Marcoci, Roxana. Our Selves: Photographs by Women Artists from Helen Kornblum. New York: Museum of Modern Art, 2022.

Benenson, A.E., Suzanne Hudson and Inesa Brasiske. Sharon Lockhart: Rudzienko. Vilnius: Contemporary Art Centre, 2019. Texts by A.E. Benenson, Suzanne Hudson, and Inesa Brasiske.
Sharon Lockhart: Movements and Variations. Brochure. Berlin: neugerriemschneider, 2019.
Singerman, Howard. Sharon Lockhart: Pine Flat. London: Afterall Books, 2019.
Quin, Alejandro. “Photography, Inoperative Ethnography, Naturalism: On Sharon Lockhart’s Amazon Project.” In, Intimate Frontiers: A Literary Geography of the Amazon. Liverpool: Liverpool University Press, 2019, p. 227-247.

Perez Gonzalez, Shalom. CalArts Presenta…Ventanas Sin Limites En Movimento. Mexico City: Cineteca Nacional de Mexico, 2018.
Amoró, Lorena, Nimfa Bisbe and Virginia Torrente. ¡Mírame!: Retratos Y Otras Ficciones En La Coleccion “La Caixa” De Arte Contemporáneo. A Coruña: Museo de Arte Contemporáneo de la Fundación Gas Fenosa, 2018. Includes text on Lockhart by Lorena Amoró, Nimfa Bisbe, and Virgina Torrente.
White, Jennifer Knox, ed. I Don’t Like Fiction, I like History Duane Hanson with Thomas Demand, Andreas Gursky, Sharon Lockhart, and Jeff Wall. Beverly Hills: Gagosian, 2018. Texts by Sydney Stutterheim and Benjamin Nugent.
Lehrer-Graiwer, Sarah. Newspaper Jan Mot: 207–208. Brussels: Jan Mot Gallery, 2018. Includes text on Lockhart by Sarah Lehrer-Graiwer.
Palais: Another banana day for the dream-fish. Paris: Palais de Tokyo, 2018. Includes photographs from Podwarka.
Eigensinn der Dinge. Stillleben in fotografischen Konzepten der Gegenwart / Obstinacy of Things. Still Life in Photographic Concepts of the Present. Vienna: Kunst Haus Wien, 2018.
Rideal, Liz and Soriano, Kathleen. “Sharon Lockhart.” In Madam and Eve: Women Portraying Women. London: Laurence King Publishing Ltd, 2018, p. 160.
Beshty, Walead. Picture Industry: A Provisional History of the Technical Image, 1844-2018. New York: ARTBOOK / D.A.P., 2018.

Piwowarska, Barbara. Viva Arte Viva: Biennale Arte 2017. Venice: La Biennale di Venezia, 2017.
Doclisboa ‘17. Lisbon, Portugal: Apordoc – Portuguese Documentary Association, 2017.
Rothkopf, Scott. Laura Owens. New York: Whitney Museum of American Art, 2017.
Bragana, Giovanna, Matteo Marelli, and Cristina Piccino. Filmmaker Festival 2017. Milan: Arcobaleno Film Center, 2017.
Estrada, Javier H. Morán Ferres Andrea, and Gabriel Domenech. Festival Internacional De Cine: Filmadrid. Madrid: Festival Internacional De Cine: Filmadrid, 2017.
Fowler, Catherine. “The Artist’s Long Take as Passage in Sharon Lockhart’s Installation Lunch Break (2008).” In The Long Take. London: Palgrave Close Readings in Film and Television, 2017, p. 193-205.

Heuwinkel, Christiane. In the Cage of Freedom. Wolfsburg: Kunstmuseum Wolfsburg, 2016.
Underway. Norway: Sorlandets Kunstmuseum, 2016. Text on Lockhart courtesy of the artist and neugerriemschneider, Berlin.
Picard, Andréa Rudzienko. TIFF, The 41st Toronto International Film Festival. Toronto: Toronto Internaitonal Film Festival, 2016. Text on Lockhart by Andréa Picard.
Auerbach, Lisa Anne, Sharon Lockhart, Laura Owens, and Frances Stark (Brochure). New York: The Artist’s Institute, 2016.
Kandel, Susan, Giovanni Intra, Bruce Hainley and Lane Relyea. Mit Loidl Oder Co. Graz: Ausstellungstechnik für Kunst und Wissenschaft, 2016.
Norden, Linda. Rudzienko (Brochure). Toronto: Gallery TPW and The Toronto International Film Festival, 2016.
Mileaf, Janine. Sharon Lockhart: Rudzienko. Chicago: The Arts Club of Chicago, 2016.
Chomicka, Ewa, and Agnieszka Pindera, eds. Presence/Absence/Traces. Warsaw: POLIN Museum of the History of the Jews, 2016. Text on Lockhart by Szymon Maliborski.
Jaua, María Virginia ed. Mexico: Essays on a Myth. Mexico: Iberdrola, 2016.
2015
Lockhart, Sharon. MILENA, MILENA. Milan: Silvana Editorial, 2015. Texts by George Baker, Fanni Fetzer, Lars Bang Larsen, and Camilla Larsson.
Neidhardt, Jane E. ed. Sharon Lockhart: Milena, Milena. A work in progress. Stockholm: Bonniers Konsthall; Warsaw: Center for Contemporary Art, Ujazdowski Castle; Lucerne: Kunstmuseum Luzern, 2015.
Stahel, Urs, ed. [7] Places [7] Precarious Fields: Fotofestival Mannheim Ludwigshafen Heidelberg. Heiderlberg: Kehrer Verlag, 2015.
Ferguson, Russell. Perfect Likeness: Photography and Composition. Los Angeles: Hammer Museum, University of California; New York: DelMonico Books; Munich/ London: Prestel, 2015.
Heyler, Joanne, ed. The Broad Collection. Los Angeles The Broad; Munich: Prestel Verlag, 2015.
Queen Size, Female Artists from the Olbricht Collection. Berlin: Olbricht Collection, 2015.
Schwartz, Alexandra. Come as you are: Art of the 1990s. Montclair: Montclair Art Museum, 2015.
The heroine paint: After Frankenthaler. New York: Gagosian Gallery, 2015.
Codognato, Mario. HE: The Hergott Shepard Photography Collection. Ann Arbor: University of Michigan Museum of Art, 2015.
Miller, Dana, ed. Handbook of the Collection, Whitney Museum of American Art. New York: Whitney Museum of American Art, 2015.

Franke, Anselm ed. 10th Shanghai Biennale. Social Factory. Shanghai: Shanghai Power Station of Art, 2014.
Abu ElDahab, Mai, Huberman, Anthony. A Needle Walks into a Haystack. Liverpool: Liverpool Biennial; London: Koenig Books, 2014.
Sharon Lockhart, Milena, Milena – Works in the exhibition (Brochure). Stolkhom: Bonniers Konsthall, 2014.
Seeking New Genealogies. Tokyo: Museum of Contemporary Art, Tokyo, 2014.
Artes Mundi. Cardiff: Artes Mundi 2014. Includes text by Sabine Eckermann.
People’s Biennial. Detroit: Museum of Contemporary Art Detroit, 2014.
In Context: The Portrait in Contemporary Photographic Practice. Clinton: Ruth and Elmer Wellin Museum of Art, 2014.
Sharon Lockhart on Steve Paxton. New York: The Dia Art Foundation, 2014.
Mühling, Matthias and Susanne Ehrenfried. Playtime. Munich: Städtische Galerie im Lenbachhaus and Kunstbau Münchin, 2014.

Tormey, Jane. Photographic Realism: Late twentieth-century aesthetics. Manchester: Manchester University Press, 2013.
MacDonald, Scott. American Ethnographic Film and Personal Documentary: the Cambridge turn. Berkeley/ Los Angeles: University of California Press, 2013.
The Whole Earth. Kalifornien und das verschwinden des Außen. Berlin: Haus der Kulturen der Welt/Sternberg Press, 2013, p. 136, ill.
Dans <3 Stockholm. Stockholm: The International Contemporary Dance Festival, 2013.
Frm vs fnctn nd bck gn (Brochure). Berlin: Neugerriemschneider, 2013.
Lens Drawings (Brochure). Paris: Marian Goodman Gallery. June 2013.
Planete + Doc Film Festival (Brochure). Warsaw: Ilujzon Fest, 2013.
More American Photographs (Brochure). Columbus: Wexner Center for the Arts, 2013.

Little, David E. The Sports Show: Athletics as Image and Spectacle. Minneapolis: Minneapolis Museum of Art, 2012.
Armstrong, Elizabeth. MO/RE/RE/AL? Art in the Age of Truthiness. Munich: Prestel; Minneapolis: Minneapolis Institute of Arts, 2012.
Regarding Warhol: Sixty Artists Fifty Years. New York: Metropolitan Museum of Art, 2012.
The Collector’s Choice: Opere dalla Collezione Sandretto Re Rebaudengo. Mondena: Fondazione Fotografia; Milan: Skira, 2012.
More Real? Art in the Age of Truthiness. Santa Fe: SITE Santa Fe; Minneapolis: Minneapolis Institute of Arts, 2012. Texts by Tom Gunning, Norman M. Klein, Carrie Lambert-Beatty, and Mark Levy.
The Long Now (Brochure). Philadelphia: The Galleries at Moore, Moore College of Art and Design, 2012.
A.S.A.P.2012. Maine: The Acadia Summer Arts Program, 2012.
More Real? Art in the Age of Truthiness (Brochure). Sante Fe: SITE Santa Fe, 2012.
Sharon Lockhart Double Tide (Brochure). Castellon: Espai d’Art Contemporani de Castello; Berlin: nuegerriemschneider, 2012.
The Sports Show (Brochure). Minneapolis: Minneapolis Institute for Art, 2012.
Baron, Stephanie, Britt Salvesen, Eva Wilson, and Daniela Zyman ed. Sharon Lockhart | Noa Eshkol. Los Angeles: Los Angeles County Museum of Art; Jerusalem: The Israel Museum Jerusalem; New York: DelMonico; Berlin: Prestel/Sternberg Press, 2012. Texts by Talia Amar, Stephanie Barron, Britt Salvesen, Eva Diaz, Sabine Eckmann, Sharon Lockhart, and Michal Shoshani. Hebrew edition also published.
Sharon Lockhart | Noa Eshkol (Brochure). New York: The Jewish Museum, 2012.
Sharon Lockhart | Noa Eshkol (Brochure). Vienna: Thyssen-Bornemisza Art Contemporary, 2012.
Affective Turns? (Brochure). Los Angeles: Pepin Moore, 2012.
Lockhart, Sharon. Greg Wilken. New York: Cue Art Foundation, 2012.

