Claudia Comte: An Anthology of Wall Paintings How to Grow and Still Stay the Same Shape. Rivoli: Castello di Rivoli Museum of Contemporary Art, 2022.

The Sea of Darkness. Dornbirn: Kunstraum Dornbirn, 2021.
The Dreamers: 58th October Salon, Belgrade Biennale. Belgrade: Cultural Centre of Belgrade; Rome: Cura Books, 2021.
Fischer, Peter and Aargauer Kunsthaus. La sculpture suisse depuis 1945. Cologne: Snoeck, 2021.
Jahic, Admir and Comenius Roethlisberger. MUSIC, A Conversation Through Song Titles with Contemporary Artists. Basel: Kulturstiftung Basel H. Geiger, 2021.

Comte, Claudia. Eye to Eye. Zürich: innen, 2020.
Figure on a Ground, Perspectives on Minimal Art. Brussels: Fondation CAB, 2020.
Zone Dangereuse. Luxembourg: Zidoun-Bossuyt Gallery, 2020.
The Kitchen Studio: Culinary Creations by Artists. New York: Phaidon, 2020.

The Curves, the Corners, and the Machines. Toulouse: Printemps de septembre; Dijon: Les Presses du Réel, 2019.
Comte, Claudia, J. Haagemann, A. Kruckenberg and M. Nipper. Claudia Comte: I Have Grown Taller from Standing with Trees. Copenhagen: Copenhagen Contemporary, 2019.
Wakefield, Neville and Andrew Roth. Desert X 2017. Palm Desert: A. Roth & PPP Editions, 2019.

Budak, Adam. Writing the Mountains. Ortisei: Biennale Gherdëina, 2018.
Between the Lines: RxArt Coloring Book by Contemporary Artists Volume 7. New York: RXART, 2018.
Artisti per Frescobaldi. Montalcino: Skira, 2018.
2017
Claudia Comte. Zurich: Edition Patrick Frey, 2017.
Fetzer, Fanni. Claudia Comte. Lucerne: Kunstmuseum Luzern; Zürich: JRP-Ringier, 2017.
Kouoh, Koyo. Ataraxia, Salon Suisse 2017. Venezia: La Biennale di Venezia; Zürich: Pro Helvetia, 2017.
Comte, Claudia and Adeline Mollard. 40 x 40. Zürich: Edition Patrick Frey, 2017.
2016
Stadler, Robert and Alexis Vaillant. On Things as Ideas. Luxembourg: Mudam Luxembourg; Berlin: Sternberg Press, 2016.
Um die Ecke denken: Sammlung Haus Konstruktiv (1986–2016) und Gastinterventionen. Zürich: Museum Haus Konstruktiv; Berlin: Hatje Cantz Verlag, 2016.

Jahnic, Admire and Comenius Roethlisberger. Artists' Recipes: Contemporary Artists and Their Favourite Recipes. Basel: Bolo Publishing, 2015.
Herschdorfer, Nathalie. Art Imprimé, Triennale 2015. Le Locle: Musée des beaux-arts du Locle; Milano: 5 Continents Editions, 2015.
Pittori, V.A. Des seins à dessein. Lausanne: Espace Arlaud and Fondation Francine Delacrétaz, 2015.
Pernet, Hugo and Hugo Schüwer Boss. Ligne aveugle. Besançon: Institut Supérieur des Beaux-Arts; Paris: Naima, 2015.

Enz, Noémie and Jessica Schupbach. Emergences. Bex & Arts 2014. Lausanne: Domaine de Szilassy, 2014.
2013
Leuenberger, Samuel and Guillaume Pilet. Cahiers d’Artistes: Claudia Comte. Lucerne: Prohelvetia Swiss Arts Council, 2013.
Mangolded, C. Claudia Comte. Zürich: Collection Cahiers d’Artistes; Luzern: Edizioni Periferia, 2013.
2012
Under 30 VIII: Young Swiss Art, Kiefer Hablitzel Prize 2012. Glarus: Kunsthaus Glarus, 2012.
Schuppli, M. La Jeunesse est un Art. Aarau: Aargauer Kunsthaus; Luzern: Edizioni Periferia, 2012.
Hablitzel, Kiefer. Unter 30 VIII. Junge Schweizer Kunst. Kiefer Hablitzel Preis 2012. Glarus: Kunsthaus Glarus VfmK; Vienna: Verlag für moderne Kunst GmbH, 2012.

