Thomas Hirschhorn


Exhibition Catalogues, Monographs, and General Publications


Field Guide. Saskatoon: Remai Modern, 2017.

Snauwaert, Dirk. The Absent Museum: Blueprint for a Museum of Contemporary Art for the Capital of Europe. Brussels: Mercatorfonds, 2017.

Voorhies, James. Beyond Objecthood: The exhibition As A Critical Form Since 1968. Cambridge: MIT Press, 2017.

Steinweg, Marcus. The Terror of Evidence. Cambridge: MIT Press, 2017.


Senie, Harriet F. Memorials to Shattered Myths. New York: Oxford University Press, 2016.

Morse, Trent. Ballpoint Art. London: Laurence King Publishing, 2016

Mobile Autonomy: Exercises in Artists’ Self-Organization (Antennae). Amsterdam: Valiz/Antennae Series, 2016.


Thomas Hirschhorn: Gramsci Monument. New York and London: Dia Art Foundation and Koenig Books, 2015.

Twentieth Anniversary Exhibition. London: Stephen Friedman Gallery, 2015.

Artistes et Architecture: Dimensions variables. Paris: Editions du Pavillon de l’Arsenal, 2015.


Connolly, Maeve. TV Museum: contemporary art and the age of television. Chicago: Intellect, 2014.

Van Gough Live!: Inauguration. Arles: Foundation Vincent Van Gogh, 2014.


The Human Factor: The Figure in Contemporary Sculpture. New York: Distributed Art Publishers, 2014.


Holzwarth, Hans Werner. Art Now Vol 4. Cologne: Taschen, 2013. 


Harper, Glenn and Twylene Moyer, eds. Artists Reclaim the Commons, New Jersey: isc Press, 2013


Braun, Christina. Thomas Hirschhorn: Ein Neues Politisches Kunstverständnis? Munich: Verlag Silke Schreiber, 2013.

Hirschhorn, Thomas; Lisa Lee and Hal Foster, eds. Critical Laboratory: The Writings of Thomas Hirschhorn, Canada: MIT Press, 2013.

Grovier, Kelly. 100 Works of Art That Will Define Our Ages, Thames & Hudson, 2013.


Thomas Hirschhorn: On The Occasion of the Exhibition. Edition Galerie Susanna Kulli, 2012.

Saehrendt, Christian. KASSEL documenta-Geschichten, Märchen und Mythen: Ist das Kunst oder kann das weg? Der Führer zur documenta-Stadt. Cologne: Dumont, 2012.

Intense Proximité: Une Anthologie du Proche et du Lointain. Paris: Edition Artlys, 2012.

Les Maîtres du Désordre. Paris: Musée du Quai Branly, 2012.


Establishing A Critical Corpus, JRP Ringier, 2011

Defining Contemporary Art – 25 years in 200 pivotal artworks. London: Phaidon, 2011.

The Luminous Interval: The D. Daskapoulos Collection. Bilbao: Guggenheim Bilbao, 2011.

La Biennale di Venezia 2011: ILLUMInations. Marsilio Editore, 2011.

Eleey, Peter. September 11. New York: MoMA PS1, 2011.

With reference to Hans Haacke. Cologne: König, 2011.

Wappler, Friederike. New Relations in Art and Society. Zurich: JRP Ringier, 2011.


Too Too Much, Museum Dhondt-Dhaenens, Belgium, 2010.


Of Bridges & Borders, JRP | Ringier, 2009.

Walking in My Mind, Hayward Gallery, London, 2009


Lagnado, Lisette, Adriano Pedrosa, and Casac Naify, eds. 27a. Bienal de São Paulo: Como Viver Junto, São Paulo, 2008.

Paixóns Privadas, Visións Públicas Collections D.O. Galicia, Museo de Arte Contemporánea de Vigo, Spain, 2008.

Stations: 100 Masterpieces of Contemporary Art, DuMont Buchverlag, Köln, 2008.

This is Not to be Looked At: Highlights from the Permanent Collection of the Museum of Contemporary Art, Los Angeles, 2008.

Stand-alone, Museo Tamayo, Mexico, 2008.   

Cross, Caroline. Qu’est-ce que La Sculpture Aujourd’hui? Beaux Arts. Editions 2008.


Into Me/Out of Me, KW Institute for Contemporary Art, P.S.1 Contemporary Art Center, Hatje Cantz, Ostfildern, 2007.

Collage: The Unmonumental Picture, New Museum of Contemporary Art, New York

Michalka, Matthias, The Artist as…, MUMOK, Wien, 2007.

Volksgarten: Politics of Belonging, Walther König, 2007.

Mercurio, Gianni and Demetrio Paparoni, eds. Timer: Intimacy, Skira Editore, Italy, 2007.

Ice Cream, Phaidon Press Limited, London, 2007.


Andrews, Max, ed. Land, Art: A Cultural Ecology Handbook, The RSA, London, 2006.

Bishop, Claire, ed. Participation: Documents of Contemporary Art, Whitechapel & MIT Press, London & Cambridge, 2006.

Merewether, Charles, ed. The Archive: Documents of Contemporary Art, Whitechapel & MIT Press, London & Cambridge, 2006.

Richer, Francesca, and Matthew Rosenzweig, eds. No. 1: First Works by 362 Artists, DAP, New York.

Jones, Amelia, ed. A Companion to Contemporary Art Since 1945, Blackwell Publishing.

Who Cares, Creative Time Books, New York.

Bonami, Francesco, ed. Infinite Painting: Contemporary Painting and Global Realism, Villla Manin Centro d'Arte Contemporanea, Italy, 2006.

Musee Precaire Albinet, Editions Xavier Barral, Les Laboratoires d'Aubervilliers, France, 2006.


Art Now Vol 2, Taschen, New York, 2005.

Bonami, Francesco, ed. Bidibidobidiboo: Works from Collezione Sandretto Re Rebaudengo, Skira Editore S.p.A., Milan, 2005.

Gingeras, Alison M. Press Play: Contemporary Artists in Conversation. Phaidon Press, New York, 2005.

Anschool: Texts, Projects, Letters, 26.05.05- 11.09.05, Bonnefantenmuseum, Maastricht, The Netherlands.


Public Art: A Reader, Hatje Cantz Publishers, p. 247.

Coetzee, Mark. Not Afraid: Rubell Family Collection. Phaidon Press: New York, London, 2004.

Coleccion Siglio XXI, Aquisiciones 2003-2004, Spain.


"Thomas Hirschhorn interviewed by Iris Mickein," Common Wealth, Tate Publishing: London, 2003.

Sojitrawalla, Shirin. “Der Höllenheimwerker,” Die Zeit, no. 1 December 22, 2003.

Images of Society. Kunstmuseum Thun: Swizerland, 2003.

Boutoux, Thomas, ed. Hans Ulrich Obrist Interviews, Volume 1: Edizioni Charta: Milan, 2003.

Gesellschaftsbilder: Images of Society. Kunstmuseum Thun.

Sparks, Karen J. “Redefining Art,” 2002-03: Year in Review," Encyclopedia Britannica, Chicago.


