로버트 라우슨버그 스트리트 스위트 (칼레 델 쿠아르토) / ROCI 쿠바, 1988 알루미늄 산화물, 거울 알루미늄 및 아연 도금 강철로 만든 실크스크린 잉크 및 에나멜 작품 84 78 x 84 34 x 1 12 인치 (215.7 x 215.3 x 3.8 cm) © 로버트 라우슨버그 재단 / 아티스트 권리 협회 (ARS)의 VAGA 사진: 론 암츄츠

소개

Born on October 22, 1925 in Port Arthur, Texas, Robert Rauschenberg worked in what he called the gap between art and life. Over the course of his sixty-year career, Rauschenberg’s art embodied a spirit of experimentation with new materials and techniques. Dubbed an enfant terrible for his assemblages of urban detritus (the Combines of 1954–64), Rauschenberg continued exploring many different mediums and technological advancements in the years following his 1970 decampment to Captiva Island in the Gulf of Mexico, off the Florida coast. Although he demurred from affiliations with any particular movement, he has been called a forerunner of essentially every postwar artistic development since Abstract Expressionism.

In addition to his own artmaking practice, Rauschenberg became an advocate for artists and the creative community at large. In September 1970, he founded Change, Inc., a non-profit organization that helped artists with emergency expenses. From 1984–91, he personally funded the Rauschenberg Overseas Culture Interchange (ROCI), traveling to ten countries outside of the United States to spark cross-cultural dialogue through art.

Rauschenberg died on May 12, 2008 in his Captiva studio. His artistic legacy and his lifelong commitment to collaboration with artists, performers, writers, artisans, and engineers worldwide was recognized long before his death. His expansive artistic philosophy lives on through his highly innovative and influential work to the present day.

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