Ugo Rondinone: Burn Shine Fly. Venice: SKIRA, 2023.

Ugo Rondinone: The Sun. New York: Rizzoli Electa, 2022.
Ugo Rondinone. New York: Phaidon, 2022.

Jeffrey Kastner, Matteo Pasquinelli. Among the Trees. Ralph Rugoff, 2020.

François Halard 2, Rizzoli New York, 2019.
L'Art à ciel ouvert: la commande publique au pluriel 2007-2019, Flammarion, Paris, 2019.
Maske in der Kunst der Gegenwart, Madeleine Schuppli & Aargauer Kunsthaus, Aarau, 2019.
Aichi Triennale 2019. Taming Y/Our Passion, The Aichi Triennale Organizing Committee, 2019. Delirious Lustwarande. Excursions in Contemporary Sculpture III, Lustwarande, Platform for Contemporary Sculpture, 2019.
Kaldor Public Art Project 1969-2019. Making Art Public. Kaldor Public Art Project, 2019.

Five Volume Box Set, Vocabulary of Solitude; Milan: Mousse Publishing, 2018.
Ugo Rondinone: Good Evening Beautiful Blue, Bass Miami; Milan: Mousse Publishing, 2018.
Peinture Peinture, Art&Fiction Publications, 2018.
Hyper Real, NGA: National Gallery of Australia, 2018.
Bijoux d'Artistes de Calder à Koons, Flammarion, Paris, 2018.
Two Two Twenty, The Dallas Museum of Art, Dallas, 2018.
Eigensinn der Dinge, Kunst Haus Wien, 2018.

Cubñá, Silvia Karman and Jarrett Earnest. Good Evening Beautiful Blue. Milan: Mousse Publishing, 2017.
Letze, Otto and Jaklyn Babington. Hyper Real. Parkes: National Gallery of Australia, 2017.
Voyage d’hiver. Paris: Editions Flammarion, 2017.
Ugo Rondinone: The World Just Makes Me Laugh. Berkeley: Berkeley Art Museum and Pacific Film Archive; Milan: Mousse Publishing, 2017.
Ugo Rondinone: Pure Sushine. Zürich: JPR Ringier, 2017.
Ugo Rondinone: New Horizon. Zürich: JPR Ringier, 2017.
Ugo Rondinone: Let’s Start This Day Again. Cincinnati: Contemporary Arts Center Cincinnati; Milan: Mousse Publishing, 2017.
Ugo Rondinone: Kiss Now Kill Later. Zürich: JPR Ringier, 2017.
Jakubowicz, Alexis and Camille Richert. XAU For an Ounce of Art. Amsterdam: Collection MKS and Roula Peyer at Simon Studer Art, 2017.
Unpacking the Marciano Collection. New York, London, Munich: Prestel, 2017.
Ex, Sjarel and Roos van der Lint. Vocabulary of Solitude. Milan: Mousse Publishing, 2017.
Pratesi, Ludovico and Alessandro Rabottini. Golden Days & Silver Nights. Milan: Mousse Publishing, 2017.

Prévost, Jean-Marc and Corinne Rondeau. ugo rondinone: becoming soil. Nîmes: Carré d’Art – Musée d’Art Contemporain, 2016.
ugo rondinone: feelings. Seoul: Kukje Gallery, 2016.
The Infinite Mix. London: Hayward Publishing and The Store, 2016.
Tomorrow Never Happens: Queer Futurity snf the Aesthetics of Utopia. Lewisburg, PA: Samek Art Museum, Bucknell University, 2016

Frogier, Larys, ed. Ugo Rondinone: Breathe Walk Die. Shanghai: Rockbund Art Museum, 2015.
artists and poets. Berlin: Secession/Revolver Publishing, 2015.
Fischer, Peter and Brigitt Bürgi, eds. About Trees. Bern: Zentrum Paul Klee, 2015.
Artistes et Architecture: Dimensions variables. Paris: Editions du Pavillon de l’Arsenal, 2015.

Nasher XChange. Dallas: Nasher Sculpture Center, 2014.
The Human Factor: The Figure in Contemporary Sculpture. New York: Distributed Art Publishers, 2014.

thank you silence. Zurich: jrp | ringier publications, 2013.

Rondinone, Ugo. Nude. New York: An Art Service, 2012.
The Circus as a Parallel Universe. Vienna: Kunsthalle Wien, 2012.
Fraser, Marie. Zoo. Montreal: Musée d’art contemporain de Montréal, 2012.
The Spirit Level. New York: Gladstone Gallery, 2012.

Petry, Michael. The Art of Not Making: The New Artist/Artisan Relationship. London: Thames & Hudson, 2011.
Aux Tuileries. Paris: Reed Expositions, FIAC, Editions Dilecta, 2011.

Wiehager, Renate. Minimalism and After: Tradition and Tendencies of Minimalism from 1950 to the Present. Germany: Hatje Cantz, 2010.
The Night of Lead. Aarau: Aargauer Kunsthaus; Zurich: JRP/ Ringer; Leon: MUSAC, 2010.

Sammlung/Collection. migros museum für Gegenwartskunst Zürich 1978-2008. Zürich: JRP Ringier Kunstverlag AG, 2008, p. 230, 231, 232, 233.
Schuster, Peter-Klaus and Eugen Blume, ed. Ich kann mir nicht jeden Tag ein Ohr abschneiden. Berlin: Dekonstruktionen des Künstlermythos’, Museum für Gegenwart, Hamburger Bahnhof, 2008.
Driessen, Chris and Heidi van Mierlo, ed. Wanderlust. Excursions In Contemporary Sculptur.' Tilburg: Fundament Foundation, 2008, p. 118.
Dorscheid, Sabine, ed. second_nature. Luxembourg: Dexia BIL, Galerie Nosbaum und Reding 2008, p. 112 – 115.
Ruf, Beatrix, ed. Blasted Allegories. Works from the Ringier Collection. Zurich: JRP Ringier Kunstverlag AG, 2008.
Lurie, Aya and Nili Goren, ed. Depletion. Works from the Doron Sebbag Art Collection. Tel Aviv: Tel Aviv Museum of Art, 2008, p. 48/49

Fischer, Peter, Christoph Lichtin and Susanne Neubauer, ed. Top of Central Switzerland. Luzern: Kunstmuseum Luzern, 2007.
Glielen, Denis, ed. Atlas of Contemporary Art for Use by Everyone. Luxembourg: Musée des Arts contemporains au Grand-Hornu, 2007, p. 74/75.
Becher, Jörg. Ugo Rondinone – Malerie, Zeichnung, Objekt, Installation, Video, Holzschnitt, Text: Wolf im Schafspelz, in: Die 50 wichtigsten Künstler der Schweiz. Basel: Juni 2007, p. 118-120.
Kurjakovic, Daniel, ed. Album - On and Around Urs Fischer, Yves Netzhammer, Ugo Rondinone and Christine Streuli, Participating at the 52nd Venice Biennale 2007. Zurich: Swiss Federal Office of Culture, Berne and JRP | Ringier, 2007.
Ritter, Michel. Une question de generation. Lyon: Musée d’Art Contemporain de Lyon, 2007.

'Ugo Roninone', in: Swiss Life Art Collection. Zürich: ProLitteris, 2006, p. 34-37.
Olveira, Manuel. Digital Tales I. Santiago de Compostela: CGAC Centro Galego De Arte Contemporánea, 2006, p. 15.
Noel, Daniel and Doug Aitken. Broken Screen. New York: 26 Conversations, 2006, p. 236-243.
Farronato, Milovan, Henna Joo and Marco Tagliafierro. Our Magic Hour_european’s artists’ show. Cheonan: Arario Gallery, p. 32-39.
“Ugo Rondinone,” in, Feelings – One hundred years of Montblanc. Hambrug: Montblanc Simplo, 2006, p. 32-33.
Pugliese, Marina. Tecnica mista: Materiali e procedimenti nell’ arte del XX secolo. Turin: Bruno Mondadori, 2006.
B.S. Ugo Rondinone. Die grossen Meister der Albertina. Wien: Schröder, 2006. p. 674.
Doswald, Christoph. Double-Face – The Story about Fashion and Art from Mohammed to Warhol. Zurich: JRP Ringier, 2006, p. 178-179.
Daniylopoulou, Olga. The Scarecrow. Metsovo: Evangelos Averoff-Tossizza Foundation, 2006, p. 150-151.
Natter, Tobias G. and Thomas Trummer, ed. nach Schiele, Atelier Augarten. Berlin: Zentrum fürzeitgenössische Kunst; Vienna: Österrreichischen Galerie Belvedere, 2006, p. 122-135.
Ross, Christine. The Aesthetics of Disengagement: Contemporary Art and Depression. Minneapolis: University of Minnesota Press, 2006.
Gerald, Matt, ed. Don Juan – oder zwei und zwei sind vier oder Lust ist der einzige Schwindel, dem ich Dauer wünsche. Vienna: Kunsthalle Wien, 2006, p. 62-65, 108-109.
Farronato, Milovan, ed. EGOmania – Just When I’ve Understood... Modena: Galleria Civica comune di, January, 2006, p. 16 + chapter 12.

Mizunuma, Hirokazu, ed. Talking About the Real World. Zurich: Contemporary Swiss Art, Chiba: Chiba City Museum of Art, 2005, p. 91-104.
Heusser, Hans-Jörg. A Place of Encounter with International Modern Art. Zurich: The Art collection of the Zurich Development Center, 2005, p. 64.
Andréani, Vanina. Prêts à prêter. Acquisitions et rapport d’activités 2000/2004. Provence-Alpes-Côte d’Azur: Fonds régional d’art contemporain Provence-Alpes-Côte d’Azur, 2005, p. 152-153.
Universal Experience: Art, Life and the Tourist’s Eye, Museum of Contemporary Art Chicago. New York: Distributed Art Publishers, Inc., 2005, p. 207.
Grosenick, Uta. ART NOW Vol. 2 – The new dictionary to 136 international contemporary artists. Cologne: Taschen Verlag, 2005, p. 448–451.
Keller, Anne, Beatrix Ruf and Stefan Kalmar, eds. Art at 30 St Mary Axe London. Zurich: Swiss Re, 2005, p. 89–95.
Bonnant, Arlène, ed. CAP Collection 2005. Geneva: CAP Art Limited, 2005, p. 240–245.
Aupetitallot, Yves, ed. Private View, 1980–2000. Collection Pierre Huber, Musée cantonal des Beaux-Arts de Lausanne. Zurich: JRP|Ringier, 2005, p. 156–159.
Caronia, Antonio. techne 05 – Art And Technology. The Infinite Image. Screens, Visions, Actions. Milan, 2005, p. 93–95.
Politi, Giancarlo. Prague Biennale 2: Expanded Painting. Milan: Politi Editore, 2005, p. 140–141.

Engberg, Juliana. Rondinone: Clockwork for Oracle. Melbourne: Australian Centre for Contemporary Art, 2004.
Grenier, Catherine, ed. Dépression et subversion. Les racines de l’ avant-garde. Paris: Centre Pompidou Paris, 2004, p. 135.
Couturier, Elisabeth. L’ art contemporain mode d’ employ. Levallois-Perret: Editions Filipacchi, 2004, p. 83.
Teerlinck, Hilde, ed. It is a small world. Altkirch: Crac Alsace, 2004.
La Grande Parade. Portrait de l’ artiste en clown. L’oeil, Hors Série, 2004, p. 19.
Piranio, Michelle and Franceso Bonami. 54th Carnegie International. Pittsbugh: Carnegie Museum of Art, 2004–2005, p. 208-211.
Avgikos, Jan. I am the Walrus. New York, June 2004.

Journey to now. Sydney: John Kaldor Art Projects and Collection/ Adelaide: Art Gallery of South Australia, 2003.
Storer, Russell and Elizabeth Ann MacGregor. Ugo Rondinone Our Magic Hour. Sydney: Museum of Contemporary Art, 2003.
Avant – Après. 7e Biennale d’art contemporain de Lyon. Dijon: Les Presses du réel, 2003.
Hartel, Gaby and Christine van Assche. Ugo Rondinone – Roundelay. Paris: Musée National d’Art Moderne, Centre Georges Pompidou, 2003.
Ruf, Beatrix. Durchzug/Draft, Zürich: 20 Jahre Stiftung Binz39, 2003, p.18, 39.

Campy Vampy Tacky, La Criée. Rennes: Centre d’art contemporain, 2002.
Five years Louise, Cry me a river. Paris: Galerie Almine Rech, 2002.
Hoptman, Laura, ed. Drawing Now. Eight Propositions. New York: The Museum of Modern Art, 2002, p. 26–29.
Schwander, Martin. Urban Diaries – Young Swiss Art. Madrid: Comunidad de Madrid, 2002, p.138–145.
Quaroni, Grazia and David Renaud. Psychodrome. Barcelona: Fundació Joan Miró, 2002, p.26–30, 84–89.
Zeitgenössische Fotokunst aus der Schweiz. Berlin: Neuer Berliner Kunstverein, 2002, p. 104–111.

Lienhard, Pierre-André, ed. vantage point. Dublin: Irish Museum of Modern Art, 2001.
Wiehager, Renate, ed. Sammlung Daimler Chrysler. Neuerwerbungen/ New Acquisitions. Berlin: Daimler Chrysler AG/Kunstbesitz, 2001.
Action, on tourne/Action, we’re filming. Nice: Villa Arson, 2001, p. 91–93.
Tolomeo, Maria Grazia. Ugo Rondinone. Kiss Tomorrow Goodbye. Rome: Palazzo delle Esposizioni, 2001.
Parsy, Paul-Hervé, ed. Salons de Musique. Strasbourg: Musée d’Art Moderne et Con mporain, 2001.
Richardson, John. Rencontres 5. Ugo Rondinone/John Richardson. Paris: Almine Rech Editions/Editions Images Modernes, 2001.

Davis, Susan G. Let’s entertain: Life’s guilty pleasures. Minneapolis: Walker Art Center, 2000, p. 150–151.
Foundation for Art & Creative Technology (FACT), Video Positive 2000. Liverpool: Bluecoat Chambers, 2000.
On the frac track. Dunkerk: FRAC Nord – Pas de Calais, 2000, p. 19.
Come in and find out 4. Berlin: Podewil Center for Contemporary Arts, 2000, p. 17.
Romano, Gianni, ed. Premio Michetti. Europa: Differenti Prospettivi Nella Pittura. Francavilla al Mare: Giancarlo Politi Editore, 2000, p. 142–143, p. 235.
Williams, Gilda. Fresh Cream. New York: Phaidon Press, 2000, p. 514–519.
Fujimori, Manami and Yuko Hasewaga. Very New Art 2000: 100 Artists of the Year. Tokyo: Bijutsu Shuppan-Sha, 2000, p. 198–199.
Vanhala, Jari-Pekka. saman taivaan alla: under the same sky 3. Helsinki: Kiasma Museum of Contemporary Art, 2000, p. 46–51.
Schaffhausen, Nicolaus. Jahresgaben 00/01. Frankfurt: Frankfurter Kunstverein, 2000.
‘Ich ist etwas anderes,’ in: Kunstsammlung Nordrhein-Westfalen Dumont. Cologne: Kunstsammlung Nordrhein-Westfalen, 2000.
Présumés innocents. L’art contemporain et l’enfance. Bordeaux: capc Musée d’art contemporain, 2000, p. 133.
NB. New York/Berlin. Künstlerateliers der Eidgenossenschaft 98–99, Ugo Rondinone, Ignazio Bettua. Bern: Kunsthalle Palazzo Liestal/ Bundesamt für Kultur, 2000.
Lucas, Vicente. cimal: Arte internacional. Valencia: Ediciones cimal internacional, No. 52, 2000.
Avgikos, Jan, Beatrix Ruf and Jan Winkelman. Guided by Voices. Ugo Rondidone. Ostfildern: Hatje Cantz, 2000.

