Thomas Hirschhorn
Exhibition Catalogues, Monographs, and General Publications
2023
Energy = Yes! Quality = No! (Critical Workshop). Bombas Gens Centre d’Art, 2023.
2022
Hirschhorn, Thomas. Autobiography #09. Tonini Editore, 2022.
V.C.R.T.. Madrid: La Fábrica; Valencia Bombas Gens Centre d’Art, 2022.
V.C.R.T.. Madrid: La Fábrica; Valencia Bombas Gens Centre d’Art, 2022.
2021
Hirschhorn, Thomas. The Purple Line. Rome: MAXXI - National Museum of 21st Century Art, 2021.
2020
Bühler, Kathleen, ed. Robert Walser-Sculpture. Ostfildern: Hatje Cantz Verlag, 2020.
2017
Field Guide. Saskatoon: Remai Modern, 2017.
Snauwaert, Dirk. The Absent Museum: Blueprint for a Museum of Contemporary Art for the Capital of Europe. Brussels: Mercatorfonds, 2017.
Voorhies, James. Beyond Objecthood: The exhibition As A Critical Form Since 1968. Cambridge: MIT Press, 2017.
Steinweg, Marcus. The Terror of Evidence. Cambridge: MIT Press, 2017.
Snauwaert, Dirk. The Absent Museum: Blueprint for a Museum of Contemporary Art for the Capital of Europe. Brussels: Mercatorfonds, 2017.
Voorhies, James. Beyond Objecthood: The exhibition As A Critical Form Since 1968. Cambridge: MIT Press, 2017.
Steinweg, Marcus. The Terror of Evidence. Cambridge: MIT Press, 2017.
2016
Senie, Harriet F. Memorials to Shattered Myths. New York: Oxford University Press, 2016.
Morse, Trent. Ballpoint Art. London: Laurence King Publishing, 2016.
Mobile Autonomy: Exercises in Artists’ Self-Organization (Antennae). Amsterdam: Valiz/Antennae Series, 2016.
Morse, Trent. Ballpoint Art. London: Laurence King Publishing, 2016.
Mobile Autonomy: Exercises in Artists’ Self-Organization (Antennae). Amsterdam: Valiz/Antennae Series, 2016.
2015
Thomas Hirschhorn: Gramsci Monument. New York: Dia Art Foundation; London: Koenig Books, 2015.
Twentieth Anniversary Exhibition. London: Stephen Friedman Gallery, 2015.
Artistes et Architecture: Dimensions variables. Paris: Editions du Pavillon de l’Arsenal, 2015.
Twentieth Anniversary Exhibition. London: Stephen Friedman Gallery, 2015.
Artistes et Architecture: Dimensions variables. Paris: Editions du Pavillon de l’Arsenal, 2015.
2014
Connolly, Maeve. TV Museum: contemporary art and the age of television. Chicago: Intellect, 2014.
Van Gough Live!: Inauguration. Arles: Foundation Vincent Van Gogh, 2014.
The Human Factor: The Figure in Contemporary Sculpture. New York: Distributed Art Publishers, 2014.
Van Gough Live!: Inauguration. Arles: Foundation Vincent Van Gogh, 2014.
The Human Factor: The Figure in Contemporary Sculpture. New York: Distributed Art Publishers, 2014.
2013
Braun, Christina. Thomas Hirschhorn: Ein Neues Politisches Kunstverständnis? Munich: Verlag Silke Schreiber, 2013.
Hirschhorn, Thomas; Lisa Lee and Hal Foster, eds. Critical Laboratory: The Writings of Thomas Hirschhorn. Cambridge: MIT Press, 2013.
Grovier, Kelly.100 Works of Art That Will Define Our Ages. London: Thames & Hudson, 2013.
Harper, Glenn and Twylene Moyer, eds. Artists Reclaim the Commons. New Jersey: isc Press, 2013
Holzwarth, Hans Werner. Art Now Vol 4. Cologne: Taschen, 2013.
Hirschhorn, Thomas; Lisa Lee and Hal Foster, eds. Critical Laboratory: The Writings of Thomas Hirschhorn. Cambridge: MIT Press, 2013.
Grovier, Kelly.100 Works of Art That Will Define Our Ages. London: Thames & Hudson, 2013.
Harper, Glenn and Twylene Moyer, eds. Artists Reclaim the Commons. New Jersey: isc Press, 2013
Holzwarth, Hans Werner. Art Now Vol 4. Cologne: Taschen, 2013.
2012
Thomas Hirschhorn: On The Occasion of the Exhibition. Zurich: Edition Galerie Susanna Kulli, 2012.
Saehrendt, Christian. KASSEL documenta-Geschichten, Märchen und Mythen: Ist das Kunst oder kann das weg? Der Führer zur documenta-Stadt. Cologne: Dumont, 2012.
Intense Proximité: Une Anthologie du Proche et du Lointain. Paris: Edition Artlys, 2012.
Les Maîtres du Désordre. Paris: Musée du Quai Branly, 2012.
Saehrendt, Christian. KASSEL documenta-Geschichten, Märchen und Mythen: Ist das Kunst oder kann das weg? Der Führer zur documenta-Stadt. Cologne: Dumont, 2012.
Intense Proximité: Une Anthologie du Proche et du Lointain. Paris: Edition Artlys, 2012.
Les Maîtres du Désordre. Paris: Musée du Quai Branly, 2012.
2011
Establishing A Critical Corpus. Zurich: JRP Ringier, 2011.
Defining Contemporary Art – 25 years in 200 pivotal artworks. London: Phaidon, 2011.
The Luminous Interval: The D. Daskapoulos Collection. Bilbao: Guggenheim Bilbao, 2011.
La Biennale di Venezia 2011: ILLUMInations. Venice: Marsilio Editore, 2011.
Eleey, Peter. September 11. New York: MoMA PS1, 2011.
With reference to Hans Haacke. Cologne: König, 2011.
Wappler, Friederike. New Relations in Art and Society. Zurich: JRP Ringier, 2011.
Defining Contemporary Art – 25 years in 200 pivotal artworks. London: Phaidon, 2011.
The Luminous Interval: The D. Daskapoulos Collection. Bilbao: Guggenheim Bilbao, 2011.
La Biennale di Venezia 2011: ILLUMInations. Venice: Marsilio Editore, 2011.
Eleey, Peter. September 11. New York: MoMA PS1, 2011.
With reference to Hans Haacke. Cologne: König, 2011.
Wappler, Friederike. New Relations in Art and Society. Zurich: JRP Ringier, 2011.
2010
Too Too Much. Ghent: Museum Dhondt-Dhaenens, 2010.
Hirschhorn, Thomas. “Aubervilliers, February 13, 2006.” In, Abstract Resistance. Minneapolis: Walker Art Center, 2010, p. 72-79.
Hirschhorn, Thomas. “Aubervilliers, February 13, 2006.” In, Abstract Resistance. Minneapolis: Walker Art Center, 2010, p. 72-79.
2009
Of Bridges & Borders. Zurich: JRP | Ringier, 2009.
Walking in My Mind. London: Hayward Gallery, 2009.
Walking in My Mind. London: Hayward Gallery, 2009.
2008
Lagnado, Lisette, Adriano Pedrosa, and Casac Naify, eds. 27a. Bienal de São Paulo: Como Viver Junto. São Paulo: Fundação Bienal de São Paulo, 2008.
Paixóns Privadas, Visións Públicas Collections D.O. Galicia. Vigo: Museo de Arte Contemporánea de Vigo, 2008.
Stations: 100 Masterpieces of Contemporary Art. Köln: DuMont Buchverlag, 2008.
This is Not to be Looked At: Highlights from the Permanent Collection of the Museum of Contemporary Art. Los Angeles: Museum of Contemporary Art, Los Angeles, 2008.
Stand-alone. Mexico City: Museo Tamayo, 2008.
Cross, Caroline. Qu’est-ce que La Sculpture Aujourd’hui? New York: Beaux Arts. Editions, 2008.
Cohen, Brianne. “Hirschhorn's Utopia = One World, One War, One Army, One Dress: Imagining Alternative Forms of Political Affiliation.” In, Crossing the Boundaries XVI: Trading Spaces Planning Committee. Binghamton: Binghamton University, 2008, p. 20-27.
“Thomas Hirschhorn.” In, Arte Contemporanea: Cinque. Milan: Mondadori 2008.
“Thomas Hirschhorn.” In, Arte Contemporanea: Sei. Milan: Mondadori 2008.
Paixóns Privadas, Visións Públicas Collections D.O. Galicia. Vigo: Museo de Arte Contemporánea de Vigo, 2008.
Stations: 100 Masterpieces of Contemporary Art. Köln: DuMont Buchverlag, 2008.
This is Not to be Looked At: Highlights from the Permanent Collection of the Museum of Contemporary Art. Los Angeles: Museum of Contemporary Art, Los Angeles, 2008.
Stand-alone. Mexico City: Museo Tamayo, 2008.
Cross, Caroline. Qu’est-ce que La Sculpture Aujourd’hui? New York: Beaux Arts. Editions, 2008.
Cohen, Brianne. “Hirschhorn's Utopia = One World, One War, One Army, One Dress: Imagining Alternative Forms of Political Affiliation.” In, Crossing the Boundaries XVI: Trading Spaces Planning Committee. Binghamton: Binghamton University, 2008, p. 20-27.
“Thomas Hirschhorn.” In, Arte Contemporanea: Cinque. Milan: Mondadori 2008.
“Thomas Hirschhorn.” In, Arte Contemporanea: Sei. Milan: Mondadori 2008.
2007
IInto Me/Out of Me. Ostfildern: Hatje Cantz; Berlin: KW Institute for Contemporary Art; New York: P.S.1 Contemporary Art Center, 2007.
Collage: The Unmonumental Picture. New York: New Museum of Contemporary Art, 2007.
Michalka, Matthias. The Artist as… Vienna: MUMOK, 2007.
Volksgarten: Politics of Belonging. Cologne: Walther König, 2007.
Mercurio, Gianni, and Demetrio Paparoni, eds. Timer: Intimacy. Milan: Skira Editore, 2007.
Ice Cream. London: Phaidon Press Limited, 2007.
Collage: The Unmonumental Picture. New York: New Museum of Contemporary Art, 2007.
Michalka, Matthias. The Artist as… Vienna: MUMOK, 2007.
Volksgarten: Politics of Belonging. Cologne: Walther König, 2007.
Mercurio, Gianni, and Demetrio Paparoni, eds. Timer: Intimacy. Milan: Skira Editore, 2007.
Ice Cream. London: Phaidon Press Limited, 2007.
