Hyler, Joanne, Ed Schad, Abbass Milani. Shirin Neshat: I Will Greet the Sun Again. Munich: Prestel Verlag GmbH & Company KG., 2019.

Shirin Neshat: Dreamers Trilogy. Dornbirn: Kunstraum Dornbirn, 2018.

Kellein, Thomas, ed. Shirin Neshat: The Home of My Eyes. Köln: Verlag der Buchhandlung Walther König, 2017.
Shirin Neshat: Frauen in Gesellschaft. Tubingen: Ernst Wasmuth Verlang Tubingen, 2017. 

Afkhami, Mahnaz, Melissa Chiu, and Melissa Ho. Shirin Neshat: Facing History. Washington, D.C.: Hirshhorn Museum and Sculpture Garden with Smithsonian Books, 2015.

Karimi, Shahram. Shirin Neshat: Written on the Body. Madrid: Fundación Telefonica, 2013.
Schwerfel, Heinz Peter. Shirin Neshat. Istanbul: Dirimart, 2013.
Hart, Rebecca, Sussan Babaie, and Nancy Princenthal. Shirin Neshat. Detroit: Detroit Institute of Arts, 2013.

Shirin Neshat. London: Ivorypress, 2012.

Shirin Neshat: The Mask & The Mirror. New York: Leila Heller Gallery, 2011.
Shirin Neshat: Women Without Men. Milan: Edizioni Charta, 2011.

Abramovic, Marina and Arthur C. Danto. Shirin Neshat. New York: Rizzoli, 2010.

Shirin Neshat: Women Without Men. Athens: Hellenic Ministry of Culture, National Museum of Contemporary Art, 2009.
Shirin Neshat: Games of Desire. Milan: Edizioni Charta, 2009.

Jensen, Mona. Shirin Neshat: Women Without Men. Aarhus, Denmark: ARoS Kunstmuseum, 2008.

Shirin Neshat: La última palabra/The Last Word. León, Spain: Charta/MUSAC, Museo de Arte Contemporaneo de Castilla y León, 2005.
Akiba, Tadatoshi. Shirin Neshat: The 6th Hiroshima Art Prize. Hiroshima: Hiroshima City Museum of Contemporary Art, 2005.
Shirin Neshat: In Conversation. Berlin: Vice Versa Verlag, 2005.
Shirin Neshat. Milan: Edizioni Charta, 2005.

Brownson, Ron. Through the Eyes of Shirin Neshat. Auckland: Auckland Art Gallery, 2004.

Shirin Neshat: Tooba. Mexico: Museo de Arte Moderno, 2003.

Shirin Neshat. Turin: Castello di Rivoli, 2002.
Shirin Neshat. Rio de Janeiro: Centro Cultural Banco do Brasil, 2002.
Shirin Neshat. Aarhus: Aarhus Kunstmuseum, 2002.

Gagnon, Paulette, Shoja Azari and Atom Egoyan. Shirin Neshat. Montreal: Musée d’Art Contemporain de Montreal, 2001.
Milani, Farzeneh. Shirin Neshat. Milan: Edizioni Charta, 2001.
Zaya, Octavio, Yuko Hasegawa and Fumihiko Sumitomo. Shirin Neshat. Kanazawa: Office for Contemporary Art Museum Construction, 2001.

Shirin Neshat. London: Serpentine Gallery, Kunsthalle Wien, 2000.
Horrigan, Bill. Shirin Neshat: Two Installations. Columbus: Wexner Center for the Arts, Ohio State University, 2000.

Shirin Neshat. Turin: Marco Noire Contemporary Art, 1997.
Shirin Neshat. Ljubljana: Museum of Modern Art, 1997.
Shirin Neshat: Women of Allah” Vancouver: Artspeak Gallery, 1997.
Shirin Neshat. New York: Annina Nosei Gallery, 1997.

Les Arts de l’Islam: Un passé pour un présent. Paris: Musee du Louvre, 2022.

Truth: 24 Frames Per Second. Dallas: Dallas Museum of Art; New Haven: Yale University Press, 2017.
Life World. Madrid: D.R. Coleccion, 2017.

Touch Type: Research on Body and Typography. Seoul: Korea Craft & Design Foundation, 2016.
SHE International Women Artists Exhibition. Shanghai: Long Museum West Bund, 2016.
Van E, Hillard. seeing|saying: images and words. North Carolina: Davidson College, 2016.
Bloch, Judy. San Francisco Museum of Modern Art 360: Views on the Collection. San Francisco: San Francisco Museum of Modern Art, 2016.
London, Barbara. Photography. Boston: Pearson Education Inc, 2016.
Hinter dem Vorhang. Düsseldorf: Stiftung Museum Kunstpalast, 2016.
Focus on Photography. Worcester: Davis Publications, 2016.

Whitney Museum of American Art: Handbook of the Collection. New York: Whitney Museum of American Art, 2015.
Schwartz, Alexandra. Come As You Are: Art of the 1990s. Montclair: Montclair Art Museum, 2015.
Gender w sztuce | Gender in Art. Krawkow: MOCAK, Museum of Contemporary Art in Krakow, 2015.
Us Is Them. Columbus, Ohio: Pizzuti Collection, 2015.
Fischer, Peter and Brigitt Bürgi, eds. About Trees. Bern: Zentrum Paul Klee, 2015.
Phantom Bodies: The Human Aura in Art. Nashville, TN: Frist Center for the Visual Arts, 2015.
Milazzo, Richard. The Mannequin of History: Art After Fabrications of Critique and Culture. Modena, Italy: MATA. Manifattura Tabacchi Modena, 2015.
Szántó, András, ed. The Sense of Movement: When Artists Travel. Ostfildern, Germany: Hatje Cantz Verlag, 2015.
Heyler, Joanne, ed. The Broad Collection. Los Angeles: The Broad; Munich: Prestel Verlag, 2015.

Documents of Contemporary Art: Sexuality. London: Whitechapel Gallery, 2014.
Intenzione Manifesta: Il Disegno in Tutte Sue Forme. Torino: Castello di Rivoli Museo D’Arte Contemporanea, 2014.
C Photo: Toledocontemporanea. Madrid: Ivorypress, 2014.

Pontbriand, Chantal. The Contemporary, The Common: Art in a Globalizing World. Berlin: Sternberg Press, 2013.
Grovier, Kelly. 100 Works of Art That Will Define a Generation. London: Thames & Hudson, 2013.
Voice of Images. Milan: Palazzo Grassi, 2013.
Hahne, Robert, ed. Kammerlohr Epochen der Kunst Von der Moderne zu aktuellen Tendenze, 3. Munich: Oldenbourg Schulbuchverlag GmbH, 2013.
Gresh, Kristen. She Who Tells a Story: Women Photographers from Iran and the Arab World. Boston: MFA Publications, 2013.
Au Bazar du Genre: Feminin/Masculin en Mediterranee. Paris: Les Editions Textuel, 2013.
Follent, Sarah, ed. Write About Art. Kelvin Grove Qld: Eyeline Publishing Limited, 2013.
All You Need Is LOVE. Tokyo: Mori Art Museum, 2013.
Perez, Nissan N. Displaced Visions: Émigré Photographers of the 20th Century. Jerusalem: The Israel Museum, 2013.

Perl, Jed. Magicians and Charlatans: Essays on Art and Culture. New York: Eakins Press Foundation, 2012.
Brodsky, Judith K. and Ferris Olin. The Fertile Crescent: Gender, Art, and Society. New Brunswick: Rutgers University Institute for Women and Art, 2012.
Kvaran, Gunnar. To Be With Art Is All We Ask. Oslo: Astrup Fearnley, 2012.
Portrayal/Betrayal. Santa Barbara: Santa Barbara Museum of Art, 2012.
Findlay, Michael. The Value of Art. Munich: Prestel, 2012.
Saehrendt, Christian. KASSEL: documenta-Geschicten, Märchen, und Mythen: ist das Kunst oder kann das weg? Der Führer zur documenta-Stadt. Cologne: Dumont, 2012.
Gateways to Art: Understanding the Visual Arts. New York: Thames & Hudson, 2012.

Vervoordt, Axel. TRA: The Edge of Becoming. Wijnegem: Axel Vervoordt Foundation; Venice: the Museum Palazzo Fortuny, Venice, 2011.
Defining Contemporary Art – 25 years in 200 pivotal artworks. London: Phaidon, 2011.

Eigner, Saeb. Art of the Middle East: Modern and Contemporary Art of the Arab World. London: Merrell Publishers, 2010.
Fineberg, Jonathan, ed. Art since 1940, Strategies of Being. 3rd edition. New York: Pearson/Prentice Hall, 2010.

Pallasmaa, Juhani. The Thinking Hand: Existential and Embodied Wisdome in Architecture. Chichester: John Wiley & Sons, 2009.
Lowry, Glenn. Oil and Sugar: Contemporary Art and Islamic Culture. Ontario: Royal Ontario Museum, 2009.
Eva Holby Lecture on Contemporary Culture, No. 3, Institute for Contemporary Culture at the Royal Ontario Museum, Toronto, 2009.
Morin, France and John Alan Farmer, eds. The Quiet in the Land. New York: The Quiet in the Land, Inc., 2009.

Art Editions 6. New York: Edition Schellmann, 2008.
Prospect.1New Orleans. Brooklyn: Picturebox, 2008.
Stations: 100 Masterpieces of Contemporary Art. Köln: DuMont Buchverlag, 2008.
Sale, Teel and Claudia Betti. Drawing: A Contemporary Approach. Belmont: Thomson Wadsworth, 2008.
50 Woman Artists You Should Know. New York: Prestel USA, 2008, p.152-155.
Parts and the Whole. Barcelona: Fundación Foto Colectania, 2008.
Volume 2 of the MUSAC Collection. Leon: MUSAC, 2008.
Black and White. Oslo: Kaare Berntsen, 2008.
Erranti/Wanderers. Milan: Silvana Editoriale, 2008.
Rodemburg, Katja. IK, Ophelia. Lochem: d’Jonge Hond, 2008.
Paixóns Privadas, Visións Públicas Collections D.O. Galicia. Vigo: Museo de Arte Contemporánea de Vigo, 2008.
Denken in Bildern. Berlin: Hatje Cantz and Staatliche Museen, 2008.
Stedelijk Museum CS: Prospect/Retrospect. Amsterdam: Stedelijk Museum, 2008, p. 22.

