Gladstone Gallery’s group presentation at Art Basel 2025 comprises new and historical works by artists from across the gallery’s expansive program. Among the highlights is Keith Haring’s Untitled (1983), a dynamic sumi ink on wood, featuring the artist’s iconic visual lexicon. Other notable works include Signs (1969), a politically charged collage by Robert Rauschenberg that encapsulates the tumultuous spirit of the 1960s and was originally conceived as a cover for Newsweek, and Untitled (1998) by Sigmar Polke, which exemplifies his signature raster technique and offers a critique of mass media imagery. The presentation also features Alex Katz’s Lilies 11 (2025), a commanding floral canvas; Anicka Yi’s mixed media piece §†RñRñK§ (2025), exhibited to coincide with her major solo exhibition at UCCA in Beijing; and David Salle’s Talk Therapy (2025), which layers figuration and abstraction in a characteristically cinematic narrative.

The presentation additionally includes work by Rosemarie Trockel, whose solo exhibition is currently on view at Gladstone’s 21st Street location in New York; Anna Zemánková, whose solo show was recently on view at the gallery’s 64th Street space in New York; Salvo, the subject of a solo exhibition at the gallery’s Seoul location; and Andro Wekua, whose solo exhibition opens at Gladstone’s 24th Street location this fall. Additionally featured artists include Richard Aldrich, Ed Atkins, Matthew Barney, Joan Jonas, Karen Kilimnik, Hao Liang, Marisa Merz, Rachel Rose, Jill Mulleady, Ugo Rondinone, Amy Sillman, Carrie Mae Weems, and Jospeh Yaeger, among other gallery artists.