Art Next Next Art. Jerusalem: American Friends of the Israel Museum, 2011.
Hicks, Alistair and Britta Färber ed. Art works: Deutsche Bank Collection Group Head Office, Frankfurt. Frankfurt: Deutsche Bank AG, 2011.
Lunch Break Times (Bay Area Edition). San Francisco: San Francisco Museum of Modern Art, 2011.
Measuring the World: Heterotopias and Knowledge Spaces in Art. Cologne: Kunsthaus Graz, Universalmuseum Joanneum, 2011.
More American Photographs (Brochure). San Francisco: CCA Wattis Institute for Contemporary Arts, 2011.
More American Photographs. San Francisco: CCA Wattis Institute for Contemporary Arts, 2011.
Museum der Wunsche. Vienna: MUMOK, 2011, p. 137-140.
Sharon Lockhart | Noa Eshkol (Brochure). Tel Aviv: Center for Contemporary Art, 2011.
Time Over Ties. Tokyo: United States Embassy, 2011.
Work after Work. Los Angeles: Gayle Garner Roski School of Fine Arts, University of Southern California, 2011.
Collection Vanmoerkerke. Brussels: Rispoli Books, 2011.
Pontbriand, Chantal ed. Mutations: Perspectives on Photography. Göttingen: Steidl, 2011, p. 219-221.

Auto-Kino!. Berlin: Temporäre Kunsthalle Berlin, 2010.
Diederichsen, Diedrich. “Realitätsbezüge in der Bildenden Kunst.” Realismus in der Künsten der Gegenwart. Zürich: Diaphanes, 2010, p. 17-28.
Landau, Susan ed. Contemporary Art in the Israel Museum, Jerusalem. Jerusalem: The Israel Museum, 2010, p. 156-157.
Lunch Break (Brochure). Waterville: Colby College Museum of Art, 2010.
Lunch Break. St. Louis: Mildred Lane Kemper Art Museum, Sam Fox School of Design & Visual arts, 2010. Text by James Benning, Sabine Eckmann, Frank Escher, Mark Godfrey, Ravi GuneWardena, Sharon Lockhart, Matthias Michalka, and Andras Palffy.
Lunch Break (Brochure). St. Louis: Mildred Lane Kemper Art Museum, 2010.
Lockhart, Sharon. The Lunch Break Times. Los Angeles: Sharon Lockhart, 2010.
This Could Become a Gimick [sic] or an Honest Articulation of the Workings of the Mind. Cambridge: MIT List Visual Arts Center, 2010. Text on Lockhart by Frances Stark.
Mayo, Marcia and Sally Mansfeild ed. Captured in Time. Washington, D.C.: ART in Embassies, 2010.

Dance with Camera. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 2009. Text on Lockhart by Bernard Joisten.
Living Flowers: Ikebana and Contemporary Art. Los Angeles: Japanese American National Museum, 2009.
Painting Real: Warhol Wool Newman / Screening Real: Conner Lockhart Warhol. Graz: Verlag der Buchhandlung Walther König, 2009. Text on Lockhart by Ian White.
Sharon Lockhart & James Welling: Words Without Pictures. Los Angeles: Los Angeles County Museum of Art, February 2009, p. 443–71.
Film Video New Media at the Art Institute of Chicago: With the Donna and Howard Stome Gift. New Haven: Yale University Press, 2009.
Griffiths, Catherine and Dan Rees eds. Home for Lost Ideas. Berlin: Archive Books, 2009.

All of a Sudden: Things That Matter in Contemporary Art. Berlin: Sternberg Press, 2008. Text on Lockhart by Jörg Heiser.
Lateness and Longing—Pining: Sharon Lockhart, 50 Moons of Saturn: T2 Torino Triennale. Milan: Skira Press, 2008, p. 76-91. Text on Lockhart by George Baker.
Life on Mars: 55th Carnegie International. Pittsburgh: Carnegie Museum of Art, 2008, p. 156-161.
Art Center College of Design 2007–08 Catalog. Pasadena: Art Center College of Design, 2008.

Budak, Adam. Volksgarten: Politics of Belonging. Graz: Buchhandlung Walther König, 2007, p. 34–35.
Lockhart, Sharon, and Elad Lassry. An Email Conversation- The USC Roski School of Fine Arts MFA Catalogue. Los Angeles: University of Southern California Roski School of Fine Arts, 2007, p. 33-35.
Lockhart, Sharon. “Milwaukee’s Finest,” inn Barbara Pichler and Claudia Slanar, eds. James Benning. Vienna: SYNEMA, 2007, p. 55–64.

Sharon Lockhart: Pine Flat. Frankfurt: Revolver Books; Bilbao: Sala Rekalde, 2006. Includes texts by Mark Godfrey, Ignacio Vidal-Folch, Inés Katzenstein, Chuz Martínez, and Catherine Wood.
Pine Flat, Sharon Lockhart (Brochure). New York: Gladstone Gallery; Lisbon: Museo do Chiado; Los Angeles: REDCAT; Cambridge: Harvard Art Museums, 2006.
PINE FLAT, SHARON LOCKHART. Minneapolis: Walker Art Center; New York: Charta, 2006. Texts by Kathy Halbreich, Linda Norden, and Frances Stark.
Public Art Fund Talks at The New School. New York: Public Art Fund, 2006.
The Artists Cinema. London: Frieze Art Fair, October, 2006.
Comer, Stuart. “Sharon Lockhart,” In Vitamin Ph: New Perspectives in Photography. London: Phaidon, 2006, p. 166-67.
Harvard Film Archive, 3 (Film program). Cambridge: Harvard Film Archive, 2006.
Kraus, Chris, Jan Tumlir, and Jane McFadden, eds. LA Artland: Contemporary Art From Los Angeles. London: Black Dog, Publishing, 2006, p. 122–23. Includes text on Lockhart by Catherine Grant.
REDCAT (Winter/Spring Season Brochure). Los Angeles: California Institute of the Arts, 2006.
Visuell: Blind Date. Frankfurt: Deutsche Bank Collection, 2006.
Zones of Contact: 2006 Biennale of Sydney. Sydney: Biennale of Sydney, 2006. Text on Lockhart by Linda Norden.
Sundance Film Festival 2006 Film Guide (Film program). Park City: Sundance Institute, 2006.
Art Center College of Design 2006–07 Catalog. Pasadena: Art Center College of Design, 2006.
Comer, Stuart. Vitamin P: New Perspectives in Photography. London: Phaidon Press, 2006, p. 166-167.

A Critical Cinema 5: Interviews With Independent Filmmakers. Berkeley: University of California Press, 2005, p. 311-32. Text on Lockhart by Scott MacDonald.
Bidibidobidiboo: Works From Collezione Sandretto Re Rebaudengo. Turin: Fondazione Sandretto Re Rebaudengo, 2005.
Richer, Francesca, and Matthew Rosenzweig eds. No. 1: First Works by 362 Artists. New York: Distributed Art Publishers, Inc., 2005.
Bright, Susan. Art Photography Now. London: Thames & Hudson Ltd., 2005, p. 79, 105.
En attente. Luxembourg: Casino Luxembourg—Forum d’art Contemporain, 2005.
An Aside: Selected by Tacita Dean. London: Hayward Gallery/ South Bank Centre, 2005. Texts on Lockhart by Tacita Dean, Roger Malbert, and Jenni Lomar.
Universal Experience: Art, Life, and the Tourist’s Eye. Chicago: Museum of Contemporary Art, 2005. Texts on Lockhart by Francesco Bonami, Julie Rodrigues Widholm, and Tricia Van Eck.
Bits & Pieces Put Together to Present a Semblance of a Whole: Walker Art Center Collections. Minneapolis: Walker Art Center, 2005, p. 356-58.

Los usos de la imagen: Fotografía, film y video en la Colección Jumex. Buenos Aires: Museo de Arte Latinomericano de Buenos Aires, 2004.
Cotton, Charlotte. The Photograph As Contemporary Art. New York: Thames & Hudson, 2004, p. 59.
Videodreams: Between the Cinematic and the Theatrical. Graz: Kunsthaus Graz, 2004. Texts on Lockhart by Mieke Bal, Laura Mulvey, Kaja Silverman, and Judy Radul.
Art in Embassies Program 40th Anniversary. Washington, DC: Art in Embassies, 2004.
Made in Mexico. Boston: Institute of Contemporary Art, 2004. Texts on Lockhart by Gilbert Vicario and interviews by Pamela Echevarría.
Internationales Forum des Jungen Films: 54 Internationale Filmfestspiele Berlin 8 (Program). Berlin: Internationales Forum des Jungen Films, 2004.
Eden. Mexico City: La Colleción de Jumex, 2004.
Whitney Biennial 2004. New York: Whitney Museum of American Art, 2004. Texts on Lockhart by Chrissie Iles, Shamin M. Momin, and Debra Singer.
Twenty. Los Angeles: The Broad Art Foundation, 2004.
Speed Official Guide to the 17th Annual Virginia Film Festival (Film Program). Charlottesville: Festival News, University of Virginia, October 28–31, 2004.

Bonami, Francesco, and Raf Simons, eds. The Fourth Sex: Adolescent Extremes. Milan: Edizioni Charta, 2003.
Niños/Children. Salamanca: Centro de Arte de Salamanca, 2003.
Home and Away. Vancouver: Vancouver Art Gallery, 2003, p. 55–64.
10e Biennale de l’image en movement. Saint-Gervais Genève: Centre pour l’image contemporaine, 2003, p. 116.
Goetz, Ingvild, Stephan Urbaschek eds. Fastforward: Media Art Sammlung Goetz. Weingarten: ZKM, Kunstverlag Weingarten GmbH, 2003, p. 246-247.
Sharon Lockhart. Munich: Filmmuseum, 2003.

Comay, Rebecca ed. Lost in the Archives. Toronto: Alphabet City Media Inc., 2002.
Photography Transformed: The Metropolitan Bank and Trust Collection. New York: Harry N. Abrams, Inc., 2002. Text on Lockhart by Klaus Kertess.
Fuller, Diana Burgess, and Daniela Salvioni, eds. Art/Women/California: Parallels and Intersections 1950–2000. Berkeley: University of California Press; San Jose: San Jose Museum of Art, 2002.
Mask or Mirror? A Play of Portraits. Worcester: Worcester Art Museum, 2002. Text on Lockhart by Susan L. Stoops.
Life, Death, Love, Hate, Pleasure, Pain: Selected Works From the Museum of Contemporary Art, Chicago Collection. Chicago: Museum of Contemporary Art, 2002.
Lateral Thinking: Art of the 1990s. San Diego: Museum of Contemporary Art, 2002. Texts on Lockhart by Tamara Bloomberg and Toby Kamps.
Walter, Christine. “Sharon Lockhart: Der veranderte Umgang mit der Erzaglung im Bild.” In, Bilder Ersahlen!: Positionen Inszenierter Fotografie: Eileen Cowin, Jeff Wall, Cindy Sherman, Anna Gaskell, Sharon Lockhart, Tracey Moffatt. Weimar: VDG, 2002, p. 146–53.