2006
Andrews, Max, ed. Land, Art: A Cultural Ecology Handbook. London: The RSA, 2006.
Bishop, Claire, ed. Participation: Documents of Contemporary Art. London: Whitechapel; Cambridge: MIT Press, 2006.
Merewether, Charles, ed. The Archive: Documents of Contemporary Art. London: Whitechapel; Cambridge: MIT Press, 2006.
Richer, Francesca, and Matthew Rosenzweig, eds. No. 1: First Works by 362 Artists. New York: DAP, 2006.
Jones, Amelia, ed. A Companion to Contemporary Art Since 1945. Hoboken: Blackwell Publishing, 2006.
Who Cares. New York: Creative Time Books, 2006.
Bonami, Francesco, ed. Infinite Painting: Contemporary Painting and Global Realism. Passariano: Villla Manin Centro d’Arte Contemporanea, 2006.
Musee Precaire Albinet. Paris: Editions Xavier; Auberviliers: Barral, Les Laboratoires d’Aubervilliers, 2006.
Bishop, Claire, ed. Participation: Documents of Contemporary Art. London: Whitechapel; Cambridge: MIT Press, 2006.
Merewether, Charles, ed. The Archive: Documents of Contemporary Art. London: Whitechapel; Cambridge: MIT Press, 2006.
Richer, Francesca, and Matthew Rosenzweig, eds. No. 1: First Works by 362 Artists. New York: DAP, 2006.
Jones, Amelia, ed. A Companion to Contemporary Art Since 1945. Hoboken: Blackwell Publishing, 2006.
Who Cares. New York: Creative Time Books, 2006.
Bonami, Francesco, ed. Infinite Painting: Contemporary Painting and Global Realism. Passariano: Villla Manin Centro d’Arte Contemporanea, 2006.
Musee Precaire Albinet. Paris: Editions Xavier; Auberviliers: Barral, Les Laboratoires d’Aubervilliers, 2006.
2005
Art Now Vol 2. New York: Taschen, 2005.
Bonami, Francesco, ed. Bidibidobidiboo: Works from Collezione Sandretto Re Rebaudengo. Milan: Skira Editore S.p.A., 2005.
Gingeras, Alison M. Press Play: Contemporary Artists in Conversation. New York: Phaidon Press, 2005.
Anschool: Texts, Projects, Letters, 26.05.05- 11.09.05. Maastricht: Bonnefantenmuseum Maastricht, 2005.
Bonami, Francesco, ed. Bidibidobidiboo: Works from Collezione Sandretto Re Rebaudengo. Milan: Skira Editore S.p.A., 2005.
Gingeras, Alison M. Press Play: Contemporary Artists in Conversation. New York: Phaidon Press, 2005.
Anschool: Texts, Projects, Letters, 26.05.05- 11.09.05. Maastricht: Bonnefantenmuseum Maastricht, 2005.
2004
Public Art: A Reader. Ostfildern: Hatje Cantz Publishers, 2004, p. 247.
Coetzee, Mark. Not Afraid: Rubell Family Collection. New York/ London: Phaidon Press, 2004.
Coleccion Siglio XXI, Adquisiciones 2003-2004. Madrid: Siglo XXI Editores, 2004.
Coetzee, Mark. Not Afraid: Rubell Family Collection. New York/ London: Phaidon Press, 2004.
Coleccion Siglio XXI, Adquisiciones 2003-2004. Madrid: Siglo XXI Editores, 2004.
2003
“Thomas Hirschhorn interviewed by Irish Mickein.” In, Common Wealth. London: Tate Publishing, 2003.
Images of Society. Thun: Kunstmuseum Thun, 2003.
Boutoux, Thomas, ed. Hans Ulrich Obrist Interviews, Volume 1. Milan: Edizioni Charta, 2003.
Gesellschaftsbilder: Images of Society. Thun: Kunstmuseum Thun, 2003.
Sparks, Karen J. “Redefining Art.” In, 2002-03: Year in Review. Chicago: Encyclopedia Britannica, 2003.
Images of Society. Thun: Kunstmuseum Thun, 2003.
Boutoux, Thomas, ed. Hans Ulrich Obrist Interviews, Volume 1. Milan: Edizioni Charta, 2003.
Gesellschaftsbilder: Images of Society. Thun: Kunstmuseum Thun, 2003.
Sparks, Karen J. “Redefining Art.” In, 2002-03: Year in Review. Chicago: Encyclopedia Britannica, 2003.
2002
Curiger, Bice. Short Guide into the Work of Thomas Hirschhorn. New York: Gladstone Gallery, 2002.
Honour, Hugh and John Fleming. A World History of Art. London: Laurence King, 2002.
Honour, Hugh and John Fleming. A World History of Art. London: Laurence King, 2002.
2001
Le Prix Marcel Duchamp, 2000. Paris: Association pour la Diffusion Internationale de l’Art Français, 2001.
Material: Public Works-The Bridge. London: Whitechapel Art Gallery, 2001.
Pilto, Carrie and Hans-Ulrich Obrist; Agnés B., ed. The Spinoza Monument: Le Point d’Ironie 23. Paris: Agnès B., 2001.
Beeldende Kunst, Collection of Flemish Community Acquisitions 1996/1997/1998. Brussels: Editions Sabam, 2001.
A Small Museum and a Large Library of Contemporary Art. Zurich: Parkett Publishers, 2001.
Matzner, Florian, ed. Public Art, Kunst im öffentlichen Raum. Ostfildern: Hatje Cantz Verlag, 2001.
Material: Public Works-The Bridge. London: Whitechapel Art Gallery, 2001.
Pilto, Carrie and Hans-Ulrich Obrist; Agnés B., ed. The Spinoza Monument: Le Point d’Ironie 23. Paris: Agnès B., 2001.
Beeldende Kunst, Collection of Flemish Community Acquisitions 1996/1997/1998. Brussels: Editions Sabam, 2001.
A Small Museum and a Large Library of Contemporary Art. Zurich: Parkett Publishers, 2001.
Matzner, Florian, ed. Public Art, Kunst im öffentlichen Raum. Ostfildern: Hatje Cantz Verlag, 2001.
2000
Rondeau, James et al. Thomas Hirschhorn: Jumbo Spoons and Big Cake. Chicago: The Art Institute of Chicago, 2000.
Hirschhorn, Thomas. Deleuze-Monument: Les Documents. Avignon: Thomas Hirschhorn, 2000.
La Beauté. Avignon: Mission 2000, 2000.
Orbis Terrarum: Ways of Worldmaking. Antwerp: Antwerpen Open, 2000.
Vision Machine. Paris: Musée des Beaux-Arts de Nantes, éditions Somogy, 2000.
Rendez-vous, Collection Lambert, Hôtel de Caumont, Avignon. Avignon: éditions Actes Sud, 2000.
Partage d’exotisme, Biennale de Lyon. Paris: éditions RMN, 2000.
La forma del mondo / La fine del mondo, Padiglione d’Arte Contemporaneo. Milan: éditions Medusa, 2000.
Eiszeit. Bern: Kunstmuseum Bern, 2000.
Aller Anfang ist Merz – Von Kurt Schwitters bis Heute. Hannover: Sprengel Museum Hannover; Ostfildern: Hatje Cantz Verlag, 2000.
Protest & Survive. London: Whitechapel Art Gallery, 2000.
Utopie concrete, 10 ans, vingt-neuf expositions. Mouans-Sartoux, France: Espace de l’Art Concret, 2000.
Becker, Wolfgang, ed. Continental Shift. Aachen, Germany: Ludwig Forum, Herausgeber Editor, 2000.
Collections 1989/1999, Frac PACA, édition 2000. Arles: éditions Actes Sud, 2000.
Wappler, Fredierike. Ein/räumen, Arbeitien im Museum. Hamburg: Hamburger Kunsthalle, 2000.
Masséra, Jean-Charles. Prozac, Bloody Prozac: Vivre sa vie. Glasgow: 2000.
La santé des restes. Martigues: Musée Ziem, RMN éditions, 2000.
Obrist, Hans-Ulrich ed. Les rumeurs urbaines / Urban Rumours, Etat Des Lieux #2. Fribourg: Centre d’Art Contemporain Fri-Art Kunsthalle, 2000.
Prion, François. Bruit de fond. Paris: journal du CNP, 2000.
Hirschhorn, Thomas. Deleuze-Monument: Les Documents. Avignon: Thomas Hirschhorn, 2000.
La Beauté. Avignon: Mission 2000, 2000.
Orbis Terrarum: Ways of Worldmaking. Antwerp: Antwerpen Open, 2000.
Vision Machine. Paris: Musée des Beaux-Arts de Nantes, éditions Somogy, 2000.
Rendez-vous, Collection Lambert, Hôtel de Caumont, Avignon. Avignon: éditions Actes Sud, 2000.
Partage d’exotisme, Biennale de Lyon. Paris: éditions RMN, 2000.
La forma del mondo / La fine del mondo, Padiglione d’Arte Contemporaneo. Milan: éditions Medusa, 2000.
Eiszeit. Bern: Kunstmuseum Bern, 2000.
Aller Anfang ist Merz – Von Kurt Schwitters bis Heute. Hannover: Sprengel Museum Hannover; Ostfildern: Hatje Cantz Verlag, 2000.
Protest & Survive. London: Whitechapel Art Gallery, 2000.
Utopie concrete, 10 ans, vingt-neuf expositions. Mouans-Sartoux, France: Espace de l’Art Concret, 2000.
Becker, Wolfgang, ed. Continental Shift. Aachen, Germany: Ludwig Forum, Herausgeber Editor, 2000.
Collections 1989/1999, Frac PACA, édition 2000. Arles: éditions Actes Sud, 2000.
Wappler, Fredierike. Ein/räumen, Arbeitien im Museum. Hamburg: Hamburger Kunsthalle, 2000.
Masséra, Jean-Charles. Prozac, Bloody Prozac: Vivre sa vie. Glasgow: 2000.
La santé des restes. Martigues: Musée Ziem, RMN éditions, 2000.
Obrist, Hans-Ulrich ed. Les rumeurs urbaines / Urban Rumours, Etat Des Lieux #2. Fribourg: Centre d’Art Contemporain Fri-Art Kunsthalle, 2000.
Prion, François. Bruit de fond. Paris: journal du CNP, 2000.
1999
Beausse, Pascal. France, une nouvelle generation. Paris: ADIAF, 1999.
Zone, [Espèces d’Espaces]. Guarene d’Alba: Fondazione Sandretto Re Rebaudengo, 1999.
Masséra, Jean-Charles. New Order Automne: Hiver 99. Saint-Etienne: Musée d’Art Moderne de Saint-Etienne, 1999.