Trouble Rainbow 2. Los Angeles: Favorite Goods, 2011.
Comte, Claudia, Mélodie Mousset and Athene Galiciadis. Trouble Rainbow. Roma: Galleria Marie-Laure Fleisch, 2011.
Comte, Claudia, Mélodie Mousset and Athene Galiciadis. Trouble Rainbow II. San Francisco: Swissnex, 2011.
Enz, Noémie, P. Häuserman and J. Schupbach. Territoires. Bex & Arts 2011. Bex: Domaine de Szilassy; Lausanne: art&fiction, éditions d’artistes, 2011.
Accrochage. Lausanne: Musée Cantonal des Beaux-Arts, 2011.
Sansone, V. Roma: Istituto Svizzero, 2011.
2010
Jeune Création 2010 Exposition collective. Paris: Le CENTQUATRE Paris, 2010.
Comte, Claudia. Welcome to Colorful. Lausanne: Lucy Mackintosh Gallery, 2010.

Conte, Roberto. “new images of desert X AlUla 2022's dream-like artworks, captured by roberto conte,” designboom, March 10, 2022.

Samorodnitsky, D. “Art x Science: How Artists Launch Scientific Inquiries to Spark New Works,” ARTnews, October 22, 2021.
Millioud Henriques, F. “La forêt de Claudia Comte ne laisse pas de bois,” 24 Heures, October 15, 2021.
Burki, M. “Schweizer Skulptur seit 1945 - Gewinnbringende Überforderung,” Kunstbulletin, September 29, 2021.
Chlumsky, D. “Von Giacometti bis Latifa Echakhch,” Kunst:Art, September 26, 2021.
Brownell, G. “Art Basel’s Other Exhibition Hall I a City,” The New York Times, September 23, 2021.
Salvadé, C. “Comment une artiste vaudoise et sa tronçonneuse ont conquis les Caraïbes,” Heidi.news, September 11, 2021.
“Schweizer Skulptur,” Umbauen + Renovieren, September 1, 2021.
Martinez, C. “In conversation with Claudia Comte,” Canvas, Summer 2021.
“The Dreamers” October Salon / Belgrade Biennale,” Flash Art, August 11, 2021.
Frochaux, T. “Kunst im Raum über die Zeit,” P.S., July 9, 2021.
Hunziker, M. “Von der Kulturrevolution und der verrückten Jungfrau,” Aargauer Zeitung, July 1, 2021.
“Die Rekonstruierte Skulptur,” Finanz und Wirtschaft, June 12, 2021.
Raymann, A. “Schwer wie Eisen, leicht wie eine Wolke,” AZ Nordwestschweiz, June 11, 2021.
“Neue Ausstellung im Aargauer Kunsthaus,” Aarauer Nachrichten, June 11, 2021.
“La sculpture déconstruite,” Tribune des Arts, June 11, 2021.
“Conexión natural,” Elle España, June 1, 2021.
Delgado Mayordomo, C. “El ambientalismo anodino de Comte,” ABC Cultural, May 15 2021.
“El Thyssen dedicará una muestra a la colección catalana de la baronesa,” La Gaceta, May 12, 2021.
“Arrecifes de coral para abordar el cambio climático,” Ultima Hora, May 11, 2021.
Lorenci, M. “Explosión de color en el Thyssen para salvar los amenazados arrecifes de coral” Hoy, May 11, 2021.
“Corales en el Thyssen,” Cinco Días, May 11, 2021.
“Vaccination can be relaxing. Just ask these museum visitors,” The New York Times, May 5, 2021.
“Los arrecifes de coral, su riqueza y sus riesgos,” Expansión, April 28, 2021.
“Submarinismo en Jamaica sin salir de Madrid,” Expansión, March 29, 2021.
Casbas, M. “Los arrecifes de coral se aduañan del Thyssen en la exposición “After Nature,” Traveler, March 25, 2021.
“TBA21 lleverà al Thyssen este año a Claudia Comte y Walid Raad,” in Mas de Arte, February 12, 2021.
Mills, Simon. “Deep dive: artist Claudia Comte on preserving marine life through art,” Wallpaper, February 2, 2021.
“Solana ve necesarias las exposiciones ‘sólo de mujeres’ en el Thyssen,” Efemenista, January 27, 2021.
López, L. “Solana: “Hay que contrarrestar las cuotas masculinas que existen en el arte,”” Diario de Teruel, January 25, 2021.
“Solana persigue ‘enderezar’ el Thyssen hacia la igualdad: ‘Has que forzarlo,’” Nueva Tribuna, January 23, 2021.
D’Andrea, M. “Le Cocon de Claudia,” Select. Edition 2021, p. 11-15.