Aeby Papaloizos, Isabelle. 9th Biennial of Moving Images, Centre pour l’Image Contemporaine. Geneva: Centre pour l’image contemporaine Saint-Gervais Geneva, 2001, p. 78-79.
Extra Art: A Survey of Artist’s Ephemera, 1960–1999. San Francisco: CCAC/Smart Art Press, 2001.
Grosenick, Uta ed. Women Artists in the 20th and 21st Century. Cologne: Taschen, 2001.
Singerman, Howard ed. Public Offerings. Los Angeles: Museum of Contemporary Art, 2001.
Riemschneider, Burkhard and Uta Grosenick. ART NOW. Cologne: Taschen, 2001.
Jasper Johns to Jeff Koons: Four Decades of Art From the Broad Collections. Los Angeles: Los Angeles County Museum of Art; New York: Harry N. Abrams, Inc., 2001. Texts by Stephanie Barron, Lynn Zelevansky, and Thomas E. Crow.
Extra Art: A Survey of Artist’s Ephemera, 1960–1999. San Francisco: California College of Art and Crafts and Smart Art Press, 2001. Texts by Anne Moeglin-Delcroix, Steven Leiber, Todd Alden, and Ted Purves.
Pakesch, Peter ed. ABBILD: Recent Portraiture and Depiction. New York: Springer/Wien, 2001.
Sharon Lockhart. Chicago: Museum of Contemporary Art; Berlin: Hatje Kantz Publishers, 2001. Texts by Dominic Molon and Norman Bryson.

Beyond Boundaries: Contemporary Photography in California. San Francisco: The Friends of Photography, 2000.
Jahresbericht 2000. Zurich: Kunsthalle Zürich, 2000.
Finale di Partita/Endgame/Fin de Partie. Florence: Associazione Culturale Biagiotti Progetto Arte, 2000. Text on Lockhart by Caterina Biagiotti.
Ungerböck, Andreas ed. Vienna International Film Festival. Vienna: Viennale, 2000.
Dziewior, Yilmaz. Sharon Lockhart, Fotografien und Filme: Khalil, Shaun, A Woman Under the Influence/Teatro Amazonas/Goshogaoka. In Viennale: Vienna International Film Festival. Vienna: Biennale, 2000.
Elysian Fields. Paris: Centre Georges Pompidou, 2000.
Fresh Cream: Contemporary Art in Culture. London: Phaidon, 2000. Text on Lockhart by Vasif Kortun.
Freeze. Rio de Janeiro: Espaço Cultural Sergio Porto, 2000. Text on Lockhart by Yukie Kamiya.
Sobel, Dean. “Sharon Lockhart,” In Interventions: New Art in Unconventional Spaces. Milwaukee: Milwaukee Art Museum, 2000, p. 22–23.
SHOOT: Moving Pictures by Artists. Malmö, Sweden: Kunsthall Malmö, 2000. Texts on Lockhart by Asa Bengtsson, Lisa Strombeck, and Marit Lindberg.
Sharon Lockhart: Teatro Amazonas. Rotterdam: Museum Boijmans Van Beuningen and Nai Publishers, 2000. Texts by Timothy Martin and Ivone Margulies.
Sharon Lockhart and Kelly Nipper: 2 Artists in 3 Takes. San Francisco: San Francisco Art Institute, 2000. Text on Lockhart by Karen Moss.
Tedford, Catherine and Gary D. Sampson, ed. Photographs at St. Lawrence University. New York: St. Lawrence University, 2000, p. 99.
Whitney Biennial. New York: Whitney Museum of American Art, 2000, p. 152.

Abrams, Janet, ed. If/Then. Amsterdam: Netherlands Design Institute, 1999.
artLovers. Liverpool: TRACEY, The Liverpool Biennial of Contemporary Art, 1999. Text on Lockhart by Márcia Fortes.
Cinéma cinéma: Contemporary Art and the Cinematic Experience. Eindhoven: Stedelijk Van Abbemuseum, 1999. Text on Lockhart by Russell Ferguson.
Grosenick, Uta, and Burckhard Riemschneider, eds. Art at the Turn of the Millennium. Cologne: Taschen, 1999. Text on Lockhart by Yilmaz Dziewior.
Looking at Ourselves: Works by Women Artists From the Logan Collection. San Francisco: San Francisco Museum of Modern Art, 1999. Includes text on Lockhart by Daniela Salvioni.

Un nouveau paysage: 29e Rencontres Internationales de la Photographie. Arles: Actes Suds,1998. Interview by Caludio Guenzani with Lockhart et al.
Bonami, Francesco, ed. Echoes: Contemporary Art in the Age of Endless Conclusions. New York: Monacelli Press, 1998, p. 122.
Portrait of Our Times: An Introduction to the Logan Collection. San Francisco: San Francisco Museum of Modern Art, 1998.
Sightings: New Photographic Art. London: Institute of Contemporary Arts, 1998. Includes text on Lockhart by Susan Morrissey.
Kardish, Laurence. Sundance Film Festival Catalogue. Park City: Sundance Institute, 1998.
Martin, Timothy. L.A. Particles and Waves. Berlin: Studio 246, Kunstlerhaus Bethanien, 1998.
Morrisey, Simon. The End Is the Beginning Is the End, Sightings: New Photographic Art. London: ICA, London, 1998.
Sharon Lockhart [Goshogaoka Girls Basketball Team]. Santa Monica: Blum & Poe; Tokyo: Wako Works of Art, 1998. Text by Bérénice Reynaud.

Scene of the Crime. Los Angeles: UCLA Hammer Museum; Cambridge: MIT Press, 1997. Texts by Ralph Rugoff, Anthony Vidler, and Peter Wollen.
1997 Biennial Exhibition. New York: Whitney Museum of American Art, 1997. Interview by Lisa Phillips and Louise Neri; project by Douglas Blau.
Celluloid Cave. New York: Thread Waxing Space, 1997. Text by Dara Friedman and interview with Lockhart by Lisa Jaye Young.
Hirsch Farm Project. Northbrook: Hirsch Foundation, 1997. Text on Lockhart by Laurie Winter.
Marcoci, Roxana, Diana Murphy, and Eve Sinaiko, eds. New Art. New York: H.N. Abrams, 1997.
Truce: Echoes of Art in an Age of Endless Conclusions. Santa Fe: SITE Santa Fe, 1997. Texts by Thomas L. Friedman, Francesco Bonami, Collier Schor, Louis Grachos, and Joann Phillips and Bobbie Foshay-Miller.

ARCUS ‘96: Interactive Cultural Residence in the Arts–Ibaraki. Ibaraki: ARCUS Project Pilot Program, 1996. Texts by Shigeru Yoshida and Shinchiro Asao.
Ferguson, Russell, ed. Art and Film Since 1945: Hall of Mirrors. Los Angeles: The Museum of Contemporary Art; New York: Monacelli Press, 1996, p. 120-22. Texts by Kerry Brougher, Jonathan Crary, Ferguson, Bruce Jenkins, Kate Linker, Molly Nesbit, and Robert Rosen.
persona. Chicago: The Renaissance Society at the University of Chicago; Basel: Kunsthalle Basel, 1996. Texts by Hamza Walker, Diane Thater, Liz Kotz, and Susan Stryker.
Playpen & Corpus Delirium. Zurich: Kunsthalle Zürich, 1996. Text on Lockhart by Bernard Bürgi.
Prospect 96: Photographie in der Gegenwartskunst. Frankfurt: Frankfurter Kunstverein and Schirn Kunsthalle Frankfurt, 1996. Text on Lockhart by Peter Weiermair.
a/drift. Annandale-on-Hudson: Center for Curatorial Studies, Bard College, 1996. Texts on Lockhart by Joshua Decter et al.
True.BLISS. Los Angeles: LACE (Los Angeles Contemporary Exhibitions), 1996. Texts on Lockhart by Julie Joyce and David A. Greene.
Martin, Timothy, ed. L.A.: Particles and Waves, In Studio 246. Bethanien: Künstlerhaus Bethanien, 1996.

La belle et la bête: Un choix de jeunes artistes américains. Paris: Musée d’Art Moderne de la Ville de Paris, 1995. Texts on Lockhart by Lynn Gumpert and Béatrice Parent and interview by David Pagel with Dave Hickey.

Album. Rotterdam: Museum Boymans-van Beuningen, 1994.
The Freed Weed. Los Angeles: Richard Telles Fine Art, 1994. Text by Dennis Cooper and additional texts by Casey McKinney.
Cooper, Dennis. “Love Poems Produced by Staring Too Hard at Thomas.” In Uncontrollable Bodies: Testimonies of Identity and Culture. Bay Press, 1994.

Kay, Hannah Sage. "AWASH IN A STEADY STREAM OF PASSING TIME: SHARON LOCKHART AT GLADSTONE" VoCA Journal, May 11, 2022.
Bochiccio, Sarah. “Sharon Lockhart on the Horizon,” Whitewall, February 22, 2022.
Seidel, Madeline. “Life, Death, and the Cosmos Come Together in Sharon Lockhart’s Art,” Hyperallergic, February 22, 2022.
Sanchez, H. Gabriel. “The Camera Bag: Great Photography to See Now,” Photo Spark, February 2022.
“Gladstone Gallery opens an exhibition of new works by Sharon Lockhart,” Artdaily.com, 2022.

Bučinskaitė, Jogintė. “Parodoje prie bedugnės. Sharon Lockhart instaliacija ŠMC,” 15min (Lithuania), March 10, 2019.
Bukuts, Carina. “Sharon Lockhart: neugerriemschneider, Berlin, Germany,” Frieze, issue 202, April 2019, p. 167.
Gelt, Jessica. “Mike Kelley Foundation grants: 10 winners split $400,000 to make daring art,” Los Angeles Times, April 16, 2019.
Lippard, Lucy R. and Mayers, Natasha. “Home Fires: Activist Art in Maine (or, You Had to Be There),” Maine Arts Journal UMVA Quarterly, “Sactuary,” Spring 2019.
Steinberg, Claudia. “Es war total wahnsinnig” Die Ziet, No. 15, April 4, 2019, p. 26. Photograph by Sharon Lockhart.
Tumpytė, Dovilė. “Sharon Lockhart „Rudzienko”: rūpesčio poetika,” ArtNews (Lithuania), March 13, 2019.
Cooper, Matt. “The week ahead in SoCal movie events and revivals, Jan. 6-13: ‘Pine Flat,’ ‘Barry Lyndon’ and more,” Los Angeles Times, January 6, 2019.