Enwezor, Okwui. Mirror’s Edge. Umea: Bildmuseet, 1999.
Masséra, Jean-Charles. World Corners: United Emmerdements of New Order. Saint-Etienne: Musée d’Art Moderne de Saint-Etienne, 1999.
Fleck, Robert, Alison Gingeras, Philippe Vergne, and Marcus Steinweg. Doug Aitken, Nan Goldin, Thomas Hirschhorn. New York: Parkett Publishers, 1999.
Hypothèses de collection. Paris: Musée du Luxembourg, 1999.
Bonami, Francesco, and Hans Ulrich Obrist, eds. Dreams. Castelvecchi: Fondazione Sandretto Re Rebaudengo per l’Arte, 1999.
Le Repubbliche dell’Arte – Svizzera. Siena: Centro d’Arte contemporanea, Palazzo delle Papesse, 1999.
Szeeman, Harald. The End of the World. Zurich: Kunsthaus Zürich, 1999.
Cuenat, Philippe. Another Swiss Panorama. Geneva: 8th Biennale de l’Image en Mouvement, Centre pour l’image contemporaine, Saint-Gervais Genève, 1999.
Zone, [Espèces d’Espaces]. Guarene d’Alba: Fondazione Sandretto Re Rebaudengo, 1999.
Masséra, Jean-Charles. New Order Automne: Hiver 99. Saint-Etienne: Musée d’Art Moderne de Saint-Etienne, 1999.
Enwezor, Okwui. Mirror’s Edge. Umea: Bildmuseet, 1999.
Masséra, Jean-Charles. World Corners: United Emmerdements of New Order. Saint-Etienne: Musée d’Art Moderne de Saint-Etienne, 1999.
Fleck, Robert, Alison Gingeras, Philippe Vergne, and Marcus Steinweg. Doug Aitken, Nan Goldin, Thomas Hirschhorn. New York: Parkett Publishers, 1999.
Hypothèses de collection. Paris: Musée du Luxembourg, 1999.
Bonami, Francesco, and Hans Ulrich Obrist, eds. Dreams. Castelvecchi: Fondazione Sandretto Re Rebaudengo per l’Arte, 1999.
Le Repubbliche dell’Arte – Svizzera. Siena: Centro d’Arte contemporanea, Palazzo delle Papesse, 1999.
Szeeman, Harald. The End of the World. Zurich: Kunsthaus Zürich, 1999.
Cuenat, Philippe. Another Swiss Panorama. Geneva: 8th Biennale de l’Image en Mouvement, Centre pour l’image contemporaine, Saint-Gervais Genève, 1999.
1998
Fibicher, Bernhard. Swiss Army Knife. Bern: Kunsthalle Bern, 1998.
Steinweg, Marcus and Jochen Poetter. Rolex etc., Freundlichs Aufstieg und Skulptur-Sortier-Station-Dokumentation. Cologne: Museum Ludwig, 1998.
Curiger, Bice. Freie Sicht aufs mittelmeer. Zurich: Kunsthaus, Scalo editions, 1998.
Nollert, Angelika. Ein Kunstwerk, ein Problem. Frankfurt: Portikus, 1998.
World Corners. London: Chisenhale Gallery, 1998.
Gingeras, Allison. Premises: Invested Spaces in Visual Arts & Architecture from France, 1960’s – 1990’s. New York: Guggenheim Museum, 1998.
33 Ausstellungen im öffentlichen Raum, 1989 – 1998. Zurich: Schweizerische Graphische Gesellschaft, 1998.
Unfinished History. Minneapolis: Walker Art Center, 1998.
Steinweg, Marcus and Jochen Poetter. Rolex etc., Freundlichs Aufstieg und Skulptur-Sortier-Station-Dokumentation. Cologne: Museum Ludwig, 1998.
Curiger, Bice. Freie Sicht aufs mittelmeer. Zurich: Kunsthaus, Scalo editions, 1998.
Nollert, Angelika. Ein Kunstwerk, ein Problem. Frankfurt: Portikus, 1998.
World Corners. London: Chisenhale Gallery, 1998.
Gingeras, Allison. Premises: Invested Spaces in Visual Arts & Architecture from France, 1960’s – 1990’s. New York: Guggenheim Museum, 1998.
33 Ausstellungen im öffentlichen Raum, 1989 – 1998. Zurich: Schweizerische Graphische Gesellschaft, 1998.
Unfinished History. Minneapolis: Walker Art Center, 1998.
1997
Joseph, Manuel. Nonchalance. Bienne/ Paris: Galerie Chantal Crousel, 1997.
Damsch-Wiehager, Renate. Fort ! Da ! Cooperations, Esslingen am Neckar: Villa Merkel; Ostfildern: Hatje Cantz Verlag, 1997.
Parisien(ne)s. London: Camden Arts Centre, 1997.
Text by the artist. Skulptur Projekte in Münster. Munster: Verlag Gerd Hatje, 1997.
Text by the artist. Ici et maintenant. Paris: APSV, Actes Sud editions, 1997.
Bonami, Francesco. Delta. Paris: Musée d’Art Moderne de la Ville de Paris, 1997.
Stange, Raimer. Projekte der Galerie im KünstlerHaus Bremen, April 1996- Dezember 1997. Bremen: KunstlerHaus Bremen, 1997.
Damsch-Wiehager, Renate. Fort ! Da ! Cooperations, Esslingen am Neckar: Villa Merkel; Ostfildern: Hatje Cantz Verlag, 1997.
Parisien(ne)s. London: Camden Arts Centre, 1997.
Text by the artist. Skulptur Projekte in Münster. Munster: Verlag Gerd Hatje, 1997.
Text by the artist. Ici et maintenant. Paris: APSV, Actes Sud editions, 1997.
Bonami, Francesco. Delta. Paris: Musée d’Art Moderne de la Ville de Paris, 1997.
Stange, Raimer. Projekte der Galerie im KünstlerHaus Bremen, April 1996- Dezember 1997. Bremen: KunstlerHaus Bremen, 1997.
1996
Text by the artist. Thomas Hirschhorn, Virus–Ausstellung. Berlin: Galerie Arndt & Partner, 1996.
Hirschhorn, Thomas. In Rahmen der Ausstellung. Zurich: Galerie Susanna Kulli, 1996.
Hirschhorn, Thomas. Bilbao catalogue. Bilbao: Journal de l’Institut Français de Bilbao,1996.
Hirschhorn, Thomas. 3 Auflage Katalog. Luzern: Kunstmuseum Lucerne, 1996.
Winter, Georg. Thomas Hirschhorn: Vor Ort. Langenhagen: Kunst in städtischen Situationen, 1996.
Castillejo, Daniel and Pascale Cassagnau. Thomas Hirschhorn W.U.E. World-Understanding-Engine. Bilbao: Rekalde 2, 1996.
Stilleben – nature morte – Natura Morta – Still life. Zurich: Helmhaus Zürich, 1996.
Leguillon, Pierre. XIIe Ateliers du FRAC des Pays de la Loire. Saint-Nazaire: Grand Café Saint-Nazaire, 1996.
Hirschhorn, Thomas. In Rahmen der Ausstellung. Zurich: Galerie Susanna Kulli, 1996.
Hirschhorn, Thomas. Bilbao catalogue. Bilbao: Journal de l’Institut Français de Bilbao,1996.
Hirschhorn, Thomas. 3 Auflage Katalog. Luzern: Kunstmuseum Lucerne, 1996.
Winter, Georg. Thomas Hirschhorn: Vor Ort. Langenhagen: Kunst in städtischen Situationen, 1996.
Castillejo, Daniel and Pascale Cassagnau. Thomas Hirschhorn W.U.E. World-Understanding-Engine. Bilbao: Rekalde 2, 1996.
Stilleben – nature morte – Natura Morta – Still life. Zurich: Helmhaus Zürich, 1996.
Leguillon, Pierre. XIIe Ateliers du FRAC des Pays de la Loire. Saint-Nazaire: Grand Café Saint-Nazaire, 1996.
1995
Hirschhorn, Thomas. 1 Auflage Katalog. Berlin: Künstlerhaus Bethanien, 1995.
Les Plaintifs, les Bêtes, les Politiques. Geneva: Centre Genevois de Gravure Contemporaine, 1995.
Hirschhorn, Thomas. 2 Auflage Katalog. Fribourg: Fri-Art, 1995.
Hergott, Fabrice. Thomas Hirschhorn, Berliner Wasserfall mit Robert Walser Tränen. Berlin: Kunstlerhaus Bethanien, 1995.
Bauer, Christophe. Centre d’Art Contemporain. Kunsthalle: Fri-Art, 1995.
Africus: Johannesburg Biennale. Johannesburg: 1995.
Text by the artist. Ohne Titel, Eine Sammlung zeitgenössischer Schweizer Kunst, Stiftung Kunst Heute. Aarau: Aargauer Kunsthaus, Aarau, Verlag Lars Müller, 1995.
Passions Privées. Paris: Musée d’Art Moderne de la Ville de Paris, éditions Paris Musées, 1995.
Les Plaintifs, les Bêtes, les Politiques. Geneva: Centre Genevois de Gravure Contemporaine, 1995.
Hirschhorn, Thomas. 2 Auflage Katalog. Fribourg: Fri-Art, 1995.
Hergott, Fabrice. Thomas Hirschhorn, Berliner Wasserfall mit Robert Walser Tränen. Berlin: Kunstlerhaus Bethanien, 1995.
Bauer, Christophe. Centre d’Art Contemporain. Kunsthalle: Fri-Art, 1995.
Africus: Johannesburg Biennale. Johannesburg: 1995.
Text by the artist. Ohne Titel, Eine Sammlung zeitgenössischer Schweizer Kunst, Stiftung Kunst Heute. Aarau: Aargauer Kunsthaus, Aarau, Verlag Lars Müller, 1995.
Passions Privées. Paris: Musée d’Art Moderne de la Ville de Paris, éditions Paris Musées, 1995.
1994
David, Catherine. Thomas Hirschhorn: Invitations. Paris: Galerie Nationale du Jeu de Paume, 1994.
Ohne Titel, Eine Sammlung zeitgenossischer Schweizer Kunst, Stiftung Kunst Heute. Aarau: Aargauer Kunsthaus, Verlag Lars Muller, 1994.
Europa 94 – Junge europäische Kunst in München. Munich: 1994.
Ohne Titel, Eine Sammlung zeitgenossischer Schweizer Kunst, Stiftung Kunst Heute. Aarau: Aargauer Kunsthaus, Verlag Lars Muller, 1994.