Baudin, Katia and Veerle Van Durme, eds. Collection FRAC Nord – Pas de Calais. Kortrijke: Eenkeuze/BBL, 1999.
Le Repubbliche dell’Arte. Schweiz. Suisse. Svizzera. Svizra, Palazzo delle Papesse. Siena: Contemporary Art Center,1999.
Scherf, Angeline and Carlos Basualdo, eds. L’autre sommeil. Paris: Musée d’Art Moderne de la Ville de Paris, 1999.
Grigoteit, Ariane. Landschaften eines Jahrhunderts aus der Sammlung Deutsche Bank. Frankfurt, 1999.
Prix Conseillé, 1899–1999. 100 ans de Concours fédéral des Beaux-Arts. Zurich: Orell Füssli Publisher; BernBundesamt für Kultu, 1999.
6th Istanbul Biennial. The passion and the wave. Istanbul: Istanbul Foundation for Culture and Arts, 1999, p. 10–11, p. 182–185.
Engberg, Juliana and Shane Murray, eds. Signs of Life, Melbourne International Biennial 1999. Melbourne: City of Melbourne, 1999.
Rosa für Jungs/Hellblau für Mädchen. Berlin: Neue Gesellschaft für Bildende Kunst, 1999.
Tordoir, Narcisse and Luc Tuymans, eds. Trouble Spot, Painting. Antwerpen: Museum van Hedendaagse Kunst,1999.
Ruf, Beatrix, ed. Kunst bei Ringier 1995–1998. Zurich: Ringier AG, 1999.
Bonami, Francesco and Hans Ulrich Obrist, eds. Dreams. Turin: Fondazione Sandretto Re Rebaudengo Per L’arte, 1999, p. 98.

Mouvement, Numéro 3. 1998/1999.
Berlin/Berlin. Berlin: Berlin Biennale für zeitgenössische Kunst e.V, 1998.
Nieuwenhuyzen, Martin van and Leontine Coelewij, eds. From the Corner of the Eye. Amsterdam: Stedelijk Museum, 1998.
Kunst in der Provinzial. Provinzial Versicherungsanstalt. Schleswig-Holstein: Provinzial Versicherungsanstalt 1998.
Freie Sicht aufs Mittelmeer. Zurich: Kunsthaus Zürich & Scalo, 1998.
Rubbini, Alice. Libera mente. La figurazione del sentiment. Milan: Edizioni Charta, 1998.
Douroux, Xavier, Franck Gautherot and Eric Troncy, eds. Compilation. Une expérience del’exposition. Dijon: Les Presses du Réel, 1998.
Eurovision. London: The Saatchi Gallery, & The Pale Green Press, 1998.
Wiehager, Renate, ed. 4. Internationale Foto-Triennale Esslingen. Fotografie als Handlung. Esslingen: Villa Merkel, 1998.
Homo Zappiens Zappiens. Rennes: Presses Universitaires de Rennes, 1998.
Wagner, Frank. AIDS-Welten. Zwischen Resignation und Hoffnung. AIDS Info Docu Schweiz, 1998.
Altered States. Utrecht: Stichting Festival a/d Werf Utrecht,1998.
Baudin, Katia and Benoît Dandre, eds. Un monde merveilleux: Kitsch et art contemporain. Dunkirk: Fonds Régional d’Art Contemporain Nord-Pas de Calais, 1998.
Smolenicka, Maria, ed. Foto Relations. Brno-stred: Kunsthaus der Stadt Brünn, 1998.
Dramatically Different. Grenoble: Centre National d’Art Contemporain de Grenoble, 1998.
The Art Collecting Activities at Swiss Re. Zurich: Swiss Re, 1998.

Hip. Zürich: Museum für Gegenwartskunt, 1997.
504. Ausstellungsprojekt der Klasse John Armleder. Karlsruhe: Zentrum für Kunst, Medien und Design; Braunschweig: Hochschule für Bildende Künste Braunschweig, 1997.
Doswald, Christoph and Andreas Meyer, eds. Nonchalance. Salenstein: Benteli Verlag, 1997, p. 130–137.
Obrist, Hans Ulrich and Georg Kargl, eds. EVN Sammlung Ankäufe 1995/96, 1997
Aspekt: Landschaft. Engelberg: Tal Museum Engelberg; Luzern: Diopter-Verlag, 1997.
Damsch-Wiehager, Renate, ed. Fort! Da! Cooperations. 20 internationale Künstler/innen im Dialog mit der Sammlung Gegenwartskunst der Staatsgalerie Stuttgart. Ostfildern: Cantz Verlag, 1997.
Cabines de bain. Geneva: attitudes, 1997.
Fenêtre sur Cour Paris: Galerie Almine Rech, 1997.

Wallner, Klara and Macht der Verführung. Schönheit und Geheimnis in der aktuellen Kunst. Berlin: Wewerka Galerie, 1996.
Heyday. Geneva: Centre d’Art Contemporain Genève & Migros; Zürich: Museum für Gegenwartskunst, 1996.
Thöeodora Musée d’Art et d’Histoire de Genèeve/Fondation Théodora, 1996.
Zeigermann, Gerald. You Talkin’ to Me? Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1996.
Kunst in der Provinzial. Germany: Provinzial Versicherungsanstalt, 1996.
The Aggression of Beauty. Berlin: Galerie Arndt & Partner, 1996.
Modèles corrigés, Collège Marcel Duchamp. Châteauroux, 1996.
Fenz, Werner and Reinhard Braun, eds. 2. Österreichische Triennale zur Fotografie. Graz: Radikale Bilder/ Edition Camera Austria, 1996.
Conversation Pieces II. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1996.
Non! Pas comme ça. Neuchâtel: Centre d’Art Neuchâtel, 1996.
Armleder, John M., ed. Never Say Never. Zurich: Offizin, 1996.

Kunstpreis der Böttcherstrasse in Bremen. Kunsthalle Bremen & Kunstverein in Bremen, 1995.
Kurjakovic, Daniel and Vittorio Santoro, eds. The Pleasures of Merely Circulating. Zurich: Memory Cage Editions, 1995.
Obrist, Hans Ulrich, ed. Migrateurs. Paris: Musée d’Art Moderne de la Ville de Paris, 1995.
Becker, Kathrin and Klara Wallner, eds. Landschaft mit dem Blick der 90er Jahre. Bonn: Eigenverlag, 1995.
Die Preisträgerinnen und Preisträger des eidgenössischen Wettbewerbs für freie Kunst 1994. Bern: Bundesamt für Kultur; Neuchâtel: Musée d’Art et d’Histoire de la Ville de Neuchâtel, 1995.

Saxenhuber, Hedwig and Astrid Wege, eds. Oh Boy, It’s a Girl. München: Kunstverein München, 1994.
Endstation Sehnsucht. Zürich: Kunsthaus Zürich; Ostfildern: Cantz Verlag, 1994.
Züst, Andreas. Ugo Rondinone 1988 (Kinderbuchzeichnungen). 1994.
Lokalzeit – Wiener Material im Spiegel des Unbehagens. Vienna: Raum Strohal, 1994.

Torony Visegrad, Salamon, ed. Donau. Budapest: Mucsarnok; Visegrad, 1993.
Die Sprache der Kunst. Vienna: Kunsthalle Wien; Ostfildern: Cantz Verlag, 1993.
Weiermair, Peter, ed. Prospect 93: Eine internationale Ausstellung aktueller Kunst.
Frankfurt: Frankfurter Kunstverein/ Schirn Kunsthalle Frankfurt, 1993.
Ugo Rondinone, Albrecht Schnider, Félix Valloton. Liestal: Kunsthalle Palazzo Liestal; Basel: Schwabe & Co Publisher, 1993.
Schiess, Robert. Drei Künstler und die Kunstgeschichte – Ugo Rondinone, Albrecht Schnyder und Félix. Liestal: Kunsthalle Palazzo Liestal, 1993.

Romano, Gianni. Twenty Fragile Pieces. Art Studio Edizioni, 1992.
Curiger, Bice and Hans Ulrich Obrist, eds. Oh! Cet écho! Paris: Centre Culturel Suisse, 1992.
Die Stipendiaten des eidgenössischen Kunststipendiums 1991. Bern: Bundesamt für Kultur; Solothurn: Kunstmuseum Solothurn, 1992.

Lux, Harm and Philip Ursprung. Stillstand Switches. Zurich: Shedhalle, 1991.
Chamer Räume: Kunst an Ort. Zug: Forum Junge Kunst, 1991, p. 137–144.

Weihnachtsausstellung Innerschweizer Künstler 1990. Luzern: Kunstmuseum Luzern, 1990.
Spiel der Spur, The Poetry of Chance. Zürich: Shedhalle Zürich; Colgne: Buchhandlung Walther König, 1990, p. 53–55, p. 74–75.

Schenker, Christoph. Igitur. Winterthur: Kunsthalle Winterthur, 1989.
Melencolia. Vienna: Galerie Grita Insam, 1989.

Gayford, Martin. “The jewel-bright, mesmerisingly detailed pictures by Raqib Shaw are a revelation,” The Spectator, May 21, 2022.
Ghassemitari, Shawn. “Ugo Rondinone Meditates on Space and Time at Kukje Gallery,” Hype Art, May 11, 2022.
Angelopoulou, Sofia Lekka. “ugo rondinone brings human clouds, a gilded sun and colorful, burnt out candles to venice,” designboom, May 8, 2022.
Tozzi, Di Carla. “Venezia 2022 | BURN SHINE FLY. Ugo Rondinone alla Scuola Grande di San Giovanni Evangelista,” atpdiary, May 2, 2022.
“BURN SHINE FLY UGO RONDINONE” Tique Art, May 2022.
Bailey, Stephanie. “Echoes of John Giorno with Ugo Rondinone in Venice,” Ocula, April 27 2022.
Yablonsky, Linda. “FLOATING FEASTS,” Artforum, April 25, 2022.
Woller, Marcus. “Why tyrants restrict art,” Welt, April 24, 2022.
Spieger, Almuth. “A small guide to the Biennale,” Die Presse, April 24, 2022.
Mack Gerald. “His mission: to bring light to people,” NZZMagazin, April 23, 2022.
“Monocle Weekend Edition: Saturday,” Monocle, April 23, 2022.
“The best off-site projects to see during the 59th Venice Biennale,” Flash Art, April 21, 2022.
Cascone, Sarah. “24 Shows to See in Venice Beyond the Biennale, From Stanley Whitney’s Italian Paintings to a Major Survey of Marlene Dumas,” artnet, April 19, 2022.
“Venice Biennale 2022: The best of art exhibitions away from the national pavilions,” gallerytalk.net, April 19, 2022.
Chaizemartin, Julie. “Biennale off: Venice at all costs,” Le Quotidien de L’Art, Edition No. 2370, April 14, 2022.
Lesser Caset. “20 Must-See Venice Shows to Visit during the Biennale,” Artsy, April 14, 2022.
Burgos, Matthew. “Artist ugo rondinone measures faith in ‘nuns and monks by the sea’ at kukje gallery,” designboom, April 10, 2022.
Jordan, Mike. “A Guide to Las Vegas, From Top Steakhouses to Hidden Cocktail Bars,” The Wall Street Journal, April 6, 2022.
“Ugo Rondinone - Burn shine fly,” Artribune, April 2022.
Zara, Janelle. “Venice off the beaten path,” Art Basel, April 2022.

“The Best Public Art of 2021” Artsy, December 7, 2021.

Binkley, Christina. “Betting Big on Art: Can Las Vegas Philanthropists Succeed in Getting Their City a Museum?” ARTnews, July 23, 2019.
“Monumental Makeover,” Las Vegas Review-Journal, June 22, 2019.
Graver, David. “Interview: Artist Ugo Rondinone,” Cool Hunting, June 17, 2019.
Angeleti, Gabriella. “Ugo Rondinone’s day-glo desert installation Seven Magic Mountains gets a fresh coat of paint,” The Art Newspaper, June 11, 2019.

Kirwin, Ellen. “Liverpool Mountain unveiled as Ugo Rondinone brings his Las Vegas sculpture to city,” Liverpool Echo, October 23, 2018.
Jefferies, Stuart. “A mountain for Merseyside: why have Las Vegas boulders landed in Liverpool?,” The Guardian, October 22, 2018.
Reljic, Teodor. “World-renowned artist dedicates sculpture to the children of Malta,” Malta Today, October 12, 2018.
Scobie, Ilka. “Ugo Rondinone: Sublime Spiritual Images Of Prodigious Silence,” Artlyst, October 2, 2018.
“Liverpool Mountain: Ugo Rondinone work to stand on Albert Dock,” BBC News, July 5, 2018.
Westall, Mark. “Ugo Rondinone to create a major new large scale outdoor sculpture for Liverpool waterfront,” FAD Magazine, July 5, 2018.
“Art News Daily: New contemporary art space to open in Madrid,” Apollo Magazine, February 21, 2018.
Greenberger, Alex. “Petition Calls for Reinstatement of Beatrix Ruf as Director of Stedelijk Museum,” ARTnews, February 20, 2018.
Shurvell, Joanne. “Rare Masterpieces By Old Masters And Contemporary Artist On Sale This Week at Brussels Art Fair,” Forbes Magazine, January 30, 2018.
Benoit, Loiseau. “The Best of BRAFA Art Fair 2018,” Galerie, January 29, 2018.
Martin, Alison. “Ugo Rondinone at The Bass Museum,” Arte Fuse, January 23, 2018.