Nedo, K. “Nach der Natur,” Art das KunstMagazin, 2020.
Arrigoni, M. “30 Artisti,” Elle Décor Italia, 2020.
“Kunstraum Dornbirn ermöglicht weiterhin Einblick,” okKulture, December 22, 2020.
Aigner, S. “Claudia Comte - The Sea of Darkness,” Parnass, December 17, 2020.
Braet, J. Artroze in Knack, December 14, 2020.
“The Sunrise Sings at Tarmak22, curated by Chris Martinez,” Novembre Global, December 7, 2020.
Chain, TF. “Claudia Comte’s Eggplant baby,” Wallpaper, September 2020.
Grandjean, A. “Claudia Comte fidèle à son terroir,” Journal de Cossonay, August 21, 2020.
Bechet, B. “Figures on a Ground* at Fondation CAB, in the mirror of the minimal,” Bruzz, July 9, 2020.
Ulmer, B. “The Nature of Art,” Konfekt, 2020.
Loop, B. “All by Myself,” Annabelle, April 2020.

Hardouin, G. “Claudia Comte e Pedro Neves Marques al Castello di Rivoli,” Exbart, 2019.
Dogliani, J. “Mesopotamia newyorkese e Svizzera a Rivoli,” Il Giornale dell’Arte (Vedere a Torino e dintorni), December 2019.
Maschietti, G.N. “Optical World. Claudia Comte approda al Castello di Rivoli di Torino con undici ipnotiche installazioni site-specific,” Marie Claire, #11, November 2019, p. 73-80.
Klingelfuss, J. “Turin fair Artissima reconciles desire and censorship,” Wallpaper*, November 7, 2019.
“Castello di Rivoli. Memoria e ambiente nell’opera di Comte,” Corriere Torino, October 31, 2019, p. 10.
Fenoglio, D. “Comte e le trame della natura,” Luna nuova, October 31, 2019, p. 25.
D’Arino, F. “Crescere e avere la stessa froma. Dal 30 a Rivoli Claudia Comte unisce natura e technologia,” Torino Sette, October 25, 2019, p. 9.
Boucher, B. “Can an Underwater Desert Restore Jamica’s Ailing Coral?,” GARAGE, September 15, 2019.
Martorelli, N. “Standing with the trees,” ZooMagazine, Autumn 2019.
Grandjean, E. “Claudia Comte: “Etre artiste avant tout,”” Le Temps, September 7, 2019.
Zorzi, D. “Décès de Guy Loudmer, legs de 5 Caillebotte à Orsay, vol d’une oeuvre de Banksy… les actus à retenir de la rentrée,” Le magazine des enchères, September 6, 2019.
Harris, G. “What am I actually buying? Performance art-only fair in Brussels faces challenge of materiality,” The Art Newspaper, August 29, 2019.
Reinders, A. “Weekdieren,” De Groene Amsterdammer, August 28, 2019.
Bennett, K. “Port Antonio Gets Underwater Sculpture Park,” The Gleaner, August 25, 2019.
Von Ledebur, M. “Zürichs neuer Stadtpark blüht auf – und wird bald wieder welken,”
Neue Zürcher Zeitung, August 8, 2019.
Cascone, S. “I Wanted to Leave Something in Return’: Artist Claudia Comte on Why She Installed Permanent Underwater Sculptures Off Jamaica’s Coast,” ArtNet news, August 19, 2019.
Weirup, T. “Sommerudflugten: Her er fred og ro og for den sags skyld plads til Distortion” Berlingske, August 11, 2019.
