Shapiro, Michael. Homeward: Selections from the Wieland Collection. Atlanta: The Wieland Collection, 2016.

Della Monica, Lauren. Painted Landscapes. Pennsylvania: Schiffer, 2012.

Eleey, Peter. September 11. New York: MoMA PS1, 2011.

Bonami, Francesco and Gary Carrion-Muryari. 2010: Whitney Biennial. New York: The Whitney Museum of American Art, 2010.

Godfrey, Tony, ed. Painting Today. London: Phaidon, 2009.

The Alliance. Beijing / Seoul: doArt, 2008.
Weiland, Matt and Sean Wilsey, eds. State by State: A Panoramic Portrait of America. New York: Ecco Press, 2008.

Moody, Rick. Maureen Gallace. Dublin: Douglas Hyde Gallery, 2005.

Waters, John and Bruce Hainley. Art – A Sex Book.New York:Thames & Hudson, 2003.
Weaver, Susan. Maureen Gallace. Dallas: Dallas Museum of Art, 2003. 

America Standard: (Para) Normality and Everyday Life. New York: Barbara Gladstone Gallery, 2002.

Line and Space / Landscape. Fukui-shi: Fukui City Art Museum, 2001.

Rimmanelli, David. Maureen Gallace: Landschaften. Velbert: Museum Schloss- Hardenberg, 1996.
Bas Jan Ader, David Deutsch, Maureen Gallace, Rodney Graham, and Mary Lucier. New York: Elizabeth Koury Gallery, 1996.
“Yours”, curated by Michael Jenkins. New York: Wooster Gardens, 1996.

Slow Art/Painting in New York Now. Long Island City: PS1 Museum, 1992.

Waldman, Amy. “What It Means to Look at Paintings of Snow,” T Magazine, January 19, 2021.

Schwartzman, Allan. “Four Exhibitions That Give Me Hope for Greatness,” Art Agency Partners, November 6, 2019.

“Art,” The New York Times, July 14, 2017, p. C21
“Art and Museums in NYC This Week,” The New York Times, July 13, 2017.
Korman, Sam. “Maureen Gallace,” Artreview, Summer 2017, p. 78-83.
Jovanovich, Alex. “Critics Picks: Maureen Gallace,” Artforum, June 9, 2017.
Liebman, Kate. “Maureen Gallace at MoMA PS1,” The New Criterion, June 1, 2017.
Volk, Gregory. “Maureen Gallace’s Uneasy Sublime,” Hyperallergic, May 6, 2017.
“Maureen Gallace: Clear Day,” The New Yorker, May 1, 2017, p. 6.
“Art and Museums in NYC This Week,” The New York Times, April 27, 2017.
Baker, R.C. “Sublime Shacks: The Vivid Enigmas of Maureen Gallace’s Pastoral Visions,” The Village Voice, April 26, 2017.
Farago, Jason. “Who Lives Here? Good Question,” The New York Times, April 20, 2017, p. C24.
Farago, Jason. “Maureen Gallace’s Restrained Palette of House, Sea, Sky,” The New York Times, April 20, 2017.
“Sandy Road,” The New Yorker, April 17, 2017, p. 9.
Lynch, Scott. “Inside MoMA PS1’s Dark & Delightful Spring Open House,” Gothamist, April 10, 2017.
Kourlas, Tony. “Isaac Mizrahi, on Collecting Art in Search of the Me Factor,” The New York Times, January 12, 2017.

Tipton, Gemma. “I love the hunt and capture,” Irish Times, December 31, 2016.
“Luisa Lambri / Maureen Gallace,” Artribune, November 2016.
“Maureen Gallace: ‘I wasn’t straining to do anything clever with such and odd or seemingly unfashionable way of painting,’” Studio International, November 11, 2016.
“Maureen Gallace at Maureen Paley, London,” Mousse Magazine, November 2016.
Sharp, Amanda. “Frieze A to Z of Contemporary Art,” Phaidon, 2016 p. 326.
McGlynn, Tom, “Informed Painting,” Brooklyn Rail, May 3, 2016.
“The Artist Project: Maureen Gallace on Paul Cezanne’s still life paintings with apples,” The Metropolitan Museum of Art, March 2016.
Volk, Gregory. “Exhibition Reviews: Maureen Gallace,” Art in America, January 2016, p. 91-92.