Europa 94 – Junge europäische Kunst in München. Munich: 1994.
1993
Joseph, Manuel. Thomas Hirschhorn. Paris: Ecole des Beaux-Arts de Rueil-Malmaison, 1993.
1992
Lux, Harm. Sylvie Fleury, Daniele Buetti, Thomas Hirschhorn, Alex Hanimann. Zurich: Shedhalle, 1992.
1991
Salon de l’Ephémère. Fontenay-sous-Bois: 1991.
Selected Articles and Reviews
2022
Lloyd-Smith, Harriet. "Major contemporary artists sell prints to aid Artists at Risk in Ukraine," Wallpaper*, March 16, 2022.
2019
Besencon, Jean-Blaise. “The artist Thomas Hirschhorn taped Bienne,” L’illustré, June 26, 2019.
Meyer, Alain. “Controversy with Artist Thomas Hirschhorn in Biel,” Swiss Info, May 10, 2019.
Donze, Vincent. “Thomas Hirschhorn: ‘Bienne, A City to Love!’” Le Matin, May 2, 2019.
“A work for Robert Walser,” RSI News, April 27, 2019.
Graden, Tobias. “The grace to die in the snow,” Bieler Tagblatt, April 26, 2019.
“Do not judge artworks by appearances,” The Hindu, March 11, 2019.
“How to judge an artwork? Swiss artist Thomas Hirschhorn has some cues,” The Education Post, March 10, 2019.
Schwendener, Martha. “What to See in New York Art Galleries Right Now,” The New York Times, March 1, 2019.
Barandy, Kat. “interview with thomas hirschhorn ahead of engadin art talks 2019,” designboom, January 21, 2019.
Meyer, Alain. “Controversy with Artist Thomas Hirschhorn in Biel,” Swiss Info, May 10, 2019.
Donze, Vincent. “Thomas Hirschhorn: ‘Bienne, A City to Love!’” Le Matin, May 2, 2019.
“A work for Robert Walser,” RSI News, April 27, 2019.
Graden, Tobias. “The grace to die in the snow,” Bieler Tagblatt, April 26, 2019.
“Do not judge artworks by appearances,” The Hindu, March 11, 2019.
“How to judge an artwork? Swiss artist Thomas Hirschhorn has some cues,” The Education Post, March 10, 2019.
Schwendener, Martha. “What to See in New York Art Galleries Right Now,” The New York Times, March 1, 2019.
Barandy, Kat. “interview with thomas hirschhorn ahead of engadin art talks 2019,” designboom, January 21, 2019.
2018
“Thomas Hirschhorn writes a tribute to Meret Oppenheim in the form of a letter,” Monopol, December 2018.
Schumann, Uwe-Jens. “Thomas Hirschhorn: ‘It is an Emancipatory Gesture,’” The Talks, November 21, 2018.
“Catastrophe and the Power of Art, Work #1: Thomas Hirschhorn Collapse,” Mori Art Museum, October 26, 2018.
Speed, Mitch. “What is to be Learned, What is to be Done? Thomas Hirschhorn at the Remai Modern,” MOMUS, May 4, 2018.
“Letters to the editor,” Saskatoon Star Phoenix, March 8, 2018.
Greenberger, Alex. Artnews, Spring 2018.
Walter, Alexander. “Architect Luigi Snozzi among Swiss Grand Award for Art / Prix Meret Oppenheim 2018 laureates,” Architect News, February 20, 2018.
“Art Industry New: China Has No Mercy for the American Who Stole a Warrior’s Thumb + More Must-Read Stories,” Artnet News, February 20, 2018.
“Thomas Hirschhorn at Remai Modern, Saskatoon, Canada,” Artnews, February 13, 2018.
Ohls, Hauke. “Artland Heartland: Thomas Hirschhorn nicht-exklusives Museum aud Präsenz und Produktion – Teil 2,” Kunst Magazin, February 2, 2018.
“Remai Modern show invites everyone to be a part of the art,” CBC News, January 26, 2018.
Cascone, Sarah & Caroline Goldstein. “11 International Exhibitions to See Outside of Europe and the US in (Early) 2018,” Artnet News, January 8, 2018.
Schumann, Uwe-Jens. “Thomas Hirschhorn: ‘It is an Emancipatory Gesture,’” The Talks, November 21, 2018.
“Catastrophe and the Power of Art, Work #1: Thomas Hirschhorn Collapse,” Mori Art Museum, October 26, 2018.
Speed, Mitch. “What is to be Learned, What is to be Done? Thomas Hirschhorn at the Remai Modern,” MOMUS, May 4, 2018.
“Letters to the editor,” Saskatoon Star Phoenix, March 8, 2018.
Greenberger, Alex. Artnews, Spring 2018.
Walter, Alexander. “Architect Luigi Snozzi among Swiss Grand Award for Art / Prix Meret Oppenheim 2018 laureates,” Architect News, February 20, 2018.
“Art Industry New: China Has No Mercy for the American Who Stole a Warrior’s Thumb + More Must-Read Stories,” Artnet News, February 20, 2018.
“Thomas Hirschhorn at Remai Modern, Saskatoon, Canada,” Artnews, February 13, 2018.
Ohls, Hauke. “Artland Heartland: Thomas Hirschhorn nicht-exklusives Museum aud Präsenz und Produktion – Teil 2,” Kunst Magazin, February 2, 2018.
“Remai Modern show invites everyone to be a part of the art,” CBC News, January 26, 2018.
Cascone, Sarah & Caroline Goldstein. “11 International Exhibitions to See Outside of Europe and the US in (Early) 2018,” Artnet News, January 8, 2018.
2017
Tovar, Juanita. “Catch This Months Best Art Shows Before It’s Too Late,” Spoiled NYC, December 14, 2017.
“Thomas Hirschhorn,” Wall Street International, December 8, 2017.
Doran, Anne. “Review, Thomas Hirschhorn: DE-PIXELATION,” TimeOut, December 4, 2017.
Creahan, Daniel. “New York- Thomas Hirschhorn: ‘De-Pixelation’ at Gladstone Gallery,” Art Observed, November 28, 2017.
“Thomas Hirschhorn De-Pixelation,” 2-Times, November 17, 2017.
“Thomas Hirschhorn: constructed deconstruction,” Musée Magazine, November 15, 2017.
“Goings On About Town: Thomas Hirschhorn,” The New Yorker, November 3, 2017.
“Art Out: Thomas Hirschhorn – De-pixelation,” Musée Magazine, November 2, 2017.
Eleey, Peter. “Social Formation: Peter Eleey on The Absent Museum,” Artforum, November 2017.
Judah, Hettie. “Thomas Hirschhorn’s Pixilated Images Don’t Obscure the Horrors of Conflict,” Garage, October 30, 2017.
Lempesis, Dimitris. “Art Cities: N. York-Thomas Hirschhorn,” Dream Idea Machine, October 19, 2017.
“Thomas Hirschhorn’s ‘De-Pixelation’ at Gladstone Gallery, New York,” Blouin Artinfo, October 18, 2017.
Cascone, Sarah. “Here Are 25 New York Gallery Shows That You Need to See This October,” ArtNet News, October 4, 2017.
“DE-PIXELATION,” ArtReview Asia, Summer 2017.
“Thomas Hirschhorn,” Wall Street International, December 8, 2017.
Doran, Anne. “Review, Thomas Hirschhorn: DE-PIXELATION,” TimeOut, December 4, 2017.
Creahan, Daniel. “New York- Thomas Hirschhorn: ‘De-Pixelation’ at Gladstone Gallery,” Art Observed, November 28, 2017.
“Thomas Hirschhorn De-Pixelation,” 2-Times, November 17, 2017.
“Thomas Hirschhorn: constructed deconstruction,” Musée Magazine, November 15, 2017.
“Goings On About Town: Thomas Hirschhorn,” The New Yorker, November 3, 2017.
“Art Out: Thomas Hirschhorn – De-pixelation,” Musée Magazine, November 2, 2017.
Eleey, Peter. “Social Formation: Peter Eleey on The Absent Museum,” Artforum, November 2017.
Judah, Hettie. “Thomas Hirschhorn’s Pixilated Images Don’t Obscure the Horrors of Conflict,” Garage, October 30, 2017.
Lempesis, Dimitris. “Art Cities: N. York-Thomas Hirschhorn,” Dream Idea Machine, October 19, 2017.
“Thomas Hirschhorn’s ‘De-Pixelation’ at Gladstone Gallery, New York,” Blouin Artinfo, October 18, 2017.
Cascone, Sarah. “Here Are 25 New York Gallery Shows That You Need to See This October,” ArtNet News, October 4, 2017.
“DE-PIXELATION,” ArtReview Asia, Summer 2017.
2016
“Best of 2016: Artist’s Artists,” Artforum, December 2016.
“Quality, No! Energy, Yes!,” Artspace, November 18, 2016.
“Quality, No! Energy, Yes!,” Artspace, November 18, 2016.
2015
“Power 100,” ArtReview, November, 2015.
“Top 100 Artists Worldwide,” Zeit Kunstverlag, March 20, 2015.
Gavin, Francesca. “Thomas Hirschhorn’s Apocalyptic Office Space at South London Gallery,” Artsy, July 13, 2015.
Searle, Adrian. “Things fall apart: the beautiful Marxist bomb that’s hit south London,” The Guardian, July 2, 2015.
Pilger, Zoe. “In-Between: A disaster zone in London strikes poetic notes after concerning itself with doom,” The Independent, June 28, 2015.
Luke, Ben. “Thomas Hirschhorn, In-Between exhibition review: mystery of the crafted chaos,” London Evening Standard, July 2, 2015.
“Top 100 Artists Worldwide,” Zeit Kunstverlag, March 20, 2015.
Gavin, Francesca. “Thomas Hirschhorn’s Apocalyptic Office Space at South London Gallery,” Artsy, July 13, 2015.
Searle, Adrian. “Things fall apart: the beautiful Marxist bomb that’s hit south London,” The Guardian, July 2, 2015.
Pilger, Zoe. “In-Between: A disaster zone in London strikes poetic notes after concerning itself with doom,” The Independent, June 28, 2015.
Luke, Ben. “Thomas Hirschhorn, In-Between exhibition review: mystery of the crafted chaos,” London Evening Standard, July 2, 2015.
2014
Lax, J. Thomas. “From New York, Southward: A Counter-Memorial,” Mousse Magazine, Summer 2014, p. 230.
“Thomas Hirschhorn at Palais de Tokyo,” Gogo Paris, May 14, 2014.
Gregory, Jarrett. “Elevation 1049. Various venues, Gstaad, Switzerland,” Frieze, May 2014, p. 206-207.
