Newspaper, October 2018.
Selig-Addiss, Rosey. “When Artists are Tamed by the Institutions that Exhibit Them,”Hyperallergic, October 2018.
On, Wenin Samila. “Absurdity in Paradise: Contemporary Thai Art Exhibition in Germany,” Prestige, September 2018.
“Thai works goes on show in Germany,” The Nation, August 2018.
Giles, Oliver. “5 Hong Kong Art Exhibitions To See In July,” Hong Kong Tatler, July 2018.
Popescu, Adam. “Tobias Rehberger’s Friends Are Always With Him,” The New York Times, June 2018.
“Hong Kong art show ‘In Search of Southeast Asia’ explores the region’s diversity,” Malay Mail, June 2018.
Harrison, Anya. “Top Ten Booths at This Year’s Basel,” Blouin Artinfo, June 2018.
“5 things to do this weekend: 15-17 June,” Buro 24/7, June 2018.
“A Conceptual Artist Sets The New York Times on Fire,” The New York Times Style Magazine, June 2018.
“Rirkrit Tiravanija, Nikolaus Hirsch, Michel Müller DO WE DREAM UNDER THE SAME SKY,” e-flux, May 2018.
“Behind the Paintings,” The Nation, May 2018.
“National gallery Singapore’s new exhibition unveils untold stories behind its massive art collection,” Coconuts Singapore, May 2018.
“Rirkrit Tiravanija on ‘Brilliant Ideas,’” Bloomberg, April 2018.
“Rirkrit Tiravanija’s Pledges Of Allegiance Flag Flies Across 21 Locations In America,” Broadway World, April 2018.
Russeth, Andrew. “Fear Eats the Soul, Rirkrit Tiravanija Flag Flies!” ArtNews, April 2018.
“‘Ng Teng Fong Roof Garden Commission: Rirkrit Tiravanija’ at National Gallery Singapore,” Blouin Artinfo, April 2018.
Min-jee, Kim. “Merck Lights Up Luminale 2018 in Frankfurt to inspire the future of lighting solutions,” Korea It Times, March 2018.
Tsui, Enid. “Singapore artist uses Straits Times to illustrate distortion of new media,” South China Morning Post, February 2018.
Ditzig, Kathleen. “A Star is Born,” Artforum, February 2018.
Phataranawik, Phatarawadee. “Thai contemporary art on top at Art Stage Singapore,” The Nation, January 2018.
“A Look at Rirkrit Tiravanija’s ‘Bamboo Maze,’” Singapore News, January 18, 2018.
“Navigate through this Bamboo Maze to Find a Teahouse on the Rooftop Garden of National Gallery Singapore,” Coconuts Singapore, January 2018.
“A first look at Rirkrit Tiravanija’s ‘bamboo maze’ in Singapore,” Malay Mail Online, January 2018.
Nanda, Akshita. “Tea room in a bamboo maze on National Gallery rooftop,” Straits Times, January 2018.
“Street art, new commissions on tap for Singapore Art Week,” Malay Mail Online, January 2018.
‘“After Midnight: Fast Forward Art History,’ a panel with Molly Nesbit, Hilton Als, Yasmin Ramirez, and Ann Reynolds,” E-Flux, January 2018.
2017
Smith, Roberta. “The Best Art of 2017,” The New York Times, December 2017.
Hanley, William. “Rirkrit Tiravanija and the Politics of Cooking,” Surface, December 2017.
“Creative Time Raises Artist Ann Hamilton’s PLEDGES OF ALLEGIANCE Flag,” Broadway World, December 2017.
Webb, Hilary. “Group Show: Petra Cortright, Judy Ledgerwood & More at 1301PE, Los Angeles,” Blouinartinfo, December 2017.
“Bamboo maze planned for commission at National Gallery Singapore,” The Malay Mail Online, December 2017.
Binlot, Ann. “Art Basel Global Director Marc Spiegler Reflects On A Decade With The World’s Premier Art Fair,” Forbes, December 2017.
Carrigan, Margaret. “Vote for Your Favorite Socially Engaged Art Project This Weekend at the Queens Museum,” Observer, December 2017.
Gerlis, Melanie. “Art on its sleeve,” Financial Times, December 2017.
Kinsella, Eileen. “A ‘Shazam’ for Art Fairs? The Company Behind Art Basel Looks to Own the Future With a Cutting-Edge New App,” artnet, November 2017.
Miller, Nicole. “Anger Management,” The Brooklyn Rail, November 2017.
Davkowski, Colin, “Art you can touch, taste and hear in new Albright-Knox show,” The Buffalo News, October 2017.
Yablonsky, Linda. “Deep Frieze,” Artforum, October 2017.
Cascone, Sarah. “Joan Joanas, Julie Mehretu, and Other All-Star Artists Create Posters Opposing Trump’s Immigration Ban,” Artnet News, September 2017.
Pinl, Gary. “The 10 Must-see Art Shows Opening This Week” Paper, September 2017.
Seung-woo, Kang. “Merk unceils new facade concept at Seoul Biennale,” The Korea Times, August 2017.
Colman, David. “A Catskills Art Scene Makes a Splash With Free Curry,” The New York Times, August 2017.
Smith, Roberta. “What to See in New York City Art Galleries This Week,” The New York Times, August 2017.
“Creative Time Raises Artist Nari Ward’s PLEDGES OF ALLEGIANCE Flag” Broadway World, August 2017.
McGlynn, Tom. “Disappering, Inc.”, The Brooklyn Rail, July 2017.
“Portikus XXX, 2017” e-Flux, July 2017.
Harris, Gareth. “Paris exhibition and auction throw spotlight on refugee NGOs in France,” The Art Newspaper, July 2017.
Sayej, Nadja. ‘“End of Times; Beginning of Times’: the ARoS Triennial in Denmark Stares Down Climate Change,” ArtNews, July 2017.
“Asean though its art,” The Nation, June 2017.
Sargent, Antwaun. “81 Artists Explore the Newspaper as Art Object,” Creators, June 2017.
Carrigan, Margaret. “When the New York Times Becomes Art,” Artsy, June 2017.
“At STPI creative workshop, four artists collaborate on an exhibition of ‘exquisite trust’,” DesignBoom, April 2017.
Miller, M.H. “Protest Art in the Era of Trump,” The New York Times Style Magazine, February 2017.
Linden, Liz. “Alone in the Crowd,” Taylor & Francis online, February 2017.
Hanley, William. “Rirkrit Tiravanija and the Politics of Cooking,” Surface, December 2017.
“Creative Time Raises Artist Ann Hamilton’s PLEDGES OF ALLEGIANCE Flag,” Broadway World, December 2017.
Webb, Hilary. “Group Show: Petra Cortright, Judy Ledgerwood & More at 1301PE, Los Angeles,” Blouinartinfo, December 2017.
“Bamboo maze planned for commission at National Gallery Singapore,” The Malay Mail Online, December 2017.
Binlot, Ann. “Art Basel Global Director Marc Spiegler Reflects On A Decade With The World’s Premier Art Fair,” Forbes, December 2017.
Carrigan, Margaret. “Vote for Your Favorite Socially Engaged Art Project This Weekend at the Queens Museum,” Observer, December 2017.
Gerlis, Melanie. “Art on its sleeve,” Financial Times, December 2017.
Kinsella, Eileen. “A ‘Shazam’ for Art Fairs? The Company Behind Art Basel Looks to Own the Future With a Cutting-Edge New App,” artnet, November 2017.
Miller, Nicole. “Anger Management,” The Brooklyn Rail, November 2017.
Davkowski, Colin, “Art you can touch, taste and hear in new Albright-Knox show,” The Buffalo News, October 2017.
Yablonsky, Linda. “Deep Frieze,” Artforum, October 2017.
Cascone, Sarah. “Joan Joanas, Julie Mehretu, and Other All-Star Artists Create Posters Opposing Trump’s Immigration Ban,” Artnet News, September 2017.
Pinl, Gary. “The 10 Must-see Art Shows Opening This Week” Paper, September 2017.
Seung-woo, Kang. “Merk unceils new facade concept at Seoul Biennale,” The Korea Times, August 2017.
Colman, David. “A Catskills Art Scene Makes a Splash With Free Curry,” The New York Times, August 2017.
Smith, Roberta. “What to See in New York City Art Galleries This Week,” The New York Times, August 2017.
“Creative Time Raises Artist Nari Ward’s PLEDGES OF ALLEGIANCE Flag” Broadway World, August 2017.
McGlynn, Tom. “Disappering, Inc.”, The Brooklyn Rail, July 2017.
“Portikus XXX, 2017” e-Flux, July 2017.
Harris, Gareth. “Paris exhibition and auction throw spotlight on refugee NGOs in France,” The Art Newspaper, July 2017.
Sayej, Nadja. ‘“End of Times; Beginning of Times’: the ARoS Triennial in Denmark Stares Down Climate Change,” ArtNews, July 2017.
“Asean though its art,” The Nation, June 2017.
Sargent, Antwaun. “81 Artists Explore the Newspaper as Art Object,” Creators, June 2017.
Carrigan, Margaret. “When the New York Times Becomes Art,” Artsy, June 2017.
“At STPI creative workshop, four artists collaborate on an exhibition of ‘exquisite trust’,” DesignBoom, April 2017.
Miller, M.H. “Protest Art in the Era of Trump,” The New York Times Style Magazine, February 2017.
Linden, Liz. “Alone in the Crowd,” Taylor & Francis online, February 2017.
2016
Farago, Jason. “Politics and Commerce Collide at Art Basel Miami Beach,” The New York Times, December 2016.
AFP. “Trump, politics on the mind at Art Basel Miami Beach,” Bangkok Post, December 2016.
McKean, Cameron Allan. “Sci-fi and fact at the Okayama Art Summit,” The Japan Times, November 2016.
“20 Years of the Hugo Boss Prize,” T Magazine, October 2016.
Phataranawik, Phatarawadee. “Tang reboots with a bang,” The Nation, September 2016.
