Kerstin Brätsch. Unstable Talismanic Rendering_ Homo Sacer (With gratitude to master marbler Dirk Lange), Leopold Hoesch Museum, Duren, Germany, Walther König, 2022
Kerstin Brätsch. Para Psychics, Ludwig Forum, Aachen, Germany, Walther König, 2022
Index: Maurizio Cattelan. Milan: Pirelli, HangarBicocca, 2022.
The Milk of Dreams/ Il Latte Dei Sogni: Bienale Arte 2022. Venice: La Biennale di Venezia, 2022.

Kerstin Brätsch / KAYA, Text by Francesco Stocchi, Fondazione Memmo, Rome, Italy, 2019
KAYA, Marcela Moraga, Christian Naujoks, Rajkamal Kahlon, Villa Romana Fellows 2019

Kerstin Brätsch: 2000 Words, Text by Massimiliano Gioni, DESTE Foundation for Contemporary Art, Greece, 2018

Kerstin Brätsch: BRÄTSCH, Museum Brandhorst, München, Germany 2017

DAS INSTITUT, Serpentine Galleries, Koenig Books, 2016
KAYA, Edited by Kunsthaus Bregenz, Eva Birkenstock, KUB Arena, 2016

Kerstin Brätsch / Adele Röder / DAS INSTITUT. London: Serpentine, 2014.

Brätsch, Kerstin. Unstable Talismanic Rendering. New York: Gavin Brown’s Enterprise, 2014.
Kerstin Brätsch: Unstable Talismanic Rendering Plates, Gio Marconi, 2014
Forever Now: Painting in the New Millennium. New York: The Museum of Modern Art, 2014.
Hypothesis for an Exhibition. New York: Dominique Levy Gallery, 2014.
Speculations on Anonymousmaterials. Kassel: Fridericianum Kassel, 2014.
The system of Objects. Deste Foundation, Nea Ionia, 2014.
Room Service. Baden Baden: Kunsthalle Baden Baden, 2014.

Future Perfect. Berlin: IFA Berlin, 2013.
Kunstpreis de Böttcherstrasse. Bremen: Kunsthalle Bremen, 2013.

Das Institut: Triennial Report 2011-2009. Zürich: JRP|Ringier, 2012.
Ham and Pearls. Brooklyn: Artist Edition for Paper Monument, 2012.
Number Five: Cities of Gold and Mirrors. Dusseldorf: Julia Stoschek Collection; The Painting Factory; Los Angeles: Museum of Contemporary Art, 2012.
Maler, den Pinsel Prüfend. 2012. Essay by Bosko Blagojevic.

Illuminations: 54th International Art Exhibition La Biennale Di Venezia. Venice: Marsilio, 2011.
Vitamin P2, New Perspective in Painting. London: Phaidon Press, 2011.
Ringier Annual Report 2010. Zurich: JRP|Ringier, 2011.
After Images. Brussels: Musee Jiuf de Belgique; New York Sculpture Center, 2011.

Art 41 Basel Catalogue. Ostfildern: Hatje Cantz Publishers, 2010.
Frieze Art Fair Yearbook. London: Thames & Hudson Publishers, 2010.
NDP # 5. New York: North Drive Press, 2010.
The Art of Tomorrow. Distanz Press, 2010.
How Soon Now, Rubell Family Collection. Miami: Rubell Family Collection, 2010.
Gwangju Biennale. Gwangju: The Gwangju Biennale Foundation, 2010.

Art Berlin Contemporary. Berlin: Akademie der Künste, 2009.
Modern Modern. New York: Chelsea Art Museum, 2009.
Younger than Jesus. Phaidon Press/New York: New Museum, 2009.
Josh Smith: Hidden Darts., Vienna: MUMOK Museum Moderner Kunst Stiftung Ludwig; Koln: Walther Konig, 2009.

UOVO. Torino: The Bookmakers Ed., Vol.18, 2008.
Paper Monument Volume 2. New York: Paper Monument Communication LLC, 2008.