Florian, F. “1. Scandinavia, Capitali contemporanee,” Il Giornale dell’Arte, #399, July/ August 2019, p. 192.
Ulmer, B. “Künstler-Rating 2019. Frisches Blut im Kunstkreislauf,” Bilanz, May 29, 2019.
M. Balzer, “The Winner is Claudia Comte,” Aargauer Zeitung, May 29, 2019.
Machalova, A. “L’art peut être ludique et passer des messages importants,” Tribune de Genève, May 16, 2019.
Ecoffey, A. “Claudia Comte expose chez Joy de Rouvre,” ARTEEZ, May 16, 2019.
Geerts, J. “15 juni begint tiende jubileumeditie van Lustwarande: Delirious,” Tilburgers, May 14, 2019.
Grandjean, E. “Des galeries genevoises invitent leurs homologues étrangères,” Le Temps, May 13, 2019.
Rosenbæk, K. E. “Som frosset i tid,” Magasinet kunst, #2, April 2019, p. 62–67.
Perilli, B. “L’altra Montecarlo: tra arte e architettura c’è una città “underground” tutta da scoprire,” La Repubblica, April 23, 2019.
Nittve, A. “Claudia Come, Donna Huanca, Marianna Simnet. Ön som blev Köpenhamns nya konstcenter,” Svenska Dagbladet, March 31, 2019.
Williams, I. K. “Copenhagen’s Latest Draw? An Abandoned Shipyard,” The New York Times, March 29, 2019.
Hornung, P. M. “Umuling at overse og hurtigt gennemset,” Politiken, Kultur, March 28, 2019, p. 6.
Hjelmsbo, M. “Kvindelige installationskunstnere på refshaleøen,” Københavneravisen, March 14, 2019, p. 7.
Marro, E. “Un caffè al museo a Copenaghen tra Tiziano e Matisse,” Il Sole 24 Ore, March 14, 2019.
Williams, Ingrid K. “Copenhagen’s Latest Draw? An Abandoned Shipyard,” New York Times, March 29, 2019.
Borello, M. H. “Dybe manipulationer,” Kunsten.nu, February 26, 2019.
Cohen, Alina. “These Women Artists are Transforming Gallery Walls with Incredible Murals,” Artsy, February 19, 2019.
Themsen, M. K. “Fremtidsskov der først vækkes til live på telefonskærmen,” Informatíon, Kultur, February 2, 2019, p. 14–15.
Cohen, A. “These Women Artists are Transforming Gallery Walls with Incredible Murals,” Artsy, Febuary 2, 2019.
Stockmann, C. “Kunstner med motorsav,” Politiken, Kultur, February 2, 2019.
Tilley, John Martin. “Wave Cave,” office magazine, February 4, 2019.
Naglia, S. “Diario newyorkese #1: West 24th Street,” Collezione da Tiffany, February 2, 2019.
Herriman, K. “The Twenty-Five,” Cultured Magazine, #24, February 1, 2019, p. 112.
Johnson, P. “NYC’S Stellar Season of Female Painters Only Underlines the Art Market’s Misogyny,” The Observer (The Guardian), January 30, 2019.
Vankin, D. “Desert X 2019: Artists will tackle environmental disaster, guns, immigration,” Los Angeles Times, January 28, 2019.
Yerebakan, Osman C. “See Artist Claudia Comte’s Eye-Popping Wall Works,” Galerie Magazine, January 21, 2019.
“Claudia Comte at Gladstone Gallery,” ARTnews, January 16, 2019.