Cascone, Sarah, “Rirkrit Tiravanija and Tomas Vu to Open Surf Shop at UNTITLED Miami Beach,” Artnet News, September 2016.
Freeman, Nate. “Hancock, New York’s Local Newspaper Celebrates ‘The Gavin Brown Experience,’” ArtNews, September 2016.
Williams, Gisela. “The Professional Pop-Up Artist,” The New York Times Style Magazine, July 2016.
Knight, Christopher. “Review Current: LA’ art biennial: Water may be the theme, but gas is what you’ll need to see it all,” Los Angeles Times, July 2016.
Spencer, Samuel. “Rirkrit Tiravanija Brings Ping Pong to Amsterdam’s Museumplein,” Blouin ArtInfo, June 2016.
Furdock, Nancy. “From Engine Oil to Oil on Canvas,” Destination: Hancock, June 2016.
Grau, Donatien. “Picnic in Carrara,” ArtReview Asia, Spring 2016.
Pongpipat, Kaona. “Fundraising for the land,” Bangkok Post, March 2016.
Miller, M.H. “Creative Time’s 2016 Gala Will Honor Craig Robins and Rirkrit Tiravanija,” Artnews, March 2016.
Collins, Shay. “Sprawling Memory: Thai Modern Art at the Johnson,” The Cornell Daily Sun, January 2016.
AFP. “Trump, politics on the mind at Art Basel Miami Beach,” Bangkok Post, December 2016.
McKean, Cameron Allan. “Sci-fi and fact at the Okayama Art Summit,” The Japan Times, November 2016.
“20 Years of the Hugo Boss Prize,” T Magazine, October 2016.
Phataranawik, Phatarawadee. “Tang reboots with a bang,” The Nation, September 2016.
Cascone, Sarah, “Rirkrit Tiravanija and Tomas Vu to Open Surf Shop at UNTITLED Miami Beach,” Artnet News, September 2016.
Freeman, Nate. “Hancock, New York’s Local Newspaper Celebrates ‘The Gavin Brown Experience,’” ArtNews, September 2016.
Williams, Gisela. “The Professional Pop-Up Artist,” The New York Times Style Magazine, July 2016.
Knight, Christopher. “Review Current: LA’ art biennial: Water may be the theme, but gas is what you’ll need to see it all,” Los Angeles Times, July 2016.
Spencer, Samuel. “Rirkrit Tiravanija Brings Ping Pong to Amsterdam’s Museumplein,” Blouin ArtInfo, June 2016.
Furdock, Nancy. “From Engine Oil to Oil on Canvas,” Destination: Hancock, June 2016.
Grau, Donatien. “Picnic in Carrara,” ArtReview Asia, Spring 2016.
Pongpipat, Kaona. “Fundraising for the land,” Bangkok Post, March 2016.
Miller, M.H. “Creative Time’s 2016 Gala Will Honor Craig Robins and Rirkrit Tiravanija,” Artnews, March 2016.
Collins, Shay. “Sprawling Memory: Thai Modern Art at the Johnson,” The Cornell Daily Sun, January 2016.
2014
Ting, Lisabel. “Artists replicate children’s game,” Straits Times, December 2014.
Tiravanija, Rirkrit. “Carl Michael von Hauswolff,” Monopol, December 2014.
Johnson, Ken and Martha Schwendener. “Strolling an Island of Creativity,” The New York Times, May 2014.
Veal, Clare. “Bringing the Land Foundation Back to Earth: a new model for the critical analysis of relational art,” Journal of Aesthetics & Culture, 2014.
Tiravanija, Rirkrit. “Carl Michael von Hauswolff,” Monopol, December 2014.
Johnson, Ken and Martha Schwendener. “Strolling an Island of Creativity,” The New York Times, May 2014.
Veal, Clare. “Bringing the Land Foundation Back to Earth: a new model for the critical analysis of relational art,” Journal of Aesthetics & Culture, 2014.
2013
Tommasini, Anthony. “In Space You Can Still Hear the Drones,” The New York Times, March 21, 2013.
Gander, Ryan. “Artists’ Cocktails,” Dent-de-Leone, 2013, p. 109.
Tiravanija, Rirkrit, and Sarah Sze. “Thing Theories,” Artforum, June 2013.
Rees, Simon. “U.F.O.-Naut (Július Koller) orchestrated by Rirkrit Tiravanija,” Art Agenda, May 2013.
Simonini, Ross. “Rirkrit Tiravanija Lights Stockhausen at the Armory,” Art in America, April 2013.
Santanachote, Perry. “Karlheinz Stockhausen’s Oktophonie..,” Huffington Post Blog, March 2013.
“New York Artists Now,” GalleristNY, February 2013.
Gander, Ryan. “Artists’ Cocktails,” Dent-de-Leone, 2013, p. 109.
Tiravanija, Rirkrit, and Sarah Sze. “Thing Theories,” Artforum, June 2013.
Rees, Simon. “U.F.O.-Naut (Július Koller) orchestrated by Rirkrit Tiravanija,” Art Agenda, May 2013.
Simonini, Ross. “Rirkrit Tiravanija Lights Stockhausen at the Armory,” Art in America, April 2013.
Santanachote, Perry. “Karlheinz Stockhausen’s Oktophonie..,” Huffington Post Blog, March 2013.
“New York Artists Now,” GalleristNY, February 2013.
2012
“Best of 2012: The Artist’s Artists,” Artforum, December 2012.
Birnbaum, Daniel. “Rirkrit Tiravanija’s Astronaut,” Artforum, December 2012.
Burris, Jennifer. “Fear Eats the Soul: The Paris Triennale 2012,” Afterall, November 2012.
Holden, Stephen. “Rural Life Seen Through a Man Who Has Lived Many Seasons,” The New York Times, July 16, 2012.
Henely, Kalvin. “Review,” Slant, July 16, 2012.
Atkinson, Michael. “Review,” The Village Voice, July 11, 2012.
Jovanovic, Rozalia. “Let’s Make a Deal,” The New York Observer, May 28, 2012.
Cashdan, Marina. “Frieze New York 2012,” Wallpaper*, May 8 2012.
Miller, Michael H. “Is That a Sausage at Your Art Fair, or Are You Just Happy to See Me?” GalleristNY, May 7, 2012.
“Saltz: Why the Frieze Art Fair Could Solve the New York Art Fair Problem,” New York Magazine, May 5, 2012.
“‘Hulk’ Takes Frieze island,” New York Post, May 5, 2012.
Kim, I., “AO On Site With Photoset – New York: Frieze Art Fair on Randall’s Island, May 4- 7, 2012,” Art Observed, May 4, 2012.
L’Officiel, Art, No.1, April 2012.
Schlageter, Abby. “Sustainable Culture: In The Land of Rirkrit Tiravanija,” AnOther, April 2012.
Stange, Raimar. “I am not interested in leaving things behind, but ideas,” Spike, April 2012.
Wyma, Chloe. “22 Questions for New Socrates Sculpture Park Director John Hartfield,” Blouin Artinfo, January 10, 2012.
Andress, Sarah. “Rirkrit Tiravanija,” Art in Print, January/February 2012.
Birnbaum, Daniel. “Rirkrit Tiravanija’s Astronaut,” Artforum, December 2012.
Burris, Jennifer. “Fear Eats the Soul: The Paris Triennale 2012,” Afterall, November 2012.
Holden, Stephen. “Rural Life Seen Through a Man Who Has Lived Many Seasons,” The New York Times, July 16, 2012.
Henely, Kalvin. “Review,” Slant, July 16, 2012.
Atkinson, Michael. “Review,” The Village Voice, July 11, 2012.
Jovanovic, Rozalia. “Let’s Make a Deal,” The New York Observer, May 28, 2012.
Cashdan, Marina. “Frieze New York 2012,” Wallpaper*, May 8 2012.
Miller, Michael H. “Is That a Sausage at Your Art Fair, or Are You Just Happy to See Me?” GalleristNY, May 7, 2012.
“Saltz: Why the Frieze Art Fair Could Solve the New York Art Fair Problem,” New York Magazine, May 5, 2012.
“‘Hulk’ Takes Frieze island,” New York Post, May 5, 2012.
Kim, I., “AO On Site With Photoset – New York: Frieze Art Fair on Randall’s Island, May 4- 7, 2012,” Art Observed, May 4, 2012.
L’Officiel, Art, No.1, April 2012.
Schlageter, Abby. “Sustainable Culture: In The Land of Rirkrit Tiravanija,” AnOther, April 2012.
Stange, Raimar. “I am not interested in leaving things behind, but ideas,” Spike, April 2012.
Wyma, Chloe. “22 Questions for New Socrates Sculpture Park Director John Hartfield,” Blouin Artinfo, January 10, 2012.
Andress, Sarah. “Rirkrit Tiravanija,” Art in Print, January/February 2012.
2011
Vogel, Carol. “Meals as Art at MoMA; David Altmejd at Peter Brant’s Gallery,” The New York Times, October 27, 2011.
Pollack, Maika. “Occupy Morgan Library: ‘David, Delacroix, and Revolutionary France – Drawings from the Louvre,’” New York Observer, October 18, 2011.
Hirsh, Faye. “Passport, Please,” Art in America, June/July 2011.
Pym, William. “Rirkrit Tiravanija – Making Conversation,” Art Asia Pacific, May/April 2011.
Decter, Joshua. “Rirkrit Tiravanija,” Artforum, May 2011.
Gopnik, Blake. “Cooking Up a Whole New Form of Art,” Newsweek, March 14, 2011.
Russeth, Andrew. “Review, 16 miles of String” 16miles.com, March 14, 2011.
Critic’s Pick. “Rirkrit Tiravanija, “Fear Eats the Soul,’” Time Out New York, March 2011.
Hirsch, Faye. “Rirkrit’s Fare,” ArtinAmerica.com, March 14, 2011.
Tiravanija, Rirkrit. “Pierre Huyghe,” Interview, January 2011.
Schlaegel, Andreas. “Absolute = Obsolete?” Flash Art, January/February 2011.
