Philippe Parreno: Gropius Bau Sommer 2018. Koln: Walther König, 2018.

Philippe Parreno: La levadura y el anfitrion. Mexico City: Museo Jumex, 2017.
Thirlwell, Adam. Conversation: A Script with Philippe Parreno. Porto: Serralves Museum, 2017.

Stillpass, Zoe. Anywhen. London: Tate, 2016.

Philippe Parreno: Anywhere, Anywhere Out of the World. Köln: Walther Koenig, 2014.

Philippe Parreno: Films 1987 – 2010: Serpentine Gallery. Köln: Walther Koenig, 2011.
Spector, Nancy. C.H.Z. Philippe Parreno. Italy: Grafiche Damiani, Bologna, 2011.

Lind, Maria. Philippe Parreno. Berlin: Sternberg Press, 2010.
Schafaff, Jörn. Philippe Parreno: Angewandtes Kino. Koln: König, 2010.

Critchley, Simon. Philippe Parreno. Zurich: JRP Ringier, 2009.
Parreno, Philippe and Johan Olander. Parade?. Paris: Editions du Centre Pompidou, 2009.

Parreno, Philippe and Hans Ulrich Obrist. Hans Ulrich Obrist & Philippe Parreno: The Conversation Series. Koln: Walther König, 2008.
Suicide in Vermillion Sands. New York: Friedrich Petzel Gallery, 2008.
Live Recorded Delay: An Archive of Il Tempo del Postino. Berlin: Sternberg Press, 2008.

Philippe Parreno: Fade to Black. Brussels: MFC-Michele Didier, 2005.

The Boy from Mars. Kitakyushu: CCA Kitakyushu, 2004.
Point d’ironie, no. 33. Paris: Agnés B, 2004.

No Ghost Just a Shell. Köln: Walther Konig, 2002.
Philippe Parreno. Stockholm: Moderna Museet Projekt, 2002.
Obrist, Hans-Ulrich. Philippe Parreno: Alien Affection. Paris: Paris-Musées, 2002.

Philippe Parreno: Speech Bubbles. Dijon: Les presses du reel, 2001.

Gillick, Liam and Jack Wendler. Snow Dancing by Philippe Parreno. Washington D.C.: GW Press, 1995.

Eccles, Tom, ed. Invisible Adversaries. Annandale-on-Hudson: Hessel Museum of Art, 2016.

Artistes et Architecture: Dimensions variables. Paris: Editions du Pavillon de l’Arsenal, 2015.

Macel, Christine. Ûne Histoire: Art, Architecture, Design des années 1980 à nos jours. Paris: Centre Pompidou and Flammarion, 2014.
Babel: Works from the Igal Ahouvi Art Collection. Tel Aviv: Igal Ahouvi Art Collection/Tel Aviv University, 2014.

Ruins. London: Whitechapel Gallery, 2012.
Cherix, Christophe. Print/Out: 20 Years in Print. New York: Museum of Modern Art Publications, 2012.

Serpentine Gallery Poetry Marathon. London: Koenig Books, 2009.
La Biennale di Venezia 53: Making Worlds Exhibition. Venice: Fondazione La Biennale di Venezia, 2009, p. 126 – 127, 246 – 247.
Scherf, Angeline. Entre-Temps. Paris: MAMVP/ARC, 2009, p.122-127.
FRAC Nord-Pas de Calais, #2: Collection 1991-2000. Dunkirk: Nord-Pas de Calais, 2009, p. 76-77.
Marcadé, Bernard. 53 Oeuvres oui M’ Ébranlérent le monde. Paris: Beaux Arts editions, 2009, p. 160-163.
Utopics: Systems and Landmarks. Zurich: JRP Ringier, 2009.

