we are poems
November 18 — December 22, 2011
Brussels
Gladstone is pleased to announce an exhibition of new work by Swiss artist Ugo Rondinone. Born in 1964, Rondinone has been working since the mid 1980s to create immersive and affectively charged meditations on the experiential qualities of the everyday. Drawing upon the subject of the dream and dream-states as well as the metaphysical nature of being in the world, Rondinone subtly crosses the borders between the personal and the universal while working in a broad range of media, including sculpture, photography, video, and drawing. Using stark installations stripped of narrative action, Rondinone deftly crafts scenarios in which the viewer is confronted with the primacy of one's own existence and the fleeting charge of the present moment.
설치
작품
소개
Ugo Rondinone (b.1964, Brunnen, Switzerland) studied at the Universität fur Angewandte Kunst in Vienna before moving to New York in 1997 where he currently lives and works. His work has been the subject of solo presentations at the Centre George Pompidou, Paris (2003); Whitechapel Gallery, London (2006); Art Institute of Chicago, Illinois (2013); Rockbund Art Van Beuningen, Rotterdam (2016); Museo de Arte Contemporáneo de Roma, Rome (2016); Carre D’Art, Nimes, France (2016); Berkeley Art Museum, California (2017); Contemporary Arts Center, Cincinnati (2017); Bass Museum of Art, Miami (2017); Belvedere, Vienna (2021); Tamayo Museum, Mexico City (2022); Schirn Kunsthalle, Frankfurt (2022); Petit Palais, Paris (2022); Scuola Grande San Giovanni Evangelista di Venezia, Venice (2022); The Musée d’Art et d’Histoire, Geneva (2023); Parrish Museum, Water Mill, New York (2023); Städel Museum, Frankfurt (2023); Storm King Art Center, New Windsor, New York (2023); Museum SAN, Wonju, Korea (2024); Kunstmuseum Luzern, Switzerland (2024); Würth Museum, Kunzelsau, Germany (2024); Aspen Art Museum, Colorado (2024); Madoo Conservancy, Sagaponack, New York (2025); Pilane Sculpture Park, Tjörn, Sweden (2025); and Institute de France, Paris (2025).