Pollack, Maika. “Occupy Morgan Library: ‘David, Delacroix, and Revolutionary France – Drawings from the Louvre,’” New York Observer, October 18, 2011.
Hirsh, Faye. “Passport, Please,” Art in America, June/July 2011.
Pym, William. “Rirkrit Tiravanija – Making Conversation,” Art Asia Pacific, May/April 2011.
Decter, Joshua. “Rirkrit Tiravanija,” Artforum, May 2011.
Gopnik, Blake. “Cooking Up a Whole New Form of Art,” Newsweek, March 14, 2011.
Russeth, Andrew. “Review, 16 miles of String” 16miles.com, March 14, 2011.
Critic’s Pick. “Rirkrit Tiravanija, “Fear Eats the Soul,’” Time Out New York, March 2011.
Hirsch, Faye. “Rirkrit’s Fare,” ArtinAmerica.com, March 14, 2011.
Tiravanija, Rirkrit. “Pierre Huyghe,” Interview, January 2011.
Schlaegel, Andreas. “Absolute = Obsolete?” Flash Art, January/February 2011.
2010
Jones, Kristin M. “Chronicles of a Medium in Crisis,” The Wall Street Journal, December 16, 2010.
Gopnik, Blake. “The Last Newspaper,” The Washington Post, October 21, 2010.
Cotter, Holland. “Intersecting in the Digital Age,” The New York Times, October 8, 2010.
Spalding, David. “Interview with Rirkrit Tiravanija,” Artinfo, January 13, 2010.
Gopnik, Blake. “The Last Newspaper,” The Washington Post, October 21, 2010.
Cotter, Holland. “Intersecting in the Digital Age,” The New York Times, October 8, 2010.
Spalding, David. “Interview with Rirkrit Tiravanija,” Artinfo, January 13, 2010.
2009
Ono, Yoko, and Rirkrit Tiravanija. “In Another Country,” Artforum, Summer 2009, p. 280-283.
Lebowitz, Cathy. “Review,” Art in America, January 2009, p. 108.
Velasco, David. “500 Words, John Giorno,” Artforum, January 10, 2009.
Lebowitz, Cathy. “Review,” Art in America, January 2009, p. 108.
Velasco, David. “500 Words, John Giorno,” Artforum, January 10, 2009.
2008
Porrero, Ricardo. “Activista del Intercambio,” Codigo, December–January 2008.
Smith, Roberta. “Review,” The New York Times, December 12, 2008.
Madoff, Steven Henry. “Friends With Benefits,” Artforum.com, October 30, 2008.
Cotter, Holland. “Review,” The New York Times, September 18, 2008.
Cohen, David. “The Conceptual Provocateur: Rirkrit Tiravanija,” New York Sun, September 18, 2008.
Noe, Paola. “Critics’ Picks,” Artforum.com, May 2008.
Browne, Alix. “Asian Fusion,” T Magazine, March 2008.
Sherwin, Skye. “Encounters of the Third Kind,” ArtReview, March 2008 p. 40.
Coulson, Amanda. “Consulting the Atlas,” Art on Paper, January/February 2008, p. 33-34
Frank, Peter. “Our Fair City,” LA Weekly, January 9, 2008.
Smith, Roberta. “Review,” The New York Times, December 12, 2008.
Madoff, Steven Henry. “Friends With Benefits,” Artforum.com, October 30, 2008.
Cotter, Holland. “Review,” The New York Times, September 18, 2008.
Cohen, David. “The Conceptual Provocateur: Rirkrit Tiravanija,” New York Sun, September 18, 2008.
Noe, Paola. “Critics’ Picks,” Artforum.com, May 2008.
Browne, Alix. “Asian Fusion,” T Magazine, March 2008.
Sherwin, Skye. “Encounters of the Third Kind,” ArtReview, March 2008 p. 40.
Coulson, Amanda. “Consulting the Atlas,” Art on Paper, January/February 2008, p. 33-34
Frank, Peter. “Our Fair City,” LA Weekly, January 9, 2008.
2007
Mertens, Brian. “Rirkrit Tiravanija Launches New Bangkok Venture,” Art Asia Pacific, Winter 2007, p. 55.
“Spirituality,” Art Asia Pacific, Winter, 2007, p. 82-91.
Drobnick, Jim. “Sometimes It’s Good to Put Up a Couple of Walls,” OCAD Sketch, Spring 2007, p. 8-11.
Baumann, Daniel. “Press Release by,” Used Future, no. 20, 2007.
Saltz, Jerry. “Conspicuous Consumption,” New York Magazine, May 14, 2007, p.88.
“Gordon Matta-Clark and Rirkrit Tiravanija,” New Yorker, May 7, 2007, p. 14.
Kerr, Merrily. “Matta-Clark/Tiravanija,” Time Out New York, April 26–May 2, 2007, p. 106.
Smith, Roberta. “Space Redefined in Chelsea,” The New York Times, April 13, 2007.
Orden, Abraham. “The Minute,” Artnet.com, April 6, 2007.
Lee, Carol. “Rirkrit Tiravanija and Gordon Matta-Clark United – And it Tastes So Good!” Papermag.com, March 23, 2007.
Neil, Jonathan T.D. “Tales From the City: New York,” Artreview, March 2007 p. 48.
Lütticken, Sven, “Black Bloc, White Penguin: Reconsidering Representation Critique,” Artforum, March 2007 p. 298-303, 331.
Tiravanija, Rirkrit. “Almanac: Influence Today and Tomorrow,” Art Asia Pacific, 2007, p. 225.
Rattemeyer, Christian. “27th São Paulo Bienial,” Artforum, February 2007, p. 287-288.
“Spirituality,” Art Asia Pacific, Winter, 2007, p. 82-91.
Drobnick, Jim. “Sometimes It’s Good to Put Up a Couple of Walls,” OCAD Sketch, Spring 2007, p. 8-11.
Baumann, Daniel. “Press Release by,” Used Future, no. 20, 2007.
Saltz, Jerry. “Conspicuous Consumption,” New York Magazine, May 14, 2007, p.88.
“Gordon Matta-Clark and Rirkrit Tiravanija,” New Yorker, May 7, 2007, p. 14.
Kerr, Merrily. “Matta-Clark/Tiravanija,” Time Out New York, April 26–May 2, 2007, p. 106.
Smith, Roberta. “Space Redefined in Chelsea,” The New York Times, April 13, 2007.
Orden, Abraham. “The Minute,” Artnet.com, April 6, 2007.
Lee, Carol. “Rirkrit Tiravanija and Gordon Matta-Clark United – And it Tastes So Good!” Papermag.com, March 23, 2007.
Neil, Jonathan T.D. “Tales From the City: New York,” Artreview, March 2007 p. 48.
Lütticken, Sven, “Black Bloc, White Penguin: Reconsidering Representation Critique,” Artforum, March 2007 p. 298-303, 331.
Tiravanija, Rirkrit. “Almanac: Influence Today and Tomorrow,” Art Asia Pacific, 2007, p. 225.
Rattemeyer, Christian. “27th São Paulo Bienial,” Artforum, February 2007, p. 287-288.
2006
Moulène, Claire. “Imaginaire: Mode d’Emploi, ‘Art contemporain et lien social,”’ Editions Cercle d’Art, 2006.
Goncharov, Kathleen. “Review: Whitney Biennial,” Tema Celeste, no. 116, 2006 p. 86-87.
Mooney, Christopher. “Review,” Modern Painters, April 2006, p. 117.
Hoptman, Laura. “Give Peace Another Chance,” ArtReview, March 2006, p. 28-29.
“The Artists Talk: A Cross Section of the Art Life in Berlin,” Flash Art, March/April 2006, p. 82-87.
Tiravanija, Rirkrit. “Work in Progress,” V magazine, Spring 2006, p. 122.
Petlin, Irving, Mark di Suvero, and Rirkrit Tiravanija. “Peace Tower,” Artforum, March 2006, p. 252-257
Griffin, Tim. “Review: Lyon Biennale,” Artforum, February 2006, p. 205, 230.
Morton, Tom, and Nancy Spector. “Retrospectives,” Frieze, January/February 2006, p. 115-116.
Griffin, Tim, Chrissie Iles, and Philippe Vergne. “Cabaret License,” Artforum, January 2006, p. 94-96.
Goncharov, Kathleen. “Review: Whitney Biennial,” Tema Celeste, no. 116, 2006 p. 86-87.
Mooney, Christopher. “Review,” Modern Painters, April 2006, p. 117.
Hoptman, Laura. “Give Peace Another Chance,” ArtReview, March 2006, p. 28-29.
“The Artists Talk: A Cross Section of the Art Life in Berlin,” Flash Art, March/April 2006, p. 82-87.
Tiravanija, Rirkrit. “Work in Progress,” V magazine, Spring 2006, p. 122.
Petlin, Irving, Mark di Suvero, and Rirkrit Tiravanija. “Peace Tower,” Artforum, March 2006, p. 252-257
Griffin, Tim. “Review: Lyon Biennale,” Artforum, February 2006, p. 205, 230.
Morton, Tom, and Nancy Spector. “Retrospectives,” Frieze, January/February 2006, p. 115-116.
Griffin, Tim, Chrissie Iles, and Philippe Vergne. “Cabaret License,” Artforum, January 2006, p. 94-96.
2005
Tomkins, Calvin. “Shall We Dance,” The New Yorker, 2005.
Birnbaum, Daniel. “Best of 2005,” Artforum, December 2005, p. 260-261.
Iles, Chrissie. “Film, Best of 2005,” Artforum, December 2005, p. 58.
McCormack, Christopher. “Previews,” Contemporary, no. 75, 2005, p. 51.
Dorment, Richard. “The Exhibition That Says, Make Yourself at Home,” The Telegraph, July 12, 2005.
Darwent, Charles. “Make Yourself Comfy: The Artist Is at Home,” The Independent, July 17, 2005.