Curiger, Bice. Short Guide into the Work of Thomas Hirschhorn. Barbara Gladstone Gallery, New York: 2002.

Honour, Hugh and John Fleming. A World History of Art, Laurence King, 2002.


Le Prix Marcel Duchamp, 2000, Association pour la Diffusion Internationale de l’Art Français, Paris.

Material: Public Works-The Bridge, 2000, Whitechapel Art Gallery.

Spinoza Monument, Point d’Ironie, agnès b.

Beeldende Kunst, Collection of Flemish Community Acquisitions 1996/1997/1998, Editions Sabam.

A Small Museum and a Large Library of Contemporary Art, Parkett, Parkett Publishers.

Public Art, Kunst im öffentlichen Raum, Florian Matzer, Hatje Cantz Verlag.


James, Jamza Walker. Jumbo Spoons and Big Cake, The Art Institute of Chicago, World Airport, Society at The University of Chicago.

Deleuze-Monument, les documents, La Beauté, Avignon, 2000, published by Thomas Hirschhorn.

La Beauté, Mission 2000 en France, Avignon.

Orbis Terrarum, Antwerpen Open, Antwerp

Vision Machine, Musée des Beaux-Arts de Nantes, éditions Somogy.

Rendez-vous, Collection Lambert, Hôtel de Caumont, Avignon, éditions Actes Sud.

Partage d’exotisme, Biennale de Lyon, éditions RMN.

La forma del mondo / La fine del mondo, Padiglione d’Arte Contemporaneo, Milan, éditions Medusa.

Eiszeit, Kunstmuseum Bern.

Aller Anfang ist Merz – Von Kurt Schwitters bis Heute, Sprengel Museum Hannover, Hatje Cantz Verlag.

Protest & Survive, Whitechapel Art Gallery, London.

Utopie concrète,10 ans, vingt-neuf expositions, Espace de l’Art Concret, Mouans-Sartoux.

Becker, Wolfgang, ed. Continental Shift, Ludwig Forum, Aachen, Herausgeber Editor.

Collections 1989/1999, Frac PACA, édition 2000, éditions Actes Sud.

Ein/räumen, Arbeitien im Museum, Hamburger Kunsthalle.

Vivre sa vie, Glasgow.

La santé des restes, Musée Ziem, Martigues, éditions RMN.

Etat Des Lieux, Centre d'Art Contemporain Fri-Art Kunsthalle.


Gingeras, Alison. “Thomas Hirschhorn: grace a la betise,” Art Press, 1999.

1999 Calendar edited by Portikus.

France, une nouvelle génération, ADIAF.

Zone, [Espèces d’Espaces], Fondazione Sandretto Re Rebaudengo, Guarene d’Alba.

Massera, Jean-Charles. New Order Automne: Hiver 99, Musée d’Art Moderne de Saint-Etienne.

48 Venice Biennale, Venice.

Mirror’s Edge, Bildmuseet, Umea.

Masséra, Jean-Charles. World Corners: United Emmerdements of New Order, Musée d’Art  Moderne de Saint-Etienne.

Fleck, Robert, Alison Gingeras, Philippe Vergne, and Marcus Steinweg. “Doug Aitken, Nan  Goldin, Thomas Hirschhorn," Parkett, No. 57, Parkett Publishers.

Hypothèses de collection, Musée du Luxembourg, Paris.

Bonami, Francesco, and Hans Ulrich Obrist, eds. Dreams, Fondazione Sandretto Re Rebaudengo per l’Arte, Castelvecchi.

Le Repubbliche dell’Arte – Svizzera, Centro d’Arte contemporanea, Palazzo delle Papesse, Siena.

The End of the World, Kunsthaus Zürich.

Another Swiss Panorama, 8th Biennale de l’Image en Mouvement, Centre pour l’image contemporaine, Saint-Gervais, Geneva.


Falconer, Morgan. “The thousand year blues start here,” Highbury and Islington Express, December 1998.

Goumarre, Laurent. “Musee d’art moderne de la Ville de Paris,” Art Press, February 1998.

Levine, Angela. “But is this art,” The Jerusalem Post, September 1998.

Swiss Army Knife, Kunsthalle Bern.

Rolex etc., Freundlich’s ‘Aufstieg’ und Skulptur-Sortier-Station Dokumentation, Museum  Ludwig, Cologne.

Freie sicht aufs mittelmeer, Kunsthaus Zürich.

Ein Kunstwerk, ein Problem, Portikus, Frankfurt.

World Corners, Chisenhale Gallery, London.

Premises: Invested Spaces in Visual Arts & Architecture from France, 1960’s-1990’s, Solomon R. Guggenheim Museum, New York.

33 Ausstellungen im öffentlichen Raum, Schweizerische Graphische Gesellschaft, Zurich.

Unfinished History, Walker Art Center, Minneapolis.


Craddock, Sacha. “Parisiennes,” The New York Times, March 1997.

Hunt, Ian. “Parisien(ne)s,” Art Monthly, 1997.

Joseph, Manuel. Prospectus et Anthropophographie I, Galerie Chantal Crousel, Paris.

Fort ! Da ! Cooperations, Villa Merkel, Esslingen am Neckar.

Parisien(ne)s, Camden Arts Centre, London.

Skulptur Projekte in Münster, Munster.

Ici et maintenant, Parc de la Villette, Paris.

Nonchalance, Centre PasquART, Bienne.

Delta, Musée d’Art Moderne de la Ville de Paris.

Ici et maintenant (épilogue), Parc de la Villette, éditions Actes Sud.

Stange, Raimer. Projekte der Galerie im KünstlerHaus Bremen, April 1996- Dezember 1997, Bremen.


Thomas Hirschhorn, Virus–Ausstellung, Galerie Arndt & Partner, Berlin.

Thomas Hirschhorn, In Rahmen der Ausstellung, Galerie Susanna Kulli, St. Gallen.

Thomas Hirschhorn, Bilbao catalogue, Journal de l’Institut Français de Bilbao, no. 5 April/May/June 1996.

Thomas Hirschhorn, 3 Auflage Katalog, Luzern, Kunstmuseum Lucerne.

Winter, Georg. Thomas Hirschhorn, Vor Ort, Kunst in städtischen Situationen, Langenhagen.

Castillejo, Daniel, and Pascale Cassagnau. Thomas Hirschhorn W.U.E. World-Understanding-Engine, Rekalde 2, Bilbao.

Stilleben – nature morte – Natura Morta – Still life, Helmhaus Zürich.

XIIe Ateliers du FRAC des Pays de la Loire, Saint-Nazaire.


Thomas Hirschhorn, 1 Auflage Katalog, Künstlerhaus Bethanien, Berlin.

Les Plaintifs, les Bêtes, les Politiques, Centre Genevois de Gravure Contemporaine, Geneva.

Thomas Hirschhorn, 2 Auflage Katalog, Fri-Art, Fribourg.

Hergott, Fabrice. Thomas Hirschhorn, Berliner Wasserfall mit Robert Walser Tränen, plaquette.

Bauer, Christophe. Centre d’Art Contemporain, Fri-Art, Kunsthalle.