J. Restorff, "Gelungene Synthese, Claudia Comte: Die Botschaft des Holzes,” Kunstzeitung, #265, September 2018, (p. 15).
A. Botz, “Soziale plastik in abstrakter form: Im Atelier von Claudia Comte,” Kunstforum International, #254, July 6, 2018, (pp. 222–227).
R. Suter, “Aus Fleisch und Blut und Marmor,” Basler Zeitung, June 1, 2018, (p. 15). B. Ulmer, “Die Kunst ist Weiblich!” Bilanz, June 2018, (pp. 112–118).
Radley, Jack “Claudia Comte Works Only of Her Work,” Berlin Art Link, May 30, 2018.
A. Hohmann, “Ab in den Wald: Eine Installation von Claudia Comte in St. Agnes thematisiert das Verhältnis zur Natur,” Berliner Morgenpost, May 19, 2018, (p. 17).
“Claudia Comte erhält Alexander Clavel-Kulturförderpreis,” Basler Zeitung, May 16, 2018.
S. Reyburn, “Berlin: An Art Scene and A City in Flux,” The New York Times, May 1, 2018.
Comte, Claudia and Peter Zumthor. “On Landscape and Contemplation: Claudia Comte and Peter Zumthor in Conversation,” König, April 2018.
“Claudia Comte,” König, #2, April 2018, (p. 12).
G. Beckhurst, “On Claudia Comte,” König, #2, April 2018, (pp. 14–19).
C. Martínez, “The Point We Cannot Fix,” König, #2, April 2018, (p. 22).
K. Herriman, “Four Artists to Know From Gallery Weekend Berlin,” Cultured Magazine, April 30, 2018.
Ruthe, I. Berner, “Der Lauf der Dinge: Beim 14. Berliner Gallery Weekend erwist sich abermals die ästhetische Qualität und inhaltliche Komplexität der hiesigen Szene. Und Humor hat sie außerdem,” Berliner Zeitung, #99, April 28-29, 2018, (pp. 26–27).
D. Roeschmann. “Claudia Comte: Die Künstlerin (34) mit der Kettensäge,” Annabelle Magazine, March 10, 2018.
Elbaz, Talia. “Claudia Comte’s Forest of Carved Reliquaries Addresses Environmental Concerns,” Whitewall, July 23, 2018.
“Portrait de Claudia Comte,” Journal de Cossonay, February 3, 2018, (pp. 11–13).
Hontoria, Javier. “Reviews: KolnSkulptur #9,” Artforum, February 2018.