“Thomas Hirschhorn at Palais de Tokyo,” Gogo Paris, May 14, 2014.
Gregory, Jarrett. “Elevation 1049. Various venues, Gstaad, Switzerland,” Frieze, May 2014, p. 206-207.
2013
de Almeida, Pedro. “Looking at an Ingres painting,” Contemporary Visual Art + Culture Broadsheet, December 2013, p. 262-267.
Enwezor, Okwui. “Best of 2013,” Artforum, December 2013, p. 205.
Merjian, Ara H. “Thomas Hirschhorn,” Frieze, November-December, 2013, pp.148-149.
Davis, Ben. “Thomas Hirschhorn,”Modern Painters, November, 2013, pp.105-106.
“Monumental Endeavor: Glenn Ligon, Diedrich Diederichsen, and Julian Rose on Thomas Hirschhorn,” Artforum, November 2013.
Loki, Reynard. “Bronx Bomber: Thomas Hirschhorn’s ‘Gramsci Monument,’” Black Book, September 17, 2013.
Pollack, Barbara. “Thomas Hirschhorn, Gramsci Monument,” Time Out, 2013.
Johnson, Paddy. “Gramsci Project,” The L Magazine, August 14, 2013.
Thomson, Steven and Cameron Blaylock. “Thomas Hirschhorn’s Precious and Precarious Bronx,” Urban Omnibus, July 31, 2013.
Bonami, Francesco. “Gramsci in the ‘Hood’ – Why Italy’s Marxist Icon is Being Honored in the Bronx,” Worldcrunch, July 11, 2013.
Johnson, Ken. “A Summer Place in the South Bronx: A Visit to Thomas Hirschhorn’s ‘Gramsci Monument,’” New York Times, July 25, 2013.
Schjeldahl, Peter. “House Philosopher,” The New Yorker, July 29, 2013, p. 76-77.
Russeth, Andrew. “Thomas Hirschhorn’s ‘Gramsci Monument Opens at Forest Houses in the Bronx,” New York Observer, July 2, 2013.
Pollack, Maika. “Thomas Hirschhorn: Gramschi Monument.” The New York Observer, July 15, 2013, p. B6.
Richardson, Jillian. “01-13. The Top 13 Art Shows,” Surface, Issue 101, July/August 2013, p. 103.
Sans, Jérôme. “Thomas Hirschhorn Etat Critique,” L’Officiel Art, N°6, Juin-Juillet-Auot 2013, p. 146-153.
“Dia Art Foundation presents Thomas Hirschhorn’s Gramsci Monument in neighborhood of the Bronx,” artdaily.org, July 2013.
Burns, Charlotte. “Utopian Visions in the Bronx,” The Art Newspaper, July/August 2013, p. 5.
Lookofsky, Sarah. “Thomas Hirschhorn on his Project in the Projects,”dismagazine.com, June 2013.
Smith, William S. “Under Construction: Thomas Hirschhorn’s Gramsci Monument in the Bronx,” Art in America, June 25, 2013.
Kennedy, Randy. “Bringing Art and Change to Bronx, Thomas Hirschhorn Picks Bronx Development as Art Site,” New York Times, June 27, 2013.
Kennedy, Randy. “Housing Project Meets Art Project in the South Bronx,” New York Times, May 2, 2013.
“Thomas Hirschhorn’s Drawing for Gramsci Monument at Forest Houses, The Bronx, New York,” Purple, April 16, 2013.
“Thomas Hirschhorn: Gramsci Monument,” Artforum, May 2013, p. 148.
Walsh, Brienne. “Thomas Hirschhorn,” Modern Painters, January 2013, p. 67 – 68.
Enwezor, Okwui. “Best of 2013,” Artforum, December 2013, p. 205.
Merjian, Ara H. “Thomas Hirschhorn,” Frieze, November-December, 2013, pp.148-149.
Davis, Ben. “Thomas Hirschhorn,”Modern Painters, November, 2013, pp.105-106.
“Monumental Endeavor: Glenn Ligon, Diedrich Diederichsen, and Julian Rose on Thomas Hirschhorn,” Artforum, November 2013.
Loki, Reynard. “Bronx Bomber: Thomas Hirschhorn’s ‘Gramsci Monument,’” Black Book, September 17, 2013.
Pollack, Barbara. “Thomas Hirschhorn, Gramsci Monument,” Time Out, 2013.
Johnson, Paddy. “Gramsci Project,” The L Magazine, August 14, 2013.
Thomson, Steven and Cameron Blaylock. “Thomas Hirschhorn’s Precious and Precarious Bronx,” Urban Omnibus, July 31, 2013.
Bonami, Francesco. “Gramsci in the ‘Hood’ – Why Italy’s Marxist Icon is Being Honored in the Bronx,” Worldcrunch, July 11, 2013.
Johnson, Ken. “A Summer Place in the South Bronx: A Visit to Thomas Hirschhorn’s ‘Gramsci Monument,’” New York Times, July 25, 2013.
Schjeldahl, Peter. “House Philosopher,” The New Yorker, July 29, 2013, p. 76-77.
Russeth, Andrew. “Thomas Hirschhorn’s ‘Gramsci Monument Opens at Forest Houses in the Bronx,” New York Observer, July 2, 2013.
Pollack, Maika. “Thomas Hirschhorn: Gramschi Monument.” The New York Observer, July 15, 2013, p. B6.
Richardson, Jillian. “01-13. The Top 13 Art Shows,” Surface, Issue 101, July/August 2013, p. 103.
Sans, Jérôme. “Thomas Hirschhorn Etat Critique,” L’Officiel Art, N°6, Juin-Juillet-Auot 2013, p. 146-153.
“Dia Art Foundation presents Thomas Hirschhorn’s Gramsci Monument in neighborhood of the Bronx,” artdaily.org, July 2013.
Burns, Charlotte. “Utopian Visions in the Bronx,” The Art Newspaper, July/August 2013, p. 5.
Lookofsky, Sarah. “Thomas Hirschhorn on his Project in the Projects,”dismagazine.com, June 2013.
Smith, William S. “Under Construction: Thomas Hirschhorn’s Gramsci Monument in the Bronx,” Art in America, June 25, 2013.
Kennedy, Randy. “Bringing Art and Change to Bronx, Thomas Hirschhorn Picks Bronx Development as Art Site,” New York Times, June 27, 2013.
Kennedy, Randy. “Housing Project Meets Art Project in the South Bronx,” New York Times, May 2, 2013.
“Thomas Hirschhorn’s Drawing for Gramsci Monument at Forest Houses, The Bronx, New York,” Purple, April 16, 2013.
“Thomas Hirschhorn: Gramsci Monument,” Artforum, May 2013, p. 148.
Walsh, Brienne. “Thomas Hirschhorn,” Modern Painters, January 2013, p. 67 – 68.
2012
Hoban, Phoebe. “Shipwrecked in a Chelsea Art Gallery,” The Wall Street Journal, September 12, 2012.
Pollack, Barbara. “Thomas Hirschhorn, Concordia, Concordia,” Time Out New York, October 11-17, 2012, p. 46.
“Thomas Hirschhorn’s ‘Concordia, Concordia’ Exhibition at the Gladstone Gallery, New York,” Purple Diary, October 2012.
Rosenberg, Karen. “The Sensational and the Political,” The New York Times, September 28, 2012.
Saltz, Jerry. “Clinging to the Wreckage,” New York Magazine, September 30, 2012.
Duray, Dan. “Thomas Hirschhorn’s Tilting World,” New York Observer, September 12, 2012.
Hirschhorn, Thomas. “Wie haben Sie das gemacht, Thomas Hirschhorn?,” Monopol,
November 2012, p. 38 -39.
Del Dignore, John. “Step Aboard the Sinking Concordia Cruise Ship, Now Listing in Chelsea,” Gothamist, September 19, 2012.
Wullschlager, Jackie. “Order out of chaos,” Financial Times, April 21, 2012.
Pollack, Barbara. “Thomas Hirschhorn, Concordia, Concordia,” Time Out New York, October 11-17, 2012, p. 46.
“Thomas Hirschhorn’s ‘Concordia, Concordia’ Exhibition at the Gladstone Gallery, New York,” Purple Diary, October 2012.
Rosenberg, Karen. “The Sensational and the Political,” The New York Times, September 28, 2012.
Saltz, Jerry. “Clinging to the Wreckage,” New York Magazine, September 30, 2012.
Duray, Dan. “Thomas Hirschhorn’s Tilting World,” New York Observer, September 12, 2012.
Hirschhorn, Thomas. “Wie haben Sie das gemacht, Thomas Hirschhorn?,” Monopol,
November 2012, p. 38 -39.
Del Dignore, John. “Step Aboard the Sinking Concordia Cruise Ship, Now Listing in Chelsea,” Gothamist, September 19, 2012.
Wullschlager, Jackie. “Order out of chaos,” Financial Times, April 21, 2012.
2011
Cranston, Meg. “The Artists’ Artists: Thomas Hirschhorn, ‘Crystal of Resistance,’” Artforum, December 2011, p. 101.
Butler, Lauren O’Neil. “Thomas Hirschhorn,” Artforum, April 24, 2011.
Gartenfeld, Alex. “The Giardini: Beyond the Small Packages,” Art in America, June 2, 2011.
Weeraworawit, Chomwan. “Circus, Community and Co-existence,” Bangkok Post, June 20, 2011.
Foster, Hal. “Crossing Over,” The Berlin Journal, Spring 2011.
Madoff, Steven Henry. “Reviews: Venice Biennale – Pavilions,” Modern Painters, September 2011, p. 86-87.
Schum, Matthew. “Thomas Hirschhorn: The Spectre of Evaluation,” Flash Art, May-June 2011.
Saltz, Jerry. “Best and Worst of the Venice Biennale,” New York Magazine, June 2011.
Vogel, Carol. “Old Patina Encircles Fresh Art in Venice,” New York Times, June 6, 2011.
Smith, Roberta. “Venice Biennale: An Installation Art Contest,” NYTimes.com, June 1, 2011.
Smith, Roberta. “Artists Decorate Palazzos, and Vice Versa,” The New York Times, June 9, 2011.
Dogtas, Gursoy. “Swiss Pavilion at Venice Biennale 2011: Interview with Thomas Hirschhorn,” Vernissage TV, July 12, 2011.
Butler, Lauren O’Neil. “Thomas Hirschhorn,” Artforum, April 24, 2011.
Gartenfeld, Alex. “The Giardini: Beyond the Small Packages,” Art in America, June 2, 2011.
Weeraworawit, Chomwan. “Circus, Community and Co-existence,” Bangkok Post, June 20, 2011.