1st Biennal of South Africa, Johannesburg.

Ohne Titel, Eine Sammlung zeitgenössischer Schweizer Kunst, Stiftung Kunst Heute, Aargauer Kunsthaus, Aarau, Verlag Lars Müller.

 Passions Privées, Musée d’Art Moderne de la Ville de Paris, éditions Paris-Musées.


David, Catherine. Thomas Hirschhorn: Invitations, Galerie Nationale du Jeu de Paume, Paris.

Stiftung Kunst Heute, Aargauer Kunsthaus, Aarau.

Europa 94 – Junge europäische Kunst in München, Munich.


Joseph, Manuel. Thomas Hirschhorn, Ecole des Beaux-Arts de Rueil-Malmaison.


Harm Lux. Shedhalle Zürich, Zurich.

de Smet, Catherine. Plaquette de l’exposition à l’Hôpital Ephémère.


Salon de l’Ephémère, Fontenay-sous-Bois.

Selected Articles and Reviews


“Letters to the editor,” Saskatoon Star Pheonix, March 8, 2018.

Greenberger, Alex. Artnews,Spring 2018.

Walter, Alexander. “Architect Luigi Snozzi among Swiss Grand Award for Art / Prix Meret Oppenheim 2018 laureates,” Architect News,February 20, 2018.

“Art Industry New: China Has No Mercy for the American Who Stole a Warrior’s Thumb + More Must-Read Stories,” Artnet News, February 20, 2018.

“Thomas Hirschhorn at Remai Modern, Saskatoon, Canada,”Artnews, February 13,     2018. 

“Thomas Hirschhorn at Remai Modern, Saskatoon, Canada,”Artnews, February 13,     2018. 

Ohls, Hauke. “Artland Heartland: Thomas Hirschhorn nicht-exklusives Museum aud    Präsenz und Produktion – Teil 2,” Kunst Magazin, February 2, 2018.

“Remai Modern show invites everyone to be a part of the art,” CBC News, January      26, 2018.

Cascone, Sarah & Caroline Goldstein. “11 International Exhibitions to See Outside of Europe and the US in (Early) 2018,” Artnet News,January 8, 2018.


Tovar, Juanita. “Catch This Months Best Art Shows Before It’s Too Late,” Spoiled NYC,

December 14, 2017.

“Thomas Hirschhorn,” Wall Street International, December 8, 2017.

Doran, Anne. “Review, Thomas Hirschhorn: DE-PIXELATION,” TimeOut, December 4, 2017.

Creahan, Daniel. “New York- Thomas Hirschhorn: ‘De-Pixelation’ at Gladstone Gallery,” Art Observed, November 28, 2017.

“Thomas Hirschhorn De-Pixelation,” 2-Times, November 17, 2017.

“Thomas Hirschhorn: constructed deconstruction,” Musée Magazine, November 15, 2017.

“Goings On About Town: Thomas Hirschhorn,” The New Yorker, November 3, 2017.

“Art Out: Thomas Hirschhorn – De-pixelation,” Musée Magazine, November 2, 2017.

Eleey, Peter. “Social Formation: Peter Eleey on The Absent Museum,” Artforum, November 2017.

Judah, Hettie. “Thomas Hirschhorn’s Pixilated Images Don’t Obscure the Horrors of Conflict,” Garage, October 30, 2017.

Lempesis, Dimitris. “Art Cities: N. York-Thomas Hirschhorn,” Dream Idea Machine, October 19, 2017.

 “Thomas Hirschhorn’s ‘De-Pixelation’ at Gladstone Gallery, New York,” Blouin Artinfo, October 18, 2017.

Cascone, Sarah. “Here Are 25 New York Gallery Shows That You Need to See This October,” ArtNet News, October 4, 2017.

 “DE-PIXELATION,” ArtReview Asia, Summer 2017.


“Best of 2016: Artist’s Artists,” Artforum, December 2016.

“Quality, No! Energy, Yes!,” Artspace, November 18, 2016. 


“Power 100,” ArtReview, November, 2015.

"Top 100 Artists Worldwide," Zeit Kunstverlag, March 20, 2015.

Gavin, Francesca. “Thomas Hirschhorn’s Apocalyptic Office Space at South London Gallery,” Artsy, July 13, 2015.

Searle, Adrian. “Things fall apart: the beautiful Marxist bomb that’s hit south London,” The Guardian, July 2, 2015.

Pilger, Zoe. “In-Between: A disaster zone in London strikes poetic notes after concerning itself with doom,” The Independent, June 28, 2015.

Luke, Ben. “Thomas Hirschhorn, In-Between exhibition review: mystery of the crafted chaos,” London Evening Standard, July 2, 2015.


Lax, J. Thomas. “From New York, Southward: A Counter-Memorial,” Mousse Magazine, Summer 2014, p. 230.

“Thomas Hirschhorn at Palais de Tokyo,” Gogo Paris, May 14, 2014.

Gregory, Jarrett. “Elevation 1049. Various venues, Gstaad, Switzerland,” Frieze, May 2014, p. 206-207.


de Almeida, Pedro. "Looking at an Ingres painting," Contemporary Visual Art + Culture Broadsheet, December 2013, p. 262-267.

Enwezor, Okwui. “Best of 2013,” Artforum, December 2013, p. 205.

Merjan, Ara H. "Thomas Hirschhorn," Frieze, November-December 2013, p.148-149.

Davis, Ben. "Thomas Hirschhorn," Modern Painters, November 2013, p.105-106.

“Monumental Endeavor: Glenn Ligon, Diedrich Diederichsen, and Julian Rose on Thomas Hirschhorn,” Artforum, November 2013.

Loki, Reynard. “Bronx Bomber: Thomas Hirschhorn’s ‘Gramsci Monument,’” Black Book, September 17, 2013.

Thomson, Steven and Cameron Blaylock, “Thomas Hirschhorn’s Precious and Precarious Bronx,”Urban Omnibus, July 31, 2013.


Johnson, Paddy. “Gramsci Project,” The L Magazine, August 14, 2013.


Pollack, Barbara. “Thomas Hirschhorn, Gramsci Monument,” Time Out, 2013.


Bonami, Francesco. “Gramsci in the ‘Hood’ – Why Italy’s Marxist Icon is Being Honored in the Bronx,” Worldcrunch, July 11, 2013.

Johnson, Ken. “A Summer Place in the South Bronx: A Visit to Thomas Hirschhorn’s ‘Gramsci Monument,’” New York Times, July 25, 2013.

Schjeldahl, Peter. “House Philosopher,” The New Yorker, July 29, 2013, p. 76-77.

Russeth, Andrew. “Thomas Hirschhorn’s ‘Gramsci Monument Opens at Forest Houses in the Bronx,” New York Observer, July 2, 2013.  

Pollack, Maika. “Thomas Hirschhorn: Gramsci Monument,” The New York Observer, July 15, 2013, p. B6.

Richardson, Jillian. “01-13. The Top 13 Art Shows,” Surface, Issue 101, July/August 2013, p. 103. 

Sans, Jérôme. “Thomas Hirschhorn Etat Critique,” L’Officiel Art, N°6, Juin-Juillet-Auot 2013, p. 146-153.

