Memorandum: Bat Project I, II, III, 2001-2004. Köln: Buchhandlung Walther König and Museum Ludwig, 2016.
Azoulay, Audrey and Sylvie Hubac. Huang Yong Ping, Monumenta 16: Empires. France: Rmn-Grand Palais Publications, 2016.
Huang Yong Ping Baton Serpent III: Spur Track to the Left. Shanghai: Power Station Art, 2016.
Francois, Jullien. Our Worlds in Tongues. Paris: Klincksieck, 2016.

Hou Hanru, ed. Huang Yong Ping: Bâton Serpent. Milan: Mousse Publishing, Kamel Mennour, 2015.

Wu Zei: Huang Yong Ping. Paris: Kamel Mennour; Monaco: Nouveau Musée de Monaco Villa Paloman, 2011.

Huang Yong Ping: Myths. Paris: Galerie Kamel Mennour; Dijon: Les presses du reel, 2009.

Parisi, Chiara, ed. Pantheon: Huang Yong Ping. Milan: Centre international d’art et du paysage de l’île de Vassivière, Silvana editoriale, 2008.
Huang Yong Ping: Ping Pong. Oslo: Astrup Fearnley Museet for Moderne Kunst, 2008.
Bonami, Francesco ed. Huang Yong Ping. Milan: Electa, 2008.

Hou Hanru; Doryun, Chong and Phillippe Vergne, eds. House of Oracles: A Huang Yong Ping Retrospective. Minneapolis: Walker Art Center, 2005.

Huang Yong Ping, Travel Guide for 2000-204. Kitakyoshu: CCA Kitakyoshu, 1999.
Obrist, Hans-Ulrich. Huang Yong Ping Cahier. Paris: Flux, 1999. Interview by Hans-Ulrich Obrist.

Jouanno, Evelyne and Hou Hanru. Huang Yong Ping, Amserdam: De Appel Foundation, 1988.

Bailleul, Yan, Karen Faure Comte, Fei Dawei, and Valérie Hervieu. Trois Pas - Neuf Traces. Marseille: Ateliers d’Artistes de la Ville de Marseille, 1996.

Huang Yong Ping. Paris: Musée National des Arts d’Afrique et d’Océanie, 1995. Introduction by Jean-Hubert Martin, interview with Huang Yong Ping and Philippe Garcia de la Rosa.
Huang Yong Ping. Zürich: Kunstbulletin, 1995.

La Maison d’augures 1989-1992. Paris: Galerie Froment & Putman, 1992.

Hirshhorn Museum and Sculpture Garden: The Collection. Washington D.C.: Hirshhorn, 2022, p. 359-360.

Art and China after 1989: Theater of the World. New York: Guggenheim, 2017.

Artistes et Architecture: Dimensions variables. Paris: Editions du Pavillon de l’Arsenal, 2015.

Lévy, Bernard-Henri. Les aventures de la vérité. Paris: Grasset, 2013.
Steeds, Lucy. Making Art Global (Part 2), ‘Magiciens de la Terre’ 1989. London: Afterall, 2013.

To Be With Art is All We Ask: Astrup Fearnley Museet. Oslo: Astrup Fearnley, 2012.

Song Dong: Dad and Mom, Don’t Worry About Us, We Are All Well. New York: DAP and YBCA, 2011.
Defining Contemporary Art – 25 years in 200 pivotal artworks. London: Phaidon, 2011.
Komrij, Gerrit. Kunst Wonderen. Amsterdam: De Bezige Big, 2011.

Bonami, Francesco and Alison Gingeras, eds. Mapping the Studio: Artists from the François Pinault Collection. Venice: Palazzo Grassi, 2009.

Traces du Sacré. Paris: Le Centre Pompidou, 2008.
God & Goods: Spiritualità e Confusione di Massa/Spirituality and Mass Confusion. Passariano: Villa Manin Centro d’Arte Contemporanea, 2008 p. 92-94.
Qu’est-ce que La Sculpture Aujourd’hui? Brussels: Beaux Arts Editions, 2008.