Morrison, Toni et al. Art Works: The Progressive Collection. New York: D.A.P. Inc., 2007.
Muzzarelli, Federica. Il Corpo e L’azione. Italy: Atlante, 2007.
Berlioz, Hector, les troyens. Grand Théåtre de Genève Opéra. Geneva, 2007, ills. p. 11, 26, 34, 35, 41, 45.
Bonami, Francesco et al. Passion for Art: 35th Anniversary of the Essl Collection. Wein: Edition Sammlung Essl, 2007.
Smith, Terry. “Coda: Canans and Contemporaneity.” In, Partisan Canons. Durham: Duke University Press, 2007, p. 322.
Foto.Kunst. Wein: Edition Sammlung Essl, 2007.
New Prominent Image Art: The Practice of 32 Foreign Artists. Japan: Grand Vision, 2007.
Schwerfel, Heinz Peter. Kunst Film Biennale Catalog 2007. Cologne, 2007.
Time Present, Time Past: Highlights from 20 Years of the International Istanbul Biennial. Istanbul: Istanbul Modern, 2007.
Angier, Roswell. Train Your Gaze: A Practical and Theoretical Introduction to Portrait Photography. Lausanne: AVA Publishing, 2007.
Princenthal, Nancy, et al. After the Revolution: Women Who Transformed Contemporary Art. Munich Prestel, 2007.
Eusterschulte, Birgit et al. 5 Days to the End of Art. Fridericianum: Kunsthalle Fridericianum, 2007.
Getlein, Mark. Living with Art. New York: McGraw-Hill, 2007.

Translation. Athens: The Deste Foundation Centre for Contemporary Art, 2006.
Richer, Francesca and Matthew Rosenzweig. No. 1: First Works by 362 Artists. New York: DAP, 2006.
Morandini, Giuliana. Notte a Samarcanda. Marietti 1820, 2006. (Book Cover Illustration)
Zeitgenossische Photography (Contemporary Photography). Berlin: Lempertz-Auktion 893, 2006.
Dakhlia, Jocelyne. Creations Artistiques Contemporaines En Pays D’Islam. Paris: Editions Kime, 2006.
Daftari, Fereshteh, ed. Without Boundary: 17 Ways of Looking. New York: Museum of Modern Art, 2006.
The Conscious Reader. New York: Pearson Education Inc., Tenth Edition, 2006.

Paparoni, Demetrio. L’arte contemporanea e il suo metodo. Venice: Grafica Veneta S.p.A. di Trebaseleghe, 2005.
Marsh, Margaret, Michelle Watts and Craig Malyon, eds. Art 2: Practice. New York: Oxford University Press, 2005.
Art Now Vol 2. New York: Taschen, 2005.
Columbo, Valentina Parola Di Donna, Corpo Di Donnaby (Cover). Milan: Mondadori, 2005.
Elwes, Catherine. Video Art: A Guide Tour. England: Published by IB Tauris, 2005.
Phillips, William H. Film an Introduction (Third Edition). USA: Bedford St. Martin, 2005.
Bonami, Francesco, ed. Bidibidobidiboo: Works from Collezione Sandretto Re Rebaudengo. Milano: Skira Editore S.p.A., 2005.

MacDonald, Scott. “Between Two Worlds: An Interview with Shirin Neshat,” Feminist Studies, Volume 30, November 3, 2004.
Weintraub, Linda. In The Making: Creative Options for Contemporary Art. New York: DAP, 2004.
Transculture. Athens: EMET Museum of Contemporary Art, 2004.
Happy Birthday. Paris: Jerome de Noirmont, 2004.
Hayden, Tom. Contemporary Photography and the Garden: Deceits and Fantasies. USA: AFA and N. Abrams, 2004.
MacDonald, Scott. Interviews with Independent Filmmakers. Berkeley: University of California Press, A Critical Cinema, Volume 4, 2004.

Aghdashloo, Aydeen. Cultural Criticism: Conversations on Art. Tehran: Fanoos, 2003.
Butler, Alison. Women’s Cinema: The Contested Screen, Short Cuts. London and NY: Wallflower, 2003.
Fairbrother, Trevor. Family Ties: A Contemporary Perspective. Salem, Peabody Essex 2003.
Protzman, Ferdinand. Landscape: Photographs of Times and Place. Washington D.C.: National Geographic Society, 2003.
Subjective Realities. New York/ Chicago: The Refco Group, LTD., 2003.
Moving Pictures: Contemporary Photography and Video from the Guggenheim Museum Collections. New York: The Solomon R. Guggenheim Foundation, 2003.
Strangers: The First ICP Triennial of Photography and Video. New York: International Center of Photography, 2003.
Levy, Allison, ed. “Widowhood and Visual Culture in Early Modern Europe,” Renaissance Quarterly, Volume 57, Issue #3, 2003.
Pinto, Roberto, ed. La generazione delle immagini / The Generation of Images. Milan: Postmedia, 2003.
Naldi, Fabiola. I’ll be Your Mirror: Travestimenti Fotografici. Rome: Coope & Castelvecchi, 2003.

Lucie-Smith, Edward. Art Tomorrow. Paris, 2002.
Hostetler, Sue. Oceans. New York: Rizzoli, 2002.
Prochnik, George. Image. Seattle: Center for Religious Humanism, Seattle Pacific University, 2002.
Ebrahimian, Babak. Paj. Cambridge: The MIT Press, September 2002.
Matsu, Midori. Art: Art in a New World. Tokyo: Asahi Press, 2002.
Kertess, Klaus. Photography Transformed: The Metropolitian Bank & Trust Collection. New York: Harry N. Abrams Inc., 2002.
Michael, Archer. Art Since 1960, The New Edition. New York: Thames and Hudson, 2002.
Moving Pictures: Contemporary Photography and Video from the Guggenheim Museum
Collections. New York: The Solomon R. Guggenheim Foundation, 2002.

Walford, John. Great Themes in Art. Hoboken: Prentice Hall, 2001.
Galleri Faurschou 1986-2001. Copenhagen: Galleri Faurschou, 2001.
Die Samlung Olbricht Teil 2, First View. Bremen: Neues Museum Weserburg Bremen and Gesellschaft Fur Aktuelle Kunst; Berlin Edition Braus, 2001.
Issa, Rose, Ruyin Pakbaz and Daryush Shayegan. Iranian Contemporary Art. London: Barbican/ Booth-Clibborn Editions, 2001.
Brüderlin, Markus. Ornament and Abstraction. Dumont: Fondation Beyeler, 2001.
Martinez, Rosa. Looking for a Place. Site Santa Fe, Third International Biennial. Santa Fe: Site Santa Fe, 2001.
Milovac, Tihomir. A Place I’ve Never Been To. Zagreb: Hrvatski Fotosavez, 2001.

Horrigan, Bill. Shirin Neshat: Two Installations. Columbus: Wexner Center for the Arts, Ohio State University, 2000.
Warr, Tracey and Amelia Jones. The Artists Body. Phaidon Press, 2000.
Rubin, David S. Photography Now. New Orleans: Contemporary Arts Center, 2000.
Erresistentziak/Resistencias. Donostia-San Sebastian: Koldo Mitxelena, 2000.
Continental Shift, A voyage between cultures. Aachen: Ludwig Forum Aachen, 2000.
Bonnefantenmuseum Maastricht. Heerlen: Stadsgalerij Heerlen; Liège: Musée d’art moderne Liège, 2000.

Cream, Contemporary Art in Culture. New York: Phaidon Press, 1999.

Istanbul Biennial. Istanbul: Istanbul Modern, 1997.
Trade Routes: History and Geography, 2nd Johannesburg Bienniale. Johannesburg: Johannesburg Bienniale,1997.

Bonami, Francesco, ed. Echoes: Contemporary Art at the Age of Endless Conclusions. New York: The Monacelli Press, 1996.
Sydney Biennal. Biennal of Sydney: Sydney, 1996.
Le Masque et le Miroir. Graz, 1996.
Radical Images: Austrian triennal on Photography,1996.
Interzones. Copenhagen, 1996.
Foto text/ text foto. Bolzano: Museum of Modern Art; Frankfurt: Frankfurt Kunstverein, 1996.
Auf Den Leib. Vienna, 1996.

Orientation: 4th International Istanbul Biennial. Istanbul: Istanbul Modern, 1995.
Transculture. Venice: Biennial of Venice, 1995.
Campo 95. Venice: Biennial of Venice, 1995.
Feit & Fictie. (Cover Photo), Rotterdam, Holland, 1995.
Coffee House Paintings: Iranian’s Return to Islamic Art. Spain: ATLANTICA, 1995.

Beyond the Borders: Art by Recent Immigrants. Bronx: The Bronx Museum of the Arts, 1994.

“SHIRIN NESHAT talks to FILEP MOTWARY,” Dapper Dan, Issue 25, April 2022.
Gallant, Leah. “10 Artists with Must-See Museum Shows in 2022,” Artsy, January 11, 2022.

“Shirin Neshats Ausstellung ‘Living in one Land. Dreaming in another’ in derPinakothek der Moderne.” Kultnews, November 2021.
“Politics and Privacy: The art of Shirn Neshat.” DW, November 2021.
Buhr, Elke. “Traum und Trauma,” Monopol Magazine, March 2021.
Sievert, Volker. “Shirin Neshat ‘Land of Dreams,”’ Kulturnews, November 2021.
Vogel, Evelyn. “Munich Pinakothek Shirin Neshat,” Suddeutsche, November 2021.
“Oum Kulmthum,” Kinfolk, December 2021.

Diderich, Joelle. “Iranian Artist Shirin Neshat Explores New Horizons,” WWD, January 8, 2020.
“‘Powerful and Beautiful’ Works by Shirin Neshat Brought Together in Major Survey at The Broad,” Artfix Daily, January 8, 2020.
Balaghi, Shiva. “Reflecting on Shirin Neshat’s Career with the Artist’s Words,” Hyperallergic, January 13, 2020.
Russeth, Andrew. “Filmmaker Shirin Neshat Probes the Iran-U.S. Divide in Surreal New Satire,” Surface Magazine, January 16, 2020.
“Artist Shirin Neshat shifts her gaze from Iran to the U.S.,” CBC Radio, January 21, 2020.
Ables, Kelsey. “In an endless news cycle, art at Glenstone both echoes and quiets the chaos,” The Washington Post, January 30, 2020.