Schultz, Madeleine. "KERSTIN BRÄTSCH | DIE SEIN: PARA PSYCHICS," Flaunt, May 16, 2022.
“8 Gallery Shows Not to Miss During the First-Ever New York Art Week, From Ellsworth Kelly’s Collages to Nari Ward’s Ode to Morandi,” Arnet News, May 3, 2022.
Fateman, Johanna. "Kerstin Brätsch," New Yorker, May 2022.
Greenberger, Alex. “Venice Biennale Names 213 Artists for ‘Transhistorical’ 2022 Edition,” ARTNews, February 2, 2022.
“Im Richtigen Licht,” Steine Bearbeiten, January 2022.
2020
“Artnews in brief: Hollis Taggart adds two artists to roster - and more from January 23rd,” Artnews, January 2020.
“ARTnews in Brief: Artadia Names Recipients of Houston Awards and Fellowship for Immigrant Artists—and More from January 8, 2020,” Artnews, January 2020.
“Foundation for contemporary arts establishes new $40,000 award for painting,” Artforum, January 2020.

Nam, Hiji. “Scene and Held,” Artforum, December 2019.
“Andrea Viliani Joins Italy’s Castello di Rivoli Research Institute,” Artforum, December 2019.
“Performance Space New York to Present 12-Hour DANCE-A-THON,” Broadway World, November 2019.
Smith, Roberta. “MoMA’s Art Treasure, No Longer Buried,” The New York Times, October 2019.
Gannon, Devin. “See inside MoMA’s $450M revamped, expanded campus,” 6sqft, October 2019.
Farago, Jason. “Braving MoMA: What to Know before You Enter,” New York Times, October 2019.
“NYC MoMa gets big, fresh overhaul,” Boston Herald, October 2019.
Westall, Mark, “MoMA to present six new long-term, site-specific contemporary artworks for their reopening,” Fad Magazine, October 2019.
Kenney, Nancy. “MoMA will celebrate reopening with six site-specific works in its public spaces,” The Art Newspaper, October 2019.
Macsweeney, Eve. “Will MoMA’s New Commissions Make the Museum Modern Again?,” Vogue, October 2019.
Todd, Laura May. “Exploring the Artistic side of Kartell, from the Domestic to Surreal,” Wallpaper, April 2019.

Admin. “Contemporary Art from Germany,” The Patriot, September 2018.
Freeman, Nate. “What Galleries Do When the Collectors Are Away,” Artsy, July 2018.
Stoppani, Bianca. “Kerstin Brätsch_Ruine / KAYA_KOVO,” Bianca Stoppani, July 2018.
Eytan, Declan. “Visual Artist Kerstin Brätsch Unveils Latest Works at Rome’s Fondazione Memmo,” Forbes, May 2018.
Kinsella, Ana. “Creative flow: Max Mara, Kerstin Brätsch and the United Brothers’ volcanic collaboration,” Wallpaper, April 2018.
Muret, Dominique. “Milan: luxury and fashion come to the furniture fair,” Fashion Network, April 2018.

Neuendorf, Henri. “Documenta Artists Launch (Another) Petition Protesting Political and Financial Meddling,” Artnet, December 2017.
“Walker Art Center director Olga Viso steps down,” Art News Daily, November 2017.
Greenberger, Alex. “Kerstin Bratsch Wins 2017 Edvard Munch Art Award,” ArtNews, November 2017.
“Art, Culture & Appropriation,” e-flux, September 2017.
Stoppel, Daniela. “Lux Nova,” Artforum, September 2017.
“Kerstin Bratsch at Museum Brandhorst, Munich” Blouin Artinfo, August 2017.
Strassburger, Henning. “Beyond the Brushstroke” Sleek No51, August 2017.
Rutland, Beau. “Kerstin Brätsch,” Artforum, January 2017.
Blagojevic, Boško. “Kerstin Brätsch and Debo Eilers,” Art in America, January 2017.

“DAS INSTITUT at Serpentine Gallery,” Contemporary Art Daily, May 2016.
Fattori Franchini, Attilia. “DAS INSTITUT Serpentine Sackler Gallery / London,” Flash Art, May 2016.
Black, Paul. “Paul Black Reviews: DAS INSTITUT At the Serpentine Sackler Gallery,” Artlyst, March 2016.
Searle, Adrian. “Hilma af Klint/Das Institut review - neon breasts and magical abstraction,” The Guardian, March 2016.
Du Toit, Wessie. “Close quarters: ‘DAS INSTITUT’ tightens their collaboration at Serpentine Gallery,’ Wallpaper, March 2016.
White, Celia. “Das Institut,” Studio International, March 2016.
Kordic, Angie. “Serpentine Sackler Gallery Presents DAS INSTITUT - An Artistic Duo of Kerstin Bratsch and Adele Roder,” Widewalls, March 2016.
Myers, Terry R. “Painting 2.0: Expression in the Information Age,” The Brooklyn Rail, February 2016.