Ice Cream. London: Phaidon Press Limited, 2007.
10th International Istanbul Biennial. Istanbul: Kültür Sanat Vakfi, 2007.
Chiu, Melissa. Breakout: Chinese Art Outside China. Milan: Charta 2007, p. 115-159.
Jansen, Gregor. “Huang Yong Ping,” in China Art Book. Köln: DuMont, 2007, p. 152-159.

Vitamin D: New Perspectives in Drawing. New York: Phaidon Press, 2005.

Erickson, Britta. On the Edge. Hong Kong: timezone 8, 2004.

Boutoux, Thomas, ed. Hans Ulrich Obrist Interviews., Volume 1. Milan: Edizioni Charta, 2003.

Hsiao-Hwei, Yu ed. On the Mid-Ground. Hong Kong: Timezone 8 Limited, 2002. Texts by Hanru, Hou.
Honour, Hugh and Fleming, John. A World History of Art. London: Laurence King, 2002.

Shanghai Biennal 2000. Shanghai: Shanghai Art Museum, 2000.
Ackerman, John. Unnatural Science. Massachusetts: MASS MoCA, 2000.
La Beauté. France: Mission 2000, 2000.
Over the edges. Ghent: S.M.A.K Stedelijk Museum voor Actuele Kunst, 2000.
Zeitwenden. Bonn: Kunst Museum Bonn; Vienna: Mustum Moderner Kunst Stifung Ludwig Wien, 2000, p. 144-147. Interview with Jean-Hubert Martin.

Jouanno, Evelyne. Kunst Welten im Dialog. Köln: Museum Ludwig Köln, 1999, p. 416-419.
Inside Out: New Chinese Art. New York: Asia Society Galleries, 1999, p. 15-16.
The Sultan’s Pool: International Project Art Focus 3. Jerusalem: BM Contemporary Art Center, 1999 p. 20.
Hasegawa, Yuko. Passage: New French Art. Tokyo: Setagaya Art Museum, 1999.
Minglu, Gao. Global Conceptualism: Points of Origin 1950s-1980s. New York: Queens Museum of Art, 1999, p. 126, 134, 135, 220.
VOC Handle with Care: Huang Yong Ping and Yang Mao-Lin. Venice, 1999, p. 18-37. Interview with Yang Wen I.
Hanru, Hou and Denys Zacharopoulos. France at the Venice Biennale - 48th International Exhibition of Contemporary Art. Paris: AFAA, 1999, p. 1-64.
Szeeman, Harald. 48th Biennale di Venezia: Over All - Aperto. Venice: Marsilio Editore, 1999, p. 46-51, p. 244-245.
Gare de l’Est. Luxembourg: Casino du Luxembourg, 1999, p. 58-63. Interview with Hou Hanru.

Cream, text by Francesco Bonami. New York: Phaidon press, 1998, p. 192-195.
Unfinished History. Minneapolis: Walker Art Center, 1998, p. 72-75.
The Hugo Boss Prize’ 98, text by Joan Young. New York: The Solomon R. Guggenheim Foundation, 1998 p. 42-51.
Êtrenature. Paris: Fondation Cartier pour l’art contemporain, 1998, p. 75-85.
La collection de la Fondation Cartier pour l’art contemporain, text by Hélène Kelmachter. Paris: Fondation Cartier pour l’art contemporain, 1998, p. 142-147.