“Dia Art Foundation presents Thomas Hirschhorn’s Gramsci Monument in neighborhood of the Bronx,”, July 2013. 

Burns, Charlotte. “Utopian Visions in the Bronx,” The Art Newspaper, July/August 2013, p. 5. 

Lookofsky, Sarah. “Thomas Hirschhorn on his Project in the Projects,”, June 2013.

Smith, William S. “Under Construction: Thomas Hirschhorn’s Gramsci Monument in the Bronx,” Art in America, June 25, 2013. 

Kennedy, Randy. “Bringing Art and Change to Bronx, Thomas Hirschhorn Picks Bronx Development as Art Site,” New York Times, June 27, 2013.

Kennedy, Randy. “Housing Project Meets Art Project in the South Bronx,” New York Times, May 2, 2013. 

“Thomas Hirschhorn’s Drawing for Gramsci Monument at Forest Houses, The Bronx, New York,” Purple, April 16, 2013.

“Thomas Hirschhorn: Gramsci Monument,” Artforum, May 2013, p. 148.

Walsh, Brienne. “Thomas Hirschhorn,” Modern Painters, January 2013, p. 67 – 68.


Hoban, Phoebe. “Shipwrecked in a Chelsea Art Gallery,” The Wall Street Journal, September 12, 2012.

Pollack, Barbara. “Thomas Hirschhorn, Concordia, Concordia,” Time Out New York, October 11-17, 2012, p. 46.

“Thomas Hirschhorn’s ‘Concordia, Concordia’ Exhibition at the Gladstone Gallery, New York,” purple Diary, October 2012.

Rosenberg, Karen. “The Sensational and the Political,” The New York Times, September 28, 2012.

Saltz, Jerry. “Clinging to the Wreckage,” New York Magazine, September 30, 2012.

Duray, Dan. “Thomas Hirschhorn’s Tilting World,” New York Observer, September 12, 2012.

Hirschhorn, Thomas. “Wie haben Sie das gemacht, Thomas Hirschhorn?,” Monopol, November 2012, p. 38 -39.

Del Dignore, John. “Step Aboard the Sinking Concordia Cruise Ship, Now Listing in Chelsea,” Gothamist, September 19, 2012.

Wullschlager, Jackie. “Order out of chaos,” Financial Times, April 21, 2012.


Cranston, Meg. “The Artists’ Artists: Thomas Hirschhorn, ‘Crystal of Resistance’,” Artforum, December 2011, p. 101.

Butler, Lauren O’Neil. “Thomas Hirschhorn,” Artforum, April 24, 2011.

Gartenfeld, Alex. “The Giardini: Beyond the Small Packages,” Art in America, June 2, 2011.

Weeraworawit, Chomwan. “Circus, Community and Co-existence,” Bangkok Post, June 20, 2011.

Foster, Hal. “Crossing Over,” The Berlin Journal, Spring 2011.

Madoff, Steven Henry. “Reviews: Venice Biennale - Pavilions,” Modern Painters, September 2011, p. 86-87.

Schum, Matthew. “Thomas Hirschhorn: The Spectre of Evaluation,” Flash Art, May-June  2011.

Saltz, Jerry. “Best and Worst of the Venice Biennale,” New York Magazine, June 2011.

Vogel, Carol. “Old Patina Encircles Fresh Art in Venice,” New York Times, June 6, 2011.

Smith, Roberta. “Venice Biennale: An Installation Art Contest,”, June 1, 2011.

Smith, Roberta. “Artists Decorate Palazzos, and Vice Versa,” The New York Times, June 9, 2011.

Dogtas, Gursoy. “Swiss Pavilion at Venice Biennale 2011: Interview with Thomas Hirschhorn,” Vernissage TV, July 12, 2011.


Morton, Tom. “Out of the Cave,” Frieze, Issue 134, October 2010, p. 194-199.

Cruzvillegas, Abraham. “Interview with Thomas Hirschhorn,” Bomb, Fall 2010, p. 34-41.

Smith, Trevor. “10,000 Lives,” Artnews, November 2010, Volume 109, Number 10.

Getlein, “Working with Time and Place,” Living with Art, 2010.

Stallbrass, Julian. “The Future of Art,” Maybourne, 2010.

Cotter, Holland. “Art and News, and Their Intersection in the Digital Age,” The New York Times, October 8, 2010, p. C25, C37.

“The Last Newspaper: Fall Exhibitions,” Paper, Fall/Winter 2010, Vol. 09.

Hirschhorn, Thomas. “Aubervilliers, February 13, 2006,” Abstract Resistance, p. 72-79.

Barliant, Claire. “Art Review: The Last Newspaper.” Time Out New York, November 4-10,  2010, p. 41.


Reust, Hans Rudolf. “Thomas Hirschhorn,” Artforum, April 2009, p. 203-204.

Nicanor, Maria. “Thomas Hirschhorn,” Exit Express, March 2009, p. 63.

Mack, Joshua. “Thomas Hirschhorn,” Time Out New York, April 2-8, 2009, p. 46.

“Thomas Hirschhorn, Andrew Lord, and Lari Pittman at Regen Projects,” LA Weekly, April 17-23, p. 49.

“Ecstatic Process,” V Magazine, Summer 2009, p. 53.

Enwezor, Okwui, “Reckoning with Empire,” Artforum, October 2009, p. 174 – 179.

“Thomas Hirschhorn,” Current Biography, vol. 70, no. 9, September 2009, p. 18-22.


“Where do I stand? What do I want?” Art Review, June 2008.

Art Editions 6, New York, 2008.

Rappolt, Mark. “Thomas Hirschhorn: Strange Love,” Art Review, June 2008, p. 72-73.

Cohen, Brianne. "Hirschhorn's Utopia = One World, One War, One Army, One Dress: Imagining Alternative Forms of Political Affiliation," Crossing the Boundaries XVI: Trading Spaces Planning Committee, Binghamton University, 2008, p. 20-27.

Heartney, Eleanor. "Make It New," Art In America, March 2008, p. 83 – 84.

Hirschhorn, Thomas. “Thomas Hirschhorn,” Tank, Volume 5, Issue 5, 2008, p. 72-73.

Delorey, Amanda. “On Time and Space,” Prefix Photo, Volume 9, no. 2, November 2008, p. 38-43.

Heighton, Luke. “German Angst,” Art Review, Issue 28, December 2008, p. 126.


Sansom, Anna. “A Bling Fling,” Sleek, Number 13, Winter 2006/2007, p. 56-65.

Downey, Anthony. "Thomas Hirschhorn," Flash Art, July - September 2007, pg. 134.

Oliva, Fernando. "I Believe the Solution is Panic: An Interview with Thomas Hirschhorn," Cmagazine93, Spring 2007, p. 20-22.

"Thomas Hirschhorn,” Arte Contemporanea: Cinque, Mondadori 2008.

"Thomas Hirschhorn,” Arte Contemporanea: Sei, Mondadori 2008.

Demos, T.J., "On the Ground: London," Artforum, December 2007, p. 294.