Obrist, Hans Ulrich and Daniel Birnbaum. THEANYSPACEWHATEVER. New York: Guggenheim Museum, 2008, p. 98-104.
Macel, Christine. The Time Taken: Time to Work, Time at Work. Paris: Monografik and Centre Pompidou, 2008.
Richard, Lionel. Art et energies. Paris: Cercle d’Art, 2008.
Fried, Michael. Why Photography Matters as Art as Never Before. New Haven and London: Yale University Press, 2008.
Monvoisin, Alain and Nadine Coleno. Dictionnaire International de la Sculpture Moderne et Contemporaine. Paris: Editions du Regard, Paris, 2008, p. 418, 420.
Macel, Christine. French Connection. Paris: Black Jack editions, Paris 2008, p. 560-567.
Qu’est-ce que l’art video aujourd’hui?. Paris: Beaux Arts éditions, 2008.
Heiser, Jorg. All of a Sudden. Berlin: Sternberg Press, 2008, p. 178-179, 196-199.

Marcoci, Roxana. Comic Abstraction. New York: Museum of Modern Art, 2007, p. 24-25, 102-107.
Lequeux, Emmanuelle. AF 21.1 Art France 1990 – 2007. Paris: Editions Particules, 2007, p. 154-155.
Birnbaum, Daniel and Christine Macel. Airs de Paris. Paris: Centre Pompidou, 2007.
All Hawaii entrées/Lunar Reggae. Dublin: Irish Museum of Modern Art, 2007.
Moulène, Claire. Contemporary Art and Social Ties. Paris: Cercle d’Art, 2007.
L’artiste, l’atelier, le verre. Paris: CIRVA, 2007.
Blom, Ina. On the Style Site Art, Sociality, and Media Culture. Berlin: Sternberg Press, 2007.
Moisdon, Stéphanie. Stéphanie Moisdon. Dijon: Les Presses du Réel; Zürich: JRP Ringier, 2007, p. 221-242.
Gielen, Denis. Atlas de l’art contemporain à l’usage de tous. Paris: Musée des Arts Contemporains au Grand-Hornu, 2007.
Obrist, Hans-Ulrich. …dontstopdontstopdontstopdontstop. Dijon: Les Presses du Réel; Zürich: JRP Ringier, 2007, p. 125-129, 135-143.
Birnbaum, Daniel. Chronology. Berlin: Sternberg Press, 2007, p. 97-112.
Caioli, Luca. Zidane: Cent dix minutes pour partir. France: editions Prolongations, 2007, p. 162-165.
Cassagnau, Pascale. Future Amnesia: Investigations on a Third Cinema. Paris: Isthmus, 2007, p. 87.
Bonnet, Frédéric. Collection Nouveaux Médias Installations. Paris: Cecntre Pompidou, 2007, p. 238.
Dupis, Dorothée. Collection Art Contemporain. Paris: Centre Pompidou, 2007, p. 351.
Richardson, Phyllis. XS Green: Big Ideas Small Buildings. London: Thames & Hudson, 2007, p.162-165.

Again for Tomorrow. London: Royal College of Art, 2006.
Fresh Théorie II. Paris: Léo Scheer, 2006.
Obrist, Hans-Ulrich. …dontstopdontstopdontstop. Berlin/New York: Sternberg Press, 2006.
Vidal, Jordi. Traité du Combat Moderne. Paris: Alla, 2006.
Le Magasin: 1986-2006. Grenoble: JRP Ringier, 2006.

War is Over. Bergamo: GAMeC, 2005.
Le Magasin: 1986-2006. Grenoble: JRP Ringier, 2005.
Experience de la Duree. Lyon: Biennale de Lyon, 2005.
Universal Experience: Art, Life and the Tourist’s Eye. Chicago: Museum of Contemporary Art, 2005.
Birnbaum, Daniel. Chronology. New York: Lukas & Sternberg Press, 2005.
Piron, François. Prêts à Prêter. Provence-Alpes-Côte d’Azur: Regional Contemporary Art PACA, 2005.
Art Now: Volume 2. Köln: Taschen GmbH, 2005.
La Ville au Cinéma. Paris: Cahiers du Cinéma & Éditions de l’Etoile, 2005.
Huitorel, Jean-Marc. The Beauty of Gesture: Contemporary Art and Sport. Paris: Editions du Regard, 2005.