Herbert, Martin. “Mint Condition,” Frieze, November 2015.
Eisenman, Stephen F. “Review: Kerstin Brätsch/Arts Club of Chicago,” Newcity, November 2015.
Smith, Roberta. “15 Group Shows Not to Miss,” The New York Times, January 2015.
Schjeldahl, Peter. “Take Your Time,” The New Yorker, January 2015.

Brätsch, Kerstin. “The Glass Before Painting,” Flash Art, May-June 2014.
Schjeldahl, Peter. “Kerstin Brätsch,” Goings on About Town: Art, The New Yorker, May 2014.
“August-Macke-Preis für Kerstin Brätsch,” art: das Kunstmagazin, April 2014.
“Künstlerin Kerstin Brätsch erhält August-Macke-Preis,” Hamburger Abendblatt, April 2014.
“Kerstin Brätsch erhält August-Macke-Preis 2014,” Blouin Artinfo Deutschland, April 2014.
Brätsch, Kerstin. “Michele Abeles,” Interview Magazine, March 2014.

Etheart, Zack. “Kaya III: Luck and Body Bags at 47 Canal,” Interview Magazine, July 2013.
Cotter, Holland. “A Light Hand at an Art Fair,” The New York Times, March 2013.
Miller, Michael H. “An Art Fair Booth in the Nude: Thomas Bayrle at Gavin Brown’s Enterprise,” GalleristNY, March 2013.
“New York Artists Now,” GalleristNY, February 2013.
Buhr, Elke. “Ein verdammt starker Jahrgang,” Monopol, August 2013.
Meixner, Christine. “Kopieren als Prinzip,” Die Welt, September 2013.

Michael Sanchez. Artforum, March 2012.
“Glow Rod Tanning With… (Home Kit Box, XS Version),” Texte Zur Kunst Artist Edition, March 2012.
Russeth, Andrew. “After Hours,” The New York Observer, October 2012.
Ruf, Beatrix. “Kerstin Brätsch Online,” L’officiel Art, No. 2, June 2012.
Gioni, Massimiliano. Domus, June 2012.
Miller, Michael H. “Is That a Sausage at Your Art Fair, or Are You Just Happy to See Me?,” GalleristNY, May 2012.
Christopher Knight. “Warhol odd man out in MOCA’s ‘The Painting Factory’,” LA Times, May 2012.
Hill, Wes. “Review,” Frieze, April 2012.
Cheh, Carol. “Review: Debo Eilers and Kerstin Brätsch, KAYA 2, Various Small Fires,” Venice March 24, 2012,” Another Righteous Transfer!, 2012.
Garutti, Francesco. “Imagine A Vermeer Hanging in a Garage: It Would Suffer,” Abitare, March 2012.
Röschmann, Dietrich. “Kerstin Brätsch & Adele Röder,” Artline, February 2012.
Briggs, Louise. “Visit: Kerstin Brätsch and Adele Röder’s exhibition at Kunsthalle Zürich,” Kaleidoscope, Issue 13, Winter 2012.