Pagliuca, Francesca. "Succede In Austria," Tema Celeste, November 2007, p. 55-57.

"The Power 100," Art Review, November 2007, p. 133.

Rose, Matthew. "Made in Berlin," Art and Antiques, October 2007, p. 165-172.

Bishop, Claire. "The New Masters of Liberal Arts," Modern Painters, September 2007, p. 88.

Flores-Williams, Jason.  "Sex, Sales at the Armory," Artillery, May 2007, Vol. 1, no. 5, p. 14.

Mooney, Christopher. "Thomas Hirschhorn: Concretion Re," Art Review, April 2007, p. 147.

Aldarondo, Cecilia. “Heart of Darkness,” Art Papers, March/April 2007, p. 63.

Rehberg, Vivian. “Thomas Hirschhorn: Galerie Chantal Crousel,” February/March 2007.

Hirschhorn, Thomas. "Eternal Flame," Artforum, March 2007, p. 268.

"The Material and the Ethereal: Thomas Hirschhorn on Cavemanman," Walker Art Center Magazine, January/February 2007, p. 8.


“The Frieze Art Fair,” International Herald Tribune, December 21, 2006.

"Thomas Hirshhorn," Texte Zur Kunst, December 2006, p. 232-233.

"Best of 2006," Artforum, December 2006, p. 286, 298.

“The Power 100: 42 Thomas Hirschhorn,” Art Review, November 2006, p. 99.

Biesenbach, Klaus, "Into Me/Out of Me," Flash Art, October 2006, p. 82.

"Top 100 Artists," Flash Art, October 2006, p. 68.

"Breaking the rules," Tema Celeste, September/October 2006, p. 106.

“Suprize, Suprize,” Art Review, Issue 02, August 2006, p. 31.

Herbert, Mathew. “A Moral No-Mans Land,” Art Review, Issue 2, Aug 06, p. 128.

Comita, Jenny. "Louisville Sluggers," W, July 2006, p. 107.

Volk, Gregory. “Shock of the News,” Art in America, June/July 2006, p. 170-177.

Stracey, Frances. "The Caves of Gallizio and Hirschhorn: Excavations of the Present," October 116, Spring 2006.

Windlin, Sabine. “Beim Staatsfeind No. 1 (With Public Enemy #1),” Das Magazin No. 17, April 29-May 5, 2006, p. 36-42, 44, 47.

Crippa, Antonella. “Patrizia Sandretto Re Rebaudengo,” Contemporary 21, No. 80, p. 114.

Zamudio, Raul. “Art Basel Miami Beach 2005,” Art Nexus, No. 60, vol. 5, 2006, p. 111.

Saltz, Jerry. “Hellraisers: Can Art Deliver Us From Evil,” Modern Painters, April 2006, p. 30.

Hirschhorn, Thomas. "Nail & Wire," Hors D'Oeuvre, May 2006, p. 6-7.

“Thomas Hirschhorn: Superficial Engagement,” Modern Painters, March 2006, p. 116.

Crippa, Antonio. “Thomas Hirschhorn,” Tema Celeste, Jan/Feb 2006, p. 98.

“Thomas Hirschhorn,” The Week, February 24, 2006.

Johnson, Ken. “A Vivid Potpourri with Carnage at It’s Core and an Aside of Transcendentalism,” The New York Times, February 7, 2006, p. E5.

Ramirez, Nicollette. "Thomas Hirschhorn," The New York Art World, February 2006, p.12.

Scott, Andrea K., “Shock and Awe,” Time Out New York, January 26 - February 1, 2006, p. 60-1.

Yablonsky, Linda. “Hirschhorn’s Dead Bombers, War Headlines, Nailed Mannequins,” Bloomberg News, February 1, 2006. 

Ramirez, Nicolette. “Thomas Hirschhorn,” The New York Art World, February 2006, p.12.

Saltz, Jerry, “Killing Fields,” Village Voice, February 1-7, 2006, p. 72.


Svennung, Eva. “Paris,” Artforum, December 2005, p. 230-231.

Fabricius, Jacob. “There is Nothing New about Old News,” Old News, No. 2, 2005.

“L’art du Xxe Siecle: De l’art Moderne a l’art Contemporian 1939- 2002,” Citadelles and Mazenod.

Kuzma, Marta. "In the age of political reproduction," Flash Art, October 2005, p. 71-74.

Smith, Roberta. “Hidden in Plain Sight: Unity, Cloaked in a Web of Camouflage,” New York Times, October 7, 2005, p. E35, E39.

Buchloh, Benjamin. “An Interview with Thomas Hirschhorn,” October 113, Summer 2005, p. 77-100.

Bryson, Norman. “Books,” Frieze, Summer 2005, p. 110-115.

Smith, Terry. “Primacy, Convergence, Currency,” Art Papers, May/June 2005, p. 23.

Egenhofer, Sebastian. “Form und Produktion,” Texte Zur Kunst, March 2005, p. 196-200.

Lafuente, Pablo. “Thomas Hirschhorn,” Frieze, April 2005, p109-110.

Rian, Jeff. “Swiss Diss,” Artforum, February 2005, p. 68.

Desanges, Guillaume. “Thomas Hirschhorn,” Exit Express, March 2005, p. 6-7.


Lafuente, Pablo. “What’s Happening,” Artreview, October 2004, p. 17.

Hirschhorn, Thomas. “Love and Work,” Artforum, October 2004, p. 153.

Pacquement, Alfred. “The Precarious Museum,” Tate Etc., 2004, p. 44-47.

Garrett, Craig. “Thomas Hirschhorn, Philosophical Battery,” Flash Art, Oct. 2004, p. 90-93.

Arratia, Euridice. “My Work is Work,” Tema Celeste, September/October 2004, p. 66-71.

Basualdo, Carlos. “Rules of Engagement,” Artforum, March 2004, p.166.

Downey, Anthony. "Review–London: Stephen Friedman Gallery," Contemporary, no. 62, p. 67-68.

Galvez, Paul. "Review–Thomas Hirschhorn, Galerie Chantal Crousel," Artforum, May 2004, p. 220.

Weil, Von Claudius. “New Hollywood: Erbschaft und Revolte,” Film #01, Spring 2004.

Estep, Jan. “Reading Hirschhorn: A problem of (his) knowledge, or Weakness as a virtue,” Afterall, Issue no. 9, 2004, p. 83-89.

Sheikh, Simon. “Planes of immanence, or The form of ideas: Notes on the (anti-) monuments of Thomas Hirschhorn," Afterall Issue no. 9, 2004. p. 90-98.

Mickein, Iris. "Thomas Hirschhorn: Prekäre Situationen - Reale Konfrontationen," Kunstforum, no. 168, January/February 2004.


Hirschhorn, Thomas. “Emergency Library,” Old News, No. 2 Insert.

Wilson, Michael. “Caves of New York,” Artforum, February 2003, p. 110-115.

Möntmann, Nina. “Art and Economy,” Parachute, No. 110,  2003.

Sojitrawalla, Shirin. “Der Höllenheimwerker,” Die Zeit No. 1, December 22, 2003.