Van Bogaert, Pieter. “Sharon Lockhart in Gladstone Gallery en Jan Mot: Natuur als Juweel,” The H Art, September 20, 2018.
Micharlarou, Efi. “ART-PRESENTATION: Sharon Lockhart-Movements and Variations in Two Parts,” DreamIdeaMachine, September, 2018.
Bombelli, Illaria. “The World of Labour in Sharon Lockhart’s photos,” domus, May 9, 2018.
“Sharon Lockhart ‘Movements and Variations’ at Fondazione Fotografia, Modena,” Nero Magazine, April 13, 2018.
“Photographs by Sharon Lockhart in Modena,” la Repubblica Bologna, April 6, 2018.
Ling, Steffanie. “In the Field: Sharon Lockhart, James Benning, and People,” The Brooklyn Rail, April 4, 2018.
Solway, Diane. “Women of Influence,” W Magazine (New York), Volume 5, 2018, p. 152–159. Photographs by Sharon Lockhart.

Piwowarska, Barbara. “Maly raport z Pawilonu” Zacheta (Warsaw), July/August/September/October 2017, p. 3–6.
Gliński, Mikołaj. “Sharon Lockhart. Mały Przeglad” Zachęta (Warsaw), May/June 2017, p. 34–36.
Mazur, Adam. “Milena, Milena…” SZUM (Warsaw), no. 17, Summer–Autumn 2017, p. 90–95.
Gawkowski, Jakub. “Sharon Lockhart’s Little Review – Giving Voice and Power to Young Women,” Political Critique (Warsaw), 2017.
Nowik, Gunia. “Biennale de Venise: Little Review de Sharon Lockhart,” Follow Art With Me, November 24, 2017.
Soleil, David. “Faculty Sharon Lockhart Represents Poland at 2017 Vencie Biennale,” 24700 News from California Institute of the Arts, 2017.
Canelas, Lucinda. “Aqui toda a vida e encenada,” Publico, October 25, 2017.
Diederichsen, Diedrich. “Summer of the Shamans,” Artforum, September 2017.
Mitton, Desiree. “Sharon Lockhart and Mark Bradford Discuss Venice and Nationalism with the Broad,” Whitewall, August 23, 2017.
“The 57th Venice Art Biennale: Sharon Lockhart at the Polish national pavilion,” Art Territory (Riga, Latvia), May 17, 2017.
Thackara, Tess. “Sharon Lockhart Revives Nazi-Era Children’s Newspaper for Venice Biennale,” Artsy, May 17, 2017.
Barry, Colleen. “Venice Biennale taps art angst amid rising nationalism,” Detroit News. May 12, 2017.
Thorne, Harry. “57th Venice Biennale: Giardini Part 1,” Frieze.com, May 10, 2017.
Crow, Kelly. “The Olympics of the Art World,” The Wall Street Journal, May 6, 2017.
“Korczak’s Little Review goes to the Venice Biennale,” Culture.pl. May 2017.
“The Polish Pavilion at the 57th International Art Exhibition — Sharon Lockhart Little Review,” Biennial Foundation, May 3, 2017.
Vankin, Deborah. “Beverly Center as art gallery? How some big-name artists are behind those construction barricades,” LA Times, April 20, 2017.
Finkel, Jori. “Sharon Lockhart Gives Voice to Polish Girls and Jewish Orphans at the Venice Biennale,” The Art Newspaper, April 17, 2017.
Gilsdorf, Bean. “Sharon Lockhart Foksal Gallery Foundation, Warsaw, Poland,” frieze, January 7, 2017.
“57th Venice Biennale Releases List of 120 Participating Artists,” Artforum, February 2017.
“Sharon Lockhart: Rudzienko,” KADIST — Programs Collection, March 15, 2017.
“The Venice Questionnaire #7 — Sharon Lockhart,” ArtReview, April 2017.

New Exhibition Sharon Lockhart / Noa Eshkol to Open at Rose Art Museum,” Broadway World, January 28, 2016.
Krug, Simone. “Sharon Lockhart: Milena Milena,” The Brooklyn Rail, February 3, 2016.
“Review: Sharon Lockhart,” The New Yorker, January 11, 2016.
Saltz, Jerry. “To Do,” New York Magazine, January 11-24, 2016.
Cashdan Marina, and Molly Gottschalk. “The 20 Best Booths At Art Basel,” Artsy, 15 June 2016.
Whelan, Bill. “Three New Exhibits at Rose Art Museum,” Wicked Local, February 25 2016.
Sheets, Hilarie M. “An Artist Explores the Lives of Girls Labeled Difficult,” New York Times, May 20, 2016.
Russeth, Andrew. “The Artist’s Institute, Manhattan’s Indefinable Art Space, Heads Uptown,” ArtNews, February 23, 2016.
“Rose Art Museum Set for Spring,” Brandeis Now, February 02, 2016.
Ogilvie, Jessica P. “Still Life with Fish at the Hammer Museum Celebrates West Coast Photography of the 1960s and Beyond,” Los Angeles Magazine, April 13, 2016.
Lockhart, Sharon and Jem Cohen ed. “Farewell: An Homage to Chantal Akerman (1950-2015),” Frieze, no. 176, January-February 2016, p. 119.
Gropper, Jaime. “Rose Art Museum Spring 2016 New Exhibits,” Justice, January 12, 2016.
Reilly, Alison. “In a New Collaborative Film, Sharon Lockhart Puts Teenage Girls in Charge of Their Own Image,” ArtSlant, June 3, 2016.
Gardner, Chris. “Catherine Opie, Geoff McFetridge Artworks Unveiled as Part of Beverly Center Renovations,” The Hollywood Reporter, September 14, 2016.
Waxman, Lori. “’Rudzienko’: Girls in the forest,” Chicago Tribune July 21, 2016.
Sandals, Leah. “A Different Way for Teenage Girls to Go Wild,” Canadian Art, October 19, 2016.
Sienkiewicz, Karol. “A Thousand Thoughts Per Second,” Dwutygodnik,November 2016.
Hart, Hugh. “Sharon Lockhart and Frances Stark. Solidarity Forever: Renowned MFA Alums Revisit an Iconic Portrait,” Art Center Dot Magazine, 7 November, 2016.
White, Ian and Mike Sperlinger ed. “Here is Information. Mobilise,” LUX, London, 2016.
Jabtonska, Urszula. “Girl from Rudzienko,” Wysokie Obcasy (High Heels), November 19, 2016.
Colacello, Bob. “A New Crop of Artists Re-create a Famed 1968 LACMA Photograph,” Vanity Fair, November 10, 2016.

“Sharon Lockhart’s dynamics of trust,” Neue Journal, Issue 1, Spring, 2015, p. 80.

Schad, Ed. “Thinking and Looking in the Studio,” The Brooklyn Rail, February 2014.
Singerman, Howard. “Dear Joachim,” The Brooklyn Rail, February 2014.
Andreasson, Karin. “Sharon Lockhart’s best photograph: blind girls reading braille at the Los Angeles public library,” The Guardian, October 15, 2014.

Cooke, Lynne. “Best of 2013,” Artforum, December 2013, p. 206-207.
Blom, Ina. “Arbeidstid,” Artforum, May 2013, p. 179.
Nathan, Emily. “Sharon Lockhart / Noa Eshkol,” Artnews, April 2013, p. 96.
Buchman, Sabeth and Rike Frank. “Szenische Kollaborationen,” Texte Zur Kunst, March 2013, p. 233-237.
Walleston, Aimee. “Steps Retraced: Sharon Lockhart and Noa Eshkol at the Jewish Museum,” Art in America, February 26, 2013.
Tewksbury, Drew. “The World, Considered: Sharon Lockhart’s Watchful Eye,” KCET, February 8, 2013.
Schwendener, Martha. “A Two-Person Exhibition With Someone Who Isn’t Here, ‘Sharon Lockhart/Noa Eshkol,’ at the Jewish Museum,” The New York Times, January 31, 2013.
“La MaMa and The Jewish Museum to Welcome Noa Eshkol Chamber Dance Group, 3/7 & 10,” Broadway World, January 28, 2013.

Ned Holt, Michael. “Close Up: Movement Research,” Artforum, January 2012, p. 192-195.
Myers, Holly. “Art review: ‘Sharon Lockhart/Noa Eshkol’ at LACMA is respectful,” LATimes.com, June 15, 2012.

Kilston, Lyra. “Sharon Lockhart’s ‘Podworka,’” Art Agenda, October 19, 2011.
Wender, Jessie. “Photographing the Great Recession, Looking Back to the Great Depression,” The New Yorker, October 13, 2011.

Mack, Joshua. “Sharon Lockhart,” Art Review, October 2010
Prince, Mark. “Sharon Lockhart, Neugerriemschneider – Berlin,” Flash Art, May-June 2010.
Lockhart, Sharon. “Lunch Break Times,” art journal, Spring-Summer 2010
Benning, James. “NO,” Cinemascope, Issue 42, Spring 2010, p. 96.

Joisten, Bernard. “Sharon Lockhart,” Dance With Camera (Philadelphia), 2009, p. 140-145.
Bellenbaum, Ranier. “Exit to Enter,” Secession (Vienna), 2009, 230–34.
De Pas, Rebecca. “LUNCHBREAK,” Journal Daily FIDMarseille (Marseille), July 13, 2009, p. 4–5.
Godfrey, Mark. “Lunch Break,” Parkett (New York), no. 85, 2009, p. 6–10.
Grosz, David. “Eija-Liisa at Sundance,” Artinfo (New York), January 15, 2009.
Hanselle, Ralf. “Sharon Lockhart: Lunch Break,” Kunstforum (Berlin), no. 195, 2009.
Heiser, Jorg. “Trading Places,” Frieze, February 2009.
Holert, Tom. “Sharon Lockhart: Lunch Break,” Camera Austria (Vienna), March 2009.
Koehler, Robert. “Sundance 2009: Lost Frontier,” Cinema Scope (Toronto), no. 38, March 2009.
Kippenberger, Susanne. “Mahlzeit!” Der Tagesspiegel (Berlin), February 15, 2009.
Reynaud, Bérénice. “Reports From the Festival Front: The Year Obama Walked: The 28th Sundance Film Festival and the 17th Pan African Film and Arts Festival,” Senses of Cinema, February 2009.
Sholis, Brian. “Parts and Labor,” Artforum, January 15, 2009.
Von Taube, Annika. “Lunch Break,” Sleek (Berlin), 2009, p. 46–59.
“Wien Sharon Lockhart,” Artkaleidoskop, January, 26 2009.
Willis, Holly. “Clammed Up: Double Tide,” LA Weekly, November 11, 2009.

