The host of unlikely marriages, transposed identities, and disparate doppelgangers that populate Arthur Jafa’s oeuvre come to full clarity in his new body of sculptures. Composed of industrial materials such as rubber tubing, aluminum beams, and steel pipes that are embellished with lengths of fur, chains, feathers and languidly draped bags, these objects reckon with the instrumentalization of the black body while shielding it with sartorial excess. Alluding to what Jafa calls “glamouring,” these sculptures simultaneously reference the burdensome machinations of double consciousness while also contending with the duplicity synonymous with glamour itself.