Foster, Hal. “Crossing Over,” The Berlin Journal, Spring 2011.
Madoff, Steven Henry. “Reviews: Venice Biennale – Pavilions,” Modern Painters, September 2011, p. 86-87.
Schum, Matthew. “Thomas Hirschhorn: The Spectre of Evaluation,” Flash Art, May-June 2011.
Saltz, Jerry. “Best and Worst of the Venice Biennale,” New York Magazine, June 2011.
Vogel, Carol. “Old Patina Encircles Fresh Art in Venice,” New York Times, June 6, 2011.
Smith, Roberta. “Venice Biennale: An Installation Art Contest,” NYTimes.com, June 1, 2011.
Smith, Roberta. “Artists Decorate Palazzos, and Vice Versa,” The New York Times, June 9, 2011.
Dogtas, Gursoy. “Swiss Pavilion at Venice Biennale 2011: Interview with Thomas Hirschhorn,” Vernissage TV, July 12, 2011.
2010
Morton, Tom. “Out of the Cave,” Frieze, Issue 134, October 2010, p. 194-199.
Cruzvillegas, Abraham. “Interview with Thomas Hirschhorn,” Bomb, Fall 2010, p. 34-41.
Smith, Trevor. “10,000 Lives,” Artnews, Volume 109, Number 10, November 2010.
Getlein. “Working with Time and Place,” Living with Art, 2010.
Stallbrass, Julian. “The Future of Art,” Maybourne, 2010.
Cotter, Holland. “Art and News, and Their Intersection in the Digital Age,” The New York Times, October 8, 2010, p. C25, C37.
“The Last Newspaper: Fall Exhibitions,” Paper, Fall/Winter 2010, Vol. 09.
Barliant, Claire. “Art Review: The Last Newspaper,” Time Out New York, November 4-10, 2010, p. 41.
Cruzvillegas, Abraham. “Interview with Thomas Hirschhorn,” Bomb, Fall 2010, p. 34-41.
Smith, Trevor. “10,000 Lives,” Artnews, Volume 109, Number 10, November 2010.
Getlein. “Working with Time and Place,” Living with Art, 2010.
Stallbrass, Julian. “The Future of Art,” Maybourne, 2010.
Cotter, Holland. “Art and News, and Their Intersection in the Digital Age,” The New York Times, October 8, 2010, p. C25, C37.
“The Last Newspaper: Fall Exhibitions,” Paper, Fall/Winter 2010, Vol. 09.
Barliant, Claire. “Art Review: The Last Newspaper,” Time Out New York, November 4-10, 2010, p. 41.
2009
Reust, Hans Rudolf. “Thomas Hirschhorn,” Artforum, April 2009, p. 203-204.
Nicanor, Maria. “Thomas Hirschhorn,” Exit Express, March 2009, p. 63.
Mack, Joshua. “Thomas Hirschhorn,” Time Out New York, April 2-8, 2009, p. 46.
“Thomas Hirschhorn, Andrew Lord, and Lari Pittman at Regen Projects,” LA Weekly, April 17-23, 2009, p. 49.
“Ecstatic Process,” V Magazine, Summer 2009, p. 53.
Enwezor, Okwui, “Reckoning with Empire,” Artforum, October 2009, p. 174 – 179.
“Thomas Hirschhorn,” Current Biography, vol. 70, no. 9, September 2009, p. 18-22.
Nicanor, Maria. “Thomas Hirschhorn,” Exit Express, March 2009, p. 63.
Mack, Joshua. “Thomas Hirschhorn,” Time Out New York, April 2-8, 2009, p. 46.
“Thomas Hirschhorn, Andrew Lord, and Lari Pittman at Regen Projects,” LA Weekly, April 17-23, 2009, p. 49.
“Ecstatic Process,” V Magazine, Summer 2009, p. 53.
Enwezor, Okwui, “Reckoning with Empire,” Artforum, October 2009, p. 174 – 179.
“Thomas Hirschhorn,” Current Biography, vol. 70, no. 9, September 2009, p. 18-22.
2008
“Where do I stand? What do I want?” Art Review, June 2008.
Art Editions 6, New York, 2008.
Rappolt, Mark, “Thomas Hirschhorn: Strange Love,” Art Review, June 2008, p. 72-73.
Heartney, Eleanor. “Make It New,” Art in America, March 2008, p. 83 – 84.
Hirschhorn, Thomas. “Thomas Hirschhorn,” Tank, Volume 5, Issue 5, 2008, p. 72-73.
Delorey, Amanda. “On Time and Space,” Prefix Photo, Volume 9, no. 2, November 2008, p. 38-43.
Heighton, Luke. “German Angst,” Art Review, Issue 28, December 2008, p. 126.
Art Editions 6, New York, 2008.
Rappolt, Mark, “Thomas Hirschhorn: Strange Love,” Art Review, June 2008, p. 72-73.
Heartney, Eleanor. “Make It New,” Art in America, March 2008, p. 83 – 84.
Hirschhorn, Thomas. “Thomas Hirschhorn,” Tank, Volume 5, Issue 5, 2008, p. 72-73.
Delorey, Amanda. “On Time and Space,” Prefix Photo, Volume 9, no. 2, November 2008, p. 38-43.
Heighton, Luke. “German Angst,” Art Review, Issue 28, December 2008, p. 126.
2007
Sansom, Anna. “A Bling Fling,” Sleek, Number 13, Winter 2006/2007, p. 56-65.
Downey, Anthony. “Thomas Hirschhorn,” Flash Art, July - September 2007, pg. 134.
Oliva, Fernando. “I Believe the Solution is Panic: An Interview with Thomas Hirschhorn,” Cmagazine93, Spring 2007, p. 20-22.
Demos, T.J. “On the Ground: London,” Artforum, December 2007, p. 294.
Pagliuca, Francesca. “Succede In Austria,” Tema Celeste, November 2007, p. 55-57.
“The Power 100,” Art Review, November 2007, p. 133.
Rose, Matthew. “Made in Berlin,” Art and Antiques, October 2007, p. 165-172.
Bishop, Claire. “The New Masters of Liberal Arts,” Modern Painters, September 2007, p. 88.
Flores-Williams, Jason. “Sex, Sales at the Armory,” Artillery, May 2007, Vol. 1, no. 5, p. 14.
Mooney, Christopher. “Thomas Hirschhorn: Concretion Re,” Art Review, April 2007, p. 147.
Aldarondo, Cecilia. “Heart of Darkness,” Art Papers, March/April 2007, p. 63.
Rehberg, Vivian. “Thomas Hirschhorn: Galerie Chantal Crousel,” February/March 2007.
Hirschhorn, Thomas. “Eternal Flame,” Artforum, March 2007, p. 268.
“The Material and the Ethereal: Thomas Hirschhorn on Cavemanman,” Walker Art Center Magazine, January/February 2007, p. 8.
Downey, Anthony. “Thomas Hirschhorn,” Flash Art, July - September 2007, pg. 134.
Oliva, Fernando. “I Believe the Solution is Panic: An Interview with Thomas Hirschhorn,” Cmagazine93, Spring 2007, p. 20-22.
Demos, T.J. “On the Ground: London,” Artforum, December 2007, p. 294.
Pagliuca, Francesca. “Succede In Austria,” Tema Celeste, November 2007, p. 55-57.
“The Power 100,” Art Review, November 2007, p. 133.
Rose, Matthew. “Made in Berlin,” Art and Antiques, October 2007, p. 165-172.
Bishop, Claire. “The New Masters of Liberal Arts,” Modern Painters, September 2007, p. 88.
Flores-Williams, Jason. “Sex, Sales at the Armory,” Artillery, May 2007, Vol. 1, no. 5, p. 14.
Mooney, Christopher. “Thomas Hirschhorn: Concretion Re,” Art Review, April 2007, p. 147.
Aldarondo, Cecilia. “Heart of Darkness,” Art Papers, March/April 2007, p. 63.
Rehberg, Vivian. “Thomas Hirschhorn: Galerie Chantal Crousel,” February/March 2007.
Hirschhorn, Thomas. “Eternal Flame,” Artforum, March 2007, p. 268.
“The Material and the Ethereal: Thomas Hirschhorn on Cavemanman,” Walker Art Center Magazine, January/February 2007, p. 8.
2006
“The Frieze Art Fair,” International Herald Tribune, December 21, 2006.
“Thomas Hirschhorn,” Texte Zur Kunst, December 2006, p. 232-233.
“Best of 2006,” Artforum, December 2006, p. 286, 298.
“The Power 100: 42 Thomas Hirschhorn,” Art Review, November 2006, p. 99. Biesenbach, Klaus. “Into Me/Out of Me,” Flash Art, October 2006, p. 82.
“Top 100 Artists,” Flash Art, October 2006, p. 68.
“Breaking the rules,” Tema Celeste, September/October 2006, p. 106.
“Suprize, Suprize,” Art Review, Issue 02, August 2006, p. 31.
Herbert, Mathew. “A Moral No-Mans Land,” Art Review, Issue 02, Aug 06, 2006, p. 128.
Comita, Jenny. “Louisville Sluggers,” W, July 2006, p. 107.
Volk, Gregory. “Shock of the News,” Art in America, June/July 2006, p. 170-177.
Stracey, Frances. “The Caves of Gallizio and Hirschhorn: Excavations of the Present,” October 116, Spring 2006.
Windlin, Sabine. “Beim Staatsfeind No. 1 (With Public Enemy #1),” Das Magazin No. 17, April 29-May 5, 2006, p. 36-42, 44, 47.
Crippa, Antonella. “Patrizia Sandretto Re Rebaudengo,” Contemporary 21, No. 80, 2006, p. 114.
Zamudio, Raul. “Art Basel Miami Beach 2005,” Art Nexus, No. 60, vol. 5, 2006, p. 111.
Saltz, Jerry. “Hellraisers: Can Art Deliver Us From Evil,” Modern Painters, April 2006, p. 30.
Hirschhorn, Thomas. “Nail & Wire,” Hors D'Oeuvre, May 2006, p. 6-7.
“Thomas Hirschhorn: Superficial Engagement,” Modern Painters, March 2006, p. 116.
Crippa, Antonio. “Thomas Hirschhorn,” Tema Celeste, Jan/Feb 2006, p. 98.
“Thomas Hirschhorn,” The Week, February 24, 2006.
Johnson, Ken. “A Vivid Potpourri with Carnage at It’s Core and an Aside of Transcendentalism,” The New York Times, February 7, 2006, p. E5.
Ramirez, Nicollette. “Thomas Hirschhorn,” The New York Art World, February 2006, p.12.