Calvin, Brian. “The Artists’ Artist,” Artfourm, December 2015.
Douglas, Sarah. “Velvet Ropes and Mirrors set the tone at elegant ADAA opening,” Artnews, March 4, 2015.
Schwabsky, Barry. “Framing the View,” The Nation, December 14, 2015, p. 27-31.
Lawrence, Alexa. “Maureen Gallace,” Artnews, December 2015, p. 85.
Scott, Andrea. “Maureen Gallace,” The New Yorker, November 2, 2015 p.17.
Smith, Roberta. “Unsettling Landscapes: A Comic-Strip World and Odd Men Out,” The New York Times, October 28, 2015, p. C3.
Scott, Andrea. “Maureen Gallace,” The New Yorker, October 27, 2015.
Halle, Howard. “Brush with greatness,” Time Out New York, October 21-27, 2015, p. 50.
Schjeldahl, Peter. “America at the Edges,” The New Yorker, October 19, 2015, p. 96-97.
“Critics’ Pick,” Time Out New York, October 16, 2015.
Saltz, Jerry. “To Do: October 7 – October 21,” New York Magazine, October 5, 2015, p. 40.
Fateman, Johanna. “Critic’s Picks: Maureen Gallace,” Artforum, September 25, 2015.
Smith, Roberta. “Review: Martha Armstrong’s Nature Scenes at Bowery Gallery,” The New York Times, September 25, 2015, p. C23.
Ebony, David. “David Ebony’s Top 10 New York Gallery Shows This Fall,” artnet news, September 22, 2015.
Johnson, Ken. “Zigzagging Across A Cultural Landscape,” The New York Times, March 6, 2015, p. C28.
Johnson, Ken. “The Art Show, at the Park Avenue Armory Covers the Creative Map,” The New York Times, March 5, 2015.
Ebony, David. “Women Rule at the ADAA Fair,” Art in America, March 4, 2015.
Douglas, Sarah. “Velvet Ropes and Mirrors set the tone at elegant ADAA opening,” Artnews, March 4, 2015.

Hainley, Bruce. “Best of 2013,” Artforum, December 2013, p. 232.
Ollman, Leah. “Restraint, exuberance in the paintings of Maureen Gallace,” Los Angeles Times, October 25, 2013.
“Maureen Gallace at Overduin and Kite,” Contemporary Art Daily, October 23, 2013.
“7 Questions: Brian Calvin,” Painting in LA, April 24, 2013.
Schwabsky, Barry. “Sugar Rush and Stomachache,” The Nation, April 15, 2013.

Rothkopf, Scott. “Best of 2011,” Artforum, December 2011, p. 200.
Díez, Gonzal. “En el Silencio de la Arquitectura,” La Verdad, Murcia, Spain, October 7, 2011, p. 33.
Guardiola, Ana. “Una Estación Para Sueños y Realidades,” La Opinion, Murcia, Spain, September 17, 2011, p. 47.
Mira, Mara. “El Arte de Viajar,” El País, October 8, 2011.
Delicado, Gonzalo Herrero and Maria Jose Marcos. “La Conservera Seventh Series,” domus, November 10, 2011.

Mizota, Sharon. “Country Music,” Los Angeles Times, July 21, 2010.
Schwendener, Martha. “Maureen Gallace,” ELLE DECOR, Volume 21, June 2010.
Butler, Sharon. “A 2010 Whitney Biennial Biopsy,” The Huffington Post, May 17, 2010.
Schwendener, Martha. “Filling in the Blanks,” The New York Times, April 15, 2010.
Capps, Kriston, “Whitney Biennial 2010: still flying the flag?” The Guardian, March 2, 2010.
Schjeldahl, Peter. “No Offense,” The New Yorker, March 8, 2010.
Cotter, Holland. “At a Biennial on a Budget – Tweaking and Provoking,” The New York Times, February 25, 2010.
Yablonsky, Linda. “Women’s Work,” The New York Times Magazine, Feb 12, 2010.
Viveros-Fauné, Christian. “Welcome to the Mixed-Up, Dialed-Down 2010 Whitney,” Village Voice, March 2, 2010.
Pollack, Barbara. “Whitney Biennial,” ARTnews, Volume 109, April 2010, p. 104-105.
Pollack, Barbara. “Whitney Biennial,” ARTnews, March 1, 2010.
Smee, Sebastian. “Whitney Show is an Anthem to the Awful,” Boston Globe, February 25, 2010.
Hontoria, Javier. “El Whitney No Quiere Problemas,” El Cultural, Spain, March 12, 2010.