Hors D’oeuvre. Bordeaux: CAPC, 2004.
Sportivement Votre. Chamarande: Domaine departemental de Chamarande, 2004.
Douroux, Xavier. Nouveaux Commanditaire en Bourgogne. Dijon: Les presses du reel, 2004.
Couturier, Elisabeth. l’Art Contemporain Mode d’Emploi. Paris: Flammarion, 2004.
Mattick, Paul and Katy Siegel. Art Works: Money. London: Thames & Hudson, 2004, p. 84, 158-159.
Turbulenz. Frankfurt: Portikus, 2004.

The Big Nothing. Philadelphia: Institute of Contemporary Art, 2003.
7th Biennale de Lyon: It Happened Tomorrow: Après. Dijon: Les Presses du Reel, 2003.
Coolustre. Avignon: Collection Lambert, 2003.
Animations. Berlin: Kunst-Werke, 2003.
The In-Between: Anna Sanders Films. Dijon: Les Presses du Réel, 2003.

The Object Sculpture. Hertfordshire: The Henry Moore Institute, 2002.
Art Now. Köln: Taschen, 2002.
Diatxt, no. 6. Tokyo: Tokyo Art Center, 2002.

Double Life. Wien: Generali Foundation, 2001.
Bourriaud, Nicolas. Postproduction. New York: Lukas & Sternberg, 2001.

Bony, Anne. The 90’s. Paris: Editions du Regard, 2000.

X Squared. Vienna: Secession, 1999.
Cream. London: Phaidon, 1999, p. 28.
Art at the Turn of the Millennium. Cologne: Taschen, 1999, p. 378-381.

Dominique Gonzales-Foerster, Pierre Huyghe, Philippe Parreno. Paris: Musee d’Art Moderne, 1998.
Project 8. Seoul: Total Museum of Contemporary Art, 1998.

Enter: Artist/Audience/Institution. Luzern: Kunstmuseum Luzern, 1997.
Campo 6. Turin: Museum of Turin and Fondazione Sandretto Re Rebaudengo, 1997.

More Time Less History. Porto: Fundaçao Serralves, 1996.

Surface de Reparations. Dijon: FRAC Bourgogne, 1995.
Infamie. Paris: Hazan, 1995.
Collection: Fin XXe. Poitiers: FRAC Poitou-Charentes, 1995.
NICAF. Paris: Air de Paris, 1995.
Traffic. Bordeaux: CAPC Musee d’art Contemporain de Bordeaux, 1995.

Soggetto Soggetto. Milan: Charta, 1994.
Nouvelle Vague. Nice: MAMAC, 1994, p. 51-57.

Backstage: Topologie Zeitgenossischer Kunst. Hamburg: Kunstverein im Hamburg and Kunstmuseum Luzern, 1993.
Aperto ’93: Emergency: Flash Art International. Milan: Giancarlo Politi Editore, 1993.
45th International Exhibition of Art 1993: Venice Biennale: Cardinal Points of Art. Venice: Marsilio Editori, 1993.
Le Principe de Realite. Nice: Villa Arson, 1993.

Le Dimanche de la vie. Milan: Gio Marconi, 1992.
We Must Build the Hacienda. Tours: C.C.C., 1992.

L’amour de l’art. Lyon: Biennale de Lyon, 1991.
No Man’s Time. Nice: Villa Arson, 1991.

Graw, Isabelle. Nachschub: The Koln Show. Koln: Spex, 1990.
French Kiss: A Talk Show. Geneve: Halle Sud, 1990.
Courts Metrages Immobiles. AFAA, 1990

Luke, Ben. “A Brush With...Philippe Parreno,” The Art Newspaper, September 20, 2021.
Alemani, Cecilia. “Best of 2021,” Artforum, December 2021.

Coccia, Emanuelle. “Philippe Parreno,” Flash Art, September 2020.
Stillpass, Zoe. “Philippe Parreno,” Flash Art, September 2020.