“Arbeiter verlassen die Fabrik,” Falter (London), November 21, 2008.
“Arbeitsverhältnisse,” Profil (Berlin), November 24, 2008.
Borchhardt-Birbaumer, Brigitte. “Alltagsroutine statt Arbeiter-Romantik,” Wiener Zeitung (Vienna), November 22, 2008.
Cheng, Scarlet. “Flower Power: How Their Roots Intertwine,” Los Angeles Times, July 6, 2008.
Churner, Rachel. “55th Carnegie International,” Artforum (New York), vol. 47, no.1, September 2008, p. 454–55.
Eastman, John. “Artists of the 55th Carnegie International: Sharon Lockhart,” Black and White, June 13, 2008.
“Europäischer Monat der Fotografie,” Anwalt Aktuell (Vienna), November 2008.
Feßler, Anne Katrin. “Die Pause als Rhytmus der Arbeit,” Der Standard (Vienna), December 3, 2008.
Gopnik, Blake. “Survey Says: Six Is the Magic Number,” Washington Post, June 2008, p. 5.
Hanselle, Ralf. “Sharon Lockhart: Lunch Break,” Kunstforum (Berlin), 2008.
Hay, David. “Space Rhapsody—John Lautner’s Architectural Heirs,” Los Angeles Times Magazine, July 6, 2008, p. 26.
Heiser, Jorg. “55th Carnegie International,” Frieze (London), September 2008, p. 187-188
Hester, Jessica. “Over the Hill, MCA Reaches Deep into Collection for Retrospective,” Chicago Maroon, May 6, 2008.
Hodge, Brooke. “Seeing Things: Flower Power,” The Moment Blog—T Magazine (The New York Times), July 26, 2008.
Holert, Tom. “Sharon Lockhart: Lunch Break,” Camera Austria (Graz, Austria), 2008.
Homy, Henriette. “Mittagspause in der Kriegsschiffswerft,” Kurier (Vienna), December 1, 2008.
Hopper, Justin. “Celebrating the Mark That Makes Us Human,” Carnegie Magazine (Pittsburgh), Summer 2008.
Latimer, Quinn. “Field Guide: Sharon Lockhart,” Modern Painters (New York), November 2008.
Lubbke-Tidow, Maren. “Sharon Lockhart,” Camera Austria (Graz, Austria), no. 102 (2008), p. 80.
Meacham, Steve. “A Tale of Two Cities,” Sydney Morning Herald, March 21, 2008.
“Memory Is Your Image of Perfection Opened at Museum of Contemporary Art San Diego,” artdaily.org. September 9, 2008.
“Mittag in der Secession: Sharon Lockhart’s ‘Lunch Break’,” An.Schlägel, December 2008.
Riggott, Julie. “Not a Show About Flowers,” Downtown News (Los Angeles), June 27, 2008.
Scheyerer, Nicole. “Denkmal für die Arbeiterklasse,” Falter (London), November 18, 2008.
“Sharon Lockhart Secession,” Modern Painters (New York), no. 11, 2008.
“Sharon Lockhart—Break,” Österreich Journal Online, November 8, 2008.
“Sharon Lockhart,” Art Review, December 2008.
Shaw, Kurt. “International Explores the Art of Moving Images,” Pittsburgh Tribune-Review, July 13, 2008.
Shaw, Kurt. “Putting Together the International,” Pittsburgh Tribune-Review, April 5, 2008.
Sherwin, Skye. “Sharon Lockhart,” ArtReview, December 2008, p. 26.
Smith, Roberta. “An Alien Sighting on Planet Pittsburgh,” The New York Times, May 9, 2008, p. 25-26.
Sundell, Margaret. “Previews: Sharon Lockhart,” Artforum, vol. 46, no. 5 (January 2008), p. 160.
Vogl, Sabine B. “Sharon Lockhart: Lethargie im Industriemuseum,” Die Presse (Vienna), December 14, 2008.
Wehrmann, Annette. “Sharon Lockhart im Kunstverein in Hamburg,” Texte zur Kunst (Berlin), no. 71 (September 2008), p. 216–19.
Wilson, Michael. “Previews: Worldly Concerns,” Artforum, vol. 46, no. 9, May 2008, p. 165.

Camper, Fred. “Pine Flat,” Chicago Reader, 2007.
Cook, Greg. “Looking at You,” Boston Globe, November 4, 2007, p. 1.
Eklund, Doug. “Sharon Lockhart at the Magic Hour,” Museums, Fall 2007.
Huston, Johnny Ray. “‘Alternative Visions’ at the PFA,” SF360. February 15, 2007. http://www.sf360.org/features/alternative-visions-at-the-pfa.
Katzenstein, Ines. “Ethnographie zu Hause,” Text (Berlin), August 5, 2007, p. 64–67.
Lerner, Clay. “Lunch Break,” DOCS.PT (Portugal), no. 06, December 2007, p. 30–38.

Anderson, Jason. “Pine Flat + Los Muertos,” Eye Weekly (Toronto), vol. 15, no. 27, April 6, 2006.
“Berlinale zeigt Videokunst,” Deutschlandradio Kultur (Berlin), February 28, 2006.
Brooks, Amra. “Los Angeles Roundup: A Report on Current Gallery/Museum Shows,” Artinfo, July 11, 2006.
Chapman, Christopher. “Zones of Contact: 2006 Biennale of Sydney,” Art Monthly Australia (Canberra), August 2006, p. 15–20.
Charity, Tom. “Pine Flat,” City Pages Movie Reviews, July 11, 2006.
Crust, Kevin. “Meditation on Youth, Nature,” Los Angeles Times, May 18, 2006, p. 15.
Dziewior, Yilmaz. “Récits en boucles passantes: Sharon Lockhart,” DITS: Dépeindre, Musée des Arts Contemporains ASBL (Hornu, Belgium), no. 7, September 2006, p. 94–105.
“El arte en enero,” GQ Spain (Madrid), January 2006, p. 36.
Esparaza, Ramón. “En la comunidad de Sharon Lockhart,” El Cultural (Madrid), May 1, 2006, p. 28–29.
“Esta reconocida fotografía y cineasta norteamericana,” Mentes-Inquietas, 2006.
Faro, Pedro. “Limbo Rural,” L+Arte (Lisbon), October 2006, p. 27–34.
Fernández, Alicia. “Retorno a la inocencia con sobresaltos,” ABCD, January 27, 2006, p. 40–41.
“Festival Temps d’Images 2006,” www.artecapital.net, (Lisbon), October 3, 2006.
“Festival Temps d’Images—Sharon Lockhart,” www.lecool.com (Lisbon), September 28, 2006.
Findeisen, Ralph. “Nach Mass Geschneidert,” Artnet (New York), February 10, 2006.
Foerster, Lukas. “Berlinale 2006: Forum,” Critic.de, 2006.
Galha, Lúcia. “Festival Temps d’Images aposta na internacionalização,” Público (Lisbon), September 13, 2006.
González, Iker. “Bilbao hace Diana,” La Ría del Ocio (Bilbao, Spain), 2006, p. 23.
Hanson, Doug. “Young at Heart,” Star Tribune (Minneapolis–St. Paul), May 12, 2006.
“The Harvard Film Archive Presents Sharon Lockhart: Pine Flat,” Harvard University Gazette, vol. 102, no. 2, September 21–27, 2006, p. 21.
Hay, David. “Artist’s Look at a Town, With Architects’ Help,” The New York Times, May 20, 2006, p. 18.
Hogan, Michael. “Childhood in Rural America: Pine Flat at the Sackler,” U. Mass Boston Student Newspaper, November 6, 2006.
Hokins, Randi. “Ooh-oo Child,” Boston Phoenix, August 18–24, 2006, p. 22.
Koehler, Robert. “Pine Flat,” Variety (Los Angeles), February 13, 2006.
Krieger, Diane. “Vanguard of the Avant Garde,” USC Trojan Family Magazine, vol. 38, no. 2, Summer 2006, p. 27–35.
“La mirada más rural de Sharon Lockhart,” La Revista 20 Minutos, January 30, 2006.
“La primera muestra de Sharon Lockhart,” 20 Minutes, January 9, 2006, p. 26.
“Limbo rural,” L+Arte (Lisbon), no. 29, October 2006, p. 27–34
Lobo, Paula. “América rural no Museo do Chiado,” Diário de Notícias (Lisbon), October 4, 2006.
Lopez, Anne Marie. “Zones of Contact: 2006 Biennale of Sydney,” Australian Art Review (Sydney), June 29, 2006.
Martín, Alberto. “Sharon Lockhart: Los niños muestran la naturaleza fluida de la identidad,” El Pais (Madrid), December 23, 2006, p.16.
Martins, Celso. “Viagens na provincial,” Agenda LX, (Lisbon), October 2006, p. 43.
McQuaid, Cate. “Postcards From ‘Pine Flat’,” Boston Sunday Globe, September 17, 2006, p. 1, 7.
Müller, Kathrin Bettina. “The Making of Americans,” Tip (Berlin), May 2006, p. 59.
Pagel, David. “Capturing the Mysteries of Youth,” Los Angeles Times, June 9, 2006, p. 22.
“Pine Flat,” Time Out New York, no. 556, May 25–31, 2006, p. 132–33.
Ramos, Filipa. “Sharon Lockhart: Pine Flat,” www.artecapital.net (Lisbon), November 15, 2006.
Rousel, Noellie. “Los Angeles: Elsewhere Is Everywhere,” ArtPress, April 2006.
“Rural Life.” Walker Art Center (Minneapolis), Spring 2006, p.1–5.
Sáenz de Gorbea, Xabier. “Retrato de grupo,” Kultura, (Paris) 2006, p. 87.
Salema, Isabel. “Um retrato pode ser mais ficcional do que um filme,” Público (Lisbon), October 4, 2006.
Saltz, Jerry. “She’s Not There,” Village Voice, June 1, 2006.
Schlegel, Eva, ed. “L.A. Women: Artists and Architects,” Schlebrügge (Vienna), 2006.
Schneider, Stefanie. “Stefanie Schneider in Berlin,” De Tagesspiegel (Berlin), February 11, 2006.
Schröck, Petra. “Verhängnisvolle Affäre,” Film-Dienst (Bonn), June 2006.
“Sharon Lockhart,” The New Yorker, vol. 82, no. 19, June 26, 2006, p.12.
“Sharon Lockhart: Pine Flat,” Artnotes (Santiago), February 2006.
“Sharon Lockhart: Pine Flat,” Journal of the Print World (New Hampshire), vol. 29, no. 4, Fall 2006, p. 31.
“Sharon Lockhart: Pine Flat,” www.lisboacultural.pt (Lisbon), October 9, 2006.
“Sharon Lockhart: Pine Flat at Arthur M. Sackler Museum,” artdaily.org, September 18, 2006. http://www.artdaily.org/indexv5.asp?int_sec=2&int_new=17457.
“Sharon Lockhart: Remember When Time Stood Still?” Velvet (Athens), vol. 17, 2006, p. 6–7.
Smith, Gavin. “After the Gold Rush,” Film Comment (New York), March–April 2006, p. 67–68.
Tilmann, Christina. “Schnee, der auf Tannen fällt, Kunst im Film: Sharon Lockhart und Celia Valenciano,” La Netro.com, February 6, 2006.
Vaz Fernandes, Francisco. “Sharon Lockhart,” Dif (Lisbon), November 2006.
Vieira, Fatima. “De olhos bem abertos,” Atlântico (Lisbon), November 2006, p. 60.
Von Carsten, Probst. “Wie aktuell ist Videokunst?” Deustschlandradio (Berlin), February 14, 2006.
Von Ingeborg, Ruthe. “Es steht ein Haus in Jerusalem ein Haus weitab vom Glück,” Berliner Zeitung (Berlin), February 9, 2006.
Von Werneburg, Von Brigitte. “Oh diese alten Schachteln!” Tazplan (Berlin), February 13, 2006, p. 26.
Willis, Holly. “Pine Flat,” LA Weekly, May 17, 2006.
Woznicki, Krystian. “Sharon Lockhart: Pine Flat Portrait Studio,” Camera Austria (Graz, Austria), no. 94, 2006, p. 90–91.