Cities on the Move. Vienna: Secession de Vienne; Bordeaux: Capc, Musée d’Art Contemporain, 1997-98, p. 24.
Lee Young-chul. 2nd Gwangju Biennial, 1997: Unmapping the Earth. Gwangju, South Korea: Gwangju Biennale, 1997, p. 408-409.
Enwezor, Okwui and Colin Richards. Trade Routes: History and Geography: 2nd Johannesburg Biennial. Johannesburg: Greater Johannesburg Metropolitan Council, 1997, p. 334-335.
Fei Dawei. In Between Limits. Kyungui: Sonje Museum of Contemporary Art, 1997, p. 55-65.
Bonami, Francesco.Truce: Echoes of Art in an Age of Endless Conclusions. Santa Fe: Site Santa Fe, 1997, p. 20, 34, 35.
Yang, Martina Köppel. Verpachtetes Erbe. Frankfurt: Museum für Kunsthandwerk, 1997, p. 10.
Sculpture Projects in Münster 1997. Münster: Westfälisches Landesmuseum, p. 222-225.
Parisien(ne)s. London: Institute of International Visual Arts, Camden Arts Centre, 1997, p. 24-26.
Hanru, Hou. Face à l’Histoire 1933-1996. Paris: Centre Georges Pompidou, 1997, p. 550, 579.

Hanru, Hou. Linien & Zeichen. Berlin: Kunstlerhaus Bethanien, 1997, p. 38-43.
Hanru, Hou. Inklusion: Exklusion. Grax: Streirisher herbst, 1997, p. 228-233.
The 20th-Century Art Book. London: Phaidon Press Limited, 1996, p. 214.

Manifesta 1. Rotterdam: Foundation European Art Manifestation, 1995, p. 30-31.
6 Triennale Kleinplastik. Stuttgart: Südwest L.B. Forum, 1995.
Ripple Across the Water. Tokyo: The Watari Museum of Contemporary Art, 1995, p. 140-144.
Du, Huang. Des del Pais del Centre: avantguardes artistiques xineses. Barcelona: Centre d’Art Santa Monica, Barcelona, 1995, p. 47-53.
Unser Jahrhundert Menschenbilder-Bilderwelten. Cologne: Museum Ludwig, 1995, p. 109.
Dawei, Fei. Asian. Venice: Fundazione Mudima, 1995, p. 43-57.
Heart of Darkness. Otterlo: Kröller-Müller Museum, 1995, p. 126-131.
Baton, Véronique. Fondation Cartier: A Collection. Seoul: The National Museum of Contemporary Art Korea; Paris: Fondation Cartier pour l’Art Contemporain, 1995, p. 126-131.
Fleming, John, and Hugh Honour ed. A World History of Art (Fourth Edition). London: Laurence King, 1995, p. 825.

Schmid, Andreas. Paper Art. Düren: Leopold Hoesch Museum, 1994, p. 129, 188-193.
Hanru, Hou. Out of the Centre. Pori: Porin Taidemuseo, 1994, p. 8, 13-14, 36-41.

Photographies d’une collection. Paris: Caisse des Dépôts et Consignations, 1993, p. 68-73, 175.
Andrews, Julia F. Fragment Memory, the Chinese Avant-garde in Exile. Columbus: Wexner Center for the Arts, The Ohio State University, 1993, p. 24-27.
Rendez (-) Vous. Ghent: Museum Van Hedendaagse Kunst, 1993.
Hanru, Hou. Silent Energy. Oxford: The Museum of Modern Art Oxford, 1993, p. 16-17.
Interventions sur collection. Paris: Musée de l’Assistance Publique, Hôpitaux de Paris, 1993.
Schmid, Andreas. China Avant-Garde. Berlin: Haus der Kulturen der Welt, 1993, p. 132-139.

Resistances. Tokyo: The Watari Museum of Contemporary Art, 1992, p. 25-33. Interview with Jean-Hubert Martin.
Small Medium Large: Lifesize. Prato: Museo d’Arte Contemporanea, Prato, 1992, p. 87-92. Interview with Hou Hanru.
A fructuf incoherence. Zürich: Kunstbulletin, 1992.
A History of China Modern Art 1979-1989. Hunan: Hunan Art Publisher (Chinese Edition), 1992, p. 281-287.

Francis, Mark. The Carnegie International 1991. Pittsburgh: The Carnegie Museum of Art, 1991, Vol. 1, p. 86-87 and Vol. 2, p. 52.
Magnin, André. Carte blanche à André Magnin. Paris: Galerie Froment & Putman, 1991, p. 5-7.

