Claudia Comte

Temporal Drift (coral, leaf, cactus), 2025
Freestanding wall painting and white carrara marble
Wall: 157 1⁄2 x 767 3⁄4 x 19 3⁄4 inches (400 x 1950 x 50 cm)
Coral: 78 3⁄4 x 98 1⁄4 x 34 7⁄8 inches (200 x 249.4 x 88.6 cm)
Leaf: 110 1⁄4 x 60 1⁄4 x 24 3⁄4 inches (280 x 153.1 x 62.8 cm)
Cactus: 126 x 65 1⁄2 x 34 1⁄2 inches (320 x 166.6 x 87.8 cm)
Photo: Maris Mezulis

关于我们

Photo: Gunnar Meier

Claudia Comte (b. 1983, Morges, Switzerland) lives and works in Basel, Switzerland. She works between media, often combining sculptures or installations with wall paintings, to create immersive environments where multimedia works unfold with a visual rhythm that is both methodical and playful.

Recent solo and group exhibitions include K&L Museum, Seoul, Korea (2024); Lehmbruck Museum, Duisburg (2023); LagoAlgo, Mexico City (2023); Fundación Casa Wabi, Oaxaca, Mexico (2023); Desert X, Alula, Saudi Arabia (2022), Museum Haus Konstruktiv, Zürich (2022), 58th October Salon - Belgrade Biennale (2022), Museo Nacional Thyssen-Bornemisza, Madrid (2021), Kunstraum Dornbirn, Austria (2020); Castello di Rivoli, Turin, Italy (2019), Copenhagen Contemporary, Denmark (2019); MOCA Cleveland, Ohio (2018); Kunsthalle Basel, Switzerland (2018); KölnSkulptur #9, Cologne, Italy (2017); Basement Roma, Italy (2017); Messeplatz, Art Basel, Switzerland (2017); Kunstmuseum Luzern, Switzerland (2017); Desert X, Palm Springs, California (2017); Public Art Fund, New York (2016); Haus Konstruktiv, Zurich (2014).

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Humor Nurtures Love

Art Territory ↗

Anda Klavina

September 28, 2023

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Vaccination can be relaxing. Just ask these museum visitors

The New York Times ↗

Elisabetta Povoledo

May 4, 2021

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Deep dive: artist Claudia Comte on preserving marine life through art

Wallpaper* ↗

Simon Mills

February 2, 2021

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‘I Wanted to Leave Something in Return’: Artist Claudia Comte on Why She Installed Permanent Underwater Sculptures Off Jamaica’s Coast

Artnet ↗

Sarah Cascone

August 19, 2019

Claudia Comte’s Forest of Carved Reliquaries

Whitewall ↗

Talia Elbaz

July 13, 2018

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Surprises and Innovations Abound at Art Basel

The New York Times ↗

Louis Lecero II

June 15, 2017

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Experiential Art Puts a Song in People’s Path

The Wall Street Journal ↗

Andy Battaglia

July 14, 2016

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Review: NO MELON NO LEMON at Gladstone Gallery

Art in America ↗

Tatiana Istomina

May 1, 2015

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