Almagia, Karolina. “Ameriketan,” Kultura Gara (San Sebastián), 2005, p. 36.
Almagia, Karolina. “La Norteamérica rural se introduce en la sala Rekalde,” Kultura Gara (San Sebastián), 2005, p. 52.
Andrews, Max. “An Inside: Camden Arts Centre, London, UK,” Frieze (London), no. 91 (May 2005), p. 112.
Baker, George. “Photography’s Expanded Field,” October (New York), no. 114, Fall 2005, p. 120–40.
Berro, Irune. “Beste Kalifornia,” Kultura Gara (San Sebastián), 2005, p. 34.
Darwent, Charles. “It’s Very German. And Then It Isn’t….” Independent (London), March 16, 2005.
Dirks, Ryan. “Visual Art Review,” Portland Mercury (Portland, OR), vol. 5, no. 44, March 31–April 6, 2005, p. 37.
Eguia, Sergio. “Sharon Lockhart estrena en la sala Rekalde su registro de niños,” El Correo (Bilbao), December 15, 2005, p. 74.
“Exposició,” Pais Vasco (Bilbao, Spain), December 18, 2005.
Godfrey, Mark. “Strange Bedfellows,” Artforum (New York), vol. 43, no. 9 (May 2005), p. 89, 92.
Herráez, Beatriz. “Sharon Lockhart,” Exit Express (San Marcelo), December 2005, p. 22.
Holte, Michael Ned. “The Observer,” Frieze (London), November 2005, p. 98–103.
Larrauri, Eva. “La fotografía y cineasta Sharon Lockhart presenta su última trabajo en la Sala Rekalde de Bilbao,” Kultura Gara (San Sebastián), December 15, 2005, p. 68.
Larrauri, Eva. “Sharon Lockhart conforma una instalación con retratos y paisajes,” El Pais (Madrid), December 15, 2005, p. 5.
Libby, Brian. “Structural Ethnographies: Sharon Lockhart,” Willamette Week (Portland, OR), March 30, 2005, p. 62.
Lockhart, Sharon. “Questionnaire: Sharon Lockhart,” Frieze (London), no. 92 (June–August 2005), p. 174.
Martín, Alberto. “Interview With Sharon Lockhart,” El Pais (Madrid), December 24, 2005.
Martin, Laura. “Sharon Lockhart,” Neo2 (Madrid), December 2005.
Mendiluze, Itxaso. “Ikuspuntuak eta begiradak,” Kultura Gara (San Sebastián), December 2005.
Meyers, Holly. “State of the Art L.A. 05’,” LA Weekly (Los Angeles), October 28–November 3, 2005, p. 42.
Ng, Fiona. “Q/A Sharon Lockhart,” Independent: Film and Video Monthly (New York), vol. 28, no. 2, March 2005, p. 12–14.
Searle, Adrian. “Fancy Seeing You Here….” Guardian (London), March 1, 2005.
“Sharon Lockhart en la Sala Rekalde,” OH LÁ LÁ (Paris), Winter 2005–06.
“Sharon Lockhart,” Exit Express (San Marcelo), December 2005, p. 22.
“Sharon Lockhart: Pine Flat,” Artecontexto (Madrid), Winter 2005, p. 120–21.
“Sharon Lockhart: Pine Flat,” Artkrush (New York), 2005.
Unibertsor, Zehaztutako. “Arte Plastic,” Zablik Magazine, December 12, 2005.
Weschler, Lawrence. “Art: Sharon Lockhart’s No,” Three Penny Review (Berkeley), no. 100 (Winter 2005), p. 35.
Williams, Eliza. “An Aside,” Art Monthly (London), no. 285 (April 2005), p. 25–26.
Zubero, Begoña. “Nekazal herri txiki bateko erretratuak,” Ortzandar, December 5, 2005.

Buhl, Henry. “The Buhl Collection 2004–2005 Calendar,” December 2004.
Eklund, Douglas. “Sharon Lockhart,” Metropolitan Museum of Art Bulletin (New York), vol. 62, no. 2, (Fall 2004), p. 42–43.
Fricke, Harald. “Sharon Lockhart: neugerriemschneider,” Der Tagesspiegel—Kunst und Markt (Berlin), April 17, 2005, p. 24.
Griffin, Tim. “Out of the Past: Tim Griffin Talks With Whitney Biennial Curators,” Artforum , vol. 42, no. 5, January 2004, p. 57–59.
Knight, Christopher. “Binary Days at the Biennial,” Los Angeles Times, April 11, 2004, p. 43.
“Screen at the Berlinale,” Daily News (New York), February 14, 2004.
“Sharon Lockhart,” Esquire (Tokyo), June 2004, p. 39.
Tumlir, Jan. “Sharon Lockhart at Blum & Poe,” Artforum (New York), vol. 42, no. 5, January 2004, p. 159–60.

“Around the Galleries,” Los Angeles Times, October 24, 2003, p. 29.
“Auf gleicher Wellenlange; Experimente mit Sharon Lockhart im Münchner Filmmuseum,” Donnerstag (Berlin), May 22, 2003, p. 117.
Banks, Wendy. “Edgy Experiments,” NOW Magazine (Toronto), September 4–10, 2003, p. 89.
Brooks, Rosetta. “A Fine Disregard,” Afterall (London/Los Angeles), no. 8, p. 107–14.
Dargis, Manohla. “Past the Studio’s Shadows,” Los Angeles Times, November 20, 2003, p. 34–38.
Diedrichsen, Diedrich. “Sharon Lockhart,” Wochenzeitung (Zurich), May 15, 2003.
Forde, Katherine. “Reviews: Sharon Lockhart,” Contemporary (London), no. 53 (2003), p. 113.
Gill, Alexandra. “World Disorder,” Globe and Mail (Toronto), November 1, 2003.
Lafargue, Paul. “The Right to Be Lazy: Chapter 1: A Disastrous Dogma,” Exit Express (San Marcelo), no. 12, p. 78–79.
Martinez, Chus. “The Possible’s Slow Fuse: The Works of Sharon Lockhart,” Afterall (London/Los Angeles), no. 8, p. 115–24.
Menin, Samuele, and Valentina Sansone. “Focus Video and Film: Contemporary Video Art (Part II),” Flash Art (Milan), vol. 36, no. 229, March–April 2003, p. 92–99.
Pagel, David. “Big Questions in the Tiny Details,” Los Angeles Times, October 24, 2003, p. 29.
“Sharon Lockhart,” Contemporary (London), no. 53–54, p. 111.
“Sharon Lockhart,” The New Yorker, April 14, 2003.
“Sharon Lockhart,” Tema Celeste (Milan), April 2003, p. 112.
“Sharon Lockhart,” Time Out New York, April 24–May 1, 2003.
Stone, Tammy. “Stan Brakhage’s Legacy Lives on Wavelengths Offerings,” Festival Daily (Toronto), September 9, 2003, p. 3.
Turvey, Malcolm et al. “Round Table: The Projected Image in Contemporary Art,” October (New York), no. 104, Spring 2003, p. 71–96.

Bruckner, Pascal. “Unos adultos pequeñitos, muy pequeñeitos,” Exit 4: Rise of the New Millennium Express (San Marcelo), 2002, p. 276–79.
Grosenick, Uta, and Burkhardt Riemschneider. “Art Now: 137 Artists at the Rise of the New Millennium,” Art Newspaper (London), 2002.
Kyriacou, Sotoris. “Edinburgh International Festival,” Contemporary (London), June–August, 2002, p. 10.
Lockhart, Sharon. “A Thousand Words,” Artforum, vol. 40, no. 6, February 2002, p. 105.
Lockhart, Sharon. “Horse’s Mouth,” Bookforum (New York), vol. 9, no. 3, Fall 2002, p. 23.
Van den Boogard, Oskar. “From the Familiar to the Abstract,”1, 2, 3, Newspaper Galerie Jan Mot (Brussels), no. 30, January-February 2002, p. 1.