Schad, Ed. “Maureen Gallace: New Paintings,” ArtReview, Summer 2009.
Smith, Roberta. “Art in Review – Summer Pictures,” The New York Times, August 6, 2009.
“Summer Pictures,” The New Yorker, August 18, 2009.
Laster, Paul. “Summer Pictures,” Time Out New York, Aug 13-19, 2009.

Sonna, Birgit. “Stille Destillate fur Hugh Grant,” Süddeutsche Zeitung, München Kultur, December 18, 2008, p. 45.
Müller, Dominikus. “Complexio Oppositorum,” artnet.de, January 4, 2008.

Larson, Brandon. “Why Bother? Maureen Gallace at the Art Institute of Chicago,” Bat Journal, Issue 3, 2007, p. 18-20.
Schwabsky, Barry. Modern Painters, April 2007, p. 112.
Goleas, Janet. “’The Recognitions’ at Fireplace Project,” The East Hamptons Star, July 12, 2007, p. C6.
Muller, Dominikus. Artnet.de, January 4, 2007.

Hainley, Bruce. “Best of 2006: Maureen Gallace,” Artforum, December 2006, p. 294- 295.
Bonami, Francesco. “Top 10,” Artforum, December 2006, p. 286.
Baker, R.C. “Best in Show,” Village Voice, November 16, 2006.
Grabner, Michelle. frieze, issue 102, October 2006, p. 141.
Camper, Fred. ARTnews, November 2006, p. 196.
Artner, Alan. Chicago Tribune, July 7, 2006.
Lopez, Ruth. Time Out Chicago, July 20-27, 2006.
Perkins, Gregg. “Critics’ Picks,” artforum.com, July 17, 2006.
Mast, Audrey. flavorpill.com, June 27, 2006.
Artinfo, July 11, 2006.

Dunne, Aidan. “Hidden layers of meaning,” The Irish Times, June 22, 2005, p. 2.
Leen, Catherine. Sunday Times Magazine, June 19, 2005, p. 18.
Ihle, Jon. “The Beauty of Small Things,” Magill Magazine, June 18-July 14, 2005, p. 37.

Dunne, Aidan. “Behind the shiny surfaces of the American dream,” The Irish Times, August 6, 2004, p. 12.
Conley, Susan. The Irish Independent, July 30, 2004.
Knight, Christopher. “Around the Galleries,” Los Angeles Times, February 20, 2004, p. F21.

Hainley, Bruce. “Best of 2003,” ArtForum, Vol. XLII, No. 4, December 2003.
Kutner, Janet. “Northern Exposure,” The Dallas Morning News, June 25, 2003, p.12E.
Johnson, Ken. The New York Times, March 21, 2003, p. E40.
Moss, Sarah. Architecture, July 2003, vol. 91, No. 7, p. 104.

Boyce, Roger. Art in America, October 2002, No.10, p. 167-8.
Pagel, David. Los Angeles Times, June 28, 2002, p. F26.
Bayliss, Sarah. Artnews, June 2002, Vol. 101, No. 6, p. 127.
Temin, Christine. “A dozen options in landscape at ‘Beyond Barbizon,’” The Boston Globe, April 14, 2002.
Birmingham, Doris. Art New England, June-July 2002, No. 4, p.36.
Mcquaid, Cate. “Maureen Gallace & Albert York,” The Boston Globe, February 23, 2002.
Sherman, Mary. “Visual Arts: Twin Exhibits feature works by ‘painters’ Painters,” The Boston Herald, February 24, 2002, S.16.

Kelly, Niamh Ann. CIRCA, No, 98, Winter 2001, p. 47-48.
McQuaid, Cate. “Simple Scenes,” The Boston Globe, December 22, 2001.
Iremonger, Anne. The Dubliner, September 2001.
Daly, Catherine. The Sunday Times, Ireland, August 26, 2001.
Leahy, Billy. In Dublin, Vol. 26, No. 17, August 23 – September 5, 2001.
Dunne, Aidan. The Irish Times, August 15, 2001, p. 13-14. Scarborough, James. art/text, May-July 2001, No. 73, p. 80-81.
Hainley, Bruce. “Seen and not seen,” frieze, March 2001, Issue 57, p. 74 – 77.
“Maureen Gallace’s New England,” Travel & Leisure, February 2001, Vol. 31, No. 2, p. 132-37.
Ollman, Leah. “So Near, Yet So Far Away,” Los Angeles Times, January 12, 2001, p. F41-42.
Sherman, Mary. “Visual Arts: Toale Gallery Exhibit Draws on Trends,” The Boston Herald, December 9, 2001, p. 49.