Cooper, Emmanuel. “Make Yourself at Home…,” Tribune, August 5/19, 2005.
Martin, Francesca. “Checklist,” British Vogue, August 2005, p. 53.
Lewis, Ben. “Private View,” Prospect, August 2005, p. 55.
OʼConnell, Alex. “Art Notebook,” The Times, July 28, 2005.
Januszczak, Waldemar. “Home Is Where the Art Isnʼt,” The Sunday Times, July 24, 2005 p. 10.
Jennings, Rose. “Thereʼs Plenty of Room for Manoeuvre,” The Observer, July 24, 2005.
Hanks, Robert. “The Week in Radio,” The Independent, July 23, 2005.
Kent, Sarah. “Food for Thought,” Time Out London, July 20, 2005.
Croft, Catherine. “Plywood Homes from Home,” Building Design, July 15, 2005.
“Review,” London Evening Standard, July 15, 2005.
Searle, Adrian. “Make Yourself at Home,” Guardian, July 12, 2005.
Güner, Fisun. “Review,” Metro London, July 6, 2005.
Leitch, Luke. “Home Is Where the Art Is,” London Evening Standard, July 5, 2005.
Dannatt, Adrian. “Interview,” The Art Newspaper, 2005, p. 36.
Baal, Iphigenia. “Home Base: Rirkrit Tiravanija,” Dazed & Confused, July 2005, p. 154.
Cripps, Charlotte. “Everyone Back to My Pad,” The Independent, June 29, 2005.
Buck, Louisa. “Preview,” RA, Summer 2005.
Griffin, Tim (moderator). “Remote Possibilities: A Roundtable Discussion on Land Art’s Changing Terrain,” Artforum, Summer 2005, p. 288-295, 366.
Joselit, David. “Navigating the New Territory,” Artforum, Summer 2005, p. 276-279.
Birnbaum, Daniel. “The Lay of the Land,” Artforum, Summer 2005, p. 270-274, 346.
Laubard, Charlotte. “Review,” Flash Art, May/June 2005, p. 152-153.
“An Interview with Rirkrit Tiravanija,” Asian Art Newspaper, April 2005, p. 6-7.
Wilcox, T.J. “Personal Affects,” Artforum, April 2005, p. 165.
Fox, Dan. “Welcome to the Real World,” Frieze, April 2005, p. 72-76, cover.
Waltener, Shane. “Review,” Modern Painters, April 2005, p. 113.
Cotter, Holland. “Work Whose Medium Is Indeed Its Message,” The New York Times, March 18, 2005.
Moisdon, Stéphanie. “Rirkrit Tiravanija: Artiste Relationnel?” Beaux-Arts, March 2005.
Ardenne, Paul. “Review,” Artpress, March 2005.
Bishop, Claire. “But is it – Installation Art?” Tate Etc., 3, Spring 2005, p. 26-35.
Lutticken, Sven. “Review,” Artforum, 43, no. 6, February 2005, p. 164-165.
Sheets, Hilarie M. “Underrated Overrated (Paul Ha)”, ARTnews, January 2005, p. 108.
“News: Prizes,” ARTnews, January 2005, p. 54.
“News: Prizes and Competitions,” Flash Art, January–February 2005, p. 45.
Birnbaum, Daniel. “Best of 2005,” Artforum, December 2005, p. 260-261.
Iles, Chrissie. “Film, Best of 2005,” Artforum, December 2005, p. 58.
McCormack, Christopher. “Previews,” Contemporary, no. 75, 2005, p. 51.
Dorment, Richard. “The Exhibition That Says, Make Yourself at Home,” The Telegraph, July 12, 2005.
Darwent, Charles. “Make Yourself Comfy: The Artist Is at Home,” The Independent, July 17, 2005.
Cooper, Emmanuel. “Make Yourself at Home…,” Tribune, August 5/19, 2005.
Martin, Francesca. “Checklist,” British Vogue, August 2005, p. 53.
Lewis, Ben. “Private View,” Prospect, August 2005, p. 55.
OʼConnell, Alex. “Art Notebook,” The Times, July 28, 2005.
Januszczak, Waldemar. “Home Is Where the Art Isnʼt,” The Sunday Times, July 24, 2005 p. 10.
Jennings, Rose. “Thereʼs Plenty of Room for Manoeuvre,” The Observer, July 24, 2005.
Hanks, Robert. “The Week in Radio,” The Independent, July 23, 2005.
Kent, Sarah. “Food for Thought,” Time Out London, July 20, 2005.
Croft, Catherine. “Plywood Homes from Home,” Building Design, July 15, 2005.
“Review,” London Evening Standard, July 15, 2005.
Searle, Adrian. “Make Yourself at Home,” Guardian, July 12, 2005.
Güner, Fisun. “Review,” Metro London, July 6, 2005.
Leitch, Luke. “Home Is Where the Art Is,” London Evening Standard, July 5, 2005.
Dannatt, Adrian. “Interview,” The Art Newspaper, 2005, p. 36.
Baal, Iphigenia. “Home Base: Rirkrit Tiravanija,” Dazed & Confused, July 2005, p. 154.
Cripps, Charlotte. “Everyone Back to My Pad,” The Independent, June 29, 2005.
Buck, Louisa. “Preview,” RA, Summer 2005.
Griffin, Tim (moderator). “Remote Possibilities: A Roundtable Discussion on Land Art’s Changing Terrain,” Artforum, Summer 2005, p. 288-295, 366.
Joselit, David. “Navigating the New Territory,” Artforum, Summer 2005, p. 276-279.
Birnbaum, Daniel. “The Lay of the Land,” Artforum, Summer 2005, p. 270-274, 346.
Laubard, Charlotte. “Review,” Flash Art, May/June 2005, p. 152-153.
“An Interview with Rirkrit Tiravanija,” Asian Art Newspaper, April 2005, p. 6-7.
Wilcox, T.J. “Personal Affects,” Artforum, April 2005, p. 165.
Fox, Dan. “Welcome to the Real World,” Frieze, April 2005, p. 72-76, cover.
Waltener, Shane. “Review,” Modern Painters, April 2005, p. 113.
Cotter, Holland. “Work Whose Medium Is Indeed Its Message,” The New York Times, March 18, 2005.
Moisdon, Stéphanie. “Rirkrit Tiravanija: Artiste Relationnel?” Beaux-Arts, March 2005.
Ardenne, Paul. “Review,” Artpress, March 2005.
Bishop, Claire. “But is it – Installation Art?” Tate Etc., 3, Spring 2005, p. 26-35.
Lutticken, Sven. “Review,” Artforum, 43, no. 6, February 2005, p. 164-165.
Sheets, Hilarie M. “Underrated Overrated (Paul Ha)”, ARTnews, January 2005, p. 108.
“News: Prizes,” ARTnews, January 2005, p. 54.
“News: Prizes and Competitions,” Flash Art, January–February 2005, p. 45.
2004
Bajo, Delia, and Carey Brainard. “In Conversation,” The Brooklyn Rail, February, p. 21-22.
2003
“Review,” The New Yorker, November 10, 2003, p. 27.
Bollen, Christopher. “Critics’ Picks,” Artforum.com, October 2003.
Cavallucci, Fabio. “Work,” Art in Progress, April/June 2003, p. 10.
Floriani, Giorgia. “Work,” Art in Progress, April/June 2003, p. 9.
Culpan, Laura Jane. “Work,” Art in Progress, April/June 2003, p. 22.
Tetsuya, Ozaki. Invitation, June 2003, p. 59.
Quote. ArtReview, July/August 2003, p. 49.
Gopnik, Blake. “Rirkrit Tiravanija Wins Smithsonian’s Lucelia Artist Award” The Washington Post, April 9, 2003.
“The 80’s,” Artforum, March 2003, p. 214.
Bollen, Christopher. “Critics’ Picks,” Artforum.com, October 2003.
Cavallucci, Fabio. “Work,” Art in Progress, April/June 2003, p. 10.
Floriani, Giorgia. “Work,” Art in Progress, April/June 2003, p. 9.
Culpan, Laura Jane. “Work,” Art in Progress, April/June 2003, p. 22.
Tetsuya, Ozaki. Invitation, June 2003, p. 59.
Quote. ArtReview, July/August 2003, p. 49.
Gopnik, Blake. “Rirkrit Tiravanija Wins Smithsonian’s Lucelia Artist Award” The Washington Post, April 9, 2003.
“The 80’s,” Artforum, March 2003, p. 214.
2002
Dusini, Mathias. “Review: Secession, Vienna,” Frieze, November 2002, p. 110.
Boers, Waling. “Interview, p. 96-97,” Public Affairs, 2002.
Fallon, Roberta. “Spiritual Comfort,” Artnet.com, May 10, 2002.
“Canvas,” Art News, May 2002.
Volk, Gregory. “Back to the Bosphorus,” Art in America, March 2001, p. 43-47 (illustrations).
Boers, Waling. “Interview, p. 96-97,” Public Affairs, 2002.
Fallon, Roberta. “Spiritual Comfort,” Artnet.com, May 10, 2002.
“Canvas,” Art News, May 2002.
Volk, Gregory. “Back to the Bosphorus,” Art in America, March 2001, p. 43-47 (illustrations).
2001
Baldon, Diana. “Ein/raümen in Hamburg,” Tema Celeste, January/February 2001, p. 116.
Herbstreuth, Peter. “Held der Arbeit,” Der Tagesspiegel, July 28, 2001.
Chapuis, Yvonne. “L’Espace d’action Inconditionnelle,” Parachute, Winter/Spring 2001.
Press Release. Kunstverein Wolfsburg, March 9, 2001.
Erickson, Karl. “The Free Spot,” In These Times, August 20, 2001.
Frangenberg, Frank. “Frentzens welke Kranze,” Suddeustche Zeitung, June 26, 2001, p. 17.
Herbstreuth, Peter. “Held der Arbeit,” Der Tagesspiegel, July 28, 2001.
Chapuis, Yvonne. “L’Espace d’action Inconditionnelle,” Parachute, Winter/Spring 2001.