Einarsson, Gardar Eide, and Carissa Rodriguez. “Equals: Interview with Thomas Hirschhorn,” NU-E magazine. Issue no. 1, 2003.

Rappolt, Mark and Norbert Schoerner. “Studio: Thomas Hirschhorn.” Tate Arts and Culture, September/October 2003, issue 7.

Thorson, Alice. “The Art of War,” The Kansas City Star, March 30, 2003.

Drolet, Owen. “Thomas Hirschhorn/Barbara Gladstone,” Flash Art, January/February, 2003.

Tecce, Angela. “Emergenza in Galleria,” Vernissage, March 2003.

Rimanelli, David. “Time Capsules: 1986-1990,” Artforum, April 2003.

Pollock, Barbara. "Thomas Hirschhorn,” ARTNews, March 2003.

Drolet, Owen. "Reviews: New York," Flash Art, January/February 2003.

Pappalardo, Bethany Anne. “Thomas Hirschhorn,” Tema Celeste 96, March/April 2003.


“Le Prix Marcel Duchamp,” Time Out, Winter 2000-2001.

Penwarden, C. “prix Duchamp: le choix des collectionneurs,” Art Press, January 2001.

Mulhollan, Neil. “Vivre sa Vie,” Frieze, May 2001.

Poli, Francesco. “Thomas Hirschhorn at Centre Pompidou,” May-June 2001.

Adamopoulos, Konstantin. “Pole Self,” April 2001.

 Cowan, Amber. “Nationwide Choice: Mirror’s Edge,” The New York Times, March 2001.

Jeffrey, Moira. “Shape of Things to Come,” The Sunday Herald, March 4, 2001.

Cattelan, Maurizio. “soap wars,” ID, August 2001.

Morton, Tom. “Thomas Hirschhorn, Stephen Friedman Gallery,” Frieze, October.

Poli, Francesco. “Thomas Hirschhorn: Centre Pompidou,” Tema Celeste, Vol. 85, May-June.

Bonami, Francesco. “Energy Yes, Quality No,” Flash Art, January/February, Vol. 216.

Buchloh, Benjamin. “Cargo and Cult: The Displays of Thomas Hirschhorn,” Artforum, November, p.109-115.

Bush, Kate. "Thomas Hirschhorn," Artforum, December, p. 94.

"Thomas Hirschhorn,” Regards, January.

"Prix Marcel Duchamp: le choix des collectionneurs,” Art press No. 264, January.

Mahoney, Elisabeth. "Vivre sa vie," Art Monthly, February.

Bellet, Harry. "Le prix Marcel-Duchamp, propre et consensuel," Le Monde, February 4-5.

Thomsen, Henrike. "Die Meraphysik des Sandsacks," Financial Times Deutschland, February 2.

"Hirschhorn l’intranquille," Politis, vol. 1, March.

Nuridsany, Michel. "Les enchaînements de Thomas Hirschhorn," Le Figaro, March 3.

Thomsen, Henrike, "Diese Plumpheit nehme ich auf mich," Tageszeitung Taz, March 3.

"Thomas Hirschhorn," Aden, March 8-14.

Poli, Francesco. "Parigi risponde a Londra con il caotico Hirschhorn,” La Stampa, March 10.

"Un Helvète à Beaubourg,”, March 18.

Herzog, Samuel. "Engagiert und unverbindlich," Neue Zürcher Zeitung International, March 21.

Benhamou-Huet, J. "Le monument du laureate,” Les Echos, March 23.

Pastre, Elke. "Mit Pappkarton und Plastik in die Kunstelite," Der Kunsthandel, March.

Fleck, Robert. "Thomas Hirschhorn, Prix Marcel Duchamp," Kunstzeitung, March.

Frimbois, Jean-Pierre. "Thomas Hirschhorn," Art Actuel, March/April.

"Travailler politiquement," Cassandre, March/April.

Poli, Francesco. "Il consumo logora chi non ce l’ha," Il Manifesto, April 24.

Michelon, Olivier. "Un centre d’art autonome," Le Journal des Arts, April 27–May 10.

Bogiatsè, Nantia. "Thomas Hisrchhorn: Sculptur Sortier Station," Taxudromos.

"Hirschhorn, de Beaubourg à Stalingrad," Connaissance des Arts, April.

Mulholland, Neil. "Vivre sa Vie," Frieze No. 59, May.

Fernandez, Agnès. "L’art s’encanaille," Télérama, May 9-16.

Gauville, Hervé. "Hirschhorn campe sous le métro," Libération, May 14.

Bajac, Emma. "Thomas Hirschhorn," Zurban.

"Hirschhorn disfraza el Macba de yacimiento arqueologico," La Vanguardia, May 18.

Fontova, Rosario. "Thomas Hirschhorn converteix el segle XX en arqueologia," El periodico, May 18.

Frisach, Montse. "Thomas Hirschhorn, arqueoleg del present," Avui, May 18.

Uberquoi, Marie-Claire. "Hirschhorn crea en el Macba su peculiar 'campo arqueologico'," El Mundo, May 18.

S.D., "Una instalacion de Thomas Hirschhorn une compromiso y arqueologia," La Razon, May 18.

Serra, Catalina. "Hirschhorn transforma el vestibulo del Macba en yacimiento arqueologico," El Pais, May 22.

Jonquet, François. "Descente d’avant-garde," Nova Magazine, May.

Schwaab, Catherine. "Un art sans complexes," Paris-Match, May.

Molina, Angela. "El artista desobediente," ABC Cultural, June.

Adamopoulos, Konstantin. "Pole Self," Gentleman’s Agreement and Hostile Takeover #0, June.

Chêne, Valérie. "Epreuves d’artistes," Mécènes, June.

"Hirschhorn campe à Stalingrad," Sofa, June.

Ebner, Jörn. "Einmal waschen un schleudern," FAZ, June 30.

Bussel, David. "Soap wars," I-D, June.

Searle, Adrian. "My ugly laundrette," The Guardian, July.

Oliveras, Juame Vidal. "Hirschhorn, la dificultad del compromiso," El Cultural, July.

Manchester, Clare. "Thomas Hirschhorn," Art Monthly, July/August.

Espinosa, Guillermo. "Thomas Hirschhorn," Revista Vanidad, July/August.

Aleu, Esther. "Arqueologia d’un compromis," Nova Ciutat Vella, July/August.

Anderegg, Roger. "Unruhe im Karton," Sonntags Zeitung, August 19.

Doswald, Christoph. "Provokante Probleme," Facts, August 23.

"Ich bin ein Künstler–Arbeiter-Soldat," Limmattaler Tagblatt, August 23.

Ulmer, Brigitte. "Umschwärmter Wüterich," Cash No. 34, August 24.

Frey-Hauser, Marianne. “Thomas Hirschhorn," Davoser Zeitung, August 24.

Renggli, Hans. "Glanz der Gestrandeten," Tages Angeiger, August 24-30.

Spinelli, Claudia. "Hochsicherheitszone cor neoexpressionistischer Kulisse," Neue Zürcher Zeitung, August 28.

"Warum Davos ins Museum kommt,” Bünduer Tagblatt.

Fray, Lilith. "Panzer in Davos," Blick, August 29.