Hainley, Bruce. “Best of 2000,” Artforum, December 2000, Vol. XXXIX, No. 4, p. 132-133.
Purvis, Jennifer. “The Bright Dwelling-place of Dreams,” The Japan Times, July 9, 2000, p. 13.
“Goings on About Town,” New Yorker, April 17, 2000, p. 20.
Midori, Matsui. “Super Flat Landscape,” Bijutsu Techo, Vol. 52, No. 792, 2000.

Decker, Andrew. “Art’s Next Wave,” Cigar Aficionado, April 1999, Vol. 7, No. 3, p.174.
Hainley, Bruce. “Message to Michael,” frieze, September 1999, issue 48, p. 73-77.

Ollman, Leah. Los Angeles Times, December 25, 1998, p. F40.
Gallace, Maureen. “Landscape Themes,” Art New England, June-July 1998, p. 14.

Schwabsky, Barry. Artforum, Vol. 36, October 1997, p. 98.
Schwendener, Martha. Flash Art, October 1997, Vol. XXX, No. 196, p. 116.
Pederson, Victoria. “Maureen Gallace at 303 Gallery,” Paper Magazine, June 1997, p. 132.
“Goings on About Town,” The New Yorker, May 26, 1997, No. 13, p. 20.

Oliveira, Luisa S. Publico, Lisbon, Portugal, 1996.
Martins, Celso. Expresso, Lisbon, Portugal, 1996.
Pinto, Antonio C. Independente, Lisbon, Portugal, 1996.
Rosengarten, Ruth. Visao, Lisbon, Portugal, 1996.
Raynor, Vivien. “Collectors Lend Pieces, From Superb to the So-So,” The New York Times, July 14, 1996.
Lingemann, Susanne. “Auf der Fuche mach Kunst hinter der Kunst,” Art das Kunstmagazin, Germany, May 1996, p. 93.
Sherman, Mary. “Visual Arts: Rooms with 5 Views,” The Boston Herald, January 26, 1996, S.16.
McQuaid, Cate. “A Wealth of Art from Women,” The Boston Globe, February 1, Vol. 249, No. 32, p. 57, 60.
Lambrecht, Luk. DeMorgen, September 1996, p. 32.

Shottenkirk, Dena. “New York Brief,” C Magazine, Summer 1995, p. 39.
Hirsch, Faye. “Maureen Gallace,” Artforum, Summer 1995, Vol. XXXIII, No. 10, p. 108-109.

Saltz, Jerry. “A Year in the Life: Tropic of Painting,” Art in America, October 1994, p. 96.

Stapen, Nancy. “In ‘93, Galleries Put Ingenuity on Display,” The Boston Globe, December 30, 1994.
Saltz, Jerry. Art in America, November 1993, Vol. 81, No. 11, p.132.
Smith, Roberta. “Art in Review: Maureen Gallace,” The New York Times, October 1, 1993, C23:2.
Stapen, Nancy. “Between Figuration and Abstraction,” The Boston Globe, August 5, 1993.
Parks, Addison. “The Elemental Speech of Quiet Paintings,” The Christian Science Monitor, July 15, 1993, Vol. 85, No. 160, p. 17.
Unger, Miles. “Nielsen Gallery/ Boston, Maureen Gallace,” Art New England, June/July 1993, Vol. 14, No. 4, p. 58.
Stapen, Nancy. “Elusive Moments Captured in Paint,” The Boston Globe, April 22, 1993.
Saltz, Jerry. “Let Us Now Praise Artists’ Artists,” Art & Auction, April 1993, p. 74-79,115.
Stapen, Nancy. “Changing views of the land,” The Boston Globe, February 11, 1993, p. 69-74.

Sherman, Mary. “Exhibit Takes Look at Landscape Art,” The Boston Herald, August 19, 1992, p. 39.
Wallach, Amei. “The Power of Slow Art,” Newsday, June 19, 1992, Vol. 52, No. 290, p. 89.
Smith, Roberta. “From New York Painters, Work That Takes Time,” The New York Times, May 1, 1992.