Artner, Alan G. “Critic’s Choice,” Chicago Tribune, February 25, 2001, p. 2.
Artner, Alan G. “Lockhart Photos Build on Film Aspects,” Chicago Tribune, March 29, 2001.
Bonetti, David. “The Modern California Photographer: Not Just a Pretty Face,” San Francisco Chronicle, January 25, 2001.
Bryson, Norman. “From Form to Flux,” Parachute (Montreal), July–September 2001.
Campbell, Clayton. “Public Offering,” Flash Art (Milan), vol. 34, no. 219 July–September 2001, p. 117.
Chung, Jennifer. “Lockhart Seamlessly Blends Film and Photography,” Chicago Maroon, April 10, 2001.
“Cinema Verité,” Art Newspaper (London), vol. 12, no. 113, April 2001, p.18.
Clothier, Peter. “The Broad Spectrum,” Art News (New York), vol. 100, no. 9, October 2001, p.154–57.
“Contemporary Art Museum Sets Exhibits,” Daily Chronicle (DeKalb, IL), February 25, 2001.
Cunniff, Bill. “‘Networld’ Brings Viewers Into Exhibit,” Chicago Sun-Times, March 2, 2001, p. 16.
“Editor’s Choice: Hints of Spring,” Crain’s (New York), February 26, 2001, p. 40.
Erickson, Karl. “The Free Spot,” In These Times (Chicago), August 20, 2001, p. 26–27.
Estep, Jan. “Sharon Lockhart: Museum of Contemporary Art Chicago,” New Art Examiner (Chicago), September–October, 2001, p. 85.
Ferguson, Russell. “Kelly Nipper: Test Patterns,” Artext (Los Angeles), no. 74, August–October 2001, p. 42–45.
“Filmmaker Sharon Lockhart Focuses on Japanese Girls Basketball Team In ‘GOSHOGOAKA’,” Chicago Shimpo, May 2, 2001.
Frye, Brian. “En Garde,” Independent Film and Video Monthly, January–February, 2001, p. 18–19.
Gennari, Flaminia. “Luci e emozioni da catturare oltre alla superficie: Il Museum of Contemporary Art di Chicago ospita la prima retrospettiva di Sharon Lockhart,” Il Manifesto (Italy), April 10, 2001, p. 15.
Glatt, Cara. “Exhibit Reveals Ingrained Beauty at MCA,” Hyde Park Herald (Chicago), April 4, 2001.
Gorter, Lauren Arnold. “Chicago Offers Much in March,” Ann Arbor News (Ann Arbor, MI), February 18, 2001.
Harvey, Doug. “P.O.’d,” LA Weekly, May 11–17, 2001, p. 50.
Hawkins, Margaret. “Boredom and Simplicity,” Chicago Sun-Times, March 16, 2001, p. 43.
Hilger, Stephen. “Sharon Lockhart at The Museum of Contemporary Art, San Diego.” Artissues (Los Angeles), September–October 2001, p. 44.
Kaplan, Cheryl. “Sharon Lockhart/Barbara Gladstone Gallery,” Tema Celeste (Milan), no. 83, January/February 2001, p. 91.
Krygier, Irit. “Hello 21st Century,” artnet.com, April 12, 2001.
“Mario Testino’s Art Index,” V Magazine (New York), May–June 2001.
Martegani, Amedeo. “Tre artisti per tre pratiche di viagio: Sharon Lockhart, Luca Vitone, Beat Streuli,” Ips Facto (Madrid), 2001.
Miles, Christopher. “MOCA Takes Stock of the ‘90s,” Art & Auction (New York), April 1, 2001.
“MOCA Examines Points of Emergence of Today’s Significant Artists,” Antiques and the Arts Weekly (Newtown, CT), March 30, 2001.
“Movies: Goshogoaka, Teatro Amazonas,” Chicago Reader, March 9, 2001.
Muchnic, Suzanne. “Ascent of the Early Risers,” Los Angeles Times, April 1, 2001, p. 4–5, 74–76.
“Museum of Contemporary Art,” Chicago Reader, March 9, 2001.
“Museum of Contemporary Art,” Gallery Guide (Chicago), May 2001.
“Museum of Contemporary Art,” Illinois Adventures (Chicago), Spring 2001.
“The National Art Scene,” The New York Times, March 23, 2001, p. 34.
“On the Edge,” Museums Chicago, Spring 2001, p. 48.
Pagel, David. “Photographer Lockhart Puts Her Still-Lifes Into Motion,” Los Angeles Times, June 14, 2001, p. 53, 56.
Pincus, Robert L. “Through a Lens Slowly,” San Diego Union-Tribune, June 24, 2001, p. 1, 9.
“Public Offerings,” Tema Celeste (Milan), no. 85, May–June 2001, p. 108.
“Rodney Graham; Sharon Lockhart,” Texte zur Kunst (Berlin), vol. 11, no. 43 (September 2001), p. 134–37.
Schwendener, Martha. “Preview: Sharon Lockhart,” Artforum, vol. 39, no. 5, January 2001, p. 47.
Schwendener, Martha. “Sharon Lockhart: Exotic Structures,” Flash Art (Milan), October 2001, p. 84–87.
“Sharon Lockhart,” Eyestorm (London), May 2001.
“Sharon Lockhart,” Jalouse (Paris), May 2001, p. 69.
“Sharon Lockhart,” The New York Times, February 25, 2001, p. 40.
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Tanzilo, Bobby. “Photographer, Filmmaker’s Work Shown in Chicago,” Kenosha News (Kenosha, WI), March 2, 2001.
“Teatro Amazonas,” Anthology Film Archives (New York), January–February 2001.
Tumlir, Jan. “Tenth Reunion: Jan Tumlir Talks With Paul Schimmel and Howard Singerman,” Artforum, vol. 39, no. 6, February 2001, p. 120–23.
Woodward, Josef. “Beyond Boundaries: Contemporary Photography in California at Contemporary Arts Forum,” Artweek (San Jose, CA), vol. 32, no. 1, January 2001, p. 20–21.
Zeigler, Philipp. “Geschichten ohne Handlung,” Frame (Amsterdam), May–June 2001, p. 98–101.

“Amazonisches Theater,” Deutches Allgemeines Sonntagsblatt (Berlin), June 9, 2000.
Basting, Barbara. “Die Ethnographie huckepack nehmen,” Frankfurter Allgemeine Zeitung (Frankfurt), April 11, 2000.
Bryson, Norman. “Sharon Lockhart,” Flash Art (Milan), October–November 2000.
Bryson, Norman. “Sharon Lockhart: The Politics of Attention,” Artext (Los Angeles), August–October 2000, p. 54–61.
Crowder, Joan. “Photographic Exhibition Covers a Wide Variety of Styles,” Santa Barbara News–Press, December 5, 2000.
Dziewior, Yilmaz. “Sharon Lockhart: Concept, Structure and Passion,” Carmen Austria (Graz, Austria), November 2000.
Dziewior, Yilmaz; Sharon Lockhart. “Sharon Lockhart: A Thousand Words,” Artforum, February 2000, p. 104–05.
Farmer, John Alan. “Sharon Lockhart: Interview Locations/Family Photographs,” Art Journal (New York), vol. 59, no. 1, Spring 2000, p. 64–73.
“Fremde Kulturen im Visier,” Der Zurcher Oberlander (Wetzicon, Switzerland), March 25, 2000.
Helfand, Glen. “Tweeners: Sharon Lockhart and Kelly Nipper Blur Distinctions Between Art, Film, and Everything Else,” San Francisco Bay Guardian, April 12, 2000.
Herzog, Samuel. “Auch am Amazonas den Überblick behalten,” Basler Zeitung (Basel, Switzerland), April 19, 2000.
Hunt, Ian. “Sharon Lockhart/Museum Boijmans Van Beuningen, Rotterdam,” Frieze, May 2000, p. 107–08.
“Inszenierte Werke der Ruhe und Strenge (Kunstmuseum 2000 Besucher Kamen zur Ausstellungseroffnung von Sharon Lockhart—Photos and Film),” Wolfsburg Allgemeine Zeitung (Wolfsburg, Germany), June 20, 2000, p. 22.
Karweik, Hans-Adelbert Bilder. “Inszenierung von Film und Fotografie,” Wolfsburg Nordtbiditen (Wolfsburg, Germany), June 10, 2000.
Karweik, Hans-Adelbert Bilder. “Sharon Lockhart in Kunstmuseum: Bilder,” Die Zum Ansehen Zwingen, June 9, 2000.
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Krebs, Edith. “Der Kuss oder die Kunst des Samplings,” Tages-Anzeiger (Zurich), March 30, 2000.
“Kulturen im Visier,” Bundner Tagblatt (Canton Graubunden, Switzerland), March 25, 2000.
“Kunstmuseum: Medium Fotographie im Mittelpumkt,” Wolfsburger Kurier (Wolfsburg, Germany), July 12, 2000.
“Kunstmuseum: Zeigt ein kurzes filmsches Portrait: Sharon Lockhart—Teatro Amazonas,” Wolfsburger Kurier (Wolfsburg, Germany), June 26, 2000.
Liebs, Holger. “Der Fluss der Dinge,” Süddeutsche Zeitung (Munich), April 2000.
Liebs, Holger. “Hollywood, Filiale Goshogoaka: Filme und Fotografien von Sharon Lockhart in Wolfsburg,” Süddeutsche Zeitung (Munich), August 10, 2000.
Lockhart, Sharon. “Best of 2000: Film,” Artforum, December 2000.
“Lockhart: Bilder aus Brasilien,” Wolfsburger Allgemeine Zeitung (Wolfsburg, Germany), May 31, 2000.
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Oberholzer, Nikolaus. “In den Unterschieden nach dem Leben Suchen,” Neue Luzerner Zeitung (Lucerne, Switzerland), April 1, 2000.
Pagel, David. “Photography That Tells It Like It Is,” Los Angeles Times, July 21, 2000.
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“Teatro Amazonas: Katalog und Tag der Offener,” Wolfsburg Allgemeine Zeitung (Wolfsburg, Germany), June 20, 2000, p. 22.
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Von Osten, Marion. “Es Luft alles nach Plan,” Texte zur Kunst (Berlin), September 2000, p. 177–82.
Wintermeyer, Kerstin. “Romantische Alltags-Inszenierung,” Wolfsburger Nachrichten (Wolfsburg, Germany), June 9, 2000, p. 30.
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Ziegler, Ulf Erdmann. “Anthropologie mit Publikum,” Die Tageszeitung (Berlin), April 4, 2000, p.13.

Altstatt, Rosanne. “Sharon Lockhart,” Neue bildende Kunst (Berlin), June–July 1999, p. 36–41.
Bronwasser, Sacha. “Familiekoppen voor de eeuwigheid,” de Volkskrant (Amsterdam), December 28, 1999, p. 11.
“Da Los Angeles a Manaus,” Firenze Spettacolo (Florence), November 1999.
Jager, Hans den Hartog. “Betrapt op het kwetsbaarste moment,” NRC Handelsblad (Amsterdam), November 20, 1999.
Knight, Christopher. “Publicly Funded Artists Rise to the Challenge,” Los Angeles Times, June 4, 1999, p. 16.
Piccoli, Cloe. “Ciak d’Artista,” D la Repubblica delle Donne (Milan), November 23, 1999.
Porcari, George. “The Photographer of Modern Life: Some Thoughts on ‘Untitled’ by Sharon Lockhart,” Inflatable Magazine (Athens), no. 5, Winter 1999.
Rawsthorn, Alice. “LA Story,” British Vogue, April 1999, p. 100–17.
Ruyters, Domeniek. “Onwaarachtige Snapshots,” Metropolis M (Utrecht, The Netherlands), no. 5, October–November 1999, p. 28–32.
Verwoert, Jan. “fast forward,” artist Kunstmagazin (Bremen, Germany), 2, no. 39, p. 44–49.
Woznicki, Krystian. “Die Fotografin ist immer auch Regisseurin,” Berliner Zeitung (Berlin), November 4, 1999, p. 16.