Capelli, P. “7 domande a Claudia Comte,” Italian Elle, December 2017.
Henriques, F. M. “La forêt vaudoise pour atelier, le monde pour exposer,” 24 Heures, December 21, 2017, p. 32.
McGivern, Hannah. “Claudia Comte unveils her Circus maximus at Art Basel,” The Art Newspaper, December 6, 2017.
Finazzi, M. “Fino al 30.XI.2017 Claudia Comte, La ligne claire Basement Roma,” Exhibart.com, November 25, 2017.
Piperni, C. “Minimalismi ironici. Claudia Comte a Roma,” Artribune, November 12, 2017.
Guernieri, M. “Claudia Comte’s optical patterns on show in Rome,” Domusweb.it, November 1, 2017.
Harris, Gareth. “Carving Out a Name for Themselves,” The Art Newspaper, October 2017.
Leuenberger, Samuel. “Claudia Comte Clear Line,” Cura, Issue 25, July 2017.
Lucero II, Louis. “Surprises and Innovations Abound at Art Basel,” The New York Times, June 15, 2017.
McGivern, Hannah. “Claudia Comte: Circus Maximus,” The Art Newspaper, June 13, 2017.
Freeman, Nate. “Fun Fair Shot Bar by Claudia Comte Brings Señor Frogs-Style Hedonism to Art Basel,” June 12, 2017.
“Uncanny Valley,” Artdesk, Spring 2017.
Grandjean, E. “Celle qui envoie du bois,” Forum des 100 – Le Temps, May 11, 2017, p. 43.
Brugmann, J. “Claudia Comte – 10 Rooms, 40 Walls, 1059 m2,” Kunstbulletin, May 2017, p. 98–99.
Muss Lachen, S. “Kettensägerin: Sie macht aus Holz und anderem Werke mit Charakter,” Style Magazin, #4, April 2017, p. 80.
Hof, L. “Invasion der Riesen-Kakteen: Die Schweizer Künstlerin Claudia Comte zeigt in Luzern ihre bisher grösste Ausstellung,” Bolero, April, 2017, p. 32–37.
Schraven, H. “Das Salz in der Suppe, Beneath the Salt ist Ausstellung und TV-Set in einem,” gallerytalk.net, April 20, 2017.
Huber, Nina. “Kettensägerin: Sie macht aus Holz und anderem Werke mit Charakter,” Style Magazin, March 2017.
Hess, E. “Kettensägen-Poesie: Tipp der Woche: die bunte Welt von Claudia Comte im Kunstmuseum Luzern,” SonntagsZeitung, March 5, 2017, p. 65.
Stephan, J. “Alles ein bisschen verrutscht,” Luzerner Zeitung, March 4, 2017, p. 9.
Mühlebach, S. “Donuts aus Marmor”, Kakteen aus Holz,” Das Kulturmagazin, #41, March 1, 2017, p. 49.
Finkel, Jori. ‘“Desert X’ Treats Arid Space as a Rich Canvas,” The New York Times, February 24, 2017.

Ulmer, Birgitte. “Kunstlerinnen rucken sich in Position,” Bilanz, December 2016.
Bailey, S. “Message in a bubble: Art Babel in Miami Beach 2016,” Ocula, December 8, 2016.
Sulzer, D. “Beruf Künstler: Es geht doch darum, Ideen zu teilen,” SRF, July 25, 2016.
Ayres, Carly. “Street talk: an exhibition of language-inspired sculpture takes over New York’s City Hall Park.” Wallpaper Magazine, July 18, 2016.
Keesling, Jamie. “On the Language of Things at City Hall Park,” The Art Newspaper, July 2016.
Battaglia, Andy. “Experiential Art Puts a Song in People’s Path,” The Wall Street Journal, July 14, 2016.
Sulzia, Dania. “Es geht doch darum, Ideen zu teilen,” SRF, July 25, 2016.
Roux, C. “Domaine du Muy: art, naturally,” Financial Times, June 24, 2016.
Corbett, Rachel. “New York’s Public Art Fund to Show Tino Sehgal, Carol Bove in City Hall Park,” Blouin Art Info, April 5, 2016.
Jasper, Adam. “Claudia Comte,” Artforum, March 2016.
Verhaeghe, J. “Claudia Comte: Sonic Geometry,” Revue 02, Autumn-Winter 2015–2016, p. 80.