Chine demain pour hier. Pourrières: Les Domaines de l’Art, 1990, p. 68-71. Interview with Jérôme Sans.

Magiciens de la terre. Paris: Centre Georges Pompidou, Grande Halle de la Villette, 1989, p. 152-153.
China Avant-Garde. Peking: Palais National des Beaux-Arts, 1989, p. 9.

Xiamen 86: Néo- Dada exposl. 1986, p. 21.

Jason Farago. “The New MoMA Is Here. Be Ready for Change.,” The New York Times, October 3, 2019.

Desmarais, Charles. “‘Art and China’ at SFMOMA: defanged, but icky still,” SF Chronicle, November 8, 2018.
Stewart, Jessica. “Giant Serpent Emerges From the Sea Off the Coast of France,” My Modern Met, June 25, 2018.
Saltz, Jerry. “Three Sentence Reviews of Marlene Dumas, Dan Colen, and 11 other Art-World Big Shots,” Vulture, May 31, 2018.
Fontaine, Pearl. “Natalie Frank, Nick Cave, Cecilia Vicuña, and Other Must See Shows in New York,” whitewall, May 16, 2018.
Halle, Howard. “A 20-ton ‘sand castle’ has taken over a Chelsea art gallery,” TimeOut New York, May 9, 2018.
Andrews, Zach. “This Sand structure by Huang Yong Ping isn’t a castle, but it does weigh 40,000 lbs,” Designboom, May 8, 2018.
Deng, Tianyuan. “A conversation with Huang Yong Ping,” OCULA, May 4, 2018.
“Exhibition presents an important historical work by Huang Yong Ping for the first time in New York,” ArtDaily, May 3, 2018.
Martinique, Elena. “8 Gallery Shows to see in New York During Frieze Week,” Widewalls, May 2, 2018.
“French Art Museum Discovers Half of its Collection are Fakes,” Frieze, May 1, 2018.
Hill, Eli. “Artworks removed from the Guggenheim New York after animal cruelty allegations will go on display in Bilbao,” Artsy, May 1, 2018.
McGivern, Hannah. “Controversial animal works pulled from Guggenheim New York will go on show on show in Bilbao,” The Art Newspaper, May 1, 2018.
Hutton, Belle and Daisy Woodward. “Brilliant Things To Do in May,” Another Magazine, May 1, 2018.
Heuendorf, Henrii. “The Guggenheim Bibao Will Show Two Controversial Animal Works That Were Pulled From Its Chinese Art Survey in New York,” artnet News, April 30, 2018.
Forman, Sarah. “How Marcel Duchamp Impacted Contemporary Chinese Artists,” Artsy, April 27, 2018.
“Huang Yong Ping is Back in NY at Gladstone After Notorious Censorship at the Guggenheim,” Blouin Artinfo, April 10, 2018.
Kinsella, Eileen. “Chinese Artist Huang Yong Ping Returns to New York for His First Show After the Guggenheim’s Animal Rights Controversy,” artnet News, April 4, 2018.
Jones, Darren. “A Dog in the Fight: The Exploitation of Animals in Art,” Artslant, January 26, 2018.
“Let the Art Marathon Begin: Here’s a Comprehensive List of All the Biennials and Triennials in 2018,” artnet News, January 3, 2018.

Farago, Jason. “The Best Art of 2017,” The New York Times, December 6, 2017.
Cascone, Sarah. “The Getty Villa Is Doing an Art Show Inspired by Plato – and Yes, It Includes Jeff Koon’s ‘Play-Doh’,” artnet News, November 15, 2017.
Huang, Banyi. “Art and China after 1989: Theater of the World,” The Brooklyn Rail, November 2, 2017.
Cheng, Scarlet. “After Guggenheim removed animal-related pieces from ‘Art and China,’ what’s left? More questions,” Los Angeles Times, October 27, 2017.
“How China’s artists made sense of their country,” The Economist, October 26, 2017.
D’Arcy, David. “Plenty to chew on: on Thearte of the World at the Guggenheim,” The Art Newspaper, October 18, 2017.
Scott, Andrea K. “Art: Fall Preview,” The New Yorker, August 28, 2017.