Farago, Jason. “Basel’s Warm-Weather Cousin,” The New York Times, December 8, 2017.
Farago, Jason. “Art Basel Miami Beach, Post-Irma, Is Still Swinging,” The New York Times, December 7, 2017.
Dalley, Jan. “Culture shock and clowns: Bass Museum and ICA Miami reviewed,” Finiancial Times, Decmeber 7, 2017.
Taylor, Sam. “Musuems to visit during Miami Art Week,” Financial Times, December 1, 2017.
Sokol, Brett. “When it Comes to Contemporary Art, Miami Wants More, More, More,” The New York Times, November 30, 2017.
Pini, Gary. “Mega Guide to Basel Miami Beach 2017: Part 1,” Paper Magazine, November 7, 2017.
Messner, Matthew. “Miami Beach’s Bass Musuem reopens after two-year renovation,” The Architect’s Newspaper, October 25, 2017.
Vazquez, Neil. “After Years of Renovations, the Bass Revewals Its New Look,” Miami New Times, October 24, 2017.
Fitzpatrick, Jameson. “Love Poems: John Giorno Around New York,” Art in America, June 29, 2017.
Martinez, Abraham. “Artist, Poet, and Warhol Muse John Giorno Shares his Advice for Young Creatives,” I-D, June 28, 2017.
Heiserman, Katie. “Exhibition Review: UGO RONDINONE: I ♥ JOHN GIORNO,” Musée, June 28, 2017.
Schilling, Mary Kaye. “The Bard of New York John Giorno, one of the last great underground artists, is being celebrated in a citywide exhibition. It only took 80 years…,” Newsweek, June 23, 2017.
Thayer, Katheryn. “At Launch of First Major U.S. Exhibition, John Giorno Talks About Career Of Collaboration,” Forbes, June 21, 2017.
Brumfitt, Stuart. “John Giorno Takes New York,” Vice, June 20, 2017.
Hoffman, Barbara. “This poet dated Andy Warhol – now he has his own art show,” New York Post, June 19, 2017.
Anderson, Samuel. “Behind the Exhbit: I ♥ John Giorno,” Dujour, June 19, 2017.
Farley, Michael Anthony. “This Week’s Must-See Art Events: Melting Ice Caps and Harlem Drag Queens,” Art F City, June 19, 2017.
Cascone, Sarah and Caroline Goldstein. “Carsten Holler at Gagosian and 13 More Things to See in New York This Week,” Artnet, June 19, 2017.
“Ugo Rondinone: I ♥ John Giorno,” Brooklyn Rail, June 2017.
“Hail Poetry,” Blouin Artinfo, June/July 2017.
Scott, Andrea K. “Summer Preview: Art,” The New Yorker, May 22, 2017.
Kordic, Angie. “13 New York Venues Welcome A Survey Of John Giorno Art This June!,” Widewalls, May 15, 2017.
Harris, Gareth. “NY hearts Giorno,” The Art Newspaper, May 5, 2017.
Greenberger, Alex. “In Honor of His 80th Birthday, John Giorno Will Be the Subject of a New York City–Wide Survey in June,” Artnews, May 5, 2017.
Barone, Joshua. “A Kaleidoscopic John Giorno Retrospective, Sprinkled Around New York,” The New York Times, May 5, 2017.
“In Situ,” Artdesk, May 2, 2017.

Carrigan, Margaret. “The Bass Museum of Art Moves a Mountain to Miami Beach,” Blouin ArtInfo, November 30, 2016.
Small, Rachel. “Ugo Rondinone Balances Nature and Artifice,” Surface Magazine, November 29, 2016.
Yablonsky, Linda. “Land’s End,” Artforum, May 17, 2016.
Russ, JK. “Seven Magic Mountains Grand Opening Desert Style,” Huffington Post, May 15, 2016.
Sierzputowski, Kate. “Seven 30-Foot-Tall Dayglow Totems Placed in the Desert by Ugo Rondinone,” This Colossal, May 13, 2016.
Jameson, Daniel. “A Colorful ‘Stonehenge’ Now in the Desert Outside Las Vegas,” Condé Nast Traveler, May 12, 2016.
Scheffler, Daniel. “Magic Mountains: Ugo Rondinone’s modern totems liven up the Nevada desert,” Wallpaper, May 12, 2016.
Kinsella, Eileen. “See Incredible Photos of Ugo Rondinone’s New Installation in the Las Vegas Desert,” Artnet, May 10, 2016.
Kennedy, Randy. “Building an Artist’s ‘Magic Mountain’ to Draw Visitors to the Desert,” New York Times, May 11, 2016.
Harris, Gareth. “Ugo Rondinone’s seven stone towers rise in the Las Vegas desert,” The Art Newspaper, May 10, 2016.
Smets, Sandra, “Regenboog in 3.500 variaties,” H Art, March 3, 2016.
Hoberman, Mara. “Ugo Rondinone: I  John Giorno,” Artforum, February 2016.
Benaï, Yamina. “John Giorno / Ugo Rondinone, The Men We Love,” L’Officiel Art, December 2015/February 2016.

“Don’t Miss: Ugo Rondinone’s Paris Exhibit,” Out, December 23, 2015.
Rosenmeyer, Aoife. “Chalet de Charme,” Pin-Up, Fall Winter 2015/2016.
“A Picture and a Poem,” T Magazine, April 11, 2015, p. 77.
Reyburn, Scott. “Splash of Color in Desert,” The New York Times, April 9, 2015.
Seidl, Walter. “Ugo Rondinone at Krobath,” Contemporary Art Daily, March 20, 2015.
Rondinone, Ugo. Art in America, January 2015.

Yablonsky, Linda. “Holy Moly,” W Art, November 2014.
Gaskin, Sam. “The Inner Happiness of Ugo Rondinone’s Performing Clowns,” Artnet, October 29, 2014.
Tavel, Julien. “Ugo Rondinone ‘Breath Walk Die’ at the Rockbund, Shanghai,” Time Out Shanghai, October 14, 2014.
“On Exhibit | Ugo Rondinone ‘Breath Walk Die’ at the Rockbund Museum, Shanghai,” Supertouch, October 8, 2014.
“Rondinone Turns Disused Church into Art Space,” The Art Newspaper, February 2014, p.5.

Gassmann, Gay. “Feeling For: Ugo Rondinone’s Miniature, Wearable Art,” T Magazine, December 25, 2013.
Walsh, Brienne. “Swiss Time: Ugo Rondinone Slows Down to Speed Up,” Modern Painters, October 13, 2013, pp.72-77.
Ting, Selina. “Interview: Ugo Rondinone,” Initiart Magazine, September 2013.
Duplat, Guy. “Silence, beaute e melancolie,” LaLibre.be, June 29, 2013.
Simek, Peter. “Early Trend in Nasher-Commissioned Public Art: Engaging Overlooked Neighborhoods, Communities,” D Magazine, July 9, 2013.
“The next round of Nasher XChange: Swiss aritist Ugo Rondione will create a sculpture on the shores of Fish Trap Lake in West Dallas,” Dallas News, July 9, 2013.
Gillemon, Daniele. “Les espaces perdus d’Ugo Rondinone,” Le Soir, July 3, 2013.
Bentley, Alex. “Nasher Sculpture Center heads to West Dallas for third Xchange installment,” Culture Map Dallas, July 6, 2013.
Sans, Jérôme. “Interview with Ugo Rondinone: L’Expérience de la Lenteur,” L’Officiel Art, No. 6, Juin-Juillet-Auot 2013, p. 118-125.
“Five groups of works created by Ugo Rondinone brought together in a new exhibition at M-Musuem Leuven,” artdaily.org, June 2013.
Creahan, D. “New York – Ugo Rondinone: ‘Soul’ at Gladstone Gallery through July 3rd, 2013,” Art Observed, June 30, 2013.
Smith, Roberta. “Ugo Rondinone: ‘Soul,’” The New York Times, June 27, 2013.
Behringer, David. “Ancient Contemporary Art by Ugo Rondinone,” Design-Milk.com, May 22, 2013.
Colman, David. “A family heirloom connects an artist to his own work,” Chinadaily.com.cn, May 19, 2013.
Kley, Elisabeth. “Feeling Human: Ugo Rondinone,” Art in America, May 13, 2013.
Colman, David. “The Real Rock of Ages,” The New York Times, May 3, 2013.
Earnest, Jarrett. “Blighted Luminance,” Brooklyn Rail, May 2013, p. 28-31.
“Rondinone: getting stoned at Rockefeller Plaza,” The Art Newspaper, Frieze New York Daily Edition, 9-10 May 2013, p. 15.
“Ugo Rondinone,” New Yorker, May 13, 2013, p. 11.
“Ugo Rondinone: Human Nature, Vogue Italia, April 24, 2013.
Remsen, Nick. “Human Nature Rises in Rockefeller Center,” Style.com, April 24, 2013.
Kapp, Trevor. “Giant Stone Sculptures Unveiled Outside 30 Rock,” DNAinfo.com, April 22, 2013.
“Nine Colossal Stone Figures by Artist Ugo Rondinone Unveiled at Rockefeller Center,” Digital Journal, April 22, 2013.
Jovanovic, Rozalia. “One lLine Reviews: Pithy Takes on Ugo Rondinone, Faith Ringgold, and More,” Artinfo, April 26, 2013.
“Artcritical Pick: Ugo Rondinone at Rockefeller Plaza,” Artcritical.com, April 21, 2013.
“A Comprehensive Guide to New York’s Spring Onslaught of Public Art,” Artinfo, April 25, 2013.
“Nespresso Presents Exhibit of Nine Colossal Stone Figures By Artist Ugo Rondinone At Rockefeller Center April 23-June 7,” Yahoo! Finance, April 23, 2013.
“Artifacts | The Rocks at 30 Rock,” T Magazine, April 26, 2013.
“Ugo Rondinone (OO-go ron-di-NO-né) on Human Nature, Artsy Editiorial, April 22, 2013.
Cembalest, Robin. “The Gentle Giants of Rockefeller Center,” ARTnews, April 25, 2013.
“Colossal Figures to Polpulate Rockefeller Plaza,” My San Antonio, April 18, 2013.
Barron, James. “Nine Massive Humans Move into Rockefeller Center,” The New York Times, April 17, 2013.
Casadio, Mariuccia. “Inspired by Ugo Rondinone.” Vogue Italia, April 4, 2013.
Marcum, Anna. “Ugo Rondinone Will Rock Rockefeller,” Art in America, March 6, 2013.
“Nine Colossal Stone Figures by Artist Ugo Rondinone to be Exhibited at Rockefeller Center This Spring,” Virtual-Stategy Magazine, March 5, 2013.
Vogel, Carol. “Rockefeller Art Resumes,” The New York Times, March 1, 2013.
Shaughnessy, Jonathan. “Mercurial Rock: Ugo Rondinone,” Vernissage, Winter 2013.

Yablonsky, Linda. “The Rondinone Spirit,” T Magazine, March 27, 2012.
Heinrich, Will. “Material World: ‘The Spirit Level’ at Gladstone and Donald Moffett at Boesky,” GalleristNY, March 27, 2012.
Walleston, Aimee. “At Gladstone, Ugo Rondinone Celebrates Solitary People,” Art in America, March 28, 2012.
Rosenberg, Karen. “Tapping Psychic Undercurrents, ‘The Spirit Level,’ Group Show at Gladstone Gallery, Chelsea,” New York Times, April 12, 2012.
Scobie, Ilka. “Ugo Rondinone: Distilled Spirits,” artnet.com, 2012.

Yadao, Tamara. “Ugo Rondinone – Nude,” Art Experience NYC, 2011.
Brazda, Bozidar. “Spotlight: Ugo Rondinine,” Flash Art, Febuary 2011.
Brazda, Bozidar. “Ugo Rondinone: Gladstone/IBM Building Atrium – New York,” Flash Art International, January/February 2011.
Austin, Tom. “Smart Art from the de la Cruz Collection,” Miami Herald, January 9, 2011.
Pascucci, Marisa J. “Profiles: Ugo Rondinone,” The Art Economist, Issue 5, 2011.
Shaw, Anny. “Art Parcours: Recasting the Rocks of Ages,” The Art Newspaper, June 14, 2011.

“Ugo Rondinone: The Leaden Night,” Aargauer Kunsthaus, Aarau, 2010.
Moulène, Claire. ‘“We Are Sun-kissed and Snow-blind’ Galerie Patrick Seguin,” Artforum, February 2010, p. 212.
Swan, Jordana. “Go See – Aarau, Switzerland: Ugo Rondinione at Aargauer Kunsthaus Through August 1, 2010,” Art Observed, Jun 22, 2010.
“Global Frameworks: Art-fair Musical Chairs,” The Economist, Jun 24, 2010.
Sieracki, Jill. “Surreal Experience,” Local Arena, Art Basel Miami 2010.
Rimer, Sara. "In Boston, Where Change Is in the Winter Air," The New York Times, January 1, 2010.
“Collaborations,” Parkett, 2010, p. 30.
Fox. H, Peter. “Sculpture Special,” Travel and Leisure, 2010, p. 37.
Vartanian, Hrag. “Ugo Rondinone’s Nudes Made Me Feel Exposed,” Hyperallergic, 2010.

Webb, Michael. “In the Right Circles,” Art + Auction, November 2009.
Adams, Brooks. "Ugo Rondinone: Jardin des Tuileries Centquatre and Almine Rech," Art in America, December 2009.
“The Fair: 42 works of art explained,” The Art Newspaper, November 2009.
Adam, Georgina and Charlotte Burns. “’We didn’t expect to be as lively as it is,’” The Art Newspaper, November 2009.
Vogel, Carol. “Cunning After Caution at London Art Fair,” The New York Times, October 17, 2009.

Rabottini, Allesandro. “Ugo Rondinone,” frieze, No. 121, March 2009, p. 166/167.
Roelstraete, Dieter. “Don’t call it Comeback (I’ve been here for years)” Metropolis M, No. 6, December/January 2009, p. 70-77.
Drake, Cathryn. “Naples,” Artforum, No. 4, December 2008, p. 232-233.
Spinelli, Claudia. “Ugo Rondinone,” Byblos Art, No. 1, May 2008, p. 70-73.
Cros, Caroline. “Qu’est-ce que la sculpture aujourd’hui?” Beaux-Arts éditions, Paris 2008, p. 154/155.
Smith, Roberta. “Frieze Art Fair Feels a Big Chill,” The New York Times, October 18, 2008.
Troncy, Eric. “The Third Mind, Palais de Tokyo, Paris,” frog, No. 6, January/June 2008, p. 74 -77.
Rondeau, Corinne. “The Third Mind, Palais de Tokyo, Paris,” frog, No. 6, January/June 2008, p. 78 81.
“Ein Leitfaden für Kunsteingriffe im öffentlichen Raum,” NZZ, No. 139, June 17, 2008, p. 45.
Burg, Dominique von. “Wertmaximierung und Imagepflege,” NZZ am Sonntag, June 15, 2008.
Robinson, Walter. “Baselmania 2008,” artnet, June 11, 2008.
Kleinert, Gabrielle and Barbara Lienhard. “Auf Kunstjagd,” Sonntagsblick Magazin, June 8, 2008, p. 38-43.
Bellet, Harry. “Nouveaux acheteurs à la Foire de Bâle,” Le Monde, June 6, 2008.
Neuerbourgap, Hanns. “Basel art fest ends with signs of a slowdown,” Taipei Times, June 11, 2008, p. 15.
Korkmaz, Özgür. “No art allowed in front of Art Basel,” turkishdailynews.com.tr, June 9, 2008.
Chaplin, Julia. “Pre-Partying with the Jet Set of the Art World,” nytimes.com, June 8, 2008.
“Seeing Warhol,” Interview, June/July 2008, p. 117.
Meier, Philipp. “Kunstschwimmer, Boykott-Künstler und ein Luxushotel,” NZZ, June 4, 2008.
Schwanke, Hans-Peter. “Unaufgeregte Stärke,” art.ch, June 4, 2008.
Schoch, Ursula Badrutt. “Autorität und Auswege,” St. Galler Tagblatt, June 4, 2008.
Magdalena, Schindler. “Tanz um silbernen Buddha,” Espace.ch, June 4, 2008.
Becher, Jörg. “Schweizer Meister,” Bilanz, No. 11, June 2008.
“Der Wolkenkratzer,” Züritipp, June 4, 2008.
“Monster lächeln für Besucher der 39. Art Basel,” News, No. 106, June 4, 2008, p. 1.
Meier, Philipp. “Kunstschwimmer, Boykott-Künstler und ein Luxushotel,” NZZ Online.ch, June 4, 2008.
“Die Art Basel unterliegt im Fernduell mit US-Konkurrenz,” baz.ch, June 3, 2008.
Hü. “Hirschhhorn zurück in der Schweiz,” News, June 2, 2008, p. 13.
“Ugo Rondinones neue Arbeiten,” Bolero, June 2008, p. 62.
“Im Zeichen der Federn,” Monopol, No. 32, May 2008, p. 32.
Stonard, John-Paul. “The Third Mind, Palais de Tokyo,” Artforum, No. 7, March 2008, p. 373.
“Ugo Rondinone. Hell, yes!” New Museum Paper, Vol. 3, Winter 2008, p. 9.
Bodin, Claudia. “Rauschenbergs aufmüpfige Kinder,” art, No. 2, February 2008, p. 100.
“Palais de Tokyo,” Hot Spots Paris, February 2008.
“Rondinones Scheiben zielen auf den Betrachter,” 20 Minuten, February 4, 2008, p. 14.
“Le squelette dans le placard,” Flux News, February 2, 2008.
Blain, Françoise-Aline. “La Fréquentation des expositions en 2007,” Beaux-arts Magazine, February 2008.
Bugmann, Urs. “Man soll immer wieder Neues ausprobieren,” Neue Luzerner Zeitung, January 24, 2008, p. 39.
Virno, Paolo. “Jokes and Innovative Action: For a Logic of Change,” Artforum, No. 5, 2008, p. 251-257/301-302.
Basting, Barbara. “Leistungsschau der Innerschweiz,” Tages-Anzeiger, January 8, 2008, p. 42.