Scott, Andrea K. “Shock and Awe,” Time Out New York, January 26 - February 1, 2006, p. 60-1.
Yablonsky, Linda. “Hirschhorn’s Dead Bombers, War Headlines, Nailed Mannequins,” Bloomberg News, February 1, 2006.
Saltz, Jerry. “Killing Fields,” Village Voice, February 1-7, 2006, p. 72.
“Thomas Hirschhorn,” Texte Zur Kunst, December 2006, p. 232-233.
“Best of 2006,” Artforum, December 2006, p. 286, 298.
“The Power 100: 42 Thomas Hirschhorn,” Art Review, November 2006, p. 99. Biesenbach, Klaus. “Into Me/Out of Me,” Flash Art, October 2006, p. 82.
“Top 100 Artists,” Flash Art, October 2006, p. 68.
“Breaking the rules,” Tema Celeste, September/October 2006, p. 106.
“Suprize, Suprize,” Art Review, Issue 02, August 2006, p. 31.
Herbert, Mathew. “A Moral No-Mans Land,” Art Review, Issue 02, Aug 06, 2006, p. 128.
Comita, Jenny. “Louisville Sluggers,” W, July 2006, p. 107.
Volk, Gregory. “Shock of the News,” Art in America, June/July 2006, p. 170-177.
Stracey, Frances. “The Caves of Gallizio and Hirschhorn: Excavations of the Present,” October 116, Spring 2006.
Windlin, Sabine. “Beim Staatsfeind No. 1 (With Public Enemy #1),” Das Magazin No. 17, April 29-May 5, 2006, p. 36-42, 44, 47.
Crippa, Antonella. “Patrizia Sandretto Re Rebaudengo,” Contemporary 21, No. 80, 2006, p. 114.
Zamudio, Raul. “Art Basel Miami Beach 2005,” Art Nexus, No. 60, vol. 5, 2006, p. 111.
Saltz, Jerry. “Hellraisers: Can Art Deliver Us From Evil,” Modern Painters, April 2006, p. 30.
Hirschhorn, Thomas. “Nail & Wire,” Hors D'Oeuvre, May 2006, p. 6-7.
“Thomas Hirschhorn: Superficial Engagement,” Modern Painters, March 2006, p. 116.
Crippa, Antonio. “Thomas Hirschhorn,” Tema Celeste, Jan/Feb 2006, p. 98.
“Thomas Hirschhorn,” The Week, February 24, 2006.
Johnson, Ken. “A Vivid Potpourri with Carnage at It’s Core and an Aside of Transcendentalism,” The New York Times, February 7, 2006, p. E5.
Ramirez, Nicollette. “Thomas Hirschhorn,” The New York Art World, February 2006, p.12.
Scott, Andrea K. “Shock and Awe,” Time Out New York, January 26 - February 1, 2006, p. 60-1.
Yablonsky, Linda. “Hirschhorn’s Dead Bombers, War Headlines, Nailed Mannequins,” Bloomberg News, February 1, 2006.
Saltz, Jerry. “Killing Fields,” Village Voice, February 1-7, 2006, p. 72.
2005
Svennung, Eva. “Paris,” Artforum, December 2005, p. 230-231.
Fabricius, Jacob. “There is Nothing New about Old News,” Old News, No. 2, 2005.
“L’art du Xxe Siecle: De l’art Moderne a l’art Contemporian 1939- 2002,” Citadelles and Mazenod, 2005.
Kuzma, Marta. “In the age of political reproduction,” Flash Art, October 2005, p. 71-74.
Smith, Roberta. “Hidden in Plain Sight: Unity, Cloaked in a Web of Camouflage,” New York Times, October 7, 2005, p. E35, E39.
Buchloh, Benjamin. “An Interview with Thomas Hirschhorn,” October 113, Summer 2005, p. 77-100.
Bryson, Norman. “Books,” Frieze, Summer 2005, p. 110-115.
Smith, Terry. “Primacy, Convergence, Currency,” Art Papers, May/June 2005, p. 23.
Egenhofer, Sebastian. “Form und Produktion,” Texte Zur Kunst, March 2005, p. 196-200.
Lafuente, Pablo. “Thomas Hirschhorn,” Frieze, April 2005, p109-110.
Rian, Jeff. “Swiss Diss,” Artforum, February 2005, p. 68.
Desanges, Guillaume. “Thomas Hirschhorn,” Exit Express, March 2005, p. 6-7.
Fabricius, Jacob. “There is Nothing New about Old News,” Old News, No. 2, 2005.
“L’art du Xxe Siecle: De l’art Moderne a l’art Contemporian 1939- 2002,” Citadelles and Mazenod, 2005.
Kuzma, Marta. “In the age of political reproduction,” Flash Art, October 2005, p. 71-74.
Smith, Roberta. “Hidden in Plain Sight: Unity, Cloaked in a Web of Camouflage,” New York Times, October 7, 2005, p. E35, E39.
Buchloh, Benjamin. “An Interview with Thomas Hirschhorn,” October 113, Summer 2005, p. 77-100.
Bryson, Norman. “Books,” Frieze, Summer 2005, p. 110-115.
Smith, Terry. “Primacy, Convergence, Currency,” Art Papers, May/June 2005, p. 23.
Egenhofer, Sebastian. “Form und Produktion,” Texte Zur Kunst, March 2005, p. 196-200.
Lafuente, Pablo. “Thomas Hirschhorn,” Frieze, April 2005, p109-110.
Rian, Jeff. “Swiss Diss,” Artforum, February 2005, p. 68.
Desanges, Guillaume. “Thomas Hirschhorn,” Exit Express, March 2005, p. 6-7.
2004
Lafuente, Pablo. “What’s Happening,” Artreview, October 2004, p. 17.
Hirschhorn, Thomas. “Love and Work,” Artforum, October 2004, p. 153.
Pacquement, Alfred. “The Precarious Museum,” Tate Etc., 2004, p. 44-47.
Garrett, Craig. “Thomas Hirschhorn, Philosophical Battery,” Flash Art, Oct. 2004, p. 90-93.
Arratia, Euridice. “My Work is Work,” Tema Celeste, September/October 2004, p. 66-71.
Basualdo, Carlos. “Rules of Engagement.” Artforum, March 2004, p.166.
Downey, Anthony. “Review–London: Stephen Friedman Gallery,” Contemporary, no. 62, 2004, p. 67-68.
Galvez, Paul. “Review–Thomas Hirschhorn, Galerie Chantal Crousel,” Artforum, May 2004, p. 220.
Weil, Von Claudius. “New Hollywood: Erbschaft und Revolte,” Film #01, Spring 2004.
Estep, Jan. “Reading Hirschhorn: A problem of (his) knowledge, or Weakness as a virtue,” Afterall, Issue no. 9, 2004, p. 83-89.
Sheikh, Simon. “Planes of immanence, or the form of ideas: Notes on the (anti-) monuments of Thomas Hirschhorn,” Afterall Issue no. 9, 2004. p. 90-98.
Mickein, Iris. “Thomas Hirschhorn: Prekäre Situationen - Reale Konfrontationen,” Kunstforum, no. 168, January/February 2004.
Hirschhorn, Thomas. “Love and Work,” Artforum, October 2004, p. 153.
Pacquement, Alfred. “The Precarious Museum,” Tate Etc., 2004, p. 44-47.
Garrett, Craig. “Thomas Hirschhorn, Philosophical Battery,” Flash Art, Oct. 2004, p. 90-93.
Arratia, Euridice. “My Work is Work,” Tema Celeste, September/October 2004, p. 66-71.
Basualdo, Carlos. “Rules of Engagement.” Artforum, March 2004, p.166.
Downey, Anthony. “Review–London: Stephen Friedman Gallery,” Contemporary, no. 62, 2004, p. 67-68.
Galvez, Paul. “Review–Thomas Hirschhorn, Galerie Chantal Crousel,” Artforum, May 2004, p. 220.
Weil, Von Claudius. “New Hollywood: Erbschaft und Revolte,” Film #01, Spring 2004.
Estep, Jan. “Reading Hirschhorn: A problem of (his) knowledge, or Weakness as a virtue,” Afterall, Issue no. 9, 2004, p. 83-89.
Sheikh, Simon. “Planes of immanence, or the form of ideas: Notes on the (anti-) monuments of Thomas Hirschhorn,” Afterall Issue no. 9, 2004. p. 90-98.
Mickein, Iris. “Thomas Hirschhorn: Prekäre Situationen - Reale Konfrontationen,” Kunstforum, no. 168, January/February 2004.
2003
Hirschhorn, Thomas. “Emergency Library,” Old News, No. 2, 2003, (Insert).
Wilson, Michael. “Caves of New York,” Artforum, February 2003, p. 110-115.
Möntmann, Nina. “Art and Economy,” Parachute, No. 110, 2003.
Sojitrawalla, Shirin. “Der Höllenheimwerker,” Die Zeit No. 1, December 22, 2003.
Einarsson, Gardar Eide, and Carissa Rodriguez. “Equals: Interview with Thomas Hirschhorn,” NU-E magazine. Issue no. 1, 2003.
Rappolt, Mark and Norbert Schoerner. “Studio: Thomas Hirschhorn.” Tate Arts and Culture, issue 7, September/October 2003. Thorson, Alice. “The Art of War,” The Kansas City Star, March 30, 2003.
Drolet, Owen. “Thomas Hirschhorn/Barbara Gladstone,” Flash Art, January/February, 2003.
Tecce, Angela. “Emergenza in Galleria,” Vernissage, March 2003.
Rimanelli, David. “Time Capsules: 1986-1990,” Artforum, April 2003.
Pollock, Barbara. “Thomas Hirschhorn,” ARTNews, March 2003.
Drolet, Owen. “Reviews: New York,” Flash Art, January/February 2003.
Pappalardo, Bethany Anne. “Thomas Hirschhorn,” Tema Celeste 96, March/April 2003.
Wilson, Michael. “Caves of New York,” Artforum, February 2003, p. 110-115.
Möntmann, Nina. “Art and Economy,” Parachute, No. 110, 2003.
Sojitrawalla, Shirin. “Der Höllenheimwerker,” Die Zeit No. 1, December 22, 2003.
Einarsson, Gardar Eide, and Carissa Rodriguez. “Equals: Interview with Thomas Hirschhorn,” NU-E magazine. Issue no. 1, 2003.
Rappolt, Mark and Norbert Schoerner. “Studio: Thomas Hirschhorn.” Tate Arts and Culture, issue 7, September/October 2003. Thorson, Alice. “The Art of War,” The Kansas City Star, March 30, 2003.