Davis, Sylvia Edwards. “Monumenta 2016: A Hulking Serpent Invades the Grand Palais in Paris,” France Today, May 16, 2016.
Hossenally, Rooksana. “Jurassic Art: Huang Yong Ping’s ‘Empires’ fills the nave of the Paris’ Grand Palais,” Wallpaper*, May 9, 2016.
“Interview: Huang Yong Ping,” Apollo, April 4, 2016.
Wullschlager, Jackie. “Hunag Yong Ping’s ‘Empires’ at Monumenta,” Financial Times, 2016.
Wee, Darryl. “Cai-Guo Qiang Curates Chinese Contemporary Show in Doha,” Blouin Artinfo, March 2, 2016.

Wee, Darryl. “Huang Yong Ping to Take Over Grand Palais for Monumenta 2016,” Artinfo, December 7, 2015.

Herbert, Martin. “Previewed,” Art Review, December 2014.
Sutton, Benjamin. “Huang Yong Ping Tapped for Monumenta 2016,” Artnet, June 30, 2014.
Squires, John. “Massive Serpent Skeleton Permanently Hangs Out on European Shore,” Fear Net, January 8, 2014.

“Huang Yong Ping- ‘Ceinture,’” Time Out, 2013.
Storer, Russell. “My Favorite Work: Ressort by Huang Yong Ping-Video,” The Guardian, September 15, 2013.
Harris, Gaeth and Julia Michalska. “Behold a Terrible Beauty,” The Art Newspaper, June 14-16, 2013.
Sutton, Kate. “Huang Yong Ping: Circus,” leapleapleap.com, May 10, 2013.

“Huang Yong Ping and Carroll Dunham at Gladstone Gallery,” Mousse, November 29, 2012.
Balestin, Juliana. “Huang Yong Ping at Gladstone Gallery, New York,” Purple Diary, December 28, 2012.
Chow, Jason. ‘What Chinese Artists Say About China,” The Wall Street Journal, May 16, 2012.

Letwin, Hilary. “Made in China: Contemporary Chinese Artists,” Montecristo, Winter 2011, p. 56.

Freger, Charles. “After the Flood”, W Magazine, November 2009, p. 96-97.
“Five Artists for 2008,” ArtAsiaPacific, Almanac, 2009, p. 94.
“Galleries,” ArtAsiaPacific, Almanac, 2009, p. 117.
“Art Festivals,” ArtAsiaPacific, Almanac, 2009, p. 85.
“Japan,” ArtAsiaPacific, Almanac, 2009, p. 193.
“Papers in Order?: How to bring an elephant from Oslo to Odense,” Kunsthallen Brandts Yearbook, 2009, p. 30-36.
Holmberg, Ryan, “The Snake and the Duck: On Huang Yong Ping,” Yishu: Journal of Contemporary Chinese Art, 2009, p. 38-46.

“Huang Yong Ping: Artist Interview,” The Art Newspaper, July/August 2008, p. 35.
“The Art of Visiting Oslo,” Art World, February 2008, p. 17.
“Huang Yong Ping Installation Taken Off Display,” The Art Newspaper, March 2008, p. 11.
“Huang Yong Ping,” Art Actuel, March, 2008, p. 56-57.

Bush, Kate. “Provisional Authority: Skulptur Projekte Munster 07,” Artforum, September 2007, p. 419-423.
Gioni, Massimiliano. “Where the Wild Things Are,” Tate, etc, Autumn 2007, p. 35.
Morgan, Robert C. “Huang Yong Ping,” Tema Celeste, May/June 2007, p. 70-71.
Ruiz, Cristina and Vanessa Fewster. “Installation withdrawn from retrospective, then sold at action,” The Art Newspaper, February 15, 2007.
Morgan, Robert. “Huang Yong Ping,” Tema Celeste, May/ June 2007, p. 70.