Mascina, Audr. “Battle on air,” Modzik, No. 1, December 2007/January 2008, p. 39
Oberholzer, Niklaus. “Luzern kürt seine Top-Künstler,” Solothurner Zeitung, December 22, 2007, p. 36.
Vogel, Maria. “Ausgewählte Spitzenkunst,” Willisauer Bote, December 21, 2007, p. 7.
Mooney, Christopher. “The Third Mind: Carte blanche à Ugo Rondinone,” Art Review, No. 17, December 2007, p. 142.
Benhamou-Huet, Judith. “Le grand tourbillon artistique,” Les Echos, December 17, 2007.
Bugmann, Urs. “Kunst aus dem Inneren der Schweiz,” Neue Luzerner Zeitung, December 15, 2007, p. 11.
“Rondinone: Top of the art,” heute, December 14, 2007, p. 8.
Kröner, Magdalena. “Im Supermarkt der Eitelkeiten,” www.welt.de, December 9, 2007.
Kultur, Bundesamt für, ed. “Swiss Art Award 2007,” Bundesamt für Kultur BAK, Bern 2007, p. 174/175, 187, 189.
Mansoor, Jaleh. “Ugo Rondinone, Matthew Marks Gallery,” Artforum international, December 2007, p. 351/352.
Hunt, Andrew. “The Third Mind,” Art Monthly, December 2007/January 2008.
Bousteau, Fabrice. “Journal de l’ Art,” Senso, December 2007/February 2008.
Bordet, Jacques. “Accompagner les juenes au musée; profession: médiateur,” Dulture & Communication, December 2007.
Gaulon, Olivier. “Nancy Grossman, Beat Generation,” Area Revues, Autumn-Winter 2007.
Le Sergent, Daphné. “Ugo Rondinone,” November-December 2007.
Escalle, Clotilde. “Une cartographie intellectuelle,” Tagelblatt, November 29, 2007.
Loire, Cédric. “Cut up Atrabilaire,” Archistorm, November 2007.
Di Nardo, Francesca. “One plus one equals three,” Mousse, No 11, November 2007, p. 100/101.
Désanges, Guillaume. “La tercera mente,” Exit Express, November 2007.
Lavrador, Judicaël. “Pour les fans,” Le Quai 11, November 2007.
Van Parys, Yoann. “Un projet d’exposition d’Ugo Rondinone à Paris,” Arte News, November 2007.
Farine, Manou. “In spiritus Ugo Rondinone,” L’oeil, November 2007.
Heinz, Peter Scherfel. “Im Epizentrum der Künstlerfantasie,” art, November 20, 2007.
Jaunin, Françoise. “Le grand flip de Rondinone,” 24 heures, November 13, 2007.
Wolfson, Michael. “Ugo Rondinone, Les Krims, Zoltan Jókay,” Portalkunstgeschichte.de. December 11, 2007
Nechvatal, Joseph. “THE THIRD MIND Le Palais de Tokyo,” Scan Magazine, November 1, 2007.
Nechvatal, Joseph. “THE THIRD MIND at Le Palais de Tokyo,” Zing Magazine,
Reiger, Christopher. “The Zine. Ugo Rondinone at Matthew Marks,” artcal.net, October 24, 2007.
Lequeux, Emmanuelle. “Voyage au coeur du cerveau d’Ugo Rondinone,” BC, October 22, 2007.
Basting, Barbara. “Ein Gespinst aus düsteren Assoziationen,” Tages-Anzeiger, October 18, 2007, p. 41.
Harris, Jane. “Strange Gusts and Aluminum Giants form Ugo Rondinone,” The Village Voice, October 15, 2007, p. 152.
Colard, J.M. and J. Lavrador and C. Moulene. “L’art de l’exposition,” October 9 – 15, 2007.

Benhamou-Huet, Judith. “Atmosphères au Palais de Tokyo” Les Echos week-end, October 5/11, 2007.
“Ugo Rondinone,” The New Yorker, October 8, 2007, p. 17.
de Rochebouét, Béatrice. “Voyage au coeur du cerveau d’Ugo,” Le Figaro, October 4, 2007.
“La Fusion créatrice selon Ugo Rondione,” Matin plus, October 3, 2007.
“The Third Mind, carte blanche à Ugo Rondione,” La Revue, October 2007.
Biesenbach, Klaus. “Black Painting,” Flash Art, No. 256, October 2007, p.116 – 119.
Pichelin, Elise. “Rencontre du 3ème Type,” Upstreet, September 2007.
E.L. “Le Printemps de septembre,” Beaux-arts Magazine, September 2007.
Lequex, Emmanuelle. “Dans le cerveau d’ Ugo Rondinone,” Beaux-Arts, September 2007.
Vetrocq, Maria E. “The Venice Biennale, all’americana,” Art in America, No. 8, September 2007.
“Le troisième oeil,” Direct Soir, September 28, 2007.
Rochebouët, Béatrice de. “Voyage au coeur du cerveau d’Ugo Rondinone,” Le Figaro et Vous, September 14, 2007.
Jes. “Paris, The Third Mind im Palais de Tokyo,” Kunst-Bulletin 10, September 20, 2007.
Rondinone, Ugo. “The Third Mind,” Palais Magazine, No. 04, Fall 2007.
Maak, Niklas. “Kunst im Bau,” Frankfurter Allgemeine Sonntagszeitung, July 22, 2007, p. 21.
Gick, Carola. “Die Werdwies gibt 500 Menschen ein neues Zuhause,” Tages-Anzeiger, June 19, 2007.
“HOMMAGE AN einen Mäzen,” Tages-Anzeiger, June 21, 2007.
Weber, Lilo. “London im Kunst-Kaufrausch,” NZZ Online, June 23, 2007.
Albrecht, Philipp. “Grünau: Hypnotisierende Kunst,” Tages-Anzeiger, June 25, 2007. p.54
Meier, Pia. “Die ist eine Familiensiedlung,” Zürich West, No. 26, June 28, 2007, p. 1.
Stolz, Noah. “San Stae. Urs Fischer e Ugo Rondinone,” Kunst-Bulletin, No. 8, July/August 2007, p. 49-50.
Scharrer, Eva. “Biennale Venedig- Wechselvoller Parcours mit ernstem Unterton,” Kunst-Bulletin, No. 8, July/August 2007, p. 42-48.
“Ugo Rondinone,” art kompakt, July – December 2007, p. 20.
Mju. “Ein kleines Grossstadtquartier in der Grünau,” NZZ, No. 139, June 19, 2007, p. 53.
Meier, Philipp. “Ein Dorado der modernen und zeitgenössischen Kunst,” Neue Zürcher Zeitung, June 16, 2007.
Searle, Adrian. “Venice takes flight,” The Guardian, June 12, 2007.
Hauger, Caroline Micaela. “Blitzkarriere,” Schweizer Illustrierte, No. 24, June 11, 2007 p. 37-39.
Hauger, Caroline Micaela. “Nur die Künstler fehlten- Schweizer Party-Marathon in Venedig,” Schweizer Illustrierte, No. 24, June 11, 2007 p. 40.
Wüst, Karl. “Farben, Schatten und tote Bäume,” Der Zürcher Oberländer, June 11, 2007.
Mack, Gerhard. “Urs Fischer und Ugo Rondinone in San Staë,” NZZ am Sonntag, June 10, 2007, p. 68.
Ringel, Stephanie. “Anarchie in der Lagune,” Sonntagsblick, June 10, 2007.
Schoch, Ursula Badrutt. “Andacht, Wildheit,” St. Galler Tagblatt, June 9, 2007.
Mathonnet, Phillipe. “A Venise, l’art s’humanise” Le Temps, June 9, 2007, p. 19.
Schoch, Ursula Badrutt. “Viele Bilder und ein paar Bäume,” Der Bund, June 9, 2007, p. 37.
Koch, Carole. “Hardware,” annabelle, June 6, 2007, p. 80-85.
Roeschmann, Dietrich. “Schweizer Meister. Ugo Rondinone,” annabelle, June 6, 2007, p. 51.
Karrer, Eva. “Bäume statt Barock,” SonntagsZeitung, June 3, 2007, p. 53.
Aerne, Cara-Anne. “Ugo Rondinone,” Bolero, June 2007, p. 94.
“Ugo Rondinone,” KulturSPIEGEL, No. 6, June 2007, p. 23.
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JES. “Une question de génération im Musée d'art contemporain, Lyon,” Kunst-Bulletin, April 2007, p. 66-67.
Schüepp, Werner. “Grünau: Eine neue Ära beginnt,” Tages-Anzeiger, March 17, 2007, p. 63.
Stech, Fabian. “Leben ist Leben und Kunst ist Kunst,” Kunstforum International, No. 184, March / April 2007, p. 250-265.
“Ugo Rondinone – I don’t live here anymore,” Mister Motley, No. 13, 2007, p. 50.
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Chen, Aric. “Art Crawl,” Hint Fashion Magazine, February 2007.
“Ugo Rondinone – Un artiste camélèon,” Beaux Arts magazine, No. 272, February 2007, p. 111 - 121.
Phillips, Owen. “Crooked Timber,” Vogue Men’s, January/February, 2007.
FFWD_MAG, No. 4, p. 47-49, 2007.