Garutti, Francesco, DAS INSTITUT, Annual Report, 2010, Domus, July Cattelan,Maurizio, "Kerstin Brätsch, Vendo Tutto," Flash Art, October 2011.
Garutti, Francesco. “DAS INSTITUT, Annual Report, 2010,” Domus, July 2011.
Cattelan,Maurizio. “Kerstin Brätsch, Vendo Tutto,” Flash Art, October 2011.
Fiduccia, Joanna and Holte, Michael Ned. “These Memories Can’t Wait,” Kaleidoscope, Winter 2011.
Gioni, Massimiliano. “Notes on Abstraction,” Parkett, Issue 88, April 2011.
Herbert, Martin. “Now See This,” Art Review, December 2011.
Latimer, Quinn. “Kerstin Brätsch and Adele Röder,” Artforum, 2011.
Meade, Fionn. “See Reverse For Care,” Parkett, Issue 88, April 2011.
Gioni, M. and B. Ruf. Parkett Vol. 88, February 2011.
Ruf, Beatrix. “Alluring Appearance, Complex Core,” Parkett, Issue 88, April 2011.
Stillpass, Zoe. “Kerstin Brätsch,” Frieze Magazine, January 2011.
Kuo, Michelle. DAS INSTITUT, Artforum, February 2011.
Winking, Kerstin. “Who’s Kerstin Brätsch? At Kölnischer Kunstverein,” Metropolis, February 17, 2011.
Wiensowski, Ingeborg. “PR furs eigene Werk,” Kulturspiegel, February 2011.
Wach, Alexandra. “DAS INSTITUT schlägt zurück,” Monopol Magazin, February 2011.
“Who is Kerstin Brätsch? At Kölnischer Kunstverein,” Metropolis, February 2011.
von Morgenthaler, Daniel. “750 Prozent Wertzuwachs,” Sonntags Zeitung, November 6, 2011.
Hirsch, Thomas. “Plaedoyer für die Kunst, KB at Kölnischer Kunstverein,” Choices Köln, February 2011.
Badische Zeitung online, November 9, 2011.
Pauly, Klaus. “Kölnischer Kunstverein zeigt ‘Nichts, Nichts’,” February 2011.
“Interview: Amy Sillman and Kerstin Brätsch,” Mousse Magazine, June 2011.
“Special Venice Biennial edition for Kaleidoscope Magazine,” DAS INSTITUT, June 2011.
Von Keller, Deborah. “Alles Kopie Oder Was?” ZüriTipp, November 10, 2011.
Chardon, Elisabeth. “Kerstin Brätsch/Adele Röder,” Sortir.ch, November 2011.
Cavegn, Lucia Angela. “Zwischen Authentizität und Corporate Design,” Neue Zürcher Zeitung, November 19, 2011.
“Familienführung,” Tagesanzeiger, November 19, 2011.
“Kerstin Brätsch & Adele Röder,” artnews.org, November 21, 2011.
“Gerne zu zweit,” NZZ am Sonntag, December 11, 2011.
Röschmann, Dietrich. “Aus dem Musterkatalog des Zeitgeist,” Artline Kunstportal online, December 15, 2011.
“Kerstin Brätsch/Adele Röder – ‘Vorahnung (United Brothers and Sisters),’” Monopol Agenda, November-December 2011.
Neue Zürcher Zeitung, December 22, 2011.
ch-arts online, December 22, 2011.

Novel Magazine. Issue 3, September 2010.
Perry, Colin. “The Inhabitants,” MAP, Issue 22, Summer 2010.
Wilson, Michael. “The Pursuer,” Time Out NY, Issue 772, July 2010.
Wells, Nicolas. “The Pursuer,” City Arts, Vol. 2, Issue 13, August 2010.
Trummer, Thomas. “On Kerstin Brätsch,” Art Magazin Radar, September 2010.
Brennan, Mike. “Nutilitarianism, a rise in multi-functional art?,” Modernedition.com, 2010.
Baier, Simon. “Einsamkeit ist keine Kunst on NS / NG Show, Kunsthalle Zürich,” Texte Zur Kunst, March 2010.
Belden, Willow. “Leopards in the Temple melds the concrete and abstract,” Queens Chronicle, January January 2010.
Buhr, Elke. “Portrait Kerstin Brätsch,” Monopol Magazine, January 2010.
Chardon, Elisabeth. “Drapeau fruite a Genever - Quartier des Bains,” Le Temps, January 2010.
Troeller, Jordon. “Vertically Integrated Manufacturing Murray Guy Gallery,” V-Magazine, July 2010.
Obrist, Hans-Ulrich. “Artists for the 21. Century,” DU Magazine 807, June 2010.
Kaleidoscope Magazine, June 2010.
“La Victoire de L’optimisme: Prix du Quartier des Bain,” ESPACES Contemporains, March 2010.
Leclere, Mary. “The Question Of (E)quality: Art in the Age of Facebook,” X-Tra Magazine, Vol.12, No. 3, Spring 2010.
Saatchi Online. “The Inhabitants, VilmaGold,” Buchmaier, March 2010.
Steiner, Barbara. “Ready Made Painting,” Spike Magazine, Issue 24, June 2010.
Sharp, Chris. Kaleidoscope Magazine, Issue 7, June 2010.
Johnson, Ken. “Tamer Cats at Modern Art’s High Gates,” The New York Times, January 14 2010.
Busta, Carly. “Besides, With, Against and Yet,” May Magazine, April 2010.
Lewis, David. “Non Solo Non Group Show, Kunsthalle Zuerich,” Artforum, April 2010.
“Top Ten,” Artforum, April 2010.
Smith, Nick. “Brooklyn-based arts journal presents a paper-thin exhibit: Trash and Treasure,” Charleston City Paper, March 22, 2010.
Hudson, Suzanne. “Besides, With, Against and Yet The Kitchen,” Artforum, February 2010.
Belden, Willow. “Leopards in the Temple melds the concrete and abstract,” Queens Chronicle, January 2010.
Critics Picks. “Debo Eilers/Kerstin Brätsch: Best in Mixed Media,” Time Out NYC, January 2010.