Press Release. Kunstverein Wolfsburg, March 9, 2001.
Erickson, Karl. “The Free Spot,” In These Times, August 20, 2001.
Frangenberg, Frank. “Frentzens welke Kranze,” Suddeustche Zeitung, June 26, 2001, p. 17.
2000
Stange, Raimar. “ein/raumen,” Das Kunstbulletin, no. 12, 2000, p. 36.
Winter, Peter, Kassen Katzen, and Karl V. Frankfurter Allgemeine Zeitung, November 20, 2000, p. 54.
Vergez, Juan. “Review,” ARCO Elective Affinities, September 2000, p. 14.
Ackermann, Franz, and Rirkrit Tiravanija. “RE public,” Grazer Kunstverein, October 2000, p. 63-65.
Wolfs, Rein. “The Social Capital Today,” Art Land 6, no. 1, 2000, p. 5.
Boers, Waling. “Reality is a friend of mine, Interview with Rirkrit Tiravanija,” Material, no. 3, Spring/Summer 2000, p. 44-46.
Wittneven, Kathrin. “Zeichne dich selbst,” Der Tagesspiegel, July 15, 2000, p. 32.
Lonehood, Lex. “Free Rent: Rirkrit Tiravanija’s Experiment in Living,” Citytripping.com, August 1, 2000.
Lintzel, Aram. “Liebst du much wirklich?” Frankfurter Allegemeine Zeitun, July 14, 2000, p. 6.
Gardner, Belinda Grace. “Verfuhrung des Blicks,” Das Haus der Kunst, 2000, p. 175.
Memba, Javier Okupas. “yvagabundos acuden a cenar a una galería de arte,” El Mundo, February 14, 2000.
Murria, Alicia. “Rirkrit Tiravanija,” Revista Lapiz, March 2000.
Llorca, Pablo. “Modelo de artista,” El Periodico del Arte, February 2000.
“Ririkrit Tiravanija,” Arte publico, Antiquaria, 2000.
Stange, Raimar. “Rirkrit Tiravanija,” Artist Kunstmagazin, January 2000, p. 22-26.
“The Art of Eating Curry,” Composite, Tokyo, June 2000.
Figaro Japon, May 2000.
Spa, Tokyo, May 2000.
Brutus, Tokyo, April 2000.
Winter, Peter, Kassen Katzen, and Karl V. Frankfurter Allgemeine Zeitung, November 20, 2000, p. 54.
Vergez, Juan. “Review,” ARCO Elective Affinities, September 2000, p. 14.
Ackermann, Franz, and Rirkrit Tiravanija. “RE public,” Grazer Kunstverein, October 2000, p. 63-65.
Wolfs, Rein. “The Social Capital Today,” Art Land 6, no. 1, 2000, p. 5.
Boers, Waling. “Reality is a friend of mine, Interview with Rirkrit Tiravanija,” Material, no. 3, Spring/Summer 2000, p. 44-46.
Wittneven, Kathrin. “Zeichne dich selbst,” Der Tagesspiegel, July 15, 2000, p. 32.
Lonehood, Lex. “Free Rent: Rirkrit Tiravanija’s Experiment in Living,” Citytripping.com, August 1, 2000.
Lintzel, Aram. “Liebst du much wirklich?” Frankfurter Allegemeine Zeitun, July 14, 2000, p. 6.
Gardner, Belinda Grace. “Verfuhrung des Blicks,” Das Haus der Kunst, 2000, p. 175.
Memba, Javier Okupas. “yvagabundos acuden a cenar a una galería de arte,” El Mundo, February 14, 2000.
Murria, Alicia. “Rirkrit Tiravanija,” Revista Lapiz, March 2000.
Llorca, Pablo. “Modelo de artista,” El Periodico del Arte, February 2000.
“Ririkrit Tiravanija,” Arte publico, Antiquaria, 2000.
Stange, Raimar. “Rirkrit Tiravanija,” Artist Kunstmagazin, January 2000, p. 22-26.
“The Art of Eating Curry,” Composite, Tokyo, June 2000.
Figaro Japon, May 2000.
Spa, Tokyo, May 2000.
Brutus, Tokyo, April 2000.
1999
Berwick, Carly. “While Some Live for Art, Others Live in It,” The New York Times, August 8, 1999.
Boggs, Sheri. “Sitting Down to Art,” The Inlander, April 14, 1999.
Knight, Christopher. “L.A. Map Makes the Invisible Plain,” Los Angeles Times, July 23, 1999.
Hunt, David. “Faraway and Nearby, The Province of Telepresence,” Camerawork, Spring/Summer 1999, p. 26-29.
Scott, Andrea K. “Art Reviews: ‘Mi casa, su casa,’” Time Out New York, June 10–17, 1999.
Wong, Gloria M. “Quick Takes,” Bazaar, June 1999, p. 88.
“Living with Art at Gavin Brown’s Enterprise,” The Art Newspaper, June 1999.
Saltz, Jerry. “Rising Tide,” The Village Voice, June 29, 1999, p. 157.
Saltz, Jerry. “Resident Alien,” The Village Voice, July 7, 1999, p. 157.
Gilson, Nancy. “Eye of the beholder,” The Columbus Dispatch, January 27, 1999, p. 8E.
Pettus, Jason. “Extended Stay,” Cake Walk, Fall 1999, p. 58-59.
Joyce, Julie. “Rirkrit Tiravanija and Lincoln Tobier,” Art/Text, 67, 1999, p. 90.
Gilson, Nancy. “Eye of the beholder,” The Columbus Dispatch, January 27, 1999.
Gellatly, Andrew. “Cities on the Move,” Frieze, September/October 1999.
Siegel, Katy. “Rirkrit Tiravanija,” Artforum, October 1999, p. 146.
Kazakov, Rafaelo. “Rirkrit Tiravanija,” The New York Art World, September 1999, p. 14.
Elms, Anthony. “Rirkrit Tiravanija,” The New Art Examiner, October 1999, p. 47-48.
Pinchbeck, Daniel. “NY artist Q&A, Rirkrit Tiravanija,” The Art Newspaper, July–August 1999.
Sachs, Brita. “Bei Anruf Kunst,” Frankfurter Allgemeine Zeitung, December 16, 1999, p. 53.
Sanders, Joel. “Frames of mind,” Artforum, November 1999, p. 126-131.
Nomblot, Javier Rubio. “Rirkrit Tiravanija: diez propuestas para Madrid,” El punto de las Artes, December 1999, p. 10-20.
N.N. “Museum Het Domein presenteert Ex-tension,” Trompetter, June 30, 1999.
Fischer, Tine, and Mikkel Eskjaer. “Spis en film,” Kunstmagasinet 1%, no. 5, February 1999.
Lind, Maria. “Raumnachbildungen und Erfahrungsraume,” Parkett, no. 54, 1999, p. 186-190
Wuffen, Thomas. “Berlin Biennale,” Kunstforum International, January/February 1999.
Tiravanija, Rirkrit. “Artist Comment,” BT, February 1999, p. 41.
Berg, Ronald. “Jeder Mensch ein Pop-Star,” Zitty, no. 2, 1999, p. 50
Wolfs, Rein. “Ein bisschen Wirklichkeit und bisschen Kunst,” fon, no. 33, 1999, S. 2-4.
Phillips, Christopher. “Art for an Unfinished City,” Art in America, January 1999, p. 62-69.
Boggs, Sheri. “Sitting Down to Art,” The Inlander, April 14, 1999.
Knight, Christopher. “L.A. Map Makes the Invisible Plain,” Los Angeles Times, July 23, 1999.
Hunt, David. “Faraway and Nearby, The Province of Telepresence,” Camerawork, Spring/Summer 1999, p. 26-29.
Scott, Andrea K. “Art Reviews: ‘Mi casa, su casa,’” Time Out New York, June 10–17, 1999.
Wong, Gloria M. “Quick Takes,” Bazaar, June 1999, p. 88.
“Living with Art at Gavin Brown’s Enterprise,” The Art Newspaper, June 1999.
Saltz, Jerry. “Rising Tide,” The Village Voice, June 29, 1999, p. 157.
Saltz, Jerry. “Resident Alien,” The Village Voice, July 7, 1999, p. 157.
Gilson, Nancy. “Eye of the beholder,” The Columbus Dispatch, January 27, 1999, p. 8E.
Pettus, Jason. “Extended Stay,” Cake Walk, Fall 1999, p. 58-59.
Joyce, Julie. “Rirkrit Tiravanija and Lincoln Tobier,” Art/Text, 67, 1999, p. 90.
Gilson, Nancy. “Eye of the beholder,” The Columbus Dispatch, January 27, 1999.
Gellatly, Andrew. “Cities on the Move,” Frieze, September/October 1999.
Siegel, Katy. “Rirkrit Tiravanija,” Artforum, October 1999, p. 146.
Kazakov, Rafaelo. “Rirkrit Tiravanija,” The New York Art World, September 1999, p. 14.
Elms, Anthony. “Rirkrit Tiravanija,” The New Art Examiner, October 1999, p. 47-48.
Pinchbeck, Daniel. “NY artist Q&A, Rirkrit Tiravanija,” The Art Newspaper, July–August 1999.
Sachs, Brita. “Bei Anruf Kunst,” Frankfurter Allgemeine Zeitung, December 16, 1999, p. 53.
Sanders, Joel. “Frames of mind,” Artforum, November 1999, p. 126-131.
Nomblot, Javier Rubio. “Rirkrit Tiravanija: diez propuestas para Madrid,” El punto de las Artes, December 1999, p. 10-20.
N.N. “Museum Het Domein presenteert Ex-tension,” Trompetter, June 30, 1999.
Fischer, Tine, and Mikkel Eskjaer. “Spis en film,” Kunstmagasinet 1%, no. 5, February 1999.
Lind, Maria. “Raumnachbildungen und Erfahrungsraume,” Parkett, no. 54, 1999, p. 186-190
Wuffen, Thomas. “Berlin Biennale,” Kunstforum International, January/February 1999.