“Allegorical Australia,” The Renaissance Society at the University of Chicago Newsletter, Fall 1998.
Calame, Ingrid. “Sharon Lockhart at Blum & Poe,” LA Weekly (Los Angeles), March 13–19, 1998, p. 57.
Christofori, Ralf. “More Presence: Aktuelle Photographie in Los Angeles,” Eikon: Internationale Zeitschrist für Photographie & Medienkunst (Vienna), September–October 1998, p. 61–63.
Colard, Jean-Max. “Deux lancers francs,” c (Paris), December 1998, p. 91.
Diamond, Dennis. “Goshogoaka,” Dance on Camera Journal (New York), March–April, 1998, p. 2.
Fogle, Douglas. “Stills,” Camera Austria (Graz, Austria), no. 62–63 (1998), p. 26–34.
Guenzani, Claudio. “Interview,” Les Rencontres Internationales de la Photographie: Un Nouveau Paysage Humaine, 1998, p. 235–37, 326–27.
Guerrin, Michel. “Sharon Lockhart saisit líambigu ballet des basketteuses nippones,” Le Monde (Paris), May 22, p. 1998.
Hainley, Bruce. “Shooting Hoops,” Artforum, vol. 36, (May 1998), p. 19.
Halle, Howard. “Next Wave: Four Emerging Photographers,” Art on Paper (New York), March–April 1998.
Harvey, Dennis. “Goshogoaka,” Variety (Los Angeles), February 9–15, 1998, p. 57, 74.
Holden, Stephen. “Tokyo Girls Play It Safe,” The New York Times, March 28, 1998, p. 20.
Isé, Claudine. “Sharon Lockhart,” Los Angeles Times, March 6, 1998, p. 34.
Joisten, Bernard. “Sharon Lockhart: Interview With Bernard Joisten,” Purple (Paris), Winter 1998–99, p. 328–35.
Kent, Sarah. “Sightings,” Time Out London, January 21, 1998.
Kitanokoji, Takashi. “The Girls’ Line of Vision Calls Our Attention to the Space Outside of the Frame,” Studio Voice (Tokyo), April 1998, p.116–21.
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Miyamura, Noriko. “Art and Environment’s New Relationship,” Bijutsu Techo (Tokyo), April 1998, p. 200.
Philippi, Anne. “Pop als Rohmasse: Kalifornisch: Sharon Lockharts Projekt ‘Studio 346’ im Kunstlerhaus Bethanien,” Zitty (Berlin), vol. 19, no. 5, 1998.
Rizzo, Margaret Schmitz. “Photo Display Lets Viewers Draw Conclusions,” Kansas City Star, August 20, 1998, p. 7.
Rossing Jensen, Jorn. “Goshogoaka,” Dagkrant, February 6, 1998, p. 11.
Silva, Arturo. “Freeze Frames and Blank Expressions,” Japan Times, February 15, 1998, p.13.
Smith, Roberta. “Sharon Lockhart,” New York Times, March 20, 1998, p. 35.
Thorson, Alice. “The Pleasure of Looking,” Kansas City Star, July 16, 1998, p. 5.
Van de Walle, Mark. “Genre Benders,” Art & Auction (New York), February 1998, p. 86–87.
Wahjude, Claudia. “Sightings: New Photographic Art,” Kunstforum International (Berlin), vol. 141, July–September 1998, p. 431–33.

Auerbach, Lisa Ann. “Sharon Lockhart, Laura Owens and Frances Stark at Blum & Poe,” LA Weekly, June 2–July 3, 1997, p. 57.
Bonami, Francesco. “Truce: Echoes of Art in an Age of Endless Conclusions,” Artforum, December 1997, p. 26, 74–75, 102.
Calame, Ingrid. “Hall of Mirrors,” Flash Art (Milan), vol. 30, no. 192, January–February 1997, p. 94–95.
Darling, Michael. “The Baggage of Time,” LA Weekly (Los Angeles), June 20–26, 1997, p. 58.
DeBord, Matthew. “The Recurrent American Rhetoric of Contradiction,” Siksi: The Nordic Art Review (Helsinki), vol. 12, no. 3, Autumn 1997, p. 76–79.
Hainley, Bruce. “Sharon Lockhart, Laura Owens, Frances Stark at Blum & Poe.” Artforum (New York), November 1997, p. 119–20.
Halle, Howard. “Portraits of the Artists,” Time Out New York, March 20–27, 1997, p. 10–16.
Halle, Howard, Jerry Saltz, and Linda Yablonsky. “Showtime at the Whitney,” Time Out New York, April 3–10, 1997, p. 39–40.
Intra, Giovanni. “Sharon Lockhart, Laura Owens, Frances Stark: Blum & Poe, Santa Monica,” Flash Art (Milan), vol. 30, no. 197, November–December 1997, p. 76.
Isé, Claudine. “The Narrative Turn,” Artweek (Los Angeles), July 1997, p. 14–15.
Kandel, Susan. “Exploring the Power of Three Among Friends,” Los Angeles Times, p. 18.
Kliewer, Brent. “Exploring Multicultural Issues,” Pasatiempo (Santa Fe), August 8–14, 1997, p. 19.
Knight, Christopher. “Beguiled by ‘Longing and Memory,” Los Angeles Times, June 7, 1997, p. 1, 14.
Knight, Christopher. “Look Out World, Here They Come!” Los Angeles Times, March 30, 1997, p. 63–64.
Kutner, Janet. “Sense of Sadness Found in Site’s Art Message,” Pasatiempo (Santa Fe), August 8–14, 1997, p. 14.
“Lockhart’s Photographs,” Siksi: The Nordic Art Review (Helsinki), Autumn 1997, p. 76–79.
MacAdam, Barbara A. “Whitney Biennial,” Art News (New York), May 1997, p. 163.
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McKenna, Kristine. “The Contemporary Not Temporary at LACMA,” Los Angeles Times, June 7, 1997, p. 15.
Miles, Christopher. “69 at the Whitney,” Detour Magazine (New York), May 1997, p. 155–56.
Miles, Christopher. “Sharon Lockhart’s Short and Long Images,” SOMA (San Francisco), July 1997, p. 20–21.
Mitchell, Charles Dee. “Report From Santa Fe: New Narratives,” Art in America, November 1997, p. 43–47.
Plagens, Peter. “Stuck in the Middle,” Newsweek, April 7, 1997, p. 74.
Pokorny, Sydney. “Sharon Lockhart,” Artforum, vol. 35, no. 8, April 1997, p. 92.
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Rimanelli, David. “A/drift,” Artforum, February 1997, p. 83.
Rugoff, Ralph. “L.A.’s Female Art Explosion,” Harper’s Bazaar, April 1997, p. 204–05, 246.
Salvioni, Daniella. “The Whitney Biennial: A Post 80s Event,” Flash Art (Milan), Summer 1997, p. 114–17.
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“At the Museum,” Member’s Magazine of the Los Angeles County Museum of Art (Los Angeles), October 1997.
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Stjernstedt, Mats. “Sternstedt on a Fairly Traditional Exhibition Rhetoric,” Siksi: The Nordic Art Review (Helsinki), no. 2, Summer 1997, p. 83–84.

Abutille, Mario C. “Auf der Suche nach dem Menschen,” Basellandschaftliche Zeitung (Basel, Switzerland), September 16, 1996.
Ammann, Ludwig. “Lehrstrück über sexuelle Identität,” Badische Zeitung (Freiburg, Germany), 1996.
Bergflödt, Torbjörn. “Erinnerungen und Entgrenzung,” Zürichsee–Zeitung (Zurich, Switzerland), October 12, 1996.
Bloom, Amy. “A Face in the Crowd,” Vogue, December 1996, p. 292–97.
Dannatt, Adrian. “La belle et la bête,” Flash Art (Milan), March–April1996, p. 50.
Gerster, Ulrich. “Zum Zweiten—Werke seit 1980 in der Kunsthalle,” Neue Zuricher Zeitung (Zurich), October 14, 1996, p. 17.
Greene, David A. “Home Movies,” Village Voice, November 26–December 3, 1996, p. 93.
Greenstein, M. A. “Sharon Lockhart,” Art Issues (Los Angeles), Summer, 1996, p. 37.
Knight, Christopher. “A Fun-House ‘Mirror’,” Los Angeles Times, March 19, 1996, p. 1, 89.
Maurer, Simon. “Das Ich im Ruckspiegel,” Tagesanzeiger (Zurich), September 21, 1996.
Myers, Terry. “Sharon Lockhart,” New Art Examiner (Chicago), Summer 1996, p. 45–46.
Pagel, David. “Lockhart’s Polished Photos Invite Reverie,” Los Angeles Times, March 14, 1996, p. 10, 12.
Rugoff, Ralph. “Lost at the Mall: Searching for the Intersection of Art and Film,” LA Weekly, March 29–April 4, 1996, p. 41.
Saltz, Jerry. “Sharon Lockhart,” Time Out New York, November 28–December 5, 1996, p. 46.
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Scanlan, Joe. “Let’s Play Prisoners,” Frieze, September–October 1996, p. 60–67.
Stjernstedt, Mats. “Omtagninagar: Sharon Lockhart’s arbeiten med film/Retakes: Sharon Lockhart’s Work in Film,” Paletten (Gothenburg, Sweden), January 1996, p. 31–36.

Aukeman, Anastasia. “Sharon Lockhart,” Art in America, April 1995, p. 112.
Kandel, Susan. “A Biennale or Bust?” Los Angeles Times, June 25, 1995, p. 7, 9.
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Troncy, Eric. “La belle et la bête,” Art Press (Paris), December 1995, p. 72–73.

Berg, Ronald. “Kuesen als Kunst,” Der Tagesspiegel (Berlin), August 16, 1994, p. 16.
Choon, Angela. “Sharon Lockhart,” Manhattan File, November 1994.
“Crush on You,” Oostende. CD Compilation produced by Gretchen Seager and Louis Gutierrez. Diedrichsen, Diedrich. “Oostende,” Texte zur Kunst (Berlin), June 1994, p. 214–17.
Greene, David A. “Land Escape: A Photographic Field Trip Through the Conceptual Plane,” Los Angeles Reader, November 11, 1994, p. 11.
Kandel, Susan. “Land Ahoi,” Los Angeles Times, November 17, 1994, p. 13.
Meier, Eva. “Sharon Lockhart,” PAKT, September/October 1994, p. 12–13.
Reissner, Katja. “Sharon Lockhart,” zitty (Berlin), no. 7, 1994.
Relyea, Lane. “Openings: Sharon Lockhart,” Artforum, vol. 33, no. 3, November 1994, p. 80–81.
Werneburg, Brigitte. “Truffautsche Obsessionen,” Die Tageszeitung (Berlin), August 13, 1994, p. 36.

Tumlir, Jan. “A Conversation With Jeremy-Gilbert Rolfe, Graduate Advisor, Art Center College of Design,” Artweek (San Jose, CA), vol. 24, no. 9, May 6, 1993, p. 18–19 (illus.)