Michael Williams

Studiosis

June 20 — August 2, 2024

纽约:24街

Gladstone呈献了《Studiosis》,这是Michael Williams的新绘画和素描作品展。这次展览中的绘画作品与Williams最近在材料和图像方面的选择有所不同,它纯粹使用模拟模式进行标记并从视觉观察中生成主题。在较早的作品中,Williams曾融入数字绘画和喷墨打印来挑战传统绘画教义,而《Studiosis》则展现了他对传统的拥抱,通过使用传统的方式,即刷子和颜料来进行绘画。在《Studiosis》中,Williams探讨了他的画室内部作为绘画的历史主题。而在Williams之前的很多作品中,他都是通过大脑中虚构的主题、意义和形象来创作,而在这里,他转向了观察性绘画,以此来削弱当代艺术家的个人主义立场。

展览现场

《安装视图,迈克尔·威廉斯:斯特迪奥斯莱斯》, 格莱德斯通画廊, 纽约, 2024年。

作品

迈克尔·威廉姆斯

室内肖像,2024年 丙烯画布 84 1⁄8 x 68 英寸(213.7 x 172.7 厘米) 镶框尺寸:85 3⁄8 x 69 3⁄8 x 2 英寸(216.9 x 176.2 x 5.1 厘米)

关于我们

Michael Williams (b. 1978, Doylestown, Pennsylvania) lives and works in Los Angeles. He has been the subject of major exhibitions at The Power Station, Dallas (2022); LOK, the Kunstzone in the Lokremise, Kunstmuseum St.Gallen, Switzerland (2021); Le Consortium, Dijon, France (with Tobias Pils, 2017); Carnegie Museum of Art, Pittsburgh (2017); Musée des Beaux-Arts de Montréal, Canada (2015); and Gallery Met, New York (2015). Recent group shows include .paint, Museum of Contemporary Art Chicago (2020); Joe Bradley, Oscar Tuazon, Michael Williams, Brant Foundation Art Study Center, Greenwich, Connecticut (2018); The Trick Brain, Aïshti Foundation, Lebanon (2017); High Anxiety: New Acquisitions, Rubell Family Collection, Miami (2016); Artists and Poets, Secession, Vienna (2015); and The Forever Now: Contemporary Painting in an Atemporal World, Museum of Modern Art, New York (2014). His work is in the permanent collections of institutions including the Hammer Museum, California; Dallas Museum of Art, Texas; Museum of Modern Art, New York; Whitney Museum of American Art, New York; and Musée des Beaux-Arts de Montréal, Canada.

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