Tiravanija, Rirkrit. “Artist Comment,” BT, February 1999, p. 41.
Berg, Ronald. “Jeder Mensch ein Pop-Star,” Zitty, no. 2, 1999, p. 50
Wolfs, Rein. “Ein bisschen Wirklichkeit und bisschen Kunst,” fon, no. 33, 1999, S. 2-4.
Phillips, Christopher. “Art for an Unfinished City,” Art in America, January 1999, p. 62-69.
1998
Ammann, Rene. “Review,” Artforum, November 1998, p. 110.
Kraynak, Janet. “Rirkrit Tiravanija’s Liability*,” Documents, Fall 1998, p. 26-40.
Seidel, Miriam. “On the Road,” Philadelphia Weekly, April 29, 1998.
Sozanski, Edward J. “It’s a cross-country trip – but is it art?” The Philadelphia Inquirer, April 19, 1998.
New York Times, May 1, 1998.
Kunstlerhaus Bregenz. “KunstlerInnen,” 50 Gesprache, 1998, p. 229-231.
m.b. “Schnee und Nudeln,” Salzburg Nachrichten, December 5, 1998.
Greenleaf, Ken. “Bowdoin has a sleeper in ‘Embedded Metaphor’,” Art Review, February 22, 1998.
“Review of ‘Embedded Metaphor,’” Virginia Beach Sun, April 17, 1998.
Nigelhell, Franz. “Symbolische Architektur,” Neue Zeit, December 4, 1998.
Hofmann-Sewera, Kathi. “Kommunikative Kunstverkaufer,” Kleine Zeitung, November 29, 1998.
Stefani, Gudio. “Der Kurator Rein Wolfs zur Ausstellung ‘Das soziale Kapital,’” 1998.
Strauss, Dorthea. “Basic Needs,” Kunst-Bulletin, September 22–29, 1998.
Descombes, Mireille. “Achetez vos spaghetti au Musée,” L’Hebdo, August 27, 1998.
Haag, Vera. “Jammen inmitten von Thaiduften,” Toaster, July/August 1998.
Cruvell (kcd.) “Galeriesprengend,” Frankfurter Allgemeine Zeitung, November 28, 1998.
Gorris, Lothar, and U. Wiensowski. “Ingeborg, Kunst-oder was?” Spiegel Kultur Extra, October 1998, p. 12-17.
Beil, Ralf. “Rirkrit Tiravanija,” Kunstforum International, October-November 1998, Bd. 142, S. 452-3.
Imdahl, Georg. “Leben im Supermarkt,” Frankfurter Allgemein Zeitung, October 6, 1998, p. 46.
Kraynak, Janet. “Rirkrit Tiravanija’s Liability*,” Documents, Fall 1998, p. 26-40.
Seidel, Miriam. “On the Road,” Philadelphia Weekly, April 29, 1998.
Sozanski, Edward J. “It’s a cross-country trip – but is it art?” The Philadelphia Inquirer, April 19, 1998.
New York Times, May 1, 1998.
Kunstlerhaus Bregenz. “KunstlerInnen,” 50 Gesprache, 1998, p. 229-231.
m.b. “Schnee und Nudeln,” Salzburg Nachrichten, December 5, 1998.
Greenleaf, Ken. “Bowdoin has a sleeper in ‘Embedded Metaphor’,” Art Review, February 22, 1998.
“Review of ‘Embedded Metaphor,’” Virginia Beach Sun, April 17, 1998.
Nigelhell, Franz. “Symbolische Architektur,” Neue Zeit, December 4, 1998.
Hofmann-Sewera, Kathi. “Kommunikative Kunstverkaufer,” Kleine Zeitung, November 29, 1998.
Stefani, Gudio. “Der Kurator Rein Wolfs zur Ausstellung ‘Das soziale Kapital,’” 1998.
Strauss, Dorthea. “Basic Needs,” Kunst-Bulletin, September 22–29, 1998.
Descombes, Mireille. “Achetez vos spaghetti au Musée,” L’Hebdo, August 27, 1998.
Haag, Vera. “Jammen inmitten von Thaiduften,” Toaster, July/August 1998.
Cruvell (kcd.) “Galeriesprengend,” Frankfurter Allgemeine Zeitung, November 28, 1998.
Gorris, Lothar, and U. Wiensowski. “Ingeborg, Kunst-oder was?” Spiegel Kultur Extra, October 1998, p. 12-17.
Beil, Ralf. “Rirkrit Tiravanija,” Kunstforum International, October-November 1998, Bd. 142, S. 452-3.
Imdahl, Georg. “Leben im Supermarkt,” Frankfurter Allgemein Zeitung, October 6, 1998, p. 46.
1997
Rirkrit Tiravanija. Flash Art, no. 31, Summer 1997, p. 85.
Lind, Maria. “Copies. Reflections. Models,” Index, no. 21, 1997, p. 68-75.
Nemeczek, Alfred. “Kunst als Dienstleistung,” Art, no. 5, May 1997, p. 26-35.
Herbstreuth, Peter. “Rirkrit Tiravanija,” Kunstforum, April–June 1997, p. 349-350.
Drobnick, Jim. “Reveries, Assaults and Evaporating Presences: Olfactory Dimensions in Contemporary Art,” Parachute, Winter/Spring 1997, p. 10-19 (illustrations).
Smith, Roberta. “Finding Art in the Artifacts of the Masses,” The New York Times, December 1, 1997.
Rimanelli, David. “A/Drift,” Artforum, February 1997, p. 83.
Ekeberg, Jonas. “Rirkrit Tiravanija,” Hyperfoto, no. 3-4, 1997, p. 25.
Lufty, Carol, and Lynn Gumpert. “A lot to Digest,” Art News, May 1997, p. 150-153.
“Review,” Time Out New York, April 24–May 1, 1997, p. 47.
Berger, Laurel. ARTnews, March 1997, p. 94.
Dziewior, Yilmaz. “Gastfreundlich,” neue bilbende kunst, February/March 1997, p. 8
Schaechterle, Beatrice. “Die Kunst Des Handelns,” Noema, December/January 1997, p. 48.
Tiravanija, Rirkrit. “Rirkrit Tiravanija Talks with Peter Fischl and David Weiss,” Artforum, October 1997, p. 78.
Kawai, Sumi. “Rirkrit Tiravanija,” BT, June 1997, p. 41-44.
Smith, Roberta. “Savoring a Medium Whose Bite Has Grown With Age,” The New York Times, June 21, 1997.
N.N. “Kommunikatives Maltaschen-Mahl statt einer steifen Vernissage,” Ludwigsburger Kreiszeitung, April 28, 1997.
N.N. “Rirkrit Tiravanija in der Villa Franck,” Ludwigsburger Wochenblatt, April 30 Winkelmann, Jan, “und noch ein Essen,” Blitz Review, 1997.
N.N. “Spezifische Situationen,” Lift, 1997.
Fechner-Smarsly. Thomas, “Einbaukunst,” Frankfurter Rundschau, July 7, 1997.
Hoffmann, Gabriele. “Kochkunst,” Kultur, June 1997.
Schaecher, Marko. “Radieschen fur die Statisten,” Stuttgarter Nachrichten, June 26, 1997.
Schroter, Lorenz. “Maultasche goes Art,” Alles ist Kunst, Cosmosguide, Mai Review, Time Out New York, April 24–May 1, 1997.
Stellwaag, Karin. “Kunsttest-die interessantesten Ausstellungen in April,” Prinz, Kunst Arbeit Katalog, 1997.
Steiner, Barbara, and Kunstverein Ludwigsburg. “Rirkrit Tiravanija – Kochbuch,” 1997.
“Marcori, Roxana, Diana Murphy, and Eve Sinaiko,” New Art, 1997.
Hantelmann, Dorothea. “Faust und Biberkopf,” Zitty, no. 23, 1997, p. 86.
Dobrynski, Judith. “A Popular Couple Charge into the Future of Art, but in Opposite Directions,” The New York Times, September 2, 1997.
Kisters, Jurgen, and Rirkrit Tiravanija. “Asthetik des Reisens,” Kunstforum, February–May, p. 412-414.
S.W. “A Cue from Kids,” Art and Hippies, December 1997.
Kisters, Jurgen. “Zum Feiern und Schlafen in den Kolner Kunstverein,” Kölner Stadtanzeiger, no. 2,3. January 1997.
Herbstreuth, Peter. “Wie im Bild, so im Leben,” Der Tagesspiegel, March 8, 1997.
Hainley, Bruce. “Where Are We Going? And What are we Doing? Rirkrit Tiravanija’s Art of Living,” Artforum, February 1997, p. 54.
Lind, Maria. “Copies. Reflections. Models,” Index, no. 21, 1997, p. 68-75.
Nemeczek, Alfred. “Kunst als Dienstleistung,” Art, no. 5, May 1997, p. 26-35.
Herbstreuth, Peter. “Rirkrit Tiravanija,” Kunstforum, April–June 1997, p. 349-350.
Drobnick, Jim. “Reveries, Assaults and Evaporating Presences: Olfactory Dimensions in Contemporary Art,” Parachute, Winter/Spring 1997, p. 10-19 (illustrations).
Smith, Roberta. “Finding Art in the Artifacts of the Masses,” The New York Times, December 1, 1997.
Rimanelli, David. “A/Drift,” Artforum, February 1997, p. 83.
Ekeberg, Jonas. “Rirkrit Tiravanija,” Hyperfoto, no. 3-4, 1997, p. 25.
Lufty, Carol, and Lynn Gumpert. “A lot to Digest,” Art News, May 1997, p. 150-153.
“Review,” Time Out New York, April 24–May 1, 1997, p. 47.
Berger, Laurel. ARTnews, March 1997, p. 94.
Dziewior, Yilmaz. “Gastfreundlich,” neue bilbende kunst, February/March 1997, p. 8
Schaechterle, Beatrice. “Die Kunst Des Handelns,” Noema, December/January 1997, p. 48.