"Friedliche von Gewalttätigen trennen," Der Zürcher Oberländer, August 29.

Wüst, Karl. "Eine Grosse Wolke vor der Sonne," Thurgauer Zeitung, August 29.

"Die niedliche hochsicherheitszone," WOZ, August 30.

Neubauer, Susanne. "Ein eigenwilliger Künstler-Soldat baut weiter," Aargauer Zeitung, August 30.

Ernst, Meret. "Endgültig unheilbare Wirtschaftslandschaft," Tages-Anzeiger, August 30.

Litmanowitsch, Ursula. "Thomas Hirschhorns Davos," Schaffhauser Nachtichten, August 30.

Schmid, Michael. "Im Bunker der Kontrollgesellschaft," Der Landbote, August 31.

Schmid, Michael. "Hinter jeder Ecke lauert der Feind," Zürichsee-Zeitung, August 31.

Badrutt Schoch, Ursula. "Ausnahmezustand Kunst," St. Gallen Tagblatt, August 31.

"Street (s)cul(p)ture, Thomas Hirschhorn à Stalingrad," Mixt(e), August.

Vachtova, Ludmila. "Jeder kämpft gegen jeden, und niemand weiss warum," Basler Zeitung, September 1-2.

A.M., "Gegen das Elitäre, füs das Prekäre," Bolero, September 1.

"Thomas Hirschhorn im Kunsthaus Zürich," Züri Anzeiger, September 4.

Berg, Viviane. "Weltwirtschaftschaos," Tacles, September 7.

Suter, Daniel. "Das Phantom von Davos," Tages-Anzieger, September 8.

Schuler, Christoph. "Kunst am Rand," Tages-Anzieger, September 10.

Frey-Hauser, Marianne. "Annäherung an eine Kampfzone," Davoser Zeitung, September 11.

Oberholzer, Nilkaus. "Spielsoldaten im Baselitz-Saal," Neue Luzerner Zeitung, September 14.

J.S., "Thomas Hirschhorn au sommet de Davos," La Liberté, September 15.

"Das WEF gehört ins Museum," Vorwärts, October 5.

Catsaros, Christophe. "Thomas Hirschhorn, Skulptur Sortier Station," Art Présence, no. 40, October/November/December.          

Herzog, Samuel. "Vollgebastelt," Kunstzeitung, November.

"Thomas Hirschhorn ‘Wirtschaftslandschaft Davos,’ im Kunsthaus," Kunst-Bulletin, November.

Bethemont, Hauviette. "Soldat de l’art," Lyon Capitale, November.

Tillet, Pierre. "De quelques désordres dans l’art," Le petit bulletin, November 14.

Bethemont, Hauviette. "Petit chez soi en temps de guerre," Le petit bulletin, November 28.


Samuel, Laure. “Hexagone,” Art and Auction, September 2000.

Nottrot, Ina. “Lebensfragen sind Kunstfragen,” Luxembourger Wort, January 5.

“Mirror’s Edge Reflects the Future of Art,” Natural Post, March 18.

Scott, Michael. “Exhibition shows political power shift,” Vancouver Sun, March 28.

Shier, Reid. “Pause and reflect: the art world takes a look in the mirror,” Vancouver, March 26.

Michelon, Olivier. “Urbi et Orbi: La Beauté réussit surtout aux papiers,” Le Journal des Arts, no. 108.

Snodgrass, Susan. "The Rubbish Heap of History," Art in America, May 2000.

de Smet, Catherine. "Relier le monde, Thomas Hirschhorn et l’imprimé," Les Cahiers du Musée National d’Art Moderne, no. 72, Summer.

Lebovici, E. "Pluie de prix sur les arts plastiques," Libération,  December 6.

Nuridsany, M. "Tillmans et Hirschhorn à l’honneur," Le Figaro, December 7.


Dotin, Ester. “A conversation with Thomas Hirschhorn,” Studio, no. 97, November.

“La feria compra fuera, y las instituciones, dentro,” El Pais, February 14.

Rubinstein, Raphaël. “A missed Rendez-vous,” Art in America, no. 3, March, p. 58-63.

Kuni, Verena. “The Big Issue,” Frieze, no. 45, March/April, p. 59.

“Das magische Zimmer,” Der Spiegel, April.

Hein, Till. “Ist da Energie drin?,” Süddeutsche Zeitung, no. 17, April 29.

Storr, R. and H. Szeemann. “Prince of Tides: Venice 99,” Artforum, May, p. 160-165.

“Thomas Hirschhorn,” Les Inrockuptibles, supplement to no. 202, June.

“Venise la modernissime,” Libération, June 14.

“Thomas Hirschhorn,” France, no. 50, Summer.

“Thomas Hirschhorn,” Beaux-Arts, no. 184, September.

Birnbaum, Daniel. “Pratice in Theory,” Artforum, September, p. 154.

“International et actuel,” Le Journal des Arts, no. 88, September, p. 10-23.

“Thomas Hirschhorn,” Aden, no. 86, September, p. 15-21.

Colard, Jean-Max. “Thomas more,” Les Inrockuptibles, September 22-28.

Breerette, Geneviève. “Galeries parisiennes, on rouvre!” Le Monde, September 25.

Gellatly, A and Heiser, J. “Just Add Water,” Frieze, no. 48, October, p. 66-71.

D.S., “Les dénonciations de Hirschhorn,” L’Oeil, no. 510, October.

Francblin, Catherine. “Thomas Hirschhorn, art = énergie,” Beaux-Arts, October, no. 185.

“Thomas Hirschhorn,” Aden, November 3-9.

Chappuis, Yvane. “Thomas Hirschhorn: la volonté de comprendre,” Mouvements, no. 6,October-December.

Lorgé, Marie-Anne. “Mordant plastique et politique,” Jeudi, December 16.

“Die Schrift an der Wand,” Tageblatt, December 27.

Hansen, José. “La volonté de donner forme,” Land, no. 52, December 24.

“Mirror’s Edge,” Flash Art, vol. 32, November/December.


Currah, Mark. “Thomas Hirschhorn Chisenhale,” Time Out, December 1998.

EJ. “Thomas Hirschhorn, Kunsthalle Bern,” Artforum, no. 5, January.

Doswald, Christoph. “Nonchalance: be good, be bad, just be,” Cimal, no. 50.

EB, “Neues im Heldensaal,” Kölner Stadt Anzeiger, March 28-29.

Cuvelier, Pascaline. “Weak Affinities,” Artforum, no. 9, May.

Kaltwasser, Ute. “Die Stadt zahlt einen hohen Preis,” K.ST Auz, May 2.

“Schnapsidee,” FAZ, May 17.

Löffler, Petra. “An den Zapfsäulen des Wohlstands,” Die Tageszeitung, May 26.

Fayet, Roger. “Junge Kunst sprengt Grenzen,” Blick, June 4.

Herbstreuth, Peter. “Die bekämpfung des Betruges,” TSP, Berlin, June 4.

Zschokke, Ali. “Das Kunstprojekt von Hirschhorn,” uniaktuel, June 22.