Ulmer, B. “Kettensägen und Fräsmaschinen,” Bilanz, December 2015, p. 85–91.
Abrams, Amah-Rose. “The 50 Most Exciting Artists in Europe Today: Part One,” Artnet, November 24, 2015.
Bodmer, M. “Claudia Comte,” Julius Baer, #3, October 2015, p. 46–51.
Istomina, Tatiana. “Claudia Comte,” Art in America, May 8, 2015.
Schwendener, Martha. “10 Galleries to Visit in SoHo and TriBeCa,” The New York Times, April 16, 2015.
“Reviews in Brief: Claudia Comte,” Modern Painters, April 2015, p. 100.
Messinger, K. “Claudia Comte’s Art on Ice,” Paper, March 6, 2015.
Rooney, Kara. “LABOR INTENSITY: Ursula Von Rydingsvard and Claudia Comte with Kara Rooney,” The Brooklyn Rail, March 5, 2015.
“Critic’s Pick,” Time Out New York, March 19 – 25, 2015.
Scott, Indrisek. “10 Must-See Gallery Shows During Armory Week,” Blouin Art Info, March 2, 2015.
Expósito, Frank. “Critic’s Pick: Claudia Comte,” Artforum, March 2015.
Ebony, David. “David Ebony’s Top 10 New York Gallery Shows for February,” Artnet, February 25, 2015.
Heddaya, Mostafa. “Shows That Matter: Claudia Comte at Gladstone Gallery,” Blouin Art Info, February 20, 2015.
Kerr, Merrily. “Claudia Comte, No Melon No Lemon,” Time Out New York, February 19 — March 4, 2015.
“New York: Claudia Comte,” Modern Painters, February 2015.
Herriman, Kat. “Against the Grain,” W Magazine, January 30, 2015.
“Art with a Chainsaw,”10 vor 10, January 29, 2015.

“A Visit to Claudia Comte’s Berlin Studio,” Purple DIARY, December 23, 2014.
Small, Rachel. “The 15 Faces of 2015: The Abstractionist,” Interview Magazine. December 2014.
Schmid, C. “Ihr Lieblingsgerät ist die Kettensäge,” Tagesanzeiger, December 2014.
Teasdale, P. “Trophäen im Trupp/Shaping Up,” Frieze d/e, #15, August 6, 2014, p. 98–99.
Hoffmann A. “Eine Präsentation wie eine Wunderkammer,” Basler Zeitung, June 17 2014.
Roth, S. “Mobil und vernetzt: Fünf junge Künstler und ihre Ateliers,” SRF, June 16, 2014.
Hof, L. J. “Die Frau mit der Kettensäge im Gepäck,” Bolero, June, 2014, p. 20–21. Riley, B. “Files: Bridget Riley,” ArtReview, June 2014.
Carmine, Giovanni. “Claudia Comte, Future Greats 2014,” Art Review, March 2014.
Donadio, R. “Art Reaches New Heights in Alps,” The New York Times, February 1, 2014, p. C2.
Poirier, Matthieu. Post-Op: Perpetual Gone Painterly (Du perceptual au pictural), 1958-2014, Paris: Galerie Perrotin, 2014.

Rosenmeyer, Aoife. “Claudia Comte,” Frieze d/e 11. September – October 2013.
Roeschmann, Dietrich. “Mit Gasbrenner und Kettensäge,” SonntagsZeitung. September 8, 2013.
Chardon, E. “Les foires parallèles à Art Basel s’ouvrent à toutes les bourses,” Le Temps, June 15, 2013.
“Wofür wir Leben – u40 – Junge Künstler in der Schweiz,” Sternstunde Kunst. June 9, 2013.
Chateigné, Yann. “Blow!,” Le Phare, no. 14., May – June 2013.
Schmidlin, Laurence. “Claudia Comte – un certain folklore,” Kunstbulletin, March 2013.
“Des histoires de paysages à FriArt,” Le Temps, February 19, 2013.
Durussel, M. “Deux plasticiens qui promettent,” La Liberté, February 14, 2013, p. 31.
Colman, D. “The Next Generation of Artists to Know Now,” Architectural Digest, January 12, 2013.

“Trouble Rainbow,” ArtCollector, October 2012.

Menétrey, Sylvain. Bamboo Time, January 2011.
Novembre Magazine, January 2011.

Coen, Lorette. “Hors Série Arts,” Journal Le Temps, November 2010.
Grandjean, Jean-Pierre. Journal de Cossonay, October 2010.
ArtCollector Magazine, September 2010.
Cochard, C. “Combinative and Protean,” Literal, Houston, Spring 2010, p. 22–27.

Fronsacq, Julien. “Interview with Julien Fronsacq,” Dorade: Revue Galante, Photographie et Formes Critiques, no. 1, October 2009, p. 50–59.