“Huang Yong-Ping,” Tema Celeste, September/October 2006, p. 106.
Cotter, Holland. “Rattler of Cages, From China to Europe,” The New York Times, April 14, 2006, p. E29, 36.
Miller, Francine Koslow. “Huang Yong Ping,” Frieze, June/July/August 2006, p. 268.
Spalding, David. ‘Guan Yi’, Contemporary 21, issue 80, 2006, p. 116-117.
Heartney, Eleanor. “House of Huang,” Art in America, March 2006, p. 118-125, 163, Ills (cover).

Leffingwell, Edward. “The Extraterritorial Zone,” Art in America, Feburary 2005, p. 51.

Rocha, Janaina. “Huang Yong Ping,” BienArt, November 2004, p.38-9 (ill).

“Artworld,” Art in America, January, 2003.

Kerr, Merrily. “Huang Yong Ping,” Flash Art, May-June 2002.
Smith, Roberta. “Huang Yong Ping,” The New York Times, February 1, 2002.
“Huang Yong Ping at Barbara Gladstone Gallery,” Artforum, January 2002, p. 33.
Sand, Olivia. “Huang Yong Ping,” Asian Art, April 2002.
Wei, Lilly. “Huang Yong Ping at Barbara Gladstone Gallery,” Art In America, May 2002.

“Huang Yong Ping at Jack Tilton,” Art in America, v. 89 no. 1, January 2001, p. 111-112.

“Huang Yong Ping: Jack Tilton,” New Art Examiner, v. 28 no3 November 2000, p. 54-55.

David, Chan. “View 3,” C Magazine, no. 63, September/November 1999, p. 28-31.
Bertrand, Jean-Pierre. “Licht wird zu Materie,” interview, Kunstforum International, no.147, September/November 1999, p. 298-303.
“Frankreich,” Kunstforum International, no. 147, September/November 1999, p. 102-5.
“Huang Yong Ping: cultural differences and negotiation,” Flash Art (International Edition), v. 32, no. 207, Summer 1999, p. 114-115.
“Crise et confiance,” Connaissance des Arts, no. 563, July/August 1999, p. 5.
“Biennale de Venise 99: les temps forts,” Beaux Arts Magazine, no. 181, June 1999, p. 91-93.
“Huang Yong Ping,” L’Oeil (Lausanne, Switzerland), no. 507, June 1999, p. 50-53.
“La Biennale de Venise cote France,” L’Oeil (Lausanne, Switzerland), no. 507, June 1999, p. 45.

“Huang Yong Ping and Xu Bing,” Art Beatus, Vancouver, C Magazine, no. 59, September/November 1998, p. 38.

“Parisien(ne)s: Huang Yong Ping,” Art Monthly, no. 204 March 1997, p. 30-33.
Vedrenne, Elisabeth. “Ping, l’actualité reboudit,” Beaux Arts, 154, March 1997, p. 27.
Hunt, Ian. “Huang Yong Ping,” Art Monthly, 204, March 1997, p. 30-33.
Mitchell, Charles Dee. “Report from Santa Fe,” Art in America, November 1997, p. 42-47.

Schröder, Gerhart. “Schwelle,” Jahrbuch 3, Akademie Schloss Solitude, 1996, p. 45-47.
Holmes, Brian. “The Gallery of Five Continents,” World Art, #2, 1996, p. 88-89.
Sans, Jérõme. “Huang Yong Ping,” Artforum International, v. 34, May 1996, p. 110-111.

Boussand, Juliette. “Le Théâtre du Monde de Huang Yong Ping… Hors Limites?,” Art Présence 13, Winter 1995, p. 30-34.
Hanru, Hou. “Huang Yong Ping,” Technikart, 18, May/June 1995, p. 32-33.
“Art(c)-en-ciel: five artists in the five continents gallery,” Cimaise, v. 42, November/December 1995, p. 45-50.
“Huang Yong Ping and Chen Zhen at the New Museum,” Art in America, v. 83, January 1995, p. 104-5.