Tiravanija, Rirkrit. “Rirkrit Tiravanija Talks with Peter Fischl and David Weiss,” Artforum, October 1997, p. 78.
Kawai, Sumi. “Rirkrit Tiravanija,” BT, June 1997, p. 41-44.
Smith, Roberta. “Savoring a Medium Whose Bite Has Grown With Age,” The New York Times, June 21, 1997.
N.N. “Kommunikatives Maltaschen-Mahl statt einer steifen Vernissage,” Ludwigsburger Kreiszeitung, April 28, 1997.
N.N. “Rirkrit Tiravanija in der Villa Franck,” Ludwigsburger Wochenblatt, April 30 Winkelmann, Jan, “und noch ein Essen,” Blitz Review, 1997.
N.N. “Spezifische Situationen,” Lift, 1997.
Fechner-Smarsly. Thomas, “Einbaukunst,” Frankfurter Rundschau, July 7, 1997.
Hoffmann, Gabriele. “Kochkunst,” Kultur, June 1997.
Schaecher, Marko. “Radieschen fur die Statisten,” Stuttgarter Nachrichten, June 26, 1997.
Schroter, Lorenz. “Maultasche goes Art,” Alles ist Kunst, Cosmosguide, Mai Review, Time Out New York, April 24–May 1, 1997.
Stellwaag, Karin. “Kunsttest-die interessantesten Ausstellungen in April,” Prinz, Kunst Arbeit Katalog, 1997.
Steiner, Barbara, and Kunstverein Ludwigsburg. “Rirkrit Tiravanija – Kochbuch,” 1997.
“Marcori, Roxana, Diana Murphy, and Eve Sinaiko,” New Art, 1997.
Hantelmann, Dorothea. “Faust und Biberkopf,” Zitty, no. 23, 1997, p. 86.
Dobrynski, Judith. “A Popular Couple Charge into the Future of Art, but in Opposite Directions,” The New York Times, September 2, 1997.
Kisters, Jurgen, and Rirkrit Tiravanija. “Asthetik des Reisens,” Kunstforum, February–May, p. 412-414.
S.W. “A Cue from Kids,” Art and Hippies, December 1997.
Kisters, Jurgen. “Zum Feiern und Schlafen in den Kolner Kunstverein,” Kölner Stadtanzeiger, no. 2,3. January 1997.
Herbstreuth, Peter. “Wie im Bild, so im Leben,” Der Tagesspiegel, March 8, 1997.
Hainley, Bruce. “Where Are We Going? And What are we Doing? Rirkrit Tiravanija’s Art of Living,” Artforum, February 1997, p. 54.
1996
VN-kapi. “Kunsthalle als interaktives Studio,” Voralberger Nachrichten, December 24, 1996.
Blase, Christoph. “Die Beobachtung einer Teestube,” FAZ, no. 296, December 19, 1996, p. 34.
Steiner, Juri. “Rehearsal Studio No. 6,” Neue Züricher Zeitung, December 13, 1996.
Hedinger, Johannes M. “Rirkrit Tiravanija,” Saiten, December 1996.
Aukeman, Anastasia. “Small Budgets, Large Ambitions,” ART News, 1996, p. 48-54.
Thiele, Carmela. “Des Kunstlers New Yorker Studio fur Koln kopiert,” Art, no. 11, November 1996, p. 148.
Schoch, Ursula Badrutt. “Mobel schleppen und reden,” St. Galler Tagblatt, November 28, 1996.
Mettler, Louis. “Ver-rucktes, Raume, Begegnungen,” Appenzeller Zeitung, November 23, 1996, p. 17.
Maurer, Simon. “Jam un Minestrone, buddhistisch,” Tagesanzeiger, November 27, 1996, p. 81.
N.N. “Von Krusi bis Techno,” Anzeiger, November 26, 1996.
Mettler, Louis. “Tiravanijas und Altenburgera ‘Sozialskulpturen’ in der Kunsthalle: Dinge ver-rucken, Raume schafen. begegnen,” Die Ostschweiz, November 23, 1996.
Dziewor, Yilmaz. “Rirkrit Tiravanija,” Artforum International, September 1996, p. 14.
Marger, Mary Ann. “Not-so-sweet dreams,” The New York Times, October 11, 1996.
Volkart, Yvonne. “Kommunikation,” annabelle, no. 22, 1996, p. 15.
Strauss, Dorothea. “Let’s play together,” fon, no. 2., 1996.
Wiensowski, Ingeborg. “Rirkrit Tiravanijas,” Spiegels Extra, 1996, p. 22.
Rohr-Bongard, Linde. “Kunstkompass,” Capital, November 1996, p. 282-283.
Weh, Vitus. “Fast nichts/almost invisible,” Kunstforum International, October 1996.
Stellwaag, Karin. “Beinahe unsichtbar,” Stuttgarter Zeitung, August 7, 1996.
Pesch, Martin. “Kleine winzige und unauffallige Kunst,” Die Tageszeitung, August 20, 1996.
Schwitzler, Joachim. “Viel mehr als nichts,” Thurgauer Volksfreund, July 16, 1996.
Kawai, Sumi. “Rirkrit Tiravanija,” BT, June 1996, p. 41-44.
Biehler, Matthias. “‘Fast nichts’ im Umspannwerk,” Sudkurier, June 27, 1996.
Saltz, Jerry. “A Short History of Rirkrit Tiravanija,” Art in America, February 1996, p. 82-85.
Bloomberg, Katja. “Hauptsache, es schmeckt,” FAZ, February 21, 1996.
Blase, Christoph. “Die Beobachtung einer Teestube,” FAZ, no. 296, December 19, 1996, p. 34.
Steiner, Juri. “Rehearsal Studio No. 6,” Neue Züricher Zeitung, December 13, 1996.
Hedinger, Johannes M. “Rirkrit Tiravanija,” Saiten, December 1996.
Aukeman, Anastasia. “Small Budgets, Large Ambitions,” ART News, 1996, p. 48-54.
Thiele, Carmela. “Des Kunstlers New Yorker Studio fur Koln kopiert,” Art, no. 11, November 1996, p. 148.
Schoch, Ursula Badrutt. “Mobel schleppen und reden,” St. Galler Tagblatt, November 28, 1996.
Mettler, Louis. “Ver-rucktes, Raume, Begegnungen,” Appenzeller Zeitung, November 23, 1996, p. 17.
Maurer, Simon. “Jam un Minestrone, buddhistisch,” Tagesanzeiger, November 27, 1996, p. 81.
N.N. “Von Krusi bis Techno,” Anzeiger, November 26, 1996.
Mettler, Louis. “Tiravanijas und Altenburgera ‘Sozialskulpturen’ in der Kunsthalle: Dinge ver-rucken, Raume schafen. begegnen,” Die Ostschweiz, November 23, 1996.
Dziewor, Yilmaz. “Rirkrit Tiravanija,” Artforum International, September 1996, p. 14.
Marger, Mary Ann. “Not-so-sweet dreams,” The New York Times, October 11, 1996.
Volkart, Yvonne. “Kommunikation,” annabelle, no. 22, 1996, p. 15.
Strauss, Dorothea. “Let’s play together,” fon, no. 2., 1996.
Wiensowski, Ingeborg. “Rirkrit Tiravanijas,” Spiegels Extra, 1996, p. 22.
Rohr-Bongard, Linde. “Kunstkompass,” Capital, November 1996, p. 282-283.
Weh, Vitus. “Fast nichts/almost invisible,” Kunstforum International, October 1996.
Stellwaag, Karin. “Beinahe unsichtbar,” Stuttgarter Zeitung, August 7, 1996.
Pesch, Martin. “Kleine winzige und unauffallige Kunst,” Die Tageszeitung, August 20, 1996.
Schwitzler, Joachim. “Viel mehr als nichts,” Thurgauer Volksfreund, July 16, 1996.
Kawai, Sumi. “Rirkrit Tiravanija,” BT, June 1996, p. 41-44.
Biehler, Matthias. “‘Fast nichts’ im Umspannwerk,” Sudkurier, June 27, 1996.
Saltz, Jerry. “A Short History of Rirkrit Tiravanija,” Art in America, February 1996, p. 82-85.
Bloomberg, Katja. “Hauptsache, es schmeckt,” FAZ, February 21, 1996.
1995
Cubarrubia, Eydie. “‘Embedded exhibit foes under the covers’” Herald Features, September 20, 1995.
“Untitled 1996 (traffic),” Navin Gallery Bangkok (press release), 1995.
Karcher, Eva. “Die Stadt lockt...,” ART, December 1995, p. 130.
Martinson, Suzanne. “Edible Art,” Pittsburgh Post Gazette, November 26, 1995.
Lind, Maria. “Parallel and Palindrome,” Paletten, no. 223, April 1995, p. 46.
“Rate mal, wer zum Essen kommt,” Parkett, no. 44, 1995, p. 96-131
N.N. “Whitney Biennial,” Frieze 23, Summer 1995.
Flood, Richard, and Rochelle Steiner. “En Route,” Parkett, no. 44, 1995, p. 114-123.
Steiner, Barbara. “Spiegel, Andreas, Rirkrit...,” Paletten, 1995, p. 4.
Rohr-Bongard, Linde. “KunstkompaSS 95,” Capital, 1995, p. 362.
Jones, Ronald. “Rirkrit Tiravanija and Andy Warhol,” Frieze, January–February 1995, p. 6.
Herbstreuth, Peter. “Meet Tim & Burkhard,” Der Tagesspiegel, October 29, 1995, p. 21.
Melo, Alexandre. “Guess Who’s Coming to Dinner,” Parkett, no. 44, 1995, p. 96-129
Gillick, Liam. “Forget about the Ball and Get on with the Game,” Parkett, no. 44 1995, p. 96-129
Flood, Richard, and Rochelle Steiner. “En Route,” Parkett, no. 44, 1995, p. 96-129.
Bertilsson, Sofia, and Mans Host-Ekstrom. “The Small World,” Paletten, August 1995, p. 56-58.