Bigman, Alexander R. “Philippe Parreno at Gladstone Gallery,” Art in America, June/July 2019.
Seymour, Tom. “Philippe Parreno combines 20 years of footage to create ‘film of films, a séance of cinema,’” Wallpaper*, February 6, 2019.

Kamm, Joanna. “Philippe Parreno: The Creature is Ready to Eat,” Spike Art Magazine, June 4, 2018.
Hegert, Natalie. “Two Automatons for One Duet,” THE SEEN, Issue 06, April 17, 2018.

“Features: Philippe Parreno,” The Art Newspaper, February 2017.
Giaimo, Cara. “How to Make an Alien Planet on Earth: For a short film about another world, the landscape designer Bas Smets created a dark, scientifically accurate terrain,” Atlas Obscura, January 20, 2017.
Birnbaum, Daniel. “Philippe Parreno,” Artforum, January 2017.  

Nathan, Emily. “An Art of Loopholes: How the French artist Philippe Parreno studiously avoids having ideas,” The New Yorker, October 15, 2016.
Souter, Anna. “Parreno: Anywhen at Turbine Hall, Tate Modern,” The Upcoming, October 14, 2016.
Sherwin, Skye. “Inside Philippe Parreno’s Brave New World at The Tate Modern,” W Magazine, October 11, 2016.
Cohen, Alina. “Philippe Parreno Offers ‘Journey’ at Tate’s Turbine Hall,” BLOUIN ARTINFO, October 10, 2016.
Buck, Louisa. “Interview: Philippe Parreno goes with the flow,” The Art Newspaper, October 6, 2016.
Spence, Rachel. “Frieze Week special: Philippe Parreno, Tate Modern Turbine Hall, London,” Financial Times, October 4, 2016.
Searle, Adrian. “Parreno’s Turbine Hall review- mesmerising and umissable,” The Guardian, October 3, 2016.
Florian, Federico. “Philippe Parreno at HangarBicocca,” Art in America, March 29, 2016.
Duray, Dan. “It’s alive: Philippe Parreno lights up Gladstone Gallery,” The Art Newspaper, March 24, 2016.
“Philippe Parreno Chosen for Tate’s 2016 Hyundai Commission,” Artforum, February 1, 2016.
Kuitert, Floor. “Philippe Parreno turns Milan’s HangarBiccoca into a cinematic production of shadows,” Frame Magazine, February 9, 2016.

Obrist, Hans Ulrich. “Rethinking the Ritual of the Exhibition,” Mousse, February 2015.
“Making Sense of Philippe Parreno in His Multifaceted Park Avenue Armory Exhibition,” Artsy, June 16, 2015.
Jones, Justin. “When Creepy Kids Are Part of an Art Show,” The Daily Beast, June 29, 2015.
“500 Words: Philippe Parreno,” Artforum, June 10, 2015.
Indrisek, Scott. “Philippe Parreno’s Hypnotism at the Park Avenue Armory,” Artinfo, June 11, 2015.
“Philippe Parreno’s H{N)YPN(Y}OSIS takeover of the Park Avenue Armory,” The Art Newspaper, June 11, 2015.
Cheung, Ysabelle. “Philippe Parreno Unveils His Glowing Gesamtkunstwerk,” Hyperallergic, June 11, 2015.
Coxhead, Gabriel and Ali Morris. “Philippe Parreno’s multimedia extravaganza, H{N)YPN(Y}OSIS, opens in New York’s Park Avenue Armory,” Wallpaper*, June 11, 2015.
Massara, Kathleen. “Philippe Parreno’s Spectacular Show at Park Avenue Armory Hypnotizes Visitors,” Artnet, June 11, 2015.
Morris, Ali. “Parreno, Höller and Demand inaugurate Albania’s Center for Openness and Dialogue in Tirana,” Wallpaper*, July 14, 2015.