“Ugo Rondinone, Yayoi Kusama,” Flashart, December 2006/ January 2007.
Boer, Basje. “Bewijs van een leugen,” Mister Motley, No. 13, 2006, p. 48-51.
“Ugo Rondinone – The Third Hour of the Poem,” Mister Motley, No. 12, 2006, p. 93.
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“Mostre e musei aperi per il natale. Figurine, Romanica, i presepi e le personali di grandi artisti,” Gazzetta di Modena, December 21, 2006.
“Rondinone e Kusama in Modena,” L’Arca, December 2006.
“I ‘Giorni felici’ di Ugo Rondinone,” Modena mese, December 2006.
Ravazzolo, Michela. “Ugo Rondinone,” Italia turistica, November/December 2006.
Paderni, Marinella. “Ugo Rondinone,” Temaceleste, October/November- 2006.
Taddel, Stefano. “Ugo Rondinone,” Arte e critica, October/November 2006.
“Il bello dell’arte come terapia per comunicare,” Resto del carlino, November 27, 2006.
Oberholzer, Niklaus. “Kunst-Lifestyle und Dresscode,” Neue Luzerner Zeitung, November 14, 2006.
Kino, Carol. “As the contemporary market sizzles, Phillips de Pury fans the flames,” New York Art Magazine. November 6, 2006.
“Ugo Rondinone, ‘Giorni felici’,” Terza pagina news, October/November 2006.
Crichton-Miller, Emma. “Affairs of the Art,” Harper’s Bazaar, No. 9, November, 2006, p. 144.
“Ugo Rondinone, ‘Giorni felici’,” L’Ospite di Bologna, October/November 2006.
Mulatero, Ivana. “Modena,” Juliet, October-November 2006.
Leonardi, Marina. “Quei ‘Giorni felici’ dell’artista svizzero,” Modena mese, November 2006.
Naldi, Paola. “Labirinti a Modena: Kusama e Rondinone,” Giornale dell’arte, November 2006.
“Ugo Rondinone, ‘Giorni felici’,” Goya, November 2006.
“Il contemporaneo di Kusama e Rondinone,” Modena mese, November 2006.
Pilati, Chiara. “Rondinone, la malinconia delle maschere del tempo,” La Repubblica, October 19, 2006.
Finazzi, Maria Tosca. “L’umanità vista da Kusama e Rondinone,” L’Eco di Bergamo, October 16, 2006.
Lissoni, Andrea. “Radici a colori,” Rolling Stone, October 2006.
Foschini, Sabrina. “Rondinone, sogni e visioni della mente,” Arte, October 2006.
Guerzoni, Lidia Righi. “Arte oggi, qui si mette in mostra la nuova creatività,” Resto del carlino, October 14, 2006.
“Ugo Rondinone, ‘Giorni felici’,” Artecultura, October 2006.
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Pasini, Francesca. “Magnifiche ossessioni,” Linus, October 2006.
“Taschenkunst,” Schweizer Illustrierte Style, No. 10, October, 2006, p. 22.
Sennewald, Jens E. “Paris: Ugo Rondinone in der neu eröffneten Galerie Almine Rech,” Kunst-Bulletin, October 2006, p. 83.
Ulmer, Brigitte. “Tagträumer,” Bolero, October 2006, p. 96-98.
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“Kusama, Rondinone,” Segno, July-September 2006.
Marino, Pietro. “Parole e disegni suonano insieme,” Gazzetta del Mezzogiorno, September 28, 2006.
Marino, Pietro. “In/felici giorni evocando i Sassi di Matera,” La Gazzetta del Mezzogiorno, September 26, 2006.
Genova, Arianna Di. “Quei bianchi ulivi della malinconia,” Manifesto, September 23, 2006.
Gramiccia, Roberto. “Trentuno mostre, don tris d’autori tra Modena e dintorni,” Liberazione, September 22, 2006.
A.R., “Die ‘Swiss Residence’ öffnet ihre Tore,” NZZ, No. 216, September 18, 2006, p. 9.
Sda., “Im Zeichen des Schweizer Kreuzes,” NZZ Online, September 18, 2006.
“S. Margherita: Rondinone e i suoi giorni felici,” Gazzetta die Modena, September 15, 2006.
“Nel labirinto del colore,” resto del carlino, September 15, 2006.
“Lungo il Po, ai confini della musica,” resto del carlinoI, September 15, 2006.
“Da E.T. al naso di Pinocchio,” resto del carlino, September 15, 2006.
“Ugo Rondinone, ‘Giorni felici’,” 2Night, September 15, 2006.
Signorile, Nicola. “Umano, troppo umano, anzi disumano,” La Gazzetta del Mezzogiorno, September 14, 2006 .
Marziani, Gianluca. “Kusama e Rondinone estremisti dell’emozione,” Panorama, September 14, 2006.
“Galleria Civica di Modena and Fondazione Cassa di Risparmio die Modena,” E-Flux, September 14, 2006.
Arfiero, Michela. “Giorni felici,” Casa D, September 2006.
“Giorni felici,” Artxworld, September 10, 2006.
Herstatt, Claudia. “Karaoke im Arbeiterviertel,” Der Tagesspiegel, No. 19 306, September 9, 2006, p. 24.
“Ugo Rondinone, Michelangelo Antonioni, Tom Sachs,” Case da abitare, September 2006.
“Labirinti della mente,” Kult, September 2006.
“Ugo Rondinone, Modena,” Inside Italia, September 2006.
“Alla Civica arrivano I Giorni felici di Ugo Rondinone,” mese Modena magazine, September 2006.
“L’artista di Tokyo persa in un puntino,” Modena comune, September 2006.
Leonardi, Marina. “Se la filosofia si fa immagine,” Modena mese, September 2006.
Lanza, Gianluigi. “Dal Giappone alla Svizzera sulle ali dell’arte,” Modena mondo, September 2006.
Travaglini, Cristina. “Ugo Rondinone,” Mousse magazine, No. 3, September 2006, p. 11-14.
Didero, Maria Cristina. “Ugo Rondinone,” Rodeo Magazine, September 2006.
“Giorni felici alla galleria Civica di Modena,” Flash Art, August/September 2006.
“Ugo Rondinone, ‘Giorni felici’,” Università aperta terza pagina, August/September 2006.
“Cultura e turismo: col festival si puo,” resto del carlino, August 29, 2006.
“First italian show,” World scultpure news, July-September 2006.
“Installazioni di due stranieri,” Gazzetta di Modena, August 24, 2006.
Veronesi, Ferruccio. “In un mondo a pois,” resto del carlino, August 5, 2006.
Meier, Philipp. “Das Grinsen des Melancholikers als Clown,” Neue Zürcher Zeitung, No. 178, August 4, 2006, p. 46.
“Due mostre alla Civica,” Modena mondo, July-August 2006.
Vettese, Angela. “Il pianto e l’incanto,” giornale dell’arte, July-August 2006.
Antonucci, Lea. “l’umanità al centro del pensiero moderno,” Gazzetta del sud, July 30, 2006.
“Si parla di umanità,” L’arena-il Giornale di Vicenza, July 23, 2006.
“Quell’arte ai nostri confini,” Gazzetta di Modena, Juli 21, 2006.
Farronato, Milovan. “Bologna,” Contemporary, No. 88, July 2006.
s.m., “Al richiamo delle sirene arriverà anche il dolce E.T.,” il resto del carlino, Juli 21, 2006.
Schaffter-Wieland, Isolde. “Drei auf dem Dach,” Schweizer Illustrierte, No. 26, June 26, 2006, p. 87-88.
Koerner von Gustorf, Oliver. “Die Hitparade der Moderne,” Welt am Sonntag, No. 25, June 18, 2006, p. 60.
Basting, Barbara. “Kleiner Routenplaner für die Art,” Tages-Anzeiger, June 15, 2006, p. 10.
Mahrzahn, Alexander. “Kunst ohne Grenzen. Sammlers Lust und Leidenschaft,” bazartmagazin, June 14, 2006, p. 3, 27.
Stech, Fabian. “Ugo Rondinone – Zero build a nest in my navel,” Kunstforum International, Bd. 180, May – June 2006, p. 392-393.
Sennewald, Jens E. “ im Grand Palais,” Kunst-Bulletin, May 26, 2006.
Hauger, Caroline Micaela. “Ugo Rondinone – Jongleur von Fiktion und Wirklichkeit,” Schweizer Illustrierte, No. 21, May 22, 2006, p. 10-11.
Troncy, Eric. “Superdéfense,” Beaux Arts Magazine, Grand Palais 2006, 2006, p. 39-41.
Tesson, Daphné. “... si l’on peut dire,” Le Quotidien – Du Medecin, May 19, 2006.
Skupin, Bernd. “Kurvenstars,” Vogue Germany, May 2006, p. 187.
Spinelli, Claudia. “Leben ist käuflich,” Die Weltwoche, No. 11.06, March 16, 2006, p. 76-77.
Greenwood, Huw. “Ugo Rondinone: My Endless Numbered Days,” The Epoch Times International, March 2, 2006.
Herbert, Martin. “Ugo Rondinone – Whitechapel Art Gallery, London,” Artforum, No. 7, March 2006, p. 289.
Falconer, Morgan. “Masquerade - Ugo Rondinone Uncovered,” Modern Painters, March 2006, p. 80-85.
Graham-Dixon, Andrew. “Ugo Rondinone,” The Sunday Telegraph, February 12, 2006, p. 27.
Nunez-Fernandez, Lupe. “Crossword,” Art Review, February 2006.
Ball, Dave. “Ugo Rondinone – Zero Built a Nest in My Navel,” DogmaNet, February, 2006, No. 30.
Januszczak, Waldemar. “Painter? Poet? Photographer? Performance artist?” The Sunday Times, February 5, 2006, p. 8-9.
Darwent, Charles. “Lost – but in a strangely familiar world,” Independent on Sunday, February 5, 2006.
Cruz, Gemma De. “Rondinone’s all white at London’s Sadie Coles HQ,” BBC Collective, February 2, 2006,
JLB. “Malarz, poeta czy prowokator?” Cooltura, February 1, 2006, p. 52.
Cumming, Laura. “Chamer chameleon,” Time Out, London, February 1, 2006.
Kent, Sarah. “Like a circle in a spiral,” Time Out, London, February 1, 2006, p. 34.
“Ugo Rondinone,” Spoon, January-February, 2006, p. 149.
Dorment, Richard. “The stylised lines of beauty,” The Daily Telegraph, January 31, 2006.
Irving, Mark. “So what’s his big idea?” The Times, January 25, 2006, p. 15-16.
Hackworth, Nick. “Varied style makes array of individual art arresting,” London Evening Standard, January 25, 2006.
Hackworth, Nick. “Strange but satisfying,” London Evening Standard, January 24, 2006.
Wilson, Michaael. “Ugo Rondinone,” Artforum, January 2006, p. 108.
“Ugo Rondinone at Whitechapel,” The British Style Magazine, January 2006.
Corbetta, Caroline. “Eclectic Rondinone,” L’Uomo, No. 367, January 2006, p. 58.

Comer, Stuart. “Double Deutsche,” Artforum.com, Diary, October 22, 2005.
“Prague Biennial,” Flash Art, No. 243, July-September, 2005, p. 139.
Trainor, James. “2004 Carnegie International,” Frieze.com, August 22, 2005.
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“Zeventien Zwitsers exposeren in Cobra,” Amstelveens Nieuwsblad, June 1, 2005, p. 24.
“Two biennals, one fracas,” The Prague Post, June 2005.
“Tendances du marché,” Le Journal des Arts, no. 217, June 2005, p. 14.
Vogel, Sabine B. “Battling Biennials in Prague,” artnet.com, May 2005.
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Hixson, Kathryn. “Universal Experience,” ArtUS, May 2005.
T. M. “Swiss Made,” Kunstbeeld, April 30, 2005, p. 7.
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Skupin, Bernd. “Vogue trifft Mario Testino,” Vogue, April 2005, p.158.
“Swiss made. De kunst van het verval” Amstelveens Nieuwsblad, March 30, 2005, p.7.
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Pouliquen, Katell. “Vitrines. Les stratégies de la seduction,” L’Express.fr, March 7, 2005.
Volk, Gregory. “Let’s get Metaphysical,” Art in America, March 1, 2005.
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“Un Corso per Raucci e Santamaria,” Flash Art, January/February 2005.
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“Silver Christmas With Louis Vuitton,” Fashion Monitor Toronto, Winter 2004.
“Christmas 2004: A ‘Winter Journey’ by Louis Vuitton and Ugo Rondinone,” The Magazine News, December 2004.
“Genesis Sculpture Experience Pommery # 1,” Beaux Arts Magazine, 2004.
Morton, Julia. “Realm of the scences,” New York Press, No. 52, December 29 – January 4, 2004–2005.
Wainwright, Jean. “The Carnegie International,” Art Monthly, December/January, 2004–2005, p. 39–40.
Knight, Christopher. “A global cacophony. The Carnegie International exhibition’s daunting task: probing what drives artists in time of dramatic change,” Los Angeles Times, December 5, 2004, p. 39.
Bellini, Andrea. “New York Tales,” Flash Art, November/December 2004, p. 106–108.
Obrist, Hans-Ulrich. “Quand Cattelan recontre Rondinone,” Vogue Homme, Autumn/Winter, 2004/2005, p. 152–156.
Rhodes, Richard. “The Ulimates,” Canadian Art, Winter 2004, p. 54–58.
Menkes, Suzy. “A spray of rainbows on Avenue Montaigne,” International Herald Tribune, November 23, 2004.
Friedman, Vanessa. “Coming Soon. Nicole Kidman to Chanel No. 5,” The New York Times, November 10, 2004.
Johnson, Ken. “Pittsburgh rounds up a globe full of work made in novel ways,” The New York Times, November 4, 2004.
“Ugo Rondinone,” New York Magazine, November 1, 2004.
“Long gone sole,” Crash, no. 31, Autumn 2004, p. 51.
“Matthew Marks Gallery,” Time Out New York, October 14–21, 2004.
Yablonsky, Linda. “Ugo Rondinone,” Art + Auction, October 2004, p. 44–48.
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Bonnet, Frederic. “Ugo Rondinone: Together is the New Alone,” Chronique d’un ordinaire esseulé, #09. September/October 2004, p.16.
Dollar, Steve. “Visual allusions juxtaposed in hard light,” Newsday, August 29, 2004.
Cornell, Lauren. “Hard Light,” Time Out New York, August 5–12, 2004, p. 52.
Phillips, Ian. “Couture Collection,” Interior Design, August 1, 2004.
Trembley, Nicolas. “La passion créative,” Numéro, No. 55, August 2004, p. 22–27.
Ortiz, Justin. “New exhibits give ample opportunity to experience art in a new light,” The Queens Courier, No. 32, July 28 – August 3, 2004.
“Hard Light,” The New York Times, July 16, 2004.
Smith, Roberta. “Summertime at P.S.1,” The New York Times, July 16, 2004.
Harris, Jane. “Truth teller, mischief maker: Artist a clown and vice versa,” The Village Voice. Art. July 13, 2004.
Pollack, Barbara. “I Am the Walrus,” Time Out New York, July 1–8, 2004.
“Carnegie Artists announced,” Art in America, July 2004, p. 55.
Smith, Roberta. “I am the Walrus,” The New York Times, June 25, 2004.
Ulmer, Brigitte. “Vom Sammler zum Shopper,” Facts, June 2004, p. 33–38.
Mingels, Guido. “Sag mir, was Du hörst,” Das Magazin, No. 32, 2004, p. 20–24.
Rothkopf, Scott. “Carnegie Haul,” Artforum, May 2004, p. 75–78.
Huber, Gauthier. “Lasko: un panorama du wall painting en Suisse,” http://pourinfos.org/wap.php, May, 2004.
Michelon, Olivier. “Les souries amers du clown,” Le Journal des Arts, No. 190, April 2–15, 2004.
Popovic, Yann. “L’art à la CHARNIÈRE,” Le bien public, No. 180, April 9–15, 2004.
Diez, Georg. “Die Rückkehr der Hedi- Ritter,” Frankfurter Allgemeine, 2004.
Trembley, Nicolas. “Moonlighting by Ugo Rondinone,” Self Service Magazine, Spring/Summer 2004, p. 272–287.
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Sausset, Damien. “Le romantisme selon Ugo Rondinone,” Connaissance des arts, No. 614, March 2004, p. 52–57.
Smith, Roberta. “On Two Hudson River Piers, Emerging Talent, and Plenty of It,” The New York Times, March 12, 2004, p. 3.
“Project Room. Ugo Rondinone. Moonrise,” Tema celeste, Contemporary Art. No. 105, February 27, 2004, p.76-78.
Nelson, Robert. “Sweet, but gloomy,” The Age, February 25, 2004, p. A3.
Coslovich, Gabriella. “A couple of art lovers,” The Age, February 21, 2004, p. A2.
Mulready, Rose. “The Ugo Show,” Inpress Magazine, February 4, 2004.
Barclay, Alison. “Ugo’s X factor,” Herald Sun, February 4, 2004, p. 42.
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Coslovich, Gabriella. “Welcome to my twilight zone,” The Age, January 30, 2004, p. A3.
Michelon, Olivier. “Les sourires amers du clown,” Le Journal des Arts, 2 avril 2004.
Phillips, Ian. “Couture Collection,” Interior Design, January 8, 2004.

Baird, Daniel. “Drawing now: Eight Propositions,” The Brooklyn Rail, Winter 2003.
Bilske, Maria. “Wrapped up in the New. John Kaldor’s very personal Collection of International Art goes Public,” Artcollector.net.au, April 2003, p.54-57.
“LOVE,” Magazin 4 Bregenzer Kunstverein, 2003, p. 68–71.
Jouannais, Jean-Yves. “L’ Idotie – art, vie, politique – méthode,” Beaux Arts, Paris 2003, p. 94–95.
Pontégnie, Anne. “Exposer encore,” Après, 7e Biennale d’Art Contemporain de Lyon, 2003, p. 286–287.
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Johnson, Ken. “Sculpture,” The New York Times, October 17, 2003, p. E40.
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M. H. “Von Mond und Masken,” Schweizer Illustrierte, No. 40, September 29, 2003, p. 70.
C. H. “Bodenlos,” SonntagsZeitung, August 24, 2003, p. 55.
F. W. “Si vous n’aimez pas la mer. Si vous n’aimez pas la montagne,” Sofa, No. 22, Summer, 2003.
McDonald, Ewen. “Ugo Rondinone – Glorious Cross-Pollination,” art & australia, Vol. 41, No. 2, Summer, 2003, p. 211-213.
“Double mixte,” Les Inrockuptibles, Summer 2003, p. 64.
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Hill, Peter. “Pick and mix,” The Sydney Morning Herald, July 13, 2003.
Schwendener, Martha. “Not neutral: Contemporary Swiss Photography,” Time Out New York, July 3–10, 2003, p. 59.
Gigli, Nicoletta. “Cobolli Citta d’arte Zurigo,” Arte, July 2003, p. 98–105.
Beausse, Pascal. “Collustre,” Flash Art, July–September 2003, p. 57.
N. E. “Ugo Rondinone Roundelay,” Modern Painters, Summer 2003, p. 121–122.
Crisp, Lyndall. “Public minded private collector,” The Australian Financial Review, June 26, 2003.
Clark, Chelsea. “Winter Blues,” The Daily Telegraph, June 25, 2003, p. 55.
Schwander, Martin. “El mundo del arte suizo carece de sentimento nationalista,” Arte, 2003.
Kenneally, Cath. “Kaldor’s wrap with colourful modern,” The Australian, May 8, 2003, p.10.
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Trembley, Nicolas. “Moon Lighting by Ugo Rondinone,” Self Service, N°20 Spring/Summer 2004. p. 272-287.
B. R. “Touché par la grace,” Technikart, no. 71, April 2003.
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B. T. “Ugo Rondinone, Roundelay,” Sofa, No. 20, February/March 2003.
Steiner, Urs. “Okkulte Séance. Breathing The Water,” Neue Zürcher Zeitung, No. 50, March 1/2, 2003, p. 44.
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H. M. “L’Artiste Ugo Rondinone,” Madame Figaro, April 18, 2003.
Ramadi, Bénédicte. “Ugo Rondinone, sculptures sentimentales,” L’oeil, April 2003.
Troncy, Eric. “Le Trouble Clown,” Beaux Arts Magazine, No. 227, April 2003, p. 66–67.
Thély, Nicolas. “Ugo Rondinone: Le flâneur et la flâneuse,” Le Monde (Aden), No. 238, February 26–March 4, 2003.
Trembley, Nicolas. “La dérive des sentiments,” Numéro, No. 40, February 2003.
Bonnet, Frédéric. “Ugo Rondinone, l’homme aux cent visages,” Vogue, February 2003.
Kurjakovic, Daniel. “Arte actual en Suiza a la luz del dispositivo teatral,” Lapiz, No. 22, February/March 2003, p. 86–89.
Tobler, Konrad. “Kunst setzt andere Signale,” espace.ch, February 18, 2003.
Drolet, Owen. “Drawing Now: Eight Propositions,” Flash Art, No. 36, January/February 2003, p. 56.
Ernst, Meret. “Schaufenster der Szenemacher,” Tages-Anzeiger, January 27, 2003.
Hess, Ewa. “Er sammelt keine Kunst, er sammelt Künstler,” SonntagsZeitung, January 26, 2003.
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Timoney, Padraig. “Ugo Rondinone,” Contemporary, December 2002, p. 44–47.
Timoney, Padraig. “Ugo Rondinone,” Contemporary, December 2002, p. 44–47.
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Forstbauer, Nikolai B. “Die Analytiker und das grosse Blau,” Stuttgarter Nachrichten, November 19, 2002.
Halle, Howard. “Papering the house,” Time Out New York. November 7-14, 2002.
Zeaman, John. “Drawn back to a respect for the craft,” The Record, November 22, 2002.
Gouveia, Georgette. “Still MoMA,” The Journal News, Arts&Culture, November 10, 2002.
Kunitz, Daniel. “Drawings That Povoke Exasperation and Admiration,” The New York Sun, November 7, 2002.
Schjeldahl, Peter. “The Drawing Board. New directions for the oldest medium,” The New Yorker, November 4, 2002.
Budick, Ariella. “Drawing on History,” Newsday, November 3, 2002.
Saltz, Jenny. “Good On Paper,” Village Voice, October 30-November 5, 2002.
Smith, Roberta. “Retreat From the Wild Shores of Abstraction,” The New York Times, October 18, 2002.
“Ines Gebetsroither, Ellen Krystufek, Dita Pepe, Ugo Rondinone, Jutta Strohmeie. Rollenspiel und Körperbilder,” Eikon, No. 39/40, 2002, p. 18–19.
Kihm, Christoph. “Bienvenue Willkommen Welcome @ Altkirch,” Art Press, No. 285, December 2002, p. 84.
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Higgs, Matthew. “Matthew Higgs: Best of 2002,” Artforum, No. 41, December 2002, p. 110–111.
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“En Juillet,” L’Alsace Le Pays (Version femina), No. 26, September 26, 2002.
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Spinelli, Claudia. “Es ist alles so schön sinnlos hier,” Die Weltwoche, August 8, 2002, p. 74.
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Wisniewski, Jana. “Labyrinth der Gefühle,” Salzburger Nachrichten, July 6, 2002.
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Horny, Henriette. “Für Erhöhung der Dosis. Kunsthallen-Chef Matt über die MQ und die neue Schau,” Kurier, June 28, 2002.
Spiegler, Almuth. “Wenn Clowns schlafen, tickt die Zeit anders,” Die Presse, June 28, 2002.
Markus Mittringer, “Fröhliche Lethargie,” Der Standard, June 28, 2002, p. 29.
Gropp, Rose-Maria. “Wer bei der Kunst A sagt, muss auch B sagen: Die Art Basel,” Frankfurter Allgemeine Zeitung, No. 136, June 15, 2002, p. 63.
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Dailey, Megan. “Ugo Rondinone. Matthew Marks Gallery/Swiss Institute,” Artforum, Summer 2002, p. 175.
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Lavrador, Judicaël. “Camping Creatures,” Les Inrockuptibles, No. 334, April 17–23, 2002, p. 87.
“Ugo Rondinone with John Giorno and Urs Fischer,” Village Voice, April 16, 2002, p. 97.
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“Ugo Rondinone,” The New Yorker, March 2002, p. 18.
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Sutter, Martin. “Hohe Ehre für die Schweizer,” SonntagsZeitung, February 24, 2002, p. 49.
Rosset, Yves. “Gelobt, aber gut geschützt,” Die Tageszeitung, January 30, 2002, p. 16.
Rother, Hans-Jörg. “Fahl ist das Blau des Himmels,” Frankfurter Allgemeine Zeitung, January 29, 2002.
Gurtner, Michael. “(Un)schöne neue Video-Welt,” Berner Zeitung, January 28, 2002.
Mühlemann, Marianne. “Bewegte Bilder aus intimen Zonen,” Der Bund, No. 19, January 24, 2002, p. 21.
Schweizer, Roland. “Die Liebe ist ein seltsames Spiel,” Berner Zeitung, January 24, 2002, p. 11.
Kuhn, Nicola. “Heidi lebt nicht mehr,” Der Tagesspiegel, January 23, 2002.
Ruthe, Ingeborg. “Leibesvisitation mit der Kamera,” Berliner Zeitung, January 16, 2002.
Sonna, Birgit. “Endlos rotierende Tranquilizer. Hypo-Kunsthalle München: Loop – Alles auf Anfang,” Frame, No. 10, January/March 2002, p. 124.
Hafner, Hans-Jürgen. “Loop: Alles auf Anfang,” Kunstforum International, January/March 2002, p. 350–351.

Lucas, Stephen. “The Twin Towers Are Gone But Their Shadows Fall On Everything,” G-news, October 12, 2001, p. 13.
“Rondinone, Ugo,” Fonds régional d’art contemporain Provence-Alpes-Côte d’Azur, June/September 2001.
Hallin Marie, Frédérique, ed. “Théâtres du Fantastique,” Actes Sud, Nîmes, 2001, p. 98.
“Munich, Loop – Alles auf Anfang,” Art Press, No. 247, p. 72–73.
Kold, Anders. “Lige i øjet,” Louisiana Magasin, Humlebaek, No. 3, October 2001, p. 8–10.
Kayser, Sybille. “Loop – Alles auf Anfang,” Magazin für Medienkunst, October 26, 2001.
Karcher, Eva. “Hase und Igel. Wenn die Zeit ausrastet: die Münchner Ausstellung Loop–alles auf Anfang bindet Endlosschleifen,” Der Tagesspiegel, October 11, 2001.
“Perspektive der Echtzeit,” In München, No. 20, September 27–October 10, 2001, p. 22.
Frangenberg, Frank. “Ugo Rondinone: Slow Graffiti,” Kulturforum International, No. 157, November/December 2001, p. 279–280.
Pühringer, Alexander. “Eine Ewigkeit – zwei Lächeln,” Frame, No. 9, November/December 2001, p. 111.
Vestergaard, Anette. “Her er jeg. Hvem er du?” Politiken, November 11, 2001, p. 6.
“Kiss tomorrow goodbye: artist Ugo Rondinone clowns around for pop,” Pop, Autumn/Winter 2001, p. 240–247.
Ebeling, Knut. “Das Geschäft des Gelächters,” Der Tagesspiegel, October 20, 2001.
Ramade, Bénédicte. “Ugo Bosse,” Technikart, No. 55, September 2001.
Maak, Niklas. “Ausbruch aus der Tretmühle,” Frankfurter Allgemeine Zeitung, September 29, 2001.
G., M. G. “Ugo Rondinone, artiste de l’esthétisme,” L’Hebdo Marseille, no. 53, September 20–26, 2001.
Basset, Géraldine. “Ugo Rondinone: Everyday Sunshine?” Ventilo, September 19–26, 2001, p. 21.
Oliv, Freia. “Kritik an der Konsumgesellschaft: Loop – Alles auf Anfang, in der MünchnerHypo-Kunsthalle,” Müncher Merkur, No. 212, September 14, 2001, p. 19.
K. U. “Sisyphos Spielarten. Klaus Biesenbach kuratierte: Loop – Alles auf Anfang, inder Hypo-Kunsthalle,” Berliner Zeitung, September 18, 2001, p. 10.
Roelandt, Els. “Let’s get lost,” Sint-Lukasgalerij, No. 1, September 2001, p. 8–9.
“Gilles Barbier, Bruno Peinado, Ugo Rondinone,” Le Monde (Aden), September, 5–11, 2001, p. 29.
Régnier, Philippe. “Portrait à facette. Ugo Rondinone en vedette au Frac Paca,” Le Journal des Arts, no. 131, August 31–September 13, 2001, p. 10.
Reis, Tatiana. “Guided by voices,” lab02, Summer 2001, p. 87–89.
Rondinone, Ugo. “Moonlighting[insert],” Black Diamond, No. 3, Summer 2001, p. 15.
Groot, Monique. “Weinig geslaagde flirt in Montevideo,” Noordhollands Dagblad, June 20, 2001, p. 9.
Becher, Jörg. “Künstler im Beauty-Contest,” Bilanz, June 2001, p. 164–168.
Joly, Patrice. “Marseille s’éveille,” 3301, No. 2, June 2001, p. 23–24.
“Ugo Rondinone. Hell, Yes!” Tema Celeste, May/June 2001, p. 18.
Henderickxz, Arne. “In The Media Mix,” Tubelight, No. 15, May/June 2001, p. 5–16.
Moukhtar, Esma. “De kaping als mediafenomeen,” volkskrant, May 30, 2001.
Tee, Jennifer. “Kunstexplosie,” BLUD, April 30, 2001.
“Works of Art. Vantage Point,” IT Magazine, April 2001.
Zoonen, Liesbet van. “Beelden die dichter bij de massamedia liggen, vind ik meteen mooi,” Kunstblad, No. 4, 2001.
Kostabi, Mark. “Conceptual Curiosity. Or: I won’t steal your dealer, Ugo [advertisement],” Flash Art, Vol. 34, No. 217, March/April 2001, p. 31.
“Ugo Rondinone, [insert],” Frame, March/April 2001, p. 71–83.
Ruf, Beatrix. “Ugo Rondinone’s circles,” Loop – Alles auf Anfang, March 2001, p. 38–47.
Sheffi, Smadar. “Art,” Ha’aretz, March 30, 2001.
Ruane, Medb. “Museum with its art in the right place. Despite massive underfundingIMMA gets it right with Vantage Point,” The Sunday Times, March 25, 2001.
S. S. “Disappointment under the rainbow,” Ha’aretz, March 23, 2001.
“Ugo Rondinone. If there were anything but dessert. L’image dans le miroir,” www.urbuz.com, March 21, 2001.
Hallé, Charlotte. “Hot Iten,” Ha’aretz, March 9, 2001.
“Ugo Rondinone,” Le Monde (Aden), No. 153, February 28–March 6, 2001.
Johnson, Ken. “West Side: The Armory Show on the Piers just keeps growing,” The New York Times, February 23, 2001, p. E33.
Périot, Jean-Gabriel. “Expositions de la rue Louise Weiss,” www.urbanpass.com, February 6, 2001.
Sheffi, Smadar. Ha’aretz, February 2, 2001.
Francblin, Catherine. “Ugo Rondinone” Beaux Arts Magazine, No. 201, February 2001, p. 31.
Ramadi, Bénédicte. “Le cirque de Monsieur Rondinone,” L’oeil, No. 523, February 2001, p. 107.
Zur, Uzi. Ha’aretz, January 26, 2001.
Heinick, Angelika. “Die Geheimnisse der Rue Louise Weiss,” Frankfurter Allgemeine Zeitung, 2001.
“Le 13 janvier. Allons à l’est dans le XIIIème,” Connaissance des Arts, No. 579, January 2001.
Ratnam, Niru S. “Just a Phrase I’m going through,” The Face, No. 48, January 2001, p. 92-93.

Dhondt-Dhaenens, Museum. “Living in the real world,” Deurle, 2000.
“Daniel Buren, Ugo Rondinone,” Documents sur l’art, Vol. 12, Dijon, 2000.
Baur, Andreas and Stephan Berg. “Close Up: Oberfläche und Nahsicht in der Zeitgenössischen Bildenden Kunst und im Film,” modo, 2000, p. 128–133.
Schwabsky, Barry. “Bridget Riley/Wojciech Fangor,” Artforum, special issue: ‘Best of 2000,’ Vol. 39, No. 4, 2000, p. 140.
Meyer, James. “Top Ten,” Artforum, Vol. 39, No. 4, 2000, p. 114–115.
Winkelmann, Jan. “Über Ugo Rondinone,” Artist Kunstmagazin, No. 4, November 2000–January 2001, p. 44–49.
Chiodi, Stefano. “Ugo Rondinone. Galleria Raucci/Santamaria, Naples, \” Tema Celeste, October/December 2000, p. 82.
Schjeldahl, Peter. “The drawing board,” The New Yorker, November 2000, p. 102–103.
Omlin, Sibylle. “Face à face. Portraits im Kunstpanorama Luzern,” Neue Zürcher Zeitung, No. 237, October 11, 2000, p. 62.
Meixner, Christiane. “Ohne Schirm im Regen stehen. Eine Ausstellung im Berliner Podewil zeigt aktuelle Möglichkeiten malerischer Tendenzen,” Frankfurter Rundschau, October 5, 2000.
Vogel, Maria. “Das Verlangen hinter die Gesichter zu schauen. Eine Portrait-Ausstellung im Kunstpanorama Luzern,” Willisauer Bote, September 23, 2000, p. 11.
Thomsen, Henrike. “Verkappte Wohnzimmer-Idylle in Pink und Pastell. Das Podewil zeigt neue Positionen der abstrakten Malerei,” Berliner Zeitung, No. 222, September 22, 2000.
Rottmann, Kerstin. “Die Festplatte ist voll. Die Schau ‘come in and find out, vol. 4’ zeigt, wie auch die “hehre Malerei” Erlösung im Multimedialen sucht,” Die Welt, September 21, 2000.
Wendenburg, Christina. “Egomanen unter sich. Allein die Wirkung zählt: Die Ausstellung ‘come in and find out, vol. 4’ im Podewil liefert einen höchst abstrakten Auftaktzum diesjährigen Berliner Kunstherbst,” Berliner Morgenpost, September 16, 2000.
Müller, Bettina Karin. “Ohne Legitimation. ‘come in and find out, vol. 4’ im Podewil widmet sich abstrakter Malerei,” tip, No. 19, 2000.
“Alles so schön bunt,” Prinz, September 2000.
“Ciné Riviera. A la Villa Arson, ‘Action, on tourne’ fait parler les murs,” Technikart, September 2000.
“Une mise en scène du réel: Artiste/Acteur,” Le Monde (Aden), September 2000.
Debord, Matthew. “Ugo Rondinone,” Artext, August/October 2000, p. 78.
Lindgaard, Jade. “Séance de rattrapage,” les Inrockuptibles, August 29–September 4, 2000.
Michelon, Olivier. “Plein écran. Le réel mis en scène à la villa Arson,” Le Journal des Arts, No. 109, August 25–September 7, 2000.
Dreyfus, Alain. “Une mise en scène du réel se joue de nous. A Nice, une exposition collective entre vrai et faux,” Libération, August 24, 2000.
“Une mise en scène du réel: Artiste/Acteur,” Le Monde (Aden), August 17–24, 2000.
Strauss, Dorothea. “Tuschlandschaften FÜNFZEHNTERJULINEUNZEHNHUNDERTNEUNUNDNEUNZIG von Ugo Rondinone,” Kunst am Bau, August 2000, p. 12–13.
Bouruet-Aubertot, Véronique. “Le Massacre des Innocents,” Beaux Arts Magazine, No. 159, August 2000, p. 90–97.
Romeo, Filippo. “Ugo Rondinone. Raucci & Santamaria,” Flash Art, Vol. 33, No. 223, Summer, 2000.
Schwabsky, Barry. “Ugo Rondinone. Matthew Marks Gallery,” Artforum, Vol. 38, No. 10, Summer, 2000, p. 183.
Casadio, Mariuccia and Alexia Silvagni. “26.05.2000. Ugo Rondinone. A Doubleday and a Pastime,” L’Uomo Vogue, No. 312, July/August 2000.
Prandi, Lucia. “Over The Edges: The Streetcorners of Ghent,” Tema Celeste, No. 81, July/September 2000, p. 111.
Phillips, Christopher. “Ugo Rondinone at Matthew Marks,” Art in America, Vol. 88, June 6, 2000, p. 116–117.
Schmitz, Edgar. “The self is something else. Art at the end of the 20th century,” Contemporary Visual Arts, June 2000.
Fronz, Hans-Dieter. “Von Oberfläche und Inhalt. Die Kunstvereine Freiburg und Baselland zeigen ‘Close up,’” Südkurier, June 15, 2000.
Galdieri, Francesco. “Mostre/Da Raucci & Santamaria. La sperimentazione di Ugo Rondinone,” Mattino, June 13, 2000.
Engler, Martin. “Monster im Oberstübchen. Nahsicht und Weltentwurf: ‘Close up’ im Kunstverein Freiburg und im Kunsthaus Baselland,” Frankfurter Allgemeine Zeitung, June 10, 2000.
Krajewski, Michael. “Ich ist etwas anderes,” Kunst-Bulletin, No. 5, May 2000, p. 35.
Doswald, Christoph. “Missing Link – Close the Gap!” Ediciones cimal internacional, No. 52, 2000, p. 43–51.
Pantellini, Claudia. “Die Kunst, die nichts als Oberfläche sein will,” Dreilandzeitung, May 25, 2000.
Baumeister, Volker. “Hackfleisch und leere Versprechen. Gezeiten: Die Ausstellung ‘Close up’ in Freiburg und Muttenz,” Badische Zeitung, May 24, 2000.
Roeschmann, Dietrich. “Ich als Oberfläche. Schöner Schein und nichts dahinter? In Freiburg und Basel feiern 24 KünstlerInnen den Abschied von der Hierarchie von Inhalt und Hülle: das Ausstellungsprojekt ‘Close up,’” Die Abendzeitung, May 24, 2000.
Phillips, Christopher. “Report from Istanbul/Band of Outsiders,” Art in America, Vol. 88, No. 4, April 2000, p. 70–75.
Funk, Claudia. “Maskeraden und Mutationen,” Stadtrevue, April 2000.
Beck, Hubert. “Ich ist etwas anderes – Kunst,” Anzag Magazin, April 2000.
“Rondinone, Revey, Salami, Schär,” Das Magazin, No. 16, 2000.
Maechler, Matthias. “Unterwegs mit Seidenfabrikant Andi Stutz (Photographien vonUgo Rondinone),” Annabelle, No. 8, April 14, 2000, p. 50–55.
Uusiniitty, Timo. “Yllättäviä ilmestymisiä,” Kymen Sanomat (kotka), April 2, 2000.
Kuhn, Nicola. “Gegen die Angst zu verschwinden. Eine Ausstellung in Düsseldorf fahndet nach der künstlerischen Identität,” Der Tagesspiegel, April 2, 2000, p. 96–97.
Smith, Roberta. “Ugo Rondinone,” The New York Times, March 31, 2000, p. E35.
Massey, Diane. “Images over time,” Daily Post, March 31, 2000.
Levin, Kim. “Ugo Rondinone. The Moonlightning,” Village Voice, Vol. 45, No. 12, March 28, 2000.
Arnot, Chris. “Shooting stars,” The Guardian, March 23, 2000.
Finch, Charlie. “Sensurrondinone,” artnet, March 23, 2000.
Rodenstock, Inge. “Lippenstift und Regenbogen. Über die aufregende junge SchweizerKunstszene,” Wirtschaftswoche, No. 13, March 23, 2000, p. 197.
“Pick of the galleries – The biennial of the moving image,” Independent on Sunday, March 19, 2000.
The Jerusalem Post, March 17, 2000.
Wagner, Thomas. “Wo bist du, bbbbbbrrrrrruuuuuucccccceeeeee? Das Subjekt verliert sich in der Selbstbeobachtung: ‘Ich ist etwas Anderes’ in der Kunsthalle Nordrhein-Westfalen,” Süddeutsche Zeitung, March 9, 2000.
Hunt, David. “Sixth International Istanbul Biennial,” Artext, No. 68, February/April 2000.
Belmont, Geraldine. “Ugo Rondinone. Hauser & Wirth & Presenhuber,” Flash Art, Vol. 33, No. 220, February/March 2000.
Bak, Line Helena. “Tom kulisse,” Iyllandsposten, February 28, 2000.
Sandbye, Mette. Weekendavisen, February 25, 2000.
Gross, Roland. “Der Weg des Ichs ist das Ziel,” Rheinische Post, February 24, 2000.
Kliemann, Thomas. “Denn es gibt keine Ferien vom Ich,” General-anzeiger Bonn, February 23, 2000.
Andersen, Trine Rytter. “Smuk og provokerende,” Aarhur Stiftstiunde, February 12, 2000.
Anders, Kold. “Outside – Ugo Rondinone in the Nature,” www.aarhuskunstmuseum.dk, February 2000.
Madsen, Gitte Orskou. “Natur/kultur/tur/retur,” Information, February 10, 2000.
“Streifen und Spiegel,” Der Bund, February 8, 2000.
Schiess, Robert. “Irritierendes Spiel mit Räumen,” Basellandschaft Zeitung, February 3, 2000.
Herzog, Samuel. “Melancholisch, malerisch – und etwas mager,” Basler Zeitung, February 2, 2000, p. 40.
Luz, Katrin. “Schöne Hüllen, leere Körper, traurige Blicke,” Frame, January/February 2000, p. 46.
Lewisohn, Cedar. “Trans-Europe Express,” Flash Art, Vol. 33, No. 210, January/February 2000, p. 47.
Ellis, Patricia. “Ugo Rondinone,” Inter Vista, the other art magazine, Vol. 4, No. 21, January/February, 2000, p. 6.
“Ugo Rondinone,” Art, January 2000, p. 198 – 199.
Troncy, Eric. “Arts plastiques,” Beaux Arts Magazine, No. 188, January 2000, p. 88.
“review,” Daily Telegraph, January 19, 2000.
Packer, William. “Same old ideas with no new flair,” Financial Times, January 18, 2000.
Coomer, Martin. “Continental Drift. Saatchi’s Mixed Bag of Euro-artists,” Time Out London, January 18, 2000.
Gut, Peter. “Habe Mut! Havekosts Bilder in Leipzig,” Frankfurter Allgemeine Zeitung, January 14, 2000.
Finkel, Andrew. “Istanbul Biennial,” Artnews, January 2000, p. 175.

Rondinone, Ugo. Kultur Spiegel, Heft 12, December 1999.
“Neste Stopp, Kunstfestivalen i Lofoten,” Kunstfestivalen i Lofoten, 1999.
Risaliti, Sergio. “Siena,” Periodico del palazzo delle Papesse, 1999.
Schmidt, Sabine. “Biennale Istanbul,” Springerin, Heft für Gegenwartskunst, No. 5/4, December 1999–February 2000, p. 64–65.
Stecher, Thorsten. “Die Zeit der Halbschatten,” Weltwoche, No. 52, December 30, 1999.
Karcher, Eva. “Vakuum der Sehnsucht,” Vogue, No. 12, December, 1999, p. 96–97.
Sommer, Tim. “Spiel mit Herztönen auf der Klaviatur der Installationen,” LVZ, December 27, 1999.
Uhlemann, Katja. “Was von der Realität übrig bleibt,” Freie Presse, December 23, 1999.
Wiensowski, Ingeborg. “Porträt Abenteur Installation,” Spiegel Reporter, No. 12, December, 1999, p. 138.
C. J. “Rondinone auf der ganzen Welt,” Die Südostschweiz, December 6, 1999, p. 5.
Hess, Eva. “Er redet über vieles – bloss nicht über Kunst,” Sonntags Zeitung, December 5, 1999, p. 63.
Milevska, Suzana. “Istanbul Biennale,” Springerin, Heft für Gegenwartskunst, No. 5/4, December 1999 – February 2000, p. 64–65.
Williams, Gilda. “6th Istanbul Biennial,” Art Monthly, No. 232, December 1999 – January, 2000, p. 26–27.
Verwoert, Jan. “Ugo Rondinone. Dandy Pop,” Flash Art, December 1999 – January 2000, p. 60–61.
Heartney, Eleanor. “Sixième Biennale Istanbul,” Art Press, No. 252, December 1999, p. 70–72.
Helwing, Anna. “Ugo Rondinone im Kunsthaus,” Kunst-Bulletin, No. 11, November 1999.
Herzog, Samuel. “Sechste Internationale Biennale,” Kunst-Bulletin, November 1999, p. 35
Michel, Anne-Marie. “Ugo Rondinone,” Art News, November 1999, p. 203.
Oberholzer, Niklaus. “Ich hatte nie einen Traum,” Neue Luzerner Zeitung, No. 243, October 19, 1999.
Bader, Joerg. “Aktuelle Eintragungen in ein Tagebuch des Zweifels. Das Erdbeben, die Leidenschaft und die Welle: Die sechste Internationale Biennale von Istanbul,” Frankfurter Allgemeine Zeitung, No. 235, 1999, p. 44.
Bader, Joerg. “Die Biennale und das Beben,” Berner Zeitung, October 1, 1999.
Kreuger, Anders. “6th Istanbul Biennial,” Artelier, 1999, p. 79–81.
Gurewitsch, Matthew. “In Istanbul, a Biennial Offers the Solace of Art,” New York Times, December 26, 1999, p. 47.
Mack, Gerhard. “Kunst verträgt sich nicht mit Gesellschaftskritik,” Cash, No. 38, September 24, 1999.
Maurer, Simon. “Schweben am Fuss des Glärnisch,” Tages-Anzeiger, September 16, 1999.
Arb, Eugen von. “Im Spiegelgarten der Kunst,” Die Südostschweiz, September 13, 1999, p. 3.
“Zwei Vernissagen im Kunsthaus Glarus,” Fridolin, September 9, 1999, p. 27.
P. D. “Gegenwarts-Reflexion im Kunsthaus,” Die Südostschweiz, September 9, 1999, p. 7.
Polzer, Britta. “Kunst,” annabelle, September 3, 1999, p. 27.
“Menschenbilder,” FACTS, September 2, 1999, p. 151-157.
Nicolaus, Heinrich. “Papesse: una finestra sulla Svizzera,” La Voce del Campo, No. 31, August 26, 1999, p. 6.
Wahjudi, Claudia. “Rosa für Jungs, Hellblau für Mädchen,” Kunstforum International, No. 146, July/August 1999, p. 344.
Zihler, Susi. “50 Männer – und was sie uns Frauen schon immer mal sagen wollten,” annabelle, July 9, 1999, p. 40.
Casadio, Mariuccia. “Moving Around,” Vogue Italia, June 1999, p. 192–195.
Mack, Gerhard and Heinz Peter Schwerfel. “Tour de Suisse,” Art – Das Kunstmagazin, June 1999, p. 10–20.
Corner, Lena. “Beauty and Beast,” i-D magazine, No. 186, May 1999.
“Xn99,” Frieze, No. 49, May, 1999.
Senn, Claudia. “Meister der Melancholie,” Bolero, No. 9, 1999.
Hilgenstock, Andrea. “Meine Geschichten passen gut zu Berlin,” Die Welt, March 3, 1999.
Müller, Ulrich. “Lobgesang auf die Depression,” Zitty, February 1999.
Kreis, Elfi. “Bonjour Tristesse, bonjour Schneeschmelze,” Der Tagesspiegel, February 6, 1999.
Machado, José. “Arco, para que te quero,” Arte Ibérica, February 21, 1999.
Hazout-Dreyfus, Laurence. “Sandwich Guignolesques,” Beaux Arts, February 1999, p. 20.
Phillips, Christoph. “Art for an Unfinished City,” Art in America, January 1999.
Steinegger, Hans. “Ugo Rondinone im Kunsthaus Glarus,” Einsiedler Anzeiger, January 19, 1999.
E. L. “Des Suisses au mental fondu,” Libération, February 3, 1999.

Burckhardt, Jacqueline and Bice Curiger, eds. “Parkett – Karen Kilimnik, Malcolm Morley, Ugo Rondinone,” Parkett, Vol. 52, 1998.
C. M. “Ugo Rondinone,” Expresso, November 6, 1998.
Janus, Elizabeth. “Ugo Rondinone,” Artforum, No. 3, November 1998.
Schwerfel, Heinz Peter. “Eine Sause in die Welt der Gefühle,” Art, November 1998, p. 96.
Lindgaard, Jade. “Jeux d’artifice,” Les Inrockuptibles, October 24, 1998.
Mack, Gerhard. “Berliner Luft für kreative Gastarbeiter,” Cash, No. 39, September 25, 1998.
Hoffmann, Gabriele. “Ans Alpenschleifen denkt niemand mehr,” Die Tageszeitung, August 30, 1998.
Tannert, Christoph. “Das Lässige nachlässig insziniert,” Berliner Zeitung, August 29/30.
Levin, Kim. “Voice,” Village Voice, August 11, 1998.
Beil, Ralf. “Die Schweiz, jetzt alpfrei?” iKunst-Bulletin, Zurich, No. 7/8, July/August, 1998.
Däniken, Hans-Peter von. “Die feurigen Blicke der Betrachter(innen),” Tages-Anzeiger, July 24, 1998.
Fabian, Daniela. “Auf dem Weg zum Ruhm,” Schweizer Illustrierte, No. 27, June 29, 1998.
Codognato, Mario. “Ugo Rondinone,” Artforum, No. 10, 1998.
Nicol, Michelle. “Fashionable Transgressions,” Frieze, No. 41, June/July/August, 1998.
Timoney, Padraig. “Ugo Rondinone. Galleria Raucci/Santamaria, Naples,” Frieze, No. 41, June/July/August 1998.
Fabian, Daniela. “Von einem, der schläft, ist nichts zu erwarten,” Schweizer Illustrierte, No. 27, June 29, 1998.
“Ugo Rondinone, Narzisstisches Spiel,” SonntagsZeitung, May 31, 1998.
Smallenburg, Sandra. “Kunst als mooie droom,” NCR Handelsblad, May 27, 1998.
Cherubini, Laura. “Ugo Rondinone. Bonomo. Raucci/Santamaria, Napoli,” Flash Art, April/May, 1998, p. 128–129.
Schiff, Hajo. “Aus der Welt gefallene Räume,” TAZ, April 14, 1998.
Vecchio, Gigiotto Del. “Ugo Rondinone,” Segno, March/April, 1998.
Psibilskis, Liutauras. “Liutauras psibilskis on Swiss nonchalance,” The Nordic Art Review, Nr. 3/4, 1998, p. 93-94.
Kolzacek, Lubos. “Svetoznami fotografove v Brne,” Brünner Abendzeitung, January 14, 1998.
Perreau, David. “Dramatically Different,” Omnibus, No. 23, January 1998, p. 18.

Doswald, Christoph. “Oh dandy, oh dandy...” CIMAL, Arte International, no. 48, 1997.
Berg, Stephan. “Nonchalant,” Neue Bildende Kunst, October/November, 1997.
G. B. “L’art contemporain en pleines formes, se montre au Magasin de Grenoble,” Le Monde, October 3, 1997.
Doswald, Christoph. “Nonchalance: be good, be bad, just be,” Document sur l’art, No. 11, Fall/Winter, 1997/98.
Lempen, Silvia Ricci. “A Bienne, l’art se mire dans son miroir,” Journal de Genève et Gazette de Lausanne, September 27, 1997.
Wolf, Laurent. “Le Centre PasquART fait le portrait d’une génération d’artistes suisses,” Le Nouveau Quotidien, September 23, 1997.
“Instant-Kultur im Centre Pasquart,” Aargauer Zeitung, September 20, 1997.
Schmidt, Béatrice. “Was tut sich in der jungen Schweizer Kunst?” Der Bund, September 19, 1997.
Zwez, Annelise. “Medienkultur als Fundus für die Nonchalence akuteller Kunst,” Mittelland-Zeitung, Zurich, September 10, 1997.
Maurer, Simon. “Das Sternenfirmament auf der Brust,” Tages-Anzeiger, September 1, 1997.
Troncy, Eric. “Where do we go, Ugo?” Art Press, Paris, No. 227, September 1997.
Bovier, Lionel. “Ugo Rondinone ... doesn’t live here anymore,” Flash Art, No. 193, March/April, 1997.
Krumpl, Doris. “Gelegenheit für lichte Momente,” Der Standard, March 6, 1997.
Régnier, Philippe. “Les clowns tristes atteignent leurs cibles,” Le journal des Arts, No. 33, February 1997.
Verwoert, Jan. “Ugo Rondinone: tender places come from nothing,” Springerin, Hefte für Gegenwartskunst, no. 2, 1997.
Krienke, Mary. “Ugo Rondinone – Centre d’Art Contemporain,” ARTnews, January 31, 1997.

Jaunin, Françoise. “Ugo Rondinone au Brésil: Le spleen d’un dandy funambule,” 24heures, November 14, 1996.
Krienke, Mary. “Ugo Rondinone Centre d’Art Contemporain Genève,” ARTnews, 1996.
Katzenstein, Inès. “Le fiest del arte brilla en San Pablo,” El Cronista, October 11, 1996.
Vogel, Maria. “Augen, Ohren, Nase für Ungewohntes öffnen,” Willisauer Bote, October 17, 1996.
Spinelli, Claudia. “Der Körper, das Spiel, der Kopf und der Clown,” Basler Zeitung, No. 233, October 5, 1996.
“Ugo Rondinone,” Bloc Notes, Paris, No. 13, September–October 1996.
Mack, Gerhard. “Die Kunst der Langeweile. Der Zürcher Multimedia-Künstler Ugo Rondinone reitet auf einer Welle des Erfolgs,” Cash, No. 40, October 4, 1996.
Polzer, Britta. “Das Gewöhnliche im Sog des Ausserordentlichen,” Kunst-Bulletin, No. 7/8, July–August 1996.
Martins, Rui. “Ugo Rondinone une monotonia e meditacao,” Uterca-Feira, August 8, 1996.
Doswald, Christoph. “Konstatierender Gleichmut,” Neue Bildende Kunst, No. 3, June/July 1996.
“Die Enge – Der Diskurs – Die Kunst in der Schweiz,” Neue Bildende Kunst, No. 3, June/July 1996.
Zeindler, Nathalie. “Gigantisches aus den 90er Jahren,” ERNST (Jugendbeilage desTages-Anzeigers), June 12, 1996.
Doswald, Christoph. “Haarscharf neben der Realität,” Facts, No. 18, May 1996.
Schwerzmann, Jörg. “Alles neu macht der Mai – Kunst im Löwenbräu-Areal,” Bolero, Zurich, No. 5, May 1996.
Maurer, Simon. “Ugo Rondinone: Am Strassenrand,” Tages-Anzeiger, May 4/5, 1996.
Zbinden, Véronique. “Ugo Rondinone, portrait de l’artiste en délicieux décadent,”V Magazine, No. 2, April 19–25, 1996.
Tauvel-Dorsaz, Hélène. “Le rôle de l’art est de mettre le spectateur en face delui-même,” Journal de Genêve et Gazette de Lausanne, April 23, 1996.
Zwez, Annelise. “Wird Kunst zum Jekami?” Solothurner Zeitung, April 11, 1996.
Grandjean, Emmanuel. “Non! Pas comme ça!” Kunst-Bulletin, No. 4, April 1996.
Janin, Dorothée. “Ugo Rondinone, fauteur de troubles oculaires,” Beaux ArtsMagazine, No. 144, April 1996.
Jaunin, Francoise. “Ugo Rondinone le caméléon joue ses jeux de rôle a Genève,” 24 heures, March 28, 1996.
Aeschlimann, Jean-Christophe. “Le monde change. Vingt-huit jeunes artistes suissesen témoignent,” Le Nouveau Quotidien, March 18, 1996.
J. D. F. “Ugo Rondinone a brouillé les cartes,” La Liberté, February 19, 1996.
Imbach, Martin. “Sandstrand und heilige Erde,” Der Bund, March 13, 1996.
Chauvy, Laurence. “Ugo Rondinone – Centre d’Art Contemporain Genève,” Journal de Genève, February 2, 1996.
Fleury, Jean-Damien. “Ugo Rondinone – Centre d’Art Contemporain Genève,” Liberté de Fribourg, February 1996.
Hofleitner, Johanna. “Ugo Rondinone, Musée d’Art Moderne de la Ville de Paris, Migrateur,” ART+TEXT, no. 53, 1996.
Bovier, Lionel. “Ugo Rondinone sème le doute chez ses admirateurs,” Tribune de Genève, January 27/28, 1996.
Régnier, Philippe. “Ugo Rondinone – Galerie Froment & Putman Paris,” Blocnotes, No. 11, January/February 1996.

Ursprung, Philip. “Gegen die Modernist Correctness – Neues aus der Schweiz,” Eikon, No. 14/15, 1995.
Kraft, Martin. “Wo der Computer den Gummibaum umsorgt,” Tages-Anzeiger, November 5, 1995.
Wolff, Thomas. “Abziehbilder aus der Ich-Maschine,” TAZ, October 25, 1995.
Wolff, Detlef. “Kandidaten für den Kunstpreis der Böttcherstrasse in der KunsthalleBremen,” Weser Kurier, October 14, 1995.
Reust, Hans Rudolf. “Ugo Rondinone – Galerie Walcheturm,” Artforum, October 1995.
Cherix, Christophe. “Ugo Rondinone – Galerie Walcheturm,” Flash Art, Summer 1995.
Lux, Harm. “Flimben, wenn das Leben zum Film wird – Ugo Rondinones Blickwechselin Zürich,” Neue Bildende Kunst, No. 3, June/August 1995.
“I don’t live here anymore,” ARTIS, 47. Jahrgang, June/July 1995, p. 45-51.
Karcher, Eva. “Narziss und Fegefeuer,” Art – Das Kunstmagazin, No. 6, June 1995.
Nicol, Michelle. “Kunsthaus Schweiz,” Das Magazin, No. 24, June 17, 1995, p. 22-37.
Nicol, Michelle and René Ammann. “Kunsthaus Schweiz,” Das Magazin, No. 24, June 17, 1995.
Kraft, Martin. “Installation von Ugo Rondinone – Inszenierte Leere,” Züritipp, May 10, 1995.
Bovier, Lionel. “Endstation Sehnsucht – Kunsthaus Zürich,” Flash Art, No. 180, January/Feburary 1995.

Hoffmann, Justin. “Aktuell in Münchner Galerien,” Süddeutsche Zeitung, No. 260, November 11, 1994.
Vachtova, Ludmila. “Bettgeschichten für Verlorene – Endstation Sehnsucht im Kunsthaus Zürich: Langsamer Selbstmord?” Die Weltwoche, no. 28, July 14, 1994.
Olonetzky, Nadine. “Grosse Emotionen abgekühlt – Endstation Sehnsucht – Ausstellung im Kunsthaus Zürich,” Tages-Anzeiger, July 2, 1994.
Olonetzky, Nadine. “Endstation Sehnsucht – Cooler Umgang mit Wünschen,” Züritipp, July 1, 1994.
Volkart, Yvonne. “Passing through – Walcheturm Zürich,” Flash Art, May/June 1994.
Kirchenrath-Affentranger, Angelika. “Ich-Erfahrungen – Gruppenausstellung: Passing through in Zürich,” Neue Zürcher Zeitung, January 25, 1994.
Eggenberger, Ursula. “Gefühlskunst der 90er – Passing through,” Züritipp, January 21, 1994.
Gassert, Sigmar. “Damals, heute, morgen – Rondinone, Schnyder und Vallottonnebeneinander in Liestal,” Basler Zeitung, January 7, 1994.
Monteil, Annemarie. “Kunsthalle Palazzo in Liestal: Ugo Rondinone, Albrecht Schnyder, Félix Vallotton,” Basler Zeitung, January 4, 1994.

“Vallotton in der Kunsthalle Palazzo,” Basellandschaftliche Zeitung, December 11, 1993.
Hofleitner, Johanna. “Augen-Blick doch! Bilder Psychedelik,” Kurier, April 30, 1993.
Kurjakovic, Daniel. “Ugo Rondinone, Wie wir uns zu Subjekten verfestigen und uns wieder abhanden kommen...,” Artis, March 1993.
Schenker, Christoph. “Ugo Rondinone, Galerie Walcheturm Zürich,” Flash Art, No. 168, January/February1993.

“Aids und Innerschweizer Künstler,” Professionnelle, December 11, 1992.
Mack, Gerhard. “Luzern: Zwei Ausstellungen im Kunstmuseum – Ethik und Aesthetik im Zeitalter von AIDS,” Kunstbulletin, No. 11, November, 1992.
N. O. “Katalog nach Ausstellung, Luzerner Museum,” Luzerner Zeitung, No. 274, November 24, 1992.
Frehner, Matthias. “Zielscheiben, die treffen,” Neue Zürcher Zeitung, October 10/11, 1992.
Vogel, Maria. “Junge Innerschweizer und Kunst und Aids,” WB Woche, October 10/11, 1992.
C. J. “Zur letzten Seite,” Stehplatz, No. 5, October 5, 1992.
Oberholzer, Niklaus. “Neben – und Miteinander – Vier Künstlerinnen und Künstler aus der Innerschweiz im Kunstmuseum Luzern,” Luzerner Zeitung, October 2, 1992.
Kurjakovic, Daniel. “New Swiss Art,” Flash Art, June 1992.
Kesser, Caroline. “Genuss und Reflexion,” Tages-Anzeiger, May 1992.
Claus, Elisabeth. “Ugo Rondinone, Galerie M. Detterer Frankfurt,” ZYMA, No. 2, March/April 1992.
Baer-Bogenschütz, D. “Künstliches Paradies,” Frankfurter Rundschau, January 21, 1992.

Berardi, Vincenzo. “Ugo Rondinone, Galerie Pinx Vienna,” Artis, September 1991.
Baer-Bogenschütz, D. “13 junge Schweizer Künstler in Wiesbaden,” Kunst-Bulletin, Zurich, No. 4, April 1991.

Saxenhuber, Hedwig. “Auf der Jagd nach der Kunst von morgen,” Der Standard, October 1989.

Blazwick, Iwona, Alison Gingeras, David Thorp, Gilda Williams and Ugo Rondinone. Zero built a nest in my navel. London: Whitechapel Gallery, 2005.
2002
Matt, Gerald, Gaby Hartel, Laura Hoptman, Pierre-André Lienhard, and Ugo Rondinone. No How On. Vienna: Kunsthalle Wien, 2002.

Rondinone, Ugo. Hell, Yes! Küsnacht: Ink Tree Edition, 2000.
Rondinone, Ugo and Scipio Schneider. “I don’t live here anymore (Fashion Pages designed by Ugo Rondinone),” Flash Art, Vol. 33, No. 214, October, 2000, p. 65–69.

Ruf, Beatrix, Jan Avgikos, Jan Winkelmann and Ugo Rondinone. Guided By Voices. Kunsthaus Glarus, Galerie für Zeitgenössiche Kunst, Leipzig, Cantz Verlag, 1999.
Rondinone, Ugo. 1992 1993 1994 1995 1998. Zurich: self-published, 1999.

Kurjakovic, Daniel, Vittorio Santoro, Paolo Colombo, Rein Wolfs, Michelle Nicol, Hans-Ulrich Obrist and Lionel Bovier, Heyday. Zurich: Memory/Cage Editions, 1996.
Swiss Federal Office of Culture, ed. Curiger, Bice, Pierre-André Lienhard, Christoph Doswald and Philippe Rénier, Where do we go from here? Baden: Lars Müller, 1996.