Smith, Roberta. “Art in Review,” The New York Times, June 23, 1995.
Saltz, Jerry. “Live through this,” The New Art Examiner, May 1995, p. 19-22.
Jones, Ronald. “Rirkrit Tiravanija and Andy Warhol,” Frieze, January/February 1995, p. 60.
“Neue Bildende Kunst,” January 1995, p. 18.
Hainley, Bruce. “Rirkrit Tiravanija,” Artforum, January 1995.
Cotter, Holland. “A Critic’s Dozen To Catch At The Biennial,” The New York Times, March 12, 1995.
Weinstein, Jeff. “Eating Around,” The Village Voice, July 18, 1995.
“Untitled 1996 (traffic),” Navin Gallery Bangkok (press release), 1995.
Karcher, Eva. “Die Stadt lockt...,” ART, December 1995, p. 130.
Martinson, Suzanne. “Edible Art,” Pittsburgh Post Gazette, November 26, 1995.
Lind, Maria. “Parallel and Palindrome,” Paletten, no. 223, April 1995, p. 46.
“Rate mal, wer zum Essen kommt,” Parkett, no. 44, 1995, p. 96-131
N.N. “Whitney Biennial,” Frieze 23, Summer 1995.
Flood, Richard, and Rochelle Steiner. “En Route,” Parkett, no. 44, 1995, p. 114-123.
Steiner, Barbara. “Spiegel, Andreas, Rirkrit...,” Paletten, 1995, p. 4.
Rohr-Bongard, Linde. “KunstkompaSS 95,” Capital, 1995, p. 362.
Jones, Ronald. “Rirkrit Tiravanija and Andy Warhol,” Frieze, January–February 1995, p. 6.
Herbstreuth, Peter. “Meet Tim & Burkhard,” Der Tagesspiegel, October 29, 1995, p. 21.
Melo, Alexandre. “Guess Who’s Coming to Dinner,” Parkett, no. 44, 1995, p. 96-129
Gillick, Liam. “Forget about the Ball and Get on with the Game,” Parkett, no. 44 1995, p. 96-129
Flood, Richard, and Rochelle Steiner. “En Route,” Parkett, no. 44, 1995, p. 96-129.
Bertilsson, Sofia, and Mans Host-Ekstrom. “The Small World,” Paletten, August 1995, p. 56-58.
Smith, Roberta. “Art in Review,” The New York Times, June 23, 1995.
Saltz, Jerry. “Live through this,” The New Art Examiner, May 1995, p. 19-22.
Jones, Ronald. “Rirkrit Tiravanija and Andy Warhol,” Frieze, January/February 1995, p. 60.
“Neue Bildende Kunst,” January 1995, p. 18.
Hainley, Bruce. “Rirkrit Tiravanija,” Artforum, January 1995.
Cotter, Holland. “A Critic’s Dozen To Catch At The Biennial,” The New York Times, March 12, 1995.
Weinstein, Jeff. “Eating Around,” The Village Voice, July 18, 1995.
1994
Relyea, Lane. “Fear and loathing at the Whitney,” Frieze, Summer 1994, p. 39-41.
Herbstreuth, Peter. “Meet Tim & Burkhard,” Der Tagesspiegel, October 29, 1994, p. 21.
Föll, Heike. “Ich brauche kein Atelier,” Zitty, no. 22, 1994, p. 40.
Foster, Hal. “Feed,” Work, no. 1, 1994, p. 22-27.
Brown, Gavin. “Other Things Elsewhere,” Flash Art, Summer 1994, p. 102.
Schumacher, Rainald. “Köln Kritik,” Flash Art, Summer 1994, p. 51.
Troncy‚ Eric. “It’s Alive!” Flash Art, Summer 1994, p. 105.
Cameron, Dan. “Food for Thought,” Frieze, 1994, p. 50.
Metzger, Rainer. “Der Angriff der Kunst auf das ubrige Leben,” Der Standard, October 1994, 22/23, p. 32.
Levin, Kim. “Rirkrit Tiravanija,” Kunstforum, January/February 1994, p. 170-173.
Besson, Christian. “Surface de Reparation,” Flash Art, May/June 1994, p. 122.
Herbstreuth, Peter. “Meet Tim & Burkhard,” Der Tagesspiegel, October 29, 1994, p. 21.
Föll, Heike. “Ich brauche kein Atelier,” Zitty, no. 22, 1994, p. 40.
Foster, Hal. “Feed,” Work, no. 1, 1994, p. 22-27.
Brown, Gavin. “Other Things Elsewhere,” Flash Art, Summer 1994, p. 102.
Schumacher, Rainald. “Köln Kritik,” Flash Art, Summer 1994, p. 51.
Troncy‚ Eric. “It’s Alive!” Flash Art, Summer 1994, p. 105.
Cameron, Dan. “Food for Thought,” Frieze, 1994, p. 50.
Metzger, Rainer. “Der Angriff der Kunst auf das ubrige Leben,” Der Standard, October 1994, 22/23, p. 32.
Levin, Kim. “Rirkrit Tiravanija,” Kunstforum, January/February 1994, p. 170-173.
Besson, Christian. “Surface de Reparation,” Flash Art, May/June 1994, p. 122.
1993
Rirkrit Tiravanija. “Interview,” Documents, no. 5, February 1993, p. 33.
Bonami, Francesco. “The Real Stuff (Dion, Grey, joo, Pippin, Tiravanija),” Flash Art, May/June 1993, p. 11-14, 80, 82-93.
Weitzer, Ludo. “The Accidental Tourist,” Flash Art, October 1993, p. 44-45.
Hixon, Kathrin. “Trouble in Paradise,” New Art Examiner, October 1993, p. 31.
Schiff, Hajo. “Kunst und Schutt,” Kultur, September 1993.
Myoda, Paul. “Amateure der Genealogie,” Neue Bildende Kunst, 2, no. 93, 1993, p. 11-14
Fleck, Robert. “Spielhölle- Ästhetik und Gewalt,” Rogue, no. 17, 1993, p. 17-37
Holmquist, Karl. “Hole in the Wall,” The Nordic Art Review, 1993.
“When the Music’s Over,” New Art Examiner, January 1993.
“Eating with Publicsfear,” project for Publicsfear 1, no. 2, 1993, p. 38.
Myers, Terry. “Review,” Tema Celeste, Winter 1993, p. 83.
Weil, Benjamin. “Ouverture,” Flash Art, January/February 1993, p. 79
Bonami, Francesco. “The Real Stuff (Dion, Grey, joo, Pippin, Tiravanija),” Flash Art, May/June 1993, p. 11-14, 80, 82-93.
Weitzer, Ludo. “The Accidental Tourist,” Flash Art, October 1993, p. 44-45.
Hixon, Kathrin. “Trouble in Paradise,” New Art Examiner, October 1993, p. 31.
Schiff, Hajo. “Kunst und Schutt,” Kultur, September 1993.
Myoda, Paul. “Amateure der Genealogie,” Neue Bildende Kunst, 2, no. 93, 1993, p. 11-14
Fleck, Robert. “Spielhölle- Ästhetik und Gewalt,” Rogue, no. 17, 1993, p. 17-37
Holmquist, Karl. “Hole in the Wall,” The Nordic Art Review, 1993.
“When the Music’s Over,” New Art Examiner, January 1993.
“Eating with Publicsfear,” project for Publicsfear 1, no. 2, 1993, p. 38.
Myers, Terry. “Review,” Tema Celeste, Winter 1993, p. 83.
Weil, Benjamin. “Ouverture,” Flash Art, January/February 1993, p. 79
1992
Nesbitt, Lois. “Review,” Artforum, December 1992, p. 95.
“Rirkrit Tiravanija,” The New Yorker, October 5, 1992.
Smith, Roberta. “The Gallery is the Message,” The New York Times, October 4, 1992, p. 35.
“Rirkrit Tiravanija,” The New Yorker, October 5, 1992.
Smith, Roberta. “The Gallery is the Message,” The New York Times, October 4, 1992, p. 35.
1991
Hess, Elizabeth. “The White Rabbit, (Among Other Alternatives),” The Village Voice, December 17, 1991.
Heartney, Eleanor. “Review,” Art in America, June 1991.
Faust, Gretchen. “Review,” Arts, April 1991.
Heartney, Eleanor. “Review,” Art in America, June 1991.
Faust, Gretchen. “Review,” Arts, April 1991.
1990
Joseph, Regina. “Being in Nothingness,” The West Side Spirit, February 4, 1990.
Nesbitt, Lois E. “New York,” Art Issues, September/October 1990.
Kelly, Deidre. “Works Strange but True,” The Globe & Mail, August 17, 1990.
Hume, Christopher. “Freeze Out,” Toronto Star, August 10, 1990.
Faust, Gretchen. “Review,” Arts, May 1990.
Phora, Pia. “Review,” Contemporanea 3, no. 2, February 1990.
Nesbitt, Lois E. “New York,” Art Issues, September/October 1990.
Kelly, Deidre. “Works Strange but True,” The Globe & Mail, August 17, 1990.
Hume, Christopher. “Freeze Out,” Toronto Star, August 10, 1990.
Faust, Gretchen. “Review,” Arts, May 1990.
Phora, Pia. “Review,” Contemporanea 3, no. 2, February 1990.
1989
Hodgkin, Carter. “Review,” Nike 30, October/November 1989, p. 53.
Kramer, Hilton. “Soho Show: Prestigious, maybe, but just more shopworn farce,” The New York Observer, July 31, 1989.
Smith, Roberta. “Review,” The New York Times, July 21, 1989.
Wallach, Amei. “The Young Turks’ Old Master,” New York Newsday, July 16, 1989.
Kramer, Hilton. “Soho Show: Prestigious, maybe, but just more shopworn farce,” The New York Observer, July 31, 1989.
Smith, Roberta. “Review,” The New York Times, July 21, 1989.
Wallach, Amei. “The Young Turks’ Old Master,” New York Newsday, July 16, 1989.