Maurer, Simon. “Ein Kunst-Kiosk erregt die Uni-Gemüter,” Tages-Anzeiger, June 26.

Steiner, Juri. “Thomas Hirschhorn,” Neue Zürcher Zeitung, July 15.

Ulmer, Brigitte. “Mit Pappkartoin in die Kunstelite,” Sonntags Zeitung, August 23.

Gingeras, Alison. “Grâce à la bêtise,” Art Press, no. 239, October, p. 19-25.

Gauville, Hervé. “Au supermarché de la création française,” Libération, November 5.


Mauberret, Christophe, and Eric Vidal. “Thomas Hirschhorn,” Le Voyeur, Winter.

Donn, Chiara. “Hirschhorn, un poverista ricco,” Arte, no. 281, January.

Hou Hanru. “Thomas Hirschhorn,” Flash Art, no. 192, January/February, p. 88.

Thurnauer, Agnès. “Le sexe des larmes,” Le Journal des Expositions, no. 42, February.

Lebovici, Elisabeth. “Comment faire couler une larme,” Libération, February.

Craddock, Sacha. “Around the Galleries,” The New York Times, March 1997.

Coomer, Martin. “Parisien(ne)s,” Time Out, March.

Dahan, Eric. “L’art sorti de la grotte,” Libération, April 24.

Legros, Hervé. “Visitez Lascaux III,” Art contemporain (FRAC), April.

Buchloh, Benjamin. “Sculpture Projects in Münster,” Artforum, no. 1, September.

Lebovici, Elisabeth. “Münster, ville d’art,” Libération, September 4.

Lebovici, Elisabeth. “Deux expos ouvre-boîte,” Libération, September 9.

Dion, François. “Thomas Hirschhorn,” Parachute, no. 88, October, p. 43-44.

“Kitsch im Silbersee,” Taz Bremen Samstag, October 12.

Zenglein, Detlev. “Ein Mikrokosmos aus Aluminium und Holz,” Hansestadt, Bremen, October.

KR, “Thomas Hirschhorn,” Beaux-Arts, no. 161, October 1997, p. 123.

Ulrich, Maurice. “Hirschhorn, révélation de la FIAC,” L’humanité hebdo, November 20-26, no.  


Perren, Fabian. “Ein Buffet aus Drucksachen,” Eermer Zeitung, January 8.

Herbstreuth, Peter. “Gefühl der Leere,” Der Tagespiegel, March 9.

Carrera, G. “La maquina Hirschhorn,” Cultura 53, May 7.

“Hirschhorn, en Rekalde Area2,” Deia, May 12.

“He intentado construir un dialogo visual,” El Mundo, May 14.

Arregi, Montse. “Mundua ulertzeko makina,” Egunkaria, May 14.

Fernandez, Alicia. “Organismo autonomo,” El Correo, May 25.

Saenz de Gorbea, Xabier. “Voluntad global,” Deia Igandea, June 9.

Badrutt Schoch, Ursula. “Ein beengendes Gebastel,” St-Galler-Tagblatt, June 2.

Urquijo, Javier. “Colecciçonar hoy para mañana,” Bilbao, June.

Viot, Nathalie. “W.U.E. – World–Understanding–Engine,” Rekarte, no. 16, July.

Cassagnau, Pascale. “Thomas Hirschhorn, W.U.E. – World–Understanding–Engine,” Omnibus, no. 17, July.

Fleury, Jean-Damien. “Le Merci-Bus de Thomas Hirschhorn,” La Liberté, July 11.

Hrebstreuth, Peter. “Ein Riesengebastel und orientierungsloses Rotieren,” Kunst-Bulletin, no. 4.

“Kunstfan,” Neue bildende Kunst, no. 4, August/September.

Schatz, Corinne. “Unterwanderte Strategien,” Neue Bildende Kunst, no. 4,  August/September, p. 102.

Reust, Hans Rudolf. “Thomas Hirschhorn,” Artforum, no. 1, September, p. 118.

Bühler, Daniela. “Gegnsätzliches im Zwischen Raum,” Luzern heute Samstag, September 21.

Oberholzer, Niklaus. “Tränen fliessen in Thomas Hirschhorn Welt,” Neue Luzerner Zeitung, September 21.

Vogel, Maria. “Tiefgrundige Kunst der Oberfläche – Gedanken über heutiges Leben,” Willasautr Bote, September 29.

Guéhenneux, Lise. “Thomas Hirschhorn Rekaldee-Area 2,” blocnotes, no. 13, September/October.

“Thomas Hirschhorn à Borny: l’art monte dans la rue,” Metz et ses quartiers, October 2.

Koelemeijer, Judith. “Laboratorium voor jonge kunsteraars,” Volkskrant, October 4.

“Konspirativer Treff entpuppt sich als das Vor-Ort-Projekt,” LKZ, November 8.

“Ein Tisch der Tränen in der Kunsthalle-prekär,” November 15.


Werneburg, Brigitte. “Thomas Hirschhorn Bilderinstallation im Bethanien,” January 24.

Michelle Nicol, René Amman."Kunsthaus Schweiz, Thomas Hirschhorn,” Das Magazin, no. 24, May.

Hermange, Emmanuel. "Thomas Hirschhorn,” La recherche photographique, no. 19, Autumn.

Fleury, Jean-Damien. “Installé à son Grand Buffet, Thomas Hirschhorn fait ripaille,” La presse du dimanche, December.


Gebhardt, Sabine. "Feuilleton,” Basler Zeitung, no. 12, January.

Gall, Emmanuelle. "N. Elemento, C. Feyzdjou, T. Hirschhorn, E. Nussbicker,” Le journal des expositions, no. 15, April.

Nuridsany, Michel. "Le musée s'ouvre aux experiences,” Le Figaro, May 5.

J.L.P., "La bande des quatre,” Figaroscope, May 4-10.

Mircher, Eric. “Invitations,” Galeries, May.

"Nathalie Elemento, Chohreh Feyzdjou, Thomas Hirschhorn, E. Nussbicker,” Le Monde, May 14.

Morice, Anne-Marie. “Tracts artistiques,” La Croix, May 15-16.

Jouannais, Jean-Yves. "Le pari de la faiblesse,” Art Press, no. 195, October.


"Kartons und andere Kisten,” Berner Zeitung, March 15.

Uldry, Dominique. "Hirschhorn,” Der Bund, no. 27, March 23.

Bugmann, Urs. “Es ist natürlich keine Kunst,” LNN, April 27.

Oberholzer, Niklaus. "Die Galeriefenster vernagelt,” Luzern Zeitung, April 27.

Mack, Gerhard. "Zwischen Abfall und Form,” St-Galler Tagblatt, October 12.


Philippon, Sylvie. “Thomas Hirschhorn: Vom dialektischen Denken zur Struktur,” Halle Sud Genève, no. 27, 1991.

"Gegen die Bilderflut,” Der Bund, no. 95, June.

Hergott, Fabrice. “Thomas Hirschhorn, une échelle de Jacob,” Omnibus, no. 1, November.

Oberholzer, Niklaus. “Tränen fliessen in Thomas Hirschhorn Welt,” Neue.