Renner, J. “Atelier: Philippe Parreno,” Arte TV, December 2014.
Eastham, Ben. “Interview with Philippe Parreno,” The White Review, August 2014.
Sirieix, Barbara. “The Snake and the Snail,” South as a State of Mind, Issue 4, Spring/Summer 2014, p. 140-141.
Launay, Aude. “De Decennies en Millenaires,” Revue 02, no. 70, 2014.
Rian, Jeff. “Philippe Parreno,” Artforum, January 2014.

Pfeiffer, Alice. “Show & Tell,” Wallpaper*, November 2013.
Herbert, Martin. “Philippe Parreno,” Kaleidoscope, November 5, 2013.
Higgie, Jennifer. “My Influences: Philippe Parreno,” Frieze, October 2013.
Khondji, Darius. “Philippe Parreno,” Interview Magazine, October 2013
Searle, Adrian. “Philippe Parreno’s Video Art: a moving spectacle full of snowdrifts and tears,” The Guardian, October 30, 2013.
Piettre, Celine. “Philippe Parreno’s New Megashow Fills the Palais de Tokyo,” Artinfo, October 26, 2013.
Pfeiffer, Alice. “Artist Philippe Parreno is given carte blanche to curate a multi- media exhibition at Paris’ Palais de Tokyo,” Wallpaper*, October 24, 2013.
“Philippe Parreno & Anri Sala,” Mousse, February – March 2013, p. 158-165.
Searle, Adrian. “The Bride and the Bachelors: Delighting in Duchamp,” The Guardian, February 15, 2013.

Beghin, Cyril. “A Matter of Synchronization,” Mousse, 2012.
Buck, Louisa. “The Uncanny World of Philippe Parreno,” The Art Newspaper, June 15, 2012.

Charlesworth, J. J. “Philippe Parreno,” Art Review, March 2011.
Verzotti, Giorgio. “Philippe Parreno,” Artforum, March 2011.

Waters, Florence. “Magic films that immerse you in poetry,” The Daily Telegraph, November 30, 2010.
Kunitz, Daniel. “Flying Solo,” Modern Painters, October 2010, p. 63-67.

Gillick, Liam. “A Single Piano Note and a Giant Snowflake,” Parkett, volume 86, 2009
Lagier, Luc. “A Sensation of Asphyxia,” Parkett, volume 86, 2009.
Obrist, Hans-Ulrich and Philippe Parreno. “A Polyphonic Conversation,” Parkett, volume 86, 2009.
Stillpass, Zoe. “Back to Her Future,” Parkett, volume 86, 2009.

Parkett, no. 80, 2007.

“Replay,” Flash Art, October 2004, p. 136.

“No More Reality,” ZAPP Video Magazine, no. 1, 1994 [video].

“Snaking,” ZAPP Video Magazine, no. 0, 1993.

Parreno, Philippe and Hans-Ulrich Obrist. “An Interview with Pierre Boulez,” in, Sound Unbound: Sampling Digital Music and Culture. Cambridge: MIT Press, 2008, p. 361.

Parreno, Philippe. “Sitcom Ghost,” in, Rirkrit Tiravanija: A Retrospective (Tomorrow Is Another Fine Day). Zurich: JRP Ringier, 2007.
“La musique des évènements,” in, Maps and Legends. Paris: Le Presses du Réel, 2007.

Parreno, Philippe. “My days are shorter than your t-shirt,” in, Olafur Eliasson: Surroundings Surrounded: Essays on Space and Science. Cambridge: MIT Press, 2002.

Parreno, Philippe. “Bjork,” in, Bjork. New York: Bloomsbury USA, 2001, p. 119-122.
Parreno, Philippe. “Evidences to be submitted to the free time litigation,” in, Pierre Huyghe. Zurich: Kunsthalle Zurich with Secession Wien and Le Consortium Dijon, 2001.

Parreno, Philippe, “its me and the system…,” in, Jorge Pardo: What Does This Object Do?. Ostfilidern: Hatje Cantz Verlag, 2000.