Drolet, Owen. “Thomas Hirschhorn/Barbara Gladstone,” Flash Art, January/February, 2003.
Tecce, Angela. “Emergenza in Galleria,” Vernissage, March 2003.
Rimanelli, David. “Time Capsules: 1986-1990,” Artforum, April 2003.
Pollock, Barbara. “Thomas Hirschhorn,” ARTNews, March 2003.
Drolet, Owen. “Reviews: New York,” Flash Art, January/February 2003.
Pappalardo, Bethany Anne. “Thomas Hirschhorn,” Tema Celeste 96, March/April 2003.
2001
“Le Prix Marcel Duchamp,” Time Out, Winter 2000-2001.
Penwarden, C. “Prix Duchamp: le choix des collectionneurs,” Art Press, January 2001.
Mulhollan, Neil. “Vivre sa Vie,” Frieze, May 2001.
Poli, Francesco. “Thomas Hirschhorn at Centre Pompidou,” May-June 2001.
Adamopoulos, Konstantin. “Pole Self,” April 2001.
Cowan, Amber. “Nationwide Choice: Mirror’s Edge,” The New York Times, March 2001.
Jeffrey, Moira. “Shape of Things to Come,” The Sunday Herald, March 4, 2001.
Cattelan, Maurizio. “soap wars,” ID, August 2001.
Morton, Tom. “Thomas Hirschhorn, Stephen Friedman Gallery,” Frieze, October 2001.
Poli, Francesco. “Thomas Hirschhorn: Centre Pompidou,” Tema Celeste, Vol. 85, May-June 2001.
Bonami, Francesco. “Energy Yes, Quality No,” Flash Art, January/February 2001, Vol. 216.
Buchloh, Benjamin. “Cargo and Cult: The Displays of Thomas Hirschhorn,” Artforum, November 2001, p.109-115.
Bush, Kate. “Thomas Hirschhorn,” Artforum, December 2001, p. 94.
“Thomas Hirschhorn,” Regards, January 2001.
“Prix Marcel Duchamp: le choix des collectionneurs,” Art press No. 264, January 2001.
Mahoney, Elisabeth. “Vivre sa vie,” Art Monthly, February 2001.
Bellet, Harry. “Le prix Marcel-Duchamp, propre et consensuel,” Le Monde, February 4-5, 2001.
Thomsen, Henrike. “Die Meraphysik des Sandsacks,” Financial Times Deutschland, February 2, 2001.
“Hirschhorn l’intranquille,” Politis, vol. 1, March 2001.
Nuridsany, Michel. “Les enchaînements de Thomas Hirschhorn,” Le Figaro, March 3, 2001.
Thomsen, Henrike. “Diese Plumpheit nehme ich auf mich,” Tageszeitung Taz, March 3, 2001.
“Thomas Hirschhorn,” Aden, March 8-14, 2001.
Poli, Francesco, “Parigi risponde a Londra con il caotico Hirschhorn,” La Stampa, March 10, 2001.
“Un Helvète à Beaubourg,” dimanche.ch, March 18, 2001.
Herzog, Samuel. “Engagiert und unverbindlich,” Neue Zürcher Zeitung International, March 21, 2001.
Benhamou-Huet, J. “Le monument du laureate,” Les Echos, March 23, 2001.
Pastre, Elke. “Mit Pappkarton und Plastik in die Kunstelite,” Der Kunsthandel, March 2001.
Fleck, Robert. “Thomas Hirschhorn, Prix Marcel Duchamp,” Kunstzeitung, March 2001.
Frimbois, Jean-Pierre. “Thomas Hirschhorn,” Art Actuel, March/April 2001.
“Travailler politiquement,” Cassandre, March/April 2001.
Poli, Francesco. “Il consumo logora chi non ce l’ha,” Il Manifesto, April 24, 2001.
Michelon, Olivier. “Un centre d’art autonome,” Le Journal des Arts, April 27–May 10, 2001.
Bogiatsè, Nantia. “Thomas Hisrchhorn: Sculptur Sortier Station,” Taxudromos, 2001.
“Hirschhorn, de Beaubourg à Stalingrad,” Connaissance des Arts, April 2001.
Mulholland, Neil. “Vivre sa Vie,” Frieze, No. 59, May 2001.
Fernandez, Agnès. “L’art s’encanaille,” Télérama, May 9-16, 2001.
Gauville, Hervé. “Hirschhorn campe sous le métro,” Libération, May 14, 2001.
Bajac, Emma. “Thomas Hirschhorn,” Zurban, 2001.
“Hirschhorn disfraza el Macba de yacimiento arqueologico,” La Vanguardia, May 18, 2001.
Fontova, Rosario. “Thomas Hirschhorn converteix el segle XX en arqueologia,” El periodico, May 18, 2001.
Frisach, Montse. “Thomas Hirschhorn, arqueoleg del present,” Avui, May 18, 2001.
Uberquoi, Marie-Claire. “Hirschhorn crea en el Macba su peculiar 'campo arqueologico,’” El Mundo, May 18, 2001.
S.D. “Una instalacion de Thomas Hirschhorn une compromiso y arqueologia,” La Razon, May 18, 2001.
Serra, Catalina. “Hirschhorn transforma el vestibulo del Macba en yacimiento arqueologico,” El Pais, May 22, 2001.
Jonquet, François. “Descente d’avant-garde,” Nova Magazine, May 2001.
Schwaab, Catherine. “Un art sans complexes,” Paris-Match, May 2001.
Molina, Angela. “El artista desobediente,” ABC Cultural, June 2001.
Adamopoulos, Konstantin. “Pole Self,” Gentleman’s Agreement and Hostile Takeover #0, June 2001.
Chêne, Valérie. “Epreuves d’artistes,” Mécènes, June 2001.
“Hirschhorn campe à Stalingrad,” Sofa, June 2001.
Ebner, Jörn. “Einmal waschen un schleudern,” FAZ, June 30, 2001.
Bussel, David. “Soap wars,” I-D, June 2001.
Searle, Adrian. “My ugly laundrette,” The Guardian, July 2001.
Oliveras, Juame Vidal. “Hirschhorn, la dificultad del compromiso,” El Cultural, July 2001.
Manchester, Clare. “Thomas Hirschhorn,” Art Monthly, July/August 2001.
Espinosa, Guillermo. “Thomas Hirschhorn,” Revista Vanidad, July/August 2001.
Aleu, Esther. “Arqueologia d’un compromis,” Nova Ciutat Vella, July/August 2001.
Anderegg, Roger. “Unruhe im Karton,” Sonntags Zeitung, August 19, 2001.
Doswald, Christoph. “Provokante Probleme,” Facts, August 23, 2001.
“Ich bin ein Künstler–Arbeiter-Soldat,” Limmattaler Tagblatt, August 23, 2001.
Ulmer, Brigitte. “Umschwärmter Wüterich,” Cash, No. 34, August 24, 2001.
Frey-Hauser, Marianne. “Thomas Hirschhorn,” Davoser Zeitung, August 24, 2001.
Renggli, Hans. “Glanz der Gestrandeten,” Tages Angeiger, August 24-30, 2001.
Spinelli, Claudia. “Hochsicherheitszone cor neoexpressionistischer Kulisse,” Neue Zürcher Zeitung, August 28, 2001.
“Warum Davos ins Museum kommt,”Bünduer Tagblatt, 2001.
Fray, Lilith. “Panzer in Davos,” Blick, August 29, 2001.
“Friedliche von Gewalttätigen trennen,” Der Zürcher Oberländer, August 29, 2001.
Wüst, Karl. “Eine Grosse Wolke vor der Sonne,”Thurgauer Zeitung, August 29, 2001.
“Die niedliche hochsicherheitszone,” WOZ, August 30, 2001.
Neubauer, Susanne. “Ein eigenwilliger Künstler-Soldat baut weiter,” Aargauer Zeitung, August 30, 2001.
Ernst, Meret. “Endgültig unheilbare Wirtschaftslandschaft,” Tages-Anzeiger, August 30, 2001. Litmanowitsch, Ursula. “Thomas Hirschhorns Davos,” Schaffhauser Nachtichten, August 30, 2001.
Schmid, Michael. “Im Bunker der Kontrollgesellschaft,” Der Landbote, August 31, 2001.
Schmid, Michael. “Hinter jeder Ecke lauert der Feind,” Zürichsee-Zeitung, August 31, 2001.
Badrutt Schoch, Ursula. “Ausnahmezustand Kunst,”St. Gallen Tagblatt, August 31, 2001.
“Street (s)cul(p)ture. Thomas Hirschhorn à Stalingrad,” Mixt(e), August 2001.
Vachtova, Ludmila. “Jeder kämpft gegen jeden, und niemand weiss warum,” Basler Zeitung, September 1-2, 2001.
A.M., “Gegen das Elitäre, füs das Prekäre,” Bolero, September 1, 2001.
“Thomas Hirschhorn im Kunsthaus Zürich,” Züri Anzeiger, September 4, 2001.
Berg, Viviane. “Weltwirtschaftschaos,” Tacles, September 7, 2001.
Suter, Daniel. “Das Phantom von Davos,” Tages-Anzieger, September 8, 2001.
Schuler, Christoph. “Kunst am Rand,” Tages-Anzieger, September 10, 2001.
Frey-Hauser, Marianne. “Annäherung an eine Kampfzone,” Davoser Zeitung, September 11, 2001.
Oberholzer, Nilkaus. “Spielsoldaten im Baselitz-Saal,” Neue Luzerner Zeitung, September 14, 2001.
J.S. “Thomas Hirschhorn au sommet de Davos,” La Liberté, September 15, 2001.
“Das WEF gehört ins Museum,” Vorwärts, October 5, 2001.
Catsaros, Christophe. “Thomas Hirschhorn, Skulptur Sortier Station,” Art Présence, no. 40, October/November/December, 2001.
Herzog, Samuel. “Vollgebastelt,” Kunstzeitung, November 2001.
“Thomas Hirschhorn ‘Wirtschaftslandschaft Davos,’ im Kunsthaus,” Kunst-Bulletin, November 2001.
Bethemont, Hauviette. “Soldat de l’art,” Lyon Capitale, November 2001.
Tillet, Pierre. “De quelques désordres dans l’art,” Le petit bulletin, November 14, 2001.
Bethemont, Hauviette. “Petit chez soi en temps de guerre,” Le petit bulletin, November 28, 2001.
Penwarden, C. “Prix Duchamp: le choix des collectionneurs,” Art Press, January 2001.
Mulhollan, Neil. “Vivre sa Vie,” Frieze, May 2001.
Poli, Francesco. “Thomas Hirschhorn at