‘Karen Kilimnik Early Drawings 1976–1998’, Edition Patrick Frey, Galerie Eva Presenhuber and Sprüth Magers, Zurich.
‘Beautiful, Vivid, Self-contained’, Hill Art Foundation, New York.
‘Sofia Coppola Archive 1999-2023’, MACK, 2023.

Fogle, Douglas and Skerath, Hanneke: ‘Making Strange. The Chara Schreyer Collection’, DelMonico Books, New York.
‘Coming Attractions: The John Walters Collection’, Baltimore Museum of Art, Baltimore.

Caspar, Lutz and Landesbank Baden-Württemberg (eds.): ‘Jetzt oder nie. 50 Jahre Sammlung LBBW’, DISTANZ, Berlin.

‘Schönheit der Malerei’, Städtische Galerie Delmenhorst, Bremen.

‘Karen Kilimnik Photographs’, Edition Patrick Frey, Zurich.

‘Dance Rehearsal - Karen Kilimnik’s World of Ballet and Theatre’, Mills College Art Museum, essays by Jörg Heiser, Kate and Laura Mulleavy of Rodarte and Apollinaire Scherr.

Ruf, Beatrix (ed.): ‘Blasted Allegories. Works From the Ringier Collection, JRP Ringier, Zurich.

Schaffner, Ingrid (ed): ‘Karen Kilimnik’, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA.

Karen Kilimnik, essays by Dominic Molon, Karl Holmqvist and
Caoimhín Mac Giolla Léith. JRP Ringier, Zurich.

Karen Kilimnik, Fondazione Bevilacqua La Masa, Venice, essays by Angela Vetesse and Caoimhin Mac Giolla Léith.
‘Ideal Worlds: New Romanticism in Contemporary Art’, Schirn Kunsthalle Frankfurt, essay by Barbara Hess, pp. 167-275.

‘Art – A Sex Book’, by John Waters and Bruce Hainley, Thames & Hudson, p. 84, 138, 139-140, 141.
‘girls don’t cry’, (exhibition catalog), Nanjo and Associates, text by Hiromi Kitazawa.

‘Vitamin P’, Phaidon Press, London, p. 168-171.
‘Art Now’, edited by Uta Grosenick & Byrhard Riemschneifer, Taschen, p.232.
White Cube: 44 Duke Street, St. James’s, London, Steidl Publishers, 2002, Göttingen, Germany.
‘Karen Kilimnik, Fairy Battle’, Irish Museum of Modern Art, Dublin, Ireland.

‘The Mystery of Painting’, (exhibition catalog), Sammlung Goetz, Munich, Germany, text by Rainer Schumacher, p.32-41, and Birgit Sonna, p. 57-68.
‘Woman Artists in the 20th and 21st Century’, Taschen, edited by Uta Grosenick, text by Rainer Stange, p. 264-269.

‘Karen Kilimnik, Paintings’, Edition Patrick Frey, Zurich, Switzerland.
‘Drawing on the Figure: Works on Paper of the 1990’s from the Manilow Collection’, curated by Staci Boris, Museum of Contemporary Art, Chicago, p. 24 & back cover.
‘Calendar 2000’, catalog of 184 postcard set of works in exhibition, curated by Eileen Cohen and Amada Cruz, Center for Curatorial Studies Museum, Bard College, Annandale-on-Hudson, NY.
‘Presumed Innocent’, curated by Marie-Laure Bernadac and Stéphanie Moisdon, capc, Musée d’art contemporain de Bordeaux, France, (exhibition catalog), p. 82-3.

‘Accelerator’, catalog, Arnolfini, Bristol, Oldham Art Gallery, and South Hamptom Art Gallery.
‘Presumed Innocence’, catalog, Anderson Gallery, Richmond, VA and the Contemporary Arts Center, Cincinnati, OH.
‘A Noir’, by Franca Sozzani, published by Editions Assouline.
‘The Next Word’, catalog, curated by Johanna Drucker, Neuberer Museum Art, Purchase, NY.

‘Drawings by Karen Kilimnik’, Edition Patrick Frey and Kunsthalle Zurich, Zurich, Switzerland, p.142.
‘Art on Paper’, catalog, curated by Amy Cappellazzo, Weatherspoon Art Gallery, Greensboro, NC.
‘a/drift’, catalog, curated by Joshua Dector, Center for Curatorial Studies Museum, Bard College.

‘Push-Ups’, catalog, curated by Emily Tsingou, The Factory, Athens Fine Art School, Athens, Greece.

‘Chocolate’, catalog, The Swiss Institute, New York, NY.
‘Auf Den Leib Geschrieben’, catalog, Kunsthalle Wien, Austria.

‘Die Neunziger/The Nineties’, curated by Martin Prinzhorn, Wiener Secession, Vienna.
‘Audience 0.01’, catalog, Flash Art Museum, Trevi, Italy.

‘Über Leben’, catalog, Bonner Kunstverein, Bonn, Germany.
‘Privacy’, catalog, Documentario, Milano, Italy.
‘Whitney Biennial’, catalog, Whitney Museum of American Art, New York, NY.
‘Travelogue-Reisetagebuch’, catalog, essay by Jackie McCallister, Hochschule fur Angewandte Kunst in Wien, Vienna, Austria.
‘Stoned’, exhibition pamphlet, essay by Veralyn Behenna.
Ruth Bloom Gallery, Santa Monica, CA.
‘The Art of Language’, catalog, Kunsthalle Vienna, Vienna, Austria.
‘Restaurant’, catalog, essays by Jan Avgikos, Yves Aupetitallot, Terry Myers & Frank Perrin, La Bocca, 59 Monmartre, 75002, Paris, France.
‘Under Thirty’, catalog, (designed by Elke Krystufek), Metropol, Vienna, Austria.
‘Teddy & other stories’, catalog, Claudio Botello Arte & Galleria In Arco, Torino, Italy.

‘Karen Kilimnik: Escape in Time’, catalog, essay by Melissa Feldman, Institute of Contemporary Art, Philadelphia, PA.
‘True Stories’, catalog, Institute of Contemporary Arts London, United Kingdom.
‘LifeSize’, catalog, Centro per l'Arte Contemporanea Luigi Pecci, Museo d'Arte Contemporanea, Prato, Italy.
‘Post-Human’, catalog, FAE Musee D'Art Contemporain, Lausanne, Switzerland; Castello di Rivoli, Museo d'Arte Contemporanea, Rivoli, Italy; Deste Foundation for Contemporary Art, Athens, Greece; Deichtorhallen Hamburg, Germany 1991.
‘No Man's Time’, catalog, Villa Arson, Nice, France.
‘Just What Is It That Makes Today's Homes So Different, So Appealing?’, catalog.
The Hyde Collection, Glens Falls, NY.
‘Plastic Fantastic Lover (obect a)’, catalog, essay by Catherine Lui, Blum Helman.
Warehouse, New York, NY.