Alemani, Cecilia. “When You See Me Again It Won’t Be Me,” Mousse Magazine, Vol. 18, 2009.
LMCC LentSpace Newspaper, New York, 2009.
Carlin, T.J. “DAS INSTITUT DI WHY?,” Artreview, December 2009.
Zeitung, December 2009.
Lewis, David. “Bridges and Tunnels,” Artforum, December 2009.
Tagliafierro, Marco. “Solaris: Gio Marconi,” Artforum, November 2009.
“100 Top Artists,” Flash Art, October 2009.
Ewing, John. “No Bees No Blueberries. Harris Lieberman,” ArtLies, Fall 2009.
Kleinmann, Adam. “DI WHY, not? Swiss Institute,” Texte Zur Kunst Online, November 2009.
Hafner, Hans Jürgen. “Der Tisch als Konzeptprothese. ABC Berlin,” Artnet, September 2009.
Moulene, Claire. “BUYBRÄTSCHWÖRST,” Artforum, September 2009.
German Vogue, September 2009.
Waltemath, Joan. “Wiser than God,” The Brooklyn Rail, July 2009.
Katz, Vincent. “New York: Summertime,” Apollo Magazine, June 2009.
Micchelli, Thomas. “The Generational: Younger than Jesus,” The Brooklyn Rail, May 2009.
Fiduccia, Joanna. “Original Copies/Images In The Zero Dimension,” Art On Paper, May 2009.
Bodin, Claudia. “Oh My God,” ART Magazine, April 2009.
Cotter, Holland. “Young Artists, Caught in the Act,” The New York Times, April 10, 2009.
Finch, Charlie. “Jesus Responds,” Artnet.com, April 2009.
Halle, Howard. “The Generational: Younger Than Jesus,” Time Out New York, April 2009.
Laster, Paul. “New art from the Millennials, Generation Y, iGeneration, and Generation Me,” Flavorwire, April 2009.
Mugaas, Hanne. “The Painting Show Online,” March 2009.
Vogel, Carol. “It’s Art of the Computer Generation (33 and Under, Please),” The New York Times, March 8, 2009.
“Dictionary of Artists,” Flash Art, March 2009.
Marshall, Piper. “Brick Flac: A Conversation with Kerstin Brätsch,” Art in America Online, February 2009.
Seibert, Arnd. “It’s The Squid,” Online Magazine by Arnd Seibert (with Sonja Gerdes), 2009.
Ulmer, Brigitte. “Speed Dating unter Künstlern,” Neue Züricher Zeitung, 2009.

Carlin, T.J. “Standard Sizes,” Time Out NYC, July 2008.
Maine, Stephen. “Report From The Lower East Side,” Art in America, March 2008.
(Insert), Parkett Vol. 83, 2008.

Angles, Eric. Open Edition, 2007.
Cotter, Holland. “Fractured In Aspect,” The New York Times, August 2007.
Smith, Roberta. “Genesis, I’m Sorry,” The New York Times, August 2007.
Kelsey, John. “Top Ten 2007,” Artforum, December 2007.
Saltz, Jerry. “Into the Fray,” The Village Voice, February 2007.