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October 6, 2022 – November 12, 2022
515 West 24th Street
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Gladstone Gallery is pleased to announce an exhibition of new paintings by Anicka Yi. This presentation marks the artist’s first show with the Gallery in New York and in the city in nearly a decade. Borne from the artist’s early experiments with painting, in which the artist created canvas-like configurations with glycerin soap and various found materials, the works in this exhibition continue upon Yi’s exploration of imagemaking through an implementation of inventive approaches. Depicting both recognizable and abstracted forms, such as painterly brushstrokes and washes of color, to blood cells and fish eggs, scratched and ruptured skin, polyps and crustaceans, and the undulations of a deep ocean floor, these textural and sculptural compositions demonstrate the artist’s imaginative ability to depict forms in space. Working beyond the confines of two dimensions, these works interrogate painting’s mythical associations with individual authorship and the physical body and human agency of the painter.
Gladstone Gallery is pleased to announce an exhibition of new paintings by Anicka Yi. This presentation marks the artist’s first show with the Gallery in New York and in the city in nearly a decade. Borne from the artist’s early experiments with painting, in which the artist created canvas-like configurations with glycerin soap and various found materials, the works in this exhibition continue upon Yi’s exploration of imagemaking through an implementation of inventive approaches. Depicting both recognizable and abstracted forms, such as painterly brushstrokes and washes of color, to blood cells and fish eggs, scratched and ruptured skin, polyps and crustaceans, and the undulations of a deep ocean floor, these textural and sculptural compositions demonstrate the artist’s imaginative ability to depict forms in space. Working beyond the confines of two dimensions, these works interrogate painting’s mythical associations with individual authorship and the physical body and human agency of the painter.