Wilkin, Karen. “‘Shirin Neshat: I Will Greet the Sun Again’ Review: Finding Light in the Darkness,” The Wall Street Journal, December 4, 2019.
Dambrot, Shana Nys. “Shirin Neshat in the Land of Enchantment,” L. A. Weekly, November 14, 2019.
Shihab-Eldin, Ahmed. “Shirin Neshat,” King Kong Magazine, December 2019.
Brown, Griselda Murray. “Shirin Neshat on Iran’s exiled artists,” Financial Times, October 11, 2019
Cascone, Sarah. “‘We’re Talking About Geniuses’: Shirin Neshat on the (Mostly Female) Filmmakers, Artists, and Singers Who Inspire Her Most,” Artnews, November 21, 2019.
Slenske, Michael. “Shirin Neshat Brings the Nostalgia and Rage of Her Immigrant Experience to the Broad,” L. A. Magazine, October 16, 2019.
Holmes, Helen. “The Broad’s Shirin Neshat Show Is the Most Significant Look at the Iranian Artist’s Work to Date,” Observer, October 13, 2019.
Loos, Ted. “Art That Is Political and Personal,” The New York Times, September 26, 2019.
Edquist, Grace. “Shirin Neshat’s Curated Show Gathers 13 Female Iranian Artists on the 40th Anniversary of Revolution,” Vanity Fair, November 13, 2019.
Gauthier, Olivia. “Shirin Neshat: I Will Greet the Sun Again,” The Brooklyn Rail, December, 2019.
Whittle, Andrea. “Shirin Neshat Curates New, Politically-Charged Exhibition Featuring 12 Iranian Women Artists,” W Magazine, November 6, 2019.
Viladas, Pilar. “Women Changing the Art World: Shirin Neshat,” Galerie Magazine, Fall 2019
Miller, Leigh Anne. “Turning Point,” Art in America, September 2019.
“Let’s Do Lunch! SVA Offers Slate of Free Midday Summer Programming,”SVA NYC, June 24, 2019.
Coviello, Will. “NOMA art expo ‘Bodies of Knowledge’ to explore relationship between language, cultural identity,” Gambit, June 24, 2019.
“Shirin Neshat: Looking for Oum Kulthum,” The Eye of Photography, June 18, 2019.
“The Broad Will Originate a Major Survey of Iran-born Artist Shirin Neshat This Fall,” ArtfixDaily, June 9, 2019.
Proctor, Rebecca Anne. “Shirin Neshat and Fereydoun Ave’s The Book of Kings Exhibition Launches In Total Arts Dubai,” Harper’s Bazaar Arabia, May 29, 2019.
Cascone, Sarah. “Artist Shirin Neshat Is Mining Her Personal History to Make a Film About the Immigrant Experience Debuting This Fall,” May 28, 2019.
Fernandez Abad, Ana. “Shirin Neshat reescribe su herencia irani. Nos recibe en su nueva casa-estudio de Brooklyn,” S Moda Magazine, May 2019.
Tran, Quynh. “Right-Wing Groups Have Made an Uneasy Alliance With Feminists to Blast This Show of Muslim Fashions,” artnet news, April 9, 2019.
“Artist Shirin Neshat and Fariah Roisin in Conversation,” Cultured Magazine, April 8, 2019.
Cohen, Alina. “How Shirin Neshat Got Her Start as an Artist,” Artsy, March 1, 2019
Cavaluzzo, A., Avery, D., “The 12 Best Art Exhibits to See in 2019,” Newsweek, February 13, 2019.
Fariha, Roisin. “Shirin Neshat Changed the Way We See Iran, Islam and Womanhood,” Cultured Magazine, February 8, 2019.
Cawley, Kaitlyn. “Iranian Visual Artist Shirin Neshat’s Fashion Influences Her Art -- & Not The Other Way Around,” The Zoe Report, February 5, 2019.
Morris, Jane. “How Nicholas Cullinan is Transforming London’s National Portrait Gallery,” Sotheby’s, January 23, 2019.
Stromberg, Matt. “10 Must-See LA Exhibitions in 2019: Julie Mehretu, Nayland Blake, Beatriz Cortez, and More,” Hyperallergic, January 3, 2019.

Neshat, Shirin. “When Does Political Art Cross the Line?” The New York Times, December 5, 2018.
Lescaze, Zoë. “8 Artists on the Influence of Carrie Mae Weems,”The New York Times Style Magazine, October 17, 2018.
Spiegler, Almuth. “Shirin Neshat, nach 18 Jahren wieder solo in Wien,”Die Presse, October 10, 2018.
Kingdon, Victoria. “The National Portrait Gallery unveils a new portrait of Malala Yousafzai,” Harper’s Bazaar, October 2, 2018.
Brown, Mark. “National Portrait Gallery unveils Malala Yousafzai picture,” The Guardian, October 2, 2018.
Khalil, Nadine. “Shirin Neshat,” Canvas Magazine, Fall 2018.
Stapley-Brown, Victoria. “US Planned Parenthood campaign includes artists Shirin Neshat and Carrie Mae Weems,” The Art Newspaper, August 2, 2018.
Dawson, Aimee. “Black Power and Shirin Neshat take centre stage at the Broad in 2019,” The Art Newspaper, July 30, 2018.
Rezayazdi, Soheil. “Shirin Neshat on Western Culture’s Discrimination Towards Female Narratives and How Iranian Cinema Should Evolve,” The Film Stage, July 26, 2018.
Kunst, “Shirin Neshat,” Brigitte Woman, July 2018.
Kasiske, Andrea. “Shirin Neshat: Stop nostalgia and homesickness for Iran,” Deutsche Welle, June 7, 2018.
Lenz, Susanne. “Shirin Neshat: ‘Can one grow up only sacrificing everything else?’” Berliner Zeitung, June 3, 2018.
Azimi, Negar. “Shirin Neshat’s Dreamlands,” Aperture, Issue 231, Summer 2018.
Shafaieh, Charles. “Day in the Life of Shirin Neshat,” Kinfolk, Summer, 2018.
Abeltshauser, Thomas. “Museum is a universal art form,” Monopol, May 16, 2018.
“Iranian artist Shirin Neshat celebrates women in Islamic societies,” DW, April 5, 2018.
“Shirin Neshat’s ‘Frauen in Gesellschaft’ at Universalmuseum Joanneum,” Blouin Artinfo, February 5, 2018.
Ruiz, Christina. “Shirin Neshat,” The Gentlewoman, February 2, 2018.
Shafaieh, Charles. “Day in the Life: Shirin Neshat,” Kinfolk, Volume 29, 2018.

Gillis, Megan. “’The visible and the invisible’: Female photographers provide rare glimpses of Middle East at war museum,” Ottawa Citizen, December 5, 2017.
Langmuir, Molly and Trish Deitch. “Elle Women in Art: Who to Know, Love, Collect,” Elle Magazine, November 17, 2017.
Toledano, Elizibeth. “Artist Shirin Neshat talks Iran, feminism,” The Brown Daily Herald, November 13, 2017.
Sheets, Hilarie. “Taking the Plung: 5 Famous Artists on Risking Their Dignity – by Trying Performance Art,” Artnet, October 30, 2017.
Dawson, Aimee. “The Glittering Prizes: Winners,” The Art Newspaper, October 2017.
Chow, Andrew R. “Shirin Neshat and Mikhail Baryshnikov Among Praemium Imperiale Winners,” New York Times, September 12, 2017.
Binlot, “Artist Shirin Neshat Triumphs At Directing Aida,” Forbes Magazine, August 31, 2017.
Barraclough, Leo. “Toronto: Jean-Michel Basquiat Doc by Sara Driver Acquired by the Match Factory,” Variety Magazine, August 25, 2017.
Rea, Naomi. “The Return of the Gesamtkunstwerk? Why Contemporary Artists are Flocking to the Opera House,” Artnet News, August 23, 2017.
Gillis, Megan. “The visible and the invisible’: Female photographers provide rare glimpses of Middle East at war museum,” Ottawa Citizen, December 5, 2017.
Langmuir, Molly and Trish Deitch. “Elle Women in Art: Who to Know, Love, Collect,” Elle Magazine, November 17, 2017.
Toledano, Elizibeth. “Artist Shirin Neshat talks Iran, feminism,” The Brown Daily Herald, November 13, 2017.
Sheets, Hilarie. “Taking the Plung: 5 Famous Artists on Risking Their Dignity – by Trying Performance Art,” Artnet, October 30, 2017.
Dawson, Aimee. “The Glittering Prizes: Winners,” The Art Newspaper, October 2017.
Chow, Andrew R. “Shirin Neshat and Mikhail Baryshnikov Among Praemium Imperiale Winners,”The New York Times, September 12, 2017.
Binlot, Ann. “Artist Shirin Neshat Triumphs At Directing Aida,” Forbes Magazine, August 31, 2017.
Barraclough, Leo. “Toronto: Jean-Michel Basquiat Doc by Sara Driver Acquired by the Match Factory,” Variety Magazine, August 25, 2017.
Rea, Naomi. “The Return of the Gesamtkunstwerk? Why Contemporary Artists are Flocking to the Opera House,” Artnet News, August 23, 2017.
Rhein John von. “In Salzburg, Muti’s return to ‘Aida’ was worth the wait,” The Chicago Tribune, August 22, 2017.
Cristiansen, Rupert. “Aida in the microwave? The musicianship saves the day – Salzburg Festival, review,” The Telegraph, August 10, 2017.
Baldoni, Arianna. “La protesta tenace e ‘per opposti’ di Shirin Neshat,” Arte, August 2017.
Buck, Louisa. “The seven must-see art exhibitions of summer 2017,” The Telegraph, July 14, 2017.
Klein, Annika. “Does the Venice Biennale Have a Problem with Photography,” Aperture, July 12, 2017.
Kasiske, Andrea. “Why Shirin Neshat complicates ‘Aida’ at the Salzburg Festival,” DW, July 8, 2017.
Galbiati, Matteo. “Shirin Neshat,” Espoarte, #98, July 5, 2017.
Quattrone, Raffaele. “Homeland Experiences,” Wall Street International, June 15, 2017.
Leddy, Madeleine. “Shirin Neshat, Dreamers at Gladstone Gallery May 19 – June 17,” Musée, June 6, 2017.
Enright, Robert and Meeka Walsh, “Pivotal Moments: Shirin Neshat and the Art of Tragic Euphoria,” Boarder Crossings, June/July/August, 2017.
Lee, Hyunjee. “An Iranian Artist Explores Her American Identity,” New York Magazine, May 21, 2017.
Buhmann, Stephanie. “Shirin Neshat: ‘Dreamers’ at Gladstone Gallery,” Chelsea Now, May 18, 2017.
Yerebakan, Osman Can. “Shirin Neshat,” Artspeak, May 18, 2017.
Dawson, Aimee. “Collaterals and extras: the Biennale’s and ther shows,” The Art Newspaper, May 2017.
Workman, Michael. “Artist Shirin Neshat, in Conversation Art and Life,” Chicago Tribune, March 24, 2017.
Frizzell, Nell. “Shirin Neshat’s best photograph: an Iranian woman with a gun in her hair,” The Guardian, January 5, 2017.

Scheffler, Daniel. “A woman’s world: Shirin Neshat’s ‘Dreamers’ opens in Johannesburg,” Wallpaper*, August 30, 2016.
Johnston, Lisa. “Shirin Neshat exhibition: Pain and Power,” Financial Mail, August 25, 2016.
Bekhrad, Joobin. “REORIENT Radio – Episode 3: Shirin Neshat,” Reorient, August 19, 2016.
Greenberger, Alex. “Performa Makes Changes to Board of Directors, Adding Shirin Neshat and Promoting Rashid Johnson,” Artnews, February 24, 2016.
Urist, Jacoba. “Rewriting Art History,” The Atlantic, February 1, 2016.
Weiss, Haley. “In Dreams,” Interview Magazine, August 18, 2016.
Angeleti, Gabriella. “Shirin Neshat dreams big for first solo show in Africa,” The Art Newspaper, August 17, 2016.

Halperin, Julia. “Shirin Neshat: cast against type,” The Art Newspaper, May 15, 2015.
Crawford, Amy. “Finding a Voice for Iranian Women,” Smithsonian Magazine, May 2015.
Ure-Smith, Jane. “Shirin Neshat in Washington and Baku,” Financial Times, April 25, 2015.
“Azerbaijan: Shirin Neshat at Yarat Contemporary Art Space,” The Eye of Photography, April 20, 2015.
Ong, Amandas. “20 Artists Who Make New York,” Elephant, Spring 2015.
“Top 100 Artists Worlwide,” Zeit Kunstverlag, March 20, 2015.
Cowles, Charlotte. “Fabulous at Every Age: Shirin Neshat, 50s,” Harper’s Bazaar, March 2015.
Hegert, Natalie. “The Home of my Eyes: An Interview with Shirin Neshat,” Huffington Post, March 20, 2015.
Wiens, Ann. “Live Through This,” Art + Auction, February 2015.
Judah, Hetie. “The filmmaker and artist examines what revolution looks like behind the frontlines,” ArtReview Asia, Spring 2015.
“Proportio,” Canvas, May 2015.
“Shirin Neshat translates Iranian political unrest through an artistic lens,” PBS NewsHour, June 24, 2015. [video]
“Noted Flimmakers Shirin Neshat and Abbas Kiarostami Grapple with Iranian Identity in Their Still Photography,” Artsy, June 11, 2015.
Diba, Layla S. “Neshat at The Hirshhorn: Late Works/New Readings,” The Brooklyn Rail, July 13, 2015.

Trigg, Sarah. “SEEN in the Studio: Shirin Neshat,” New York Magazine, December 17, 2014.
Mee-yoo, Kwon. “Poignanat resistance,” Korea Times, April 4, 2014.
Rashidi, Yasmine El. “Egypt: Face to Face,” The New York Review of Books, March 28, 2014.
Subin, Anna Della. “Our House is On Fire: Shirin Neshat,” Bomb, Spring 2014, p.18-19.
Neshat, Shirin. “The other Egyptian crisis,” Reuters, March 5, 2014.
Tome, Anna. “A Specific Imagination: Shirin Neshat ‘Our House is on Fire,’” The Brooklyn Rail, March 4, 2014.
Lee, Christine. “Iranian artist Shirin Neshat on art, politics, and changing the world-interview,” Art Radar Journal, March 1, 2014.
Kino, Carol. “Artist on Artist | Shirin Neshat on Kaveh Golestan’s Humanistic Portraiture,” The New York Times: T Magazine, February 26, 2014.
Weaver, Carolyn. “Iranian-Born Artist Explores Cost of Egypt’s Revolution,” Voice of America, February 24, 2014.
Russell, Heather. “Shirin Neshat Discusses Her Series ‘Our House is on Fire,’” Artnet, February 26, 2014.
“An Iranian photographer captures the toll Egypt’s revolution has taken on the poor,” Public Radio International, February 25, 2014.
Weaver, Carolyn. “Iranian-Born Artist Explores Cost of Egypt’s Revolution,” Creative Time, February 24, 2014.
Matthew, Jennie. “Crushed hope in Egypt as art in New York City,” The Daily Star, February 6, 2014.
“Shirin Neshat to President Rouhani: ‘Take Care of Your Artists,’” Creative Time Report, February 3, 2014.
Herriman, Kat. “Shirin Neshat: ‘Our house Is on Fire’ The Iranian artist exposes the cost of revolution with a poignant new series,” W Magazine, January 31, 2014.
Tam, Ruth. “Exiled Iranian artist Shirin Neshat looks at the Egyption revolution,” The Washington Post, January 31, 2014.
Kennedy, Randy. “What Lives on After Death,” The New York Times, January 31, 2014.
Judah, Hettie. “Points of View,” Art Review, January-February, 2014, p. 38.

“Voice of Egypt: Shirin Neshat on Umm Kulthum,” Creative Time Reports, November 18, 2013.
Mason, Paul. “Shirin Neshat: telling Muslim women’s stories on film,” News 4, October 21, 2013.
Stryker, Mark. “Iranian-American artist welcomes public to share in her DIA exhibition,” Detroit Free Press, July 3, 2013.
Fabry, Lola. “PHotoEspana 2013 Shirin Neshat,” Le Journal de la Photographie, June 2013.
Douzi. “Shirin Neshat, Never a Follower,” Art Bank, June 2013.
Corso, John J. “The Complex Geographies of Shirin Neshat,” Art Papers, May/June 2013, p. 26-31.
Aziz, Eiman. “Shirin Neshat Retrospective at Detroit Institute of Arts,” Whitewall, May 8, 2013.
Wang, Sue. “Iranian-American Artist Shirin Neshat Invited to Lecture at CAFA Art Museum,” CAFA Art Info, April 17, 2013.
Li, Qian. “The Book of Kings,” Time Out, May 2013.
Wu, Lin. “Shirin Neshat,” The Blind, May 2013.
Jiang, Liuyue. “Shirin Neshat, I Grew up in Iran,” Art and Design, May 2013.
Wilson-Goldie, Kaelen. “She Who Tells a Story: Women Photographers from Iran and the Arab World,” Artforum, May 2013, p. 155.
Dabashi, Hamid. “Being at home in exile: Shirin Neshat at work,” Aljazeera, April 13, 2013.
Bennett, Chuck. “DIA modern art auxiliary fetes artist Shirin Neshat,” The Detroit News, April 9, 2013.
“Iranian American artist Shirin Neshat mid-career retrospective opens at Detroit Institute of Arts,” artdaily.org, April 8, 2013.
Choi, Andy. “Iranian American artist featured in new exhibition at DIA,”ABC Action News wxyz.com, April 5, 2013.
“DIA presents work of Iranian-American artist Shirin Neshat,” The Oakland Press, April 5, 2013.
Green, Tyler. “The Modern Art Notes Podcast: Shirin Neshat,” Artinfo, April 4, 2013.
“From Math Teacher to Adult Film Extra, The Unexpected Early Jobs of 30 Art Stars,” Artinfo, April 8, 2013.
Stryker, Mark. “Iranian-American artist Shirin Neshat’s beautiful, visual language
featured in DIA exhibition,” Detroit Free Press, April 4, 2013.
Slenske, Michael. “Homeland,” W, April 2013, p. 102.
“Art X Style: Shirin Neshat for StyleLikeU.com,” StyleLikeU.com, March 2013.
“DIA Presents Artist Shirin Neshat Exhibition,” D Business, February 14, 2013.

Wyma, Chloe. “22 Questions for Shirin Neshat,” ArtInfo, February 6, 2012.
“Shirin Neshat: Book of Kings,” artlog.com, January 2012.
Adler, Alexander. “The Weight of Neshat,” The Huffington Post, January 20, 2012.
Brooks, Courtney. “Iranian-American Artist Channels Arab Spring In New Exhibition,” rferl.org, January 17, 2012.
Aziz, Eiman. “Shirin Neshat,” Whitewall, Summer 2012, p. 68-73.
Carmichael, Elisa. “Snapshot: 12 Photographs to follow in 2012,” Tasj flash, 2012 photography issue, p. 14-20.
Mazzaschi, Andrew. “Visibility and Visuality: Reframing Gender in the Middle East, North Africa, and Their Diasporas,” Signs Journal, October 2012.
“Shirin Neshat,” Pen Plus with New Attitude, May 17, 2012, p. 28-29.
Kennedy, Randy. “Leaving Polarization at the Door,” The New York Times, September 26, 2012.
Sert, Aysegul. “Taking Risks in Art and Politics,” The New York Times, November 27, 2012.
Cotter, Holland. “Here’s Looking at You, Conceptualism,” The New York Times, September 6, 2012.
Finkel, Jori. “LACMA buys seven works, led by Raushenberg and Sullivan,” Los Angeles Times, April 23, 2012.
Quattrone, Raffaele. “Shirin Neshat: the poetry of revolutions,” Equipeco, 2012.
Gerber Klein, Michèle. “A Profile of Shirin Neshat,” The Brooklyn Rail, October 2012.
Neshat, Shirin. “Mohsen Namjoo,” Bomb, Spring 2012, p. 8, 82 – 87.
Bondoc, Sarah. “SEE // Monochrome Picasso, American Politics, and Affordable Art,” Artlog, October 2012.
Kolesnikov-Jessop, Sonia. “Shirin Neshat Explores Disappearance of Laos Traditions,” Artinfo.com, October 29, 2012.
“Hot and Getting Hotter: Islamic Contemporary on the Block at Christie’s Dubai,” Artinfo.com, October 23, 2012.
Sutton, Benjamin. “Shirin Neshat at Aperture: On the Arab Spring and Her New Project With Natalie Portman,” Artinfo, May 2, 2012.
“Shirin Neshat: Games of Desire Opens at Art Plural Gallery in Singapore,” Artdaily.org, October 31, 2012.
Elkamel, Sara. “Shirin Neshat: A nomad between poetics and politics,” Ahram.org, November 18, 2012.
Russeth, Andrew, Michael H. Miller and Dan Duray. “8 Things to Do in New York’s Art World Before Jan.16,” observer.com, Tuesday, January 10, 2012.
Devine, Erin Courtney. “Shirin Neshat: Book of Kings and OverRuled,” newyorkarts.net, February 2012.
Green, Tyler. “The MAN Podcast: Shirin Neshat,” Modern Art Notes, January 19, 2012.

“The Power 100,” Art Review, November 2011, p. 150.
Hassan, Sarah. “The Mask & The Mirror at Leila Heller,” ARTWRIT, December 2011.
Saad, Shirine. “Exodus,” City Magazine, 2011.
Bertolot, Lana. “Capturing the Imagination’s Uprising,” Wall Street Journal, November 12-13, 2011, 24.
McSherry, Siofra. “Women Without Men,” This is Tomorrow, 2011.
Rosenberg, Karen. “The Mask and the Mirror,” The New York Times, December 15, 2011.
Miller, Michael H. “Highlights from this Year’s Performance Art Biennial,” The New York Observer, November 21, 2011, p 4.
Elena, Rossi. “Art and Incommunicability Between Cultures,” Cura, 2011.

Bertucci, Linda. “Shirin Neshat, Women Without Men,” Flash Art, October 2010, p. 96-98.
Belcove, Julie L. “Girl’s Club,” W, February 2010.
Dietrich, Joy. “Asked and Answered: Shirin Neshat,” The New York Times Blog, May 14, 2010.
Collins, Lauren. “A Moving Picture,” The New Yorker Blog, April 29, 2010.
Ferren, Andrew. “Art Takes Root in Fertile Soil in Spain,” The New York Times, February 28, 2010.
Holden, Stephen. “In 1953 Iran, Sisterhood Sought During a Coup,” The New York Times, May 14, 2010.
Bloom, Livia. “Shirin Neshat, From Gallery to Garden,” Filmmaker, Winter 2010, p. 8 -10.
Schwarzbaum, Lisa. “Women Without Men,” Entertainment Weekly, May 21, 2010.
Lafont, Isabel. “Una artista entre dos mundos,” El Pais.com, March 3, 2010.
“The Dreamlife of Angels,” The Economist, May 14, 2010.
Sand, Olivia. “Shirin Neshat,” Asian Art, March 2010.
“Shirin Neshat,” ArtSlope, May 5, 2010.
Miller, Iain. “For Iranian artists, being silent is like taking the side of demon,” The Art Newspaper/Art Basel Daily Edition, June 18-20, 2010, p. 4.
Esman, Abigail R. “Focusing on Iran,” Art + Auction, February 2010, p. 54-59.
Romney, Jonathan. “World Of Women,” Art Review, February, 2010, p. 46-47.
Aspden, Peter. “Artists have never been free,” Financial Times, May 22-23, p. 9.
Rothkopf, Joshua. “Women Without Men,” Time Out New York, p. 59.

“Best of 2009 Film,” Artforum, Selected by Chrissie Iles, December 2009, p. 48.
Pollack, Barbara. “Neshat’s Coup,” Artnews, December 2009, p. 30.
Duponchelle, Valerie. “Shirin Neshat, la voix de L’Iran en exil,” Le Figaro, October 8, 2009, pg. 32.
Orden, Erica. “Snap Shot of a Song,” Modern Painters, November 2009, p. 28-30.
Genocchio, Benjamin. “Import/Export,” Art In America, November 2009, p. 121-129.
Chang, Chris. “Hot Property/Women Without Men,” Film Comment, November/December, 2009, p. 6.
Ex, Nicole. “Vroumen Zonder Mannen,” Hollands Diep, November/December 2009, p. 108-114.
Papanika, Artemis. “Neshat Senza Shah,” October 2009, p. 3.
Steele, Francesca. “Women Without Men,” Times, UK, October 29, 2009.
Weissberg, Jay. “Women Without Men,” Variety, September 12, 2009.
Fainaru, Dan. “Women Without Men,” Screen Daily, September 12, 2009.
“In Conversation: Shirin Neshat with Carol Becker & Phong Bui,” The Brooklyn Rail, September 2009, p. 20-23.
Sheilds, Jody. “Shirin Neshat: Portrait of a visual poet,” Vogue Italia, January 2009.
Louie, Elaine. “A Minimalist Loft, Accessorized Like Its Owner,” The New York Times, January 28, 2009.
Enright, Robert and Meeka Walsh. “Every Frame a Photograph,” Border Crossings,
Vol. 28, No. 1, Issue No. 109, 2009, p. 24-30 (cover).
Heartney, Eleanor. “Shirin Nehat: an Interview by Eleanor Heartney,” Art in America, June/July 2009, p.152–159.
“Joutes poétiques du désir amoureux,” Arts Libre, Supplément a La Belgique, No. 28, Semaine du 18 au septembre 2009, p. 2- 3.

Wilkin, Karen. “At the Galleries,” The Hudson Review, Summer 2008, p. 359-365.
“‘Munis’ & ‘Faezeh,’” Exposure, Spring 2008, p. 52-53.
“Work in Progress: Clean Slate,” V Magazine, Winter 2008/09, p. 54.
“Shirin Neshat: Haji,” Lettre International, 81, Summer 2008, p. 22.
“The Shadow of the Heaven: Shirin Neshat - Feature Film Women Without Men,” Vision Magazine, May 2008, p. 215.
“Cathy Lebowitz interviews Josefina Ayerza,” lacanian ink, No. 31, p. 166.
Esman, Abigail. “Leaps of Faith,” Art + Auction, May 2008, p. 165.
Clarke, Cath. “The Stranger: Shirin Neshat,” Art Review, January 2008, p. 22.
Dupuis, Isabelle. “Shirin Neshat,” Flash Art, March 2008, p. 132.
“Shirin Neshat,” Art Actuel, March 2008, p. 34 – 35.
“Shirin Neshat,” Arte Contemporanea: Cinque, Mondadori, 2008.
“Shirin Neshat,” Arte Contemporanea: Sei, Mondadori, 2008.
Wilk, Deborah. “Veil of Tears,” Time Out New York, Issue 642, p. 63.
Perloff, Stephen. “Who’s hot and who’s not,” American Photo, January/February 2008, p.47.
Young, Paul. “Black Box, White Cube,” Art + Auction, February 2008, p.125-130.
“The Auteur,” New York, January 21-28, p. 108.
Soares, Filomena. “Shirin Neshat,” Flash Art, January 2008, p. 156.
Im Dialog…, Paedagogical-Institut, 2008, p. 34.
“Shirin Neshat,” Eyemazing Dubai, Special Issue, 2008, p. 69.
Galligan, Gregory. “Architecture in Script: From Without Boundary to Archive Fever,” ArtAsiaPacific, May/June 2008, p. 122-129.
Yoruker, Seda. “Cultural Transition in Shirin Neshat’s Art,” RES Art World/World Art, No: 2, May 2008, p. 58-65.
Rounthwaite, Adair. “Veiled Subjects: Shirin Neshat and Non-liberatory Agency,” Journal of Visual Culture, Vol. 7, No. 2, August 2008.
Crow, Kelly. “Art’s New Oasis,” Wall Street Journal, November 14, 2008, (cover story) Weekend Journal, p. W1-W5.
Rasteger, Kamran. “Original Neshat,” Tank, Volume 5, Issue 5, 2008.
“Christiane Amanpour/Jehane Noujaim,” Tar Magazine, Fall 2008, Issue 1, p. 204-211.

Nouri, Tamara. “Shirin Neshat,” Skin: Fashion Art Design, 2007, p. 14-26.
Collins, Lauren. “Voice of the Veil,” New Yorker, October 22, 2007, p. 86-92.
Schwerfel, Heinz Peter. “35mm Kunst,” Monopol, February 2007, p. 42-46.
Wu, Chin-Tao. “Worlds Apart: Problems of Interpreting Globalized Art,” Third Text, November 2007, p. 728.
Kontova, Helena. “Marina Abramovic, Vanessa Beecroft, Shirin Neshat: Modern Nomads,” Flash Art, July/September, 2007, p. 102-107.
Gielen, Denis. Atlas of Contemporary Art For Use By Everyone, Musée des Arts Contemporains au Grand-Hornu, Belgium, 2007.
Jays, David. “Edge of the Eye: Artist Shirin Neshat would suffocate without movement,” Dance Gazette, 2007 Issue 1, p. 17.
Ball-Lechgar, Lisa. “Shirin Neshat: Seizing the Moment,” Canvas, October 2007, p. 150-161.
El-Zein, Roula. “The auction Trilogy: Art Under the Hammer this October,” Canvas, 2007, p. 58-75.
Maerkle, Andrew. “Roundup: Exchange Place,” ArtAsiaPacific, Winter 2007, p. 58.

Levintas, Andreas. “Home Truths,” Modern Painters, May 2006, p. 88-93.
Yablonsky, Linda. “Hollywood’s New Wave,” Artnews, December 2006, p. 112-117.
Bayliss, Sarah H. “East Meets West Meets East,” Artnews, November 2006, p. 162.
Nouri, Tamara. “Shirin Neshat,” Skin, Issue #00, 2006, p. 14-26 (cover).
“C is For Collaboration,” Vogue Girl (Korea, 2006.
Benson, Heidi. “Iranian-born artist Neshat wins Gish Prize,” San Francisco Chronicle, September 20, 2006, p. 1-2.
Sand, Olivia. “Shirin Neshat,” Asian Art, September 2006, p. 2.
“Lectores y Lecturas: Readers and Readings,” Exit, No. 23, Fall 2006, p. 170, ill. p. 40.
Qusibaty, Olivia. “Interview with Shirin Neshat,” Art iT, Summer/Fall 2006.
Lekay, John. “Shirin Neshat: Interview,” Heyoka Magazine, Vol. 4, Spring/Summer 2006, ills.
Peget, Lucille. “Shirin Neshat, Hybris,” Hors D’Oeuvre, No. 17, Feb/May 2006.
Visser, Hripsime. “Shirin Neshat,” Stedelijk Museum Bulletin, #1, 2006.
Hermansen, Tom. “Censureret,” Kultur Weekend, April 28, 2006, p. 4-6.
“Without Boundary: Seventeen Ways of Looking,” New Yorker, April 17, 2006, p. 13.
Green, Tyler. “MOMA Keeps the Walls Clean: Islamic Show Sans Politics,” New York Observer, April 3, 2006.
Conner, Nora Nolan. “Images of Islam: Pushing the Boundaries of Muslim Identity,” The L Magazine, March 15-28, 2006, p. 22-23.
“Shirin Neshat: Zarin,” Tema Celeste, March 2006, p.106.
Peget, Lucille. “Shirin Neshat, Hybris,” Hors D’Oeuvre, May 2006. p. 4.
Shattuck, Kathryn. “An Artistic Trek Across a Surreal Land of Sand and Self-Discovery,” The New York Times, March 9, 2006, E3.
“Core Collection,” Art Review, January/February 2006, p. 17.
Gardellini, Lara. “Shirin Neshat,” Tema Celeste, January/February 2006, p. 86.
Guy-Nichols, Matthew. “Shirin Neshat at Barbara Gladstone,” Art in America, March 2006, p. 152, ill.
Yablonsky, Linda. “The Future of Art: Four Groundbreaking Artists Look Ahead,” Blackbook, March 2006, p. 92-95.
“Five Artists for 2005,” ArtAsiaPacific Almanac, 2005/2006, p. 20-21.
Avgikos, Jan. “Shirin Neshat,” Artforum, January 2006, p. 220-221.

“Shirin Neshat,” White Magazine, 2005.
Stevens, Mark. “Best Single Work: Shirin Neshat,” New York, December 19, 2005, p. 69.
“Shirin Neshat,” New Yorker, November 14, 2005, p. 23.
“Shirin Neshat,” Village Voice, November 9-15, 2005, p. 54.
Green, Tyler. “Trapped between two worlds,” Los Angeles Times, October 9, 2005.
Honigman, Ana Finel. “Against the Exotic,” Art Review, September 2005, p. 96-99.
Diez, Renato. “Art Basel,” Arte, September 2005, p. 86-87.
“Shirin Neshat,” Tema Celeste, September/October 2005, p. 109.
Schedlmayer, Nina. “Entschleierung,” Montag, April 11, 2005.
Grabher, Ariane. “Geschichten auf der Suche nach Identitat,” Observer, May 2005.
“Some Stories,” Crossing Cultures, August 2005 (German).
“Shirin Neshat,” Art Actuel, May/June 2005, p. 108-9.
Valentini, Marina. “Shirin Neshat,” Drome, March 2005, p.20-21.
“Islam,” Wespennest, Nummer 138, 2005, Shirin Neshat cover.
Dalal, Pradeep. “Thoughts in Exile: Shirin Neshat,” Ego, Winter 2005, p. 47-53.
Mendoza, Angel. “Opresion: mas alla de fundamentalismos,” El Universal (Mexico City), January 21, 2005, p. 1.
Neshat, Shirin. “Great Underrated Artists,” Artnews (article written by Shirin Neshat on artist YZ Kami), January 2005, p. 109.

Thorson, Alice. “Women resisting repression,” The Kansas City Star, December 19, 2004.
McNamara, TJ. “Raw Power from the Shadows,” New Zealand Harold, September 1, 2004.
Byrt, Anthony. “Somewhere Between the West and Iran,” New Zealand Listener, September 11-17, 2004.
Reid, Graham. “Artist in Exile Lifts the Veil,” New Zealand Harold, August 25, 2004.
Halasa, Malu. “Faces of Change,” Time Magazine, May 2004.
Arditi, Fiamma. “Nel Giardino Incantato di Shirin Neshat,” La Stampa (Italy), November 27, 2004, p. 25.
Neshat, Shirin. “The female body has been carefully defined, controlled and concealed,” Guardian Unlimited, UK, April 22, 2004.
Wilkin, Karen. “The Search for Paradise on Dual Screens,” The Wall Street Journal, NY, February 4, 2004, p. 10.
“A Report of Shirin Neshat’s filim Mahdokht in Morocco,” Iran Newspaper, Tehran, August 2, 2004, p. 24.
“Shirin Neshat and a photo exhibition,” Iran Newspaper, Tehran, October 18, 2004, p. 23.
Safariford, Masoud. “Ebadi balanserer pa knivseggen,” Le Monde diplomatique, p. 1-24.
“Shirin Neshat,” Von Bonifatius bis Beuys, September/October 2004, p. 72-73.
Slemmons, Rod. “Between Language and Perception,” Exit, No. 16, 2004, p. 48-49, 132.
Colon, Suzan. “Stellar Moms,” Working Mother, November 2004, New York, p. 52.
Barlow, Geraldine. “Turbulent,” Contemporary Visual Arts + Culture, December 2004/February 2004, p. 36-39, ill.

Riveroli, Julieta. “Atribuye Censura a Poder Expresivo,” Reforma, Mexico, June 5, 2003.
Vitali, Valentina. “Between Art and Cinema: A Conversation with Shirin Neshat,” N Paradoxa, Volume 12, 2003, p. 33-43.
Birbragher, Francine. “Shirin Neshat,” ARTNEXUS, No. 50 Vol. 2, 2003, p. 90-94.
Alhadeff, Gini. “Shirin Neshat,” Vogue Hommes International, Fall/Winter 2003-2004, p. 132-140.
Solís, Marisa. “Shirin Neshat’s Cinematic Pilgramage,” Juxtapoz Photo, Winter Special 2003, p. 30-35.
“Shirin Neshat,” Blind Spot Magazine, Issue 24, 2003.
“Tooba,” The New York Times, November 28, 2003. p. E44.
Willis, Holly. “Crossing the Divide: The Cinema of Shirin Neshat,” Res Magazine, Vol. 6, No. 4, 2003.
“Shirin Neshat,” The Believer, August 2003. p. 95-105.
Sweitzer, Charlie. “Shirin Neshat: Trancending Disparate Cultures,” The Independent, July/August 2003, p. 19.
Vitali, Valentina. “Between Art and Cinema: A Conversation with Shirin Neshat,” N.Paradoxa, Vol. 12, 2003, p. 33-43.
Green, Tyler. “Shirin Neshat’s Tooba: The Garden and the Journey,” Modern Art Notes, June 6, 2003, p. 3-7.
“Shirin Neshat,” Paris Photo Magazine, No. 26/27, June-August 2003.
Satz, Aura. “Logic of the Birds – Artangel,” Tema Celeste 96, March/April 2003.
“Shirin Neshat, filmaakster,” www.vpro.nl, April 24, 2003.
Turner, Elisa. “Iranian artist’s work highlights fear and freedom,” Miami Herald, March 23, 2003.

Tenaglia, Susan. “The power of the Veil: Shirin Neshat’s Iran,” World & I Magazine, December 2002, p. 96-103.
Price, Stuart. “Don’t Miss,”The Independent, London, November 1, 2002.
Macdonald, Susan. “Artist in search of truth after the revolution,”The Times, October 26, 2002, p. 8-9 and section cover.
Bartz, Melanie. “Angels Do Exist,” Dimensions, Winter 2002-3.
Hasegawa, Yuko. “Leonardo: Tenth Anniversary New York Digital Salon,” The MIT Press, Volume 35, Number 5, 2002.
Fleck, Robert. “Documenta 11. Citeva insemnari,” Balkon, Autumn 2002.
Time Out New York, October p. 17-24, 2002.
Valloire, Delphine. “Paradis Perdus,” Reperages, September 2002.
Heartney, Eleanor. “A 600-Hour Documenta,” Art in America, September 2002.
Thomas, Mary. “Passages,” Pittsburgh Post-Gazette, September 18, 2002.
Thomas, Mary. “Watson Festival,” Pittsburgh Post-Gazette, September 18, 2002.
Hoffman, Leslie. “Three Floors of Intruige,” September 5-12, 2002.
Shaw, Kurt. “Passages,” Pittsburgh Post-Gazette, September 8, 2002.
Shaw, Kurt. “Passages,” Pittsburgh Tribune-Review, September 8, 2002.
Thomas, Mary. “Dangerous Ground,” Pittsburgh Post-Gazette, September 7, 2002.
Venkatasuban, Sharmila. “Moving Pictures,” Pittsburgh City Paper, September 4-11, 2002.
Hoover, Ted. Pittsburgh City Paper, August 28-Septmeber 4, 2002,
Bickerton, Amy. “Passages, Works, Nothing isn’t nothing,” Pillbox, August 23, 2002. Pinelli, Clotilde. “L’Identita di Shirin Neshat,” Titolo, 2002.
Blanchette, Manon. “Sound, Or The Inner Element In The Work Of Janet Cardiff, Shirin Neshat, and Bill Viola,” Espace, 58, Winter 2002.
Sierra, Rafael. “La capacidad evocative de Irani Shirin Neshat,” Oaxaca de Juarez, March 2, 2002, p. 3.
Valencia, Paulina. “Shirin Neshat: Los Contrastes Del Mundo Musulman,” Oaxaca de Juarez, February 25, 2002, p. 3.
Bakel, Rogier an. “Chance Nach Dem Schock,” Vogue-Gesprach, January 2002, p. 176-180.
“Shirin Neshat, from Pulse Series 2001,” NYArts, January 2002, p. 33.
Lamarche, Bernard. “Success imprevu de Neshat au MAC,” Le Devoir, January 9, 2002, p. 8.
Delgado, Jerome. “Shirin Neshat, un vrai priviledge,” Le Presse, January 10, 2002, p. 2.
Wille, Von Simone. “Zuruckgehen, um zu verstehen,” International Ausgabe, January 14, 2002.
Arditi, Fiamma. “Poesie contro il chador,” La Stampa, January 27, 2002.
“Shirin Neshat, Musee d’ArtContemporain, Montreal,” Flash Art, January/February 2002, p. 67.
Mazzoleni, Gian Emilio. “Shirin Neshat,” Artnet, February 2002, p. 21-27.
“New Style Sacred Allegory,” Aperture, , No. 166, Spring 2002, p. 72-78.
Vincent, Stephen. “The Producers,” Art & Auction, June 2002.
Grosenick, Uta and Burkhard Riemschneider. “Art Now: 137 Artists at the Rise of the New Millennium,” The Art Newspaper, June 2002.

Nejadmehr, Rasoul. “Den kvinnliga blickens hemlighet (“The Secret of the Female Gaze”),” Divan, 2001, p. 1-2.
Root, Deborah. “The Ambivalent Yearnings of Shirin Neshat,” Prefix Photo, Volume 2, Number 2, 2001, p. 48-61.
Ross, Christine. “Shirin Neshat, Film, Video and Photo Works,” CV Photo, No. 55, 2001, p. 23-30.
Lyttelton, Celia. “Floating Worlds,” The Curator’s Egg, Volume 1, 2001.
Van Hoof, Marine. “A visages decouverts,” Vie des Arts, No. 185, 2001, p. 52-55.
Legrenzi, Suzanne. “Shirin Neshat, l’Arte nel Silenzio,” iO Donna, 2001.
Behnam, Susan. “De Osynliga Systrarna,” Bang, # 10, 2001.
Wizun, Maya. “Mekka informacji,” Gazeta Listopada, 2001, p. 23-29.
Rohleder, Anna. “Collecting Video Art,” Forbes.com, 2001.
Calvenzi, Giovanna. “Shirin Neshat,” Specchio, March 31, 2001.
Misfeldt, Af Mai, “Iransk inderlighed,” Berlingske Tidende, April 20, 2001.
Brodersen, Annette. “Bag sløret,” Kunst M.M., April 21, 2001.
Armand, Issabelle. “Shirin Neshat,” Connaissance des Arts, May, 2001.
Nørlyng, Af Ole. “Sort og hvidt,” Berlingske-Tidende, May 2, 2001.
Peers, Alexandra. “Art Journal,” The Wall Street Journal, May 21, 2001.
“The New York World,” The New York Observer, May 21, 2001.
Delgado, Jerome. “Les bassesses du monde, les gradeurs de l’art,” May 26, 2001, p.20.
Skarf, Shayna. “Shirin Neshat,” Time Out New York, May 31–June 7, 2001.
Frimbois, Jean-Pierre. “A l’Ecoute face au Mur,” Art Actuel, May/June 2001.
Nakamura, Marie-Pierre. “Shirin Neshat,” Art Actuel, May/June 2001.
Trainor, James. “Shirin Neshat,” Tema Celeste, Summer 2001.
Miller, Paul D. “bits and bytes,” Black Book, Summer 2001.
Solomon, Deborah. “Romance of the Chador,” New York Times Sunday Magazine, March 25, 2001, p. 40-43.
Marefat, Mina. “Shirin Neshat,” Performance for the Planet, Summer 2001.
Dannatt, Adrian. “Where madness is the greatest freedom,” The Art Newspaper, June 2001.
Smith, Roberta. “As Chelsea Expands, a Host of Visions Rush In,” The New York Times, Friday, June 1, 2001.
“Shirin Neshat,” The New Yorker, June 11, 2001.
Armada, Alfonso. “Cîrculo de Fuego,” ABC, June 16, 2001.
Gioni, Massimiliano. “New York Cut Up,” Flash Art, June/July 2001.
Streitfeld, L.P. “The Female Body is the Passage,” New York Arts, July/August 2001.
Halara, Malu. “Shock of the New,” Hot Air Magazine, July/September 2001.
Baillargeon, Stephane. “De Mies a Xi’an,” Le Devoir, August 25-26, 2001, p. C8-9.
Delgado, Jerome. “Photos puissantes,” La Presse, August 30, 2001, p. C4.
Mavirikakis, Nicolas. “Shirin Neshat,” Voir, September 2001, p. 98.
Schwendener, Martha. “Shirin Neshat at Barbara Gladstone,” Artforum, September 2001.
“Shirin Neshat at Musée d’Art Contemporain de Montreal,” Artforum, September 2001.
Pollack, Barbara. “The New Look of Feminism,” Artnews, September 2001, cov. 3.
Swoboda, Victor. “Moliere’s props, van der Rohe’s vision,” September 1, 2001, p. S7.
Lachance, Dominique. “Cet automne dans nos musee,” Le Journal de Montreal, September 1, 2001, p. WE11.
Tousignant, Isa. “Clicking Tongues,” Hour, September 6-12, 2001, p. 50.
amarche, Bernard. “Quelqurs arrets strategiques sur l’image,” Le Devoir, September 9, 2001, p. D8.
Lamarche, Bernard. “L’artist est reapparue,” Le Devoir, September 19, 2001, p. B8.
Collard, Nathalie. “L’Islam de Shirin Neshat, New Yorkaise,” La Presse, September 25, 2001.
Conlogue, Ray. “Museum won’t show Arab art,” September 26, 2001, p. A5.
Gessell, Paul. “A tale of two museums,” The Ottawa Citizen, September 29, 2001, p. A3.
Lamarche, Bernard. “Femmes derriere le voile,” Le Devoir, September 29-October 5, 2001, p. 3.
Derfel, Aaron. “Artist offers view of two worlds,” The Gazette, September 30, 2001.
Wallach, Amei. “Shirin Neshat: Islamic Counterpoints,” Art in America, October 2001.
Tousignant, Zoe. “Veiled Emotions,” Hour, October 2001, 4-10, p. 33.
Crevier, Lyne. “Haute tension,” ICI, October 4-11, 2001, p. 36.
Milroy, Sarah. “An artist looks beyond the veil,” The Globe & Mail, October 4, 2001.
“Shirin Neshat leve le voile sur la realite des femmes,” Metro, October 5-8, 2001 p.16.
Lehmann, Henry. “A world apart,” The Gazette, October 6, 2001.
Delgado, Jerome. “Shirin Neshat - Un Islam poetique,” La Presse, October 6, 2001 p. D3.
Lamarche, Bernard. “Deregler les signes,” Le Devoir, October 6-7, 2001, p. D9.
Lamarche, Bernard. “Shirin Neshat,” Le Devoir, October 6-7, 2001, p. 5.
Mavirikakis, Nicolas. “Shirin Neshat, La voix humaine,” Voir, October 10, 2001, p. 60-61.
Blanchette, Josee. “Visite,” Le Devoir, October 12, 2001, p. B1.
Luscombe, Belinda. “Visions of an Orthodox Beauty,” Time, October 15, 2001.
Paiement, Genevieve. “Through the looking glass,” Mirror, October 18-24, 2001, p. 44.
Bourgault-Cote, Guillaume. “Images fortes,” Le Soleil, October 20, 2001, p. C13.
“Shirin Neshat,” Voir, October 24, 2001, p. 38.
Baillargeon, Stephane. “Poncer les poncifs,” Le Devoir, November 3-4, 2001, p. C1-2.
Nuevo, Frances. “Le voile de l’ignorance,” Le Journal de Montreal, November 17, 2001, p. WE16.
Friede, Eva. “Behind the burqa,” The Gazette, November 20, 2001, p. D1-2.
Zabel, Igor. “Women in Black,” Art Journal, Winter, Volume 60, Number 4, 2001, p. 16-25.
“Shirin Neshat,” Sculptors’ Society Ireland, November/December 2001, p. 20.
Gioni, Massimiliano. “Speaking in Tongues,” Flash Art, November/December 2001, p. 74-77. Gagnon, Paulette. Le Journal du Musée d’Art Contemporain Montreal, October-December 2001.
Marquis, Chantal. “La femme Islam,” Gazette des femmes, V. 23, No. 4, November/December 2001, p. 42.
Pleau, Marcel. “Le femme qui devoile,” RG, December, No. 231, p. 30-31.
Liebmann, Lisa. “Shirin Nesshat,” Artforum, December, p. 96.
Rimanelli, David. “Shirin Neshat, Possessed,” Artforum, December, p. 110.
Baillargeon, Stephane. “Une belle saison,” Le Devoir, December 5, 2001, p. B10.
Mavirikakis, Nicolas. “A Signaler,” Voir, December 12, 2001, p. 51.
Tousignant, Isa. “Seeking Perspective,” Hour, December 20-26, 2001, p. 29.
Crevier, Lyne. “Tout cool,” ICI, December 20 - January 2, 2001.
Krishtalka, Sholem. “Big guns and small fries,” Mirror, December 20 - January 2, 2001, p. 76.
Lepage, Jocelyne. “Art extreme,” La Presse, December 22, 2001, p. D15.
Mavirikakis, Nicolas. “Arts Visuels,” Voir, December 26, 2001, p.18.
Delgado, Jerome. “Raphaelle de Groot, sensible tengagee,” La Presse, December 29, 2001, p. D14.
Lamarche, Bernard. “Bilan buissonnier,” Le Devoir, December 29-30, 2001, p. D7.

Danto, Arthur C. “Shirin Neshat,” Bomb Magazine, Issue 73, Fall 2000.
Malik, Amna. “The Poetics of the Veil,” Portfolio, issue #32, 2000.
Shafa, Saeed. Andisheh Monthly, issue #124, 2000.
Kaplan, Cheryl. “Opposition, Selection, Construction,” Smock, 2000.
Becker, Professor Dr. Wolfgang. “Continental Shift at the Ludwig Forum for International Art in Aachen,” NY Arts, International Edition, Vol. 5, #6, 2000.
Enwezor, Okwui. “Shirin Neshat Soliloquy,” January 2000.
Siegel, Katy. “1999 Carnegie International,” Artforum, January 2000.
Kutner, Janet. “Between the past and the present,” The Dallas Morning News, January 3, 2000.
“Man and Space,” Flash Art, January/February 2000.
Cahmi, Leslie. “Lifting the Veil,” Artnews, February 2000.
Jodidio, Philip. “Shirin Neshat entre deux mondes,”Connaissance Des Arts, March 2000.
Arditi, Farimmi. “Sotto il chador, un corpo-poesia,” La Stampa, March 8, 2000.
Beausse, Pascal. “Shirin Neshat-Jérome De Noirmont,” Flash Art, March/April 2000.
Ziegler, Philip. “Die Poesie der Revolution,” Frame, March/April 2000.
Müller, Silke. “Aufbruch in die islamische Moderne,” ART, Das Kunstmagazin, April 2000.
Schjeldahl, Peter. “Pragmatic Hedonism,” The New Yorker, April 3, 2000.
Hohmeyer, Jürgen. “Fluch der Teufelin Suleika,” Der Spiegel, April 4, 2000.
Solomon, Deborah. “A Roll Call of Fresh Names and Faces,” The New York Times, April 16, 2000.
Christmann, Holger. “Manner kampfen, Frauen paddeln davon,” Die Welt, April 19, 2000.
Siegel, Katy. “Biennal 2000,” Artforum, May 2000.
Dagnini Brey, Ilaria. “Scritto sul corpo,” Elle, May 2000.
Lammerse, Andre. “Limburgse musea kijen over de grens,” De Volkskrant, May 19, 2000.
Driel, Annevan. “Ze horen er helemaal bij,” De Volkskrant, May 25, 2000.
“Shirin Neshat,” Flash Art, Summer 2000.
Kaplan, Cheryl. “Shirin Neshat,” Smock, Summer 2000.
Blanchette, Manon. “Shirin Neshat, Carnegie International,” etc. Montreal, Summer 2000.
Sladen, Mark. “Framed, Shirin Neshat,” The Art Magazine, Summer 2000.
Arditi, Fiamma. “Done di Allah,” ARS, June 2000.
Jeffrey, Moira. “A nation’s Soul Song,” Sunday Herald, June 13, 2000.
van de Velde, Paola. “Reizen tussen de culturen,” De Telegraaf, June 14, 2000.
Cork, Richard. “From Manon to Mirren: our critics select the summer’s arts highlights,” The New York Times, June 16, 2000.
Searle, Adrian. “Hot sounds, cool art,” The Guardian, June 23, 2000.
Heyting, Lien. “Voorzichtig oorcontact,” Cultureel Supplement, June 30, 2000.
Sorkin, Jenni, “A conversation with Shirin Neshat,” Make, June/August 2000.
Thon, Ute. “Interview with Shirin Neshat,” Marie Claire, July 2000.
Jones, Jonathan, “Split screens, divided lines,” Sight and Sound, July 2000.
Gooch, Brad. “A Brilliant Mosaic,” Harper’s Bazaar, July 2000.
Gleadell, Colin. “It pays to stuff,” The Daily Telegraph, July 3, 2000.
MacCash, Doug. “New Developments,” The Times-Picayune, July 14, 2000.
“The week in two minutes, photography-Shirin Neshat,” The Times, July 22, 2000.
“Shirin,” Scotland, September 4, 2000.
Bruce, Keith. “On the wings of our Angels,” The Herald, September 4, 2000.
Calas, Terrington. “Inside Photography,” The New Orleans Contemporary Art Review, September/October 2000.
Payam – Ashena: a Persian Community Journal, October 2000.
Casadio, Mariuccia. “Shirin Neshat,” Vogue Italia, October 2000.
Leleu, Nathalie. “La Querelle des Images,” Parachute, October/December 2000.
Tschumi, Bernard. “Best of 2000,” Artforum, December 2000.

Miller, Paul. “Motion Picture: Shirin Neshat’s Turbulent,” Parkett, issue #54, 1999.
Neel, Alex. “Shirin Neshat: Turbulent,” Time Out New York, January 7, 1999.
Saltz, Jerry. “New Channels: Shirin Neshat & Doug Aitken,” Village Voice, January 12, 1999.
Smith, Valerie. “Reviews: Shirin Neshat,” New Art Examiner, April 1999.
Glaser, Sheila. “Shirin Neshat’s Rapture at D’Amelio Terras,” Art & Auction, May1999.
Schorr, Collier. “Turbulence and Rapture,” Harper’s Bazaar, May 1999.
Obejas, Achy. “Daughter of Iran,” Chicago Tribune, May 11, 1999.
Rowley, Alexandra. “Face Off,” Village Voice, June 8, 1999.
Pagel, David. “Opposites Attract Metaphors in Black-and-White Rapture,” Los Angeles Times, June 8, 1999.
Sirmans, Franklin. “Shirin Neshat, Rapture,” Time Out New York, June 17-20, 1999.
Danto, Arthur C. “Pas de Deux, en Mass: Shirin Neshat’s Rapture,” The Nation, June 28, 1999.
Camper, Fred. “Houses Divided,” Chicago Reader, July 9, 1999.
Rugoff, Ralph. “Global art reaches Santa Fe,” Financial Times, July 31-August 1, 1999.
Verzotti, Giorgio. “La Biennale delle culture emergenti,” Tema Celeste, July/September 1999.
Birnbaum, Daniel. “Practice in theory,” Artforum, September 1999.
“F: Female Trouble,” Esquire, September 1999.
Zaya, Octavio. “Shirin Neshat,” Interview Magazine, September 1999.
Alimanestianu, Irina. “Shirin Neshat,” Art Issues, September/October 1999.
Gellatly, Andrew. “Just add water,” Frieze, September/October 1999.
Jones, Ronald. “Sovereign Remedy,” Artforum, October 1999.
Politi, Giancarlo. “The Venice Biennale,” Flash Art, October 1999.
Wallach, Amei. “Striking a balance between Western and Islamic Values,” The New York Times, November 23, 1999.
Kastner, Jeffrey. “Shirin Neshat,” Art Text, November/January 1999.
Blanchette, Manon. “Karlsruhe, Video cultures ou quelques exemples d’interrogation du regard,” Etc Montreal, December 1999.

Anderson, Geneva. “Fundamentale Gesichtspunkte: Ein Gesprach mit Shirin Neshat,” Neue Bildende Kunst, Intervista, Cover, Milan, 1998.
Goodman, Jonathan. “Poetic Justice: Shirin Neshat Defends the Faith,” World Art, issue#16, 1998.
“Identity,” Grand Street, New York, issue #62, 1998.
“Spin City: Christian Haye on the Istanbul, Johannesburg and Kwangju Biennale,” Frieze, issue #38, 1998.
Barragan, Paco. “Shirin Neshat: Women of Allah,” Metropolis, Holland, No. 5, 1998.
Zabel, Igor. “Shirin Neshat,” Moscow Art Magazine, No., 1998.
Martinez, Rosa. “Istanbul Biennale,” Flash Art, January 1998.
“La Turbulencia Irani,” El Pais, Madrid, February 17, 1998.
Macri, Teresa. “Il Turbamento di Shirin Neshat,” Il Manifesto, Rome, February 22, 1998.
Piccoli, Cloe. “Le Ultime Donne,” La Repubblica delle Donne, March 31, 1998.
Kawachi, Taka. “Rising Arabic/Islamic female Artists in New York,” Composite, April 1998.
Heartney, Eleanor. “Report from Istanbul: In the Realm of the Senses,” Art in America, April 1998.
Falces, Manuel. “Nueve formas de uso radical de la camera,” El Pais, Madrid, April 2, 1998.
Sierra, Rafael. “La mujer islamica ha sideo traicionada por la Revolucion,” El Mundo, April 2, 1998.
“Three Decades Inside Art,” Flash Art, Summer 1998.
Zaya, Octavio, Igor Zabel and Pilar Gonzalo. “Shirin Neshat,” ARTEPARTE, Madrid, June/July 1998.
Zimmer, William. “Two Ways to Tell a Story Very Carefully,” The New York Times, June 7, 1998.
Cork, Richard. “Diana-The never ending picture show,” Times Magazine, London, August 29, 1998.
Attias, Laurie. “Shirin Neshat,” Artnews, November 1998.
Turner, Jonathan. “Portraits of a Lady,” Artnews, November 1998.
Cotter, Holland. “Shirin Neshat,” The New York Times, November 27, 1998.
Greenberg, Sarah. “Women’s Words,” The Art Newspaper, December 1998.
F. Sa. S. “Le turbolente preghiere di Shirin,” Domenica, Milan, December 6, 1998.
Kent, Sarah. “Shirin Neshat,” Time Out London, December 12, 1998.

Kleinschmidt, Klaus. “Shirin Neshat,” Spiegel Das KulturMagazin EXTRA Border/Lines, February 1997.
“Lo Visible Y Lo Invisible,” ABC Cultural, Madrid, February 1997.
“La Presencia Feminista,” Diario16, February 1997.
Intervista, Italy, February 1997.
“Aufdecken oder verratseln,” Kulturgemeinschaft des DGB, February 1997.
Mania, Patrizia. “Dietro il Chador,” Opening, Spring 1997.
“Iranian Souls,” The Art Newspaper, March 1997.
LTB. “Iraans oogwit beschilderd met inkt,” DeVolskrants, Amsterdam, April 1997.
De Vries, Marina. “Vrouwen van Allah zwijegen,” Het Parool, Amsterdam, April 1997.
Chaiklin, Amy. “Shirin Neshat: Recollection of a studio encounter,” NY Arts Magazine, April 1997.
Ribalta, Jorge. “Diez fotografas muestran sus autorretratos falsos en el Macba,” La Vanguardia, April 1997.
Kuhn, Nicola. “Sprung aus der Schublade,” Der Tagesspiegel, Berlin, May 1997.
Gray, Lori. “New Art Blows into the Windy City,” Art + Auction, May 1997.
“Berliner Ausstellungsstreit: Wem gehort die Moderne?” Die Welt, May 1997.
Paldi, Livia. “Allah asszonyai,” Balkon, Budapest, June 1997.
The New Yorker, June 1997.
Zado, Julia. “An Extreme Case of Faith,”View on Colour, Issue 11, October 1997.
Hoholt, Stine. “Women in Iran,” Katalog: Journal of Photography & Video, Denmark, October 1997.
Sirmans, Franklin. “Johannesburg Biennale,” Flash Art, October 1997.
Suner, Maite. “Iran Miradas sin voz,” Marie Claire, Spain, October 1997.
Bertucci, Lina. “Shirin Neshat,” Flash Art, interview, November/December 1997.

Lemme, Maria Tiziana. “Femminismo e chador, le donne di Allah,” Il Mattino, Naples, February 1996.
Baratta, Enzo. “Donne di Allah, vittime dell’Islam,” Il Giornale di Napoli, Naples, February 1996.
Macri, Teresa. “Le Donne Svelate,” Il Manifesto Extra, February 1996.
Zaya, Octavio. “Armed and Dangerous,” Arude, Spring 1996.
Reid, Calvin. “Review,” Art In America, March 1996.
Messitte, Abby. “Shirin Neshat,” TART Magazine, New York, Summer 1996.
Nowick, Shay. “Shirin Neshat,” Juxtapoz, Summer 1996.
“Ein Medium Gewinnet Seine Freiheit,” Art das Kunstmagazin, Germany, June 1996.
Kasam, Viviana. “L’Islam sulla pelle,” IO Donna, Italy, June 1996.
“Take it to the bridge,” New York Magazine, July 15, 1996.
Smith, Roberta. “In Tomblike Vaults, the Future Flickers and Hums,” The New York Times, August 9, 1996.
Zaya, Octavio. “Q+A: Shirin Neshat,” Creative Camera, October/November 1996.
Kirker, Anne. “Politics of Spirituality,” Photofile, Sydney, a, November 1996.

Zaya, Octavio. “Neshat: Quiero contarel complejo mundo de la mujer musulmana,” DIARIO 16, Spain, 1995.
Turner, Jonathan. “Biennial Blues,” Artnews, Summer, 1995.
Raynor, Vivien. “From Around the World, With Sparkle, on Human Scale,” The New York Times, September 17, 1995.
Budney, Jen and Shannon Pultz. “A Centenarian Biennal,” Flash Art, October, 1995.
Levin, Kim. “Choices,” Village Voice, October 24, 1995.
Karmel, Pepe. The New York Times, October 28, 1995.
“Allah in Kadinlari,” Hurriyet, Turkey, November 1995.
Koynucuoglu, Emre. ‘“Sterotip’ in Otesindeki Dogulu Kadin,” Cumhuriyet, November 1995.
“Istanbul Biennal,” Cumhuriyet, November 9, 1995.
Santing, Froukje. “Istanbul Biennal,” NRC Handersblad, November 27, 1995.
Schwendener, Martha. New Art Examiner, December 1995.
Schwabsky, Barry. Artforum, review, December 1995.
“Doubling,” issue of New Observation, guest-edited by GODZILLA, New York, 1995.
Kyoto Journal. Kyoto, 1995.

Zaya, Octavio. Flash Art, December, 1994.
Zaya, Octavio. “Shirin Neshat and the Women of Allah,” Purple Prose, France, #7, 1994.
Zaya, Octavio. “Shirin Neshat and the Women of Allah,” ATLANTICA, Spain, 1994.
Wilson, William. “Through the Lens of Iranian Culture,” Los Angeles Times, 1994.
Leddy, Pat. “Present and Past,” Art Week, 1994.
Gazanov, Mathis. “Beneath the Veil,” Los Angeles Times, 1994.
Tanaka, Rodney. “Artists explore identity in new Fowler exhibit,” Summer Bruin, UCLA publication, 1994.
Donohue, Marlena. “Picturing Sensitivity,” The Los Angeles Daily Breeze, 1994.
Mitchell, Emily. “People,” Time Magazine, 1994.
“Iranian Artist: Rethinking Veiling,” Iran Times, 1994.
Henneberger, Melinda. “Redefining Immigrant In The Bronx,” The New York Times, 1994.
Wallach, Amei. “Rejecting The Melting Pot: My Canvas, My Self, Shirin Neshat,” New York Newsday, 1994.
Sugarman, Raphael. “Art Across Cultures,” Daily News, 1994.

Bobby, Kate. “Exploring the Secrets of the Veil,” New Directions For Women, 1993.

Shirin Neshat: Dreamers Trilogy. Dornbirn: Kunstraum Dornbirn, 2018.