Hanru, Hou. “Departure Lounge Art, Chinese Artists Abroad,” Art and Asia Pacific, vol. no. 1, February 1994, p. 40-41.
Hanru, Hou. “Huang Yong Ping,” Flash Art, vol. 178, October 1994, p. 85.
Jouanno, Evelyne. “Out of the Centre or Without the Centre,” Third Text, no. 28/29, Autumn/Winter 1994, p. 196-198.

Hanru, Hou. “Le Plaisir du Texte,” Flash Art, November/December 1993, p. 65. (interview).

Ung Chan Lack. “Ten Years of the Chinese Avant-Garde,” Flash Art, 162, January/February 1992, p. 113.
Deitcher, David, “Art on the Installation Plan,” Artforum, January 1992, p. 82.
Obrist, Hans-Ulrich. “The Installation is Coming Through the Backdoor,” Meta Künstlerhaus Stuttgart, 1992, p. 72-73.
Jinkner-Lloyd, Amy. “Report from Pittsburgh” Art in America, June1992, p. 44.
Ardenne, P. “Huang Yong Ping,” Art Press, 170, 1992, p. 101.
Hanru, Hou. “Huang Yong Ping,” Flash Art, May/June, 1992, p. 120.

Huang Yong Ping, “Bedeutendes, das völlig leer ist (Dada) und (zen),” Gebrochene Bilder, Junge Kunst aus China, Horlemann, 1991, p. 123-137.
Huang Yong Ping, “(8) (h),” Jahresring 38, Der öffentliche Blick Verlag silkeschreiber, 1991, p. 212-225.
Legros, Hervé. “La longue marche des artistes chinois,” Beaux Arts 87, February 1991, p. 99.
Hanru, Han. “Interview Huang Yong Ping,” Jiangsu Art Monthly, no.12, 1991, p. 19.

Aubé, Dominique. “Huang Yong Ping,” Art Press, 149, July/August, 1991, p. 98.

Huang Yong Ping. “Dossier: Les Magiciens de la Terre. Cinq questions à des artistes non occidentaux,” Art Press, 136, May 1989, p. 48.
Dawei, Fei. “Chine/Avant-Garde,” Art Press, 141, November 1989, p. 8 & 28-34.

Ping, Huang Yong. “Painting with Industrial Technology: Looking for New Substitutions,” Leonardo, vol. 18, no. 2, 1985, p. 91-95.

Etre nature (VHS PAL-Secam – 10’57 color). Paris: Snc Cartier & Cie, Fondation Cartier pour l’art contemporain, 1998.

Chinese Hand Laundry – Field of Waste (R.T. – 44’ color). New York: Lana Pih Jokel,1994.

Installation de Huang Yong Ping sur la Sainte Victoire (PAL – 14’ color). Aix-en-Provence: Ecole d’Art d’Aix-en-Provence/ Lejault, François, production, June 1991.

Les magiciens de la terre (VHS PAL-Secam – 50’ color). Paris: Centre Georges Pompidou, 1989.

Bourriaud, Nicolas, France Inter, 10 June 1995.

Another Long March – Chinese Conceptual and Installation Art in the Nineties. Breda, Pays bas: Fundament Foundation Breda, 1997.
Tao, Pant ed. The storm society & post-storm art phenomenon. Taipei: Chin Show Publishing Co., 1997.

Jullien, François. Traité de l’efficacité. Paris: Éditions Grasset, 1995.

Rushdie, Salman. Patries Imaginaires (first edition 1991). Paris: Collection 10/18, 1993.

Groys, Boris. Du Nouveau. Paris: Éditions Jacqueline Chambon, 1992.

Todorov, Tzvetan. Nous et les autres. Paris: Éditions du Seuil, 1989.

Saïd, Edward. L’Orientalisme. Paris: Éditions du Seuil, 1980. Preface by Tzvetan Todorov. (First edition: Orientalism. London: Penguin Books, 1978).

Damisch, Hubert. Ruptures Cultures. Paris: Éditions de Minuit, Collection Critique, 1976.

Barthes, Roland. Alors la Chine?. Paris: Éditions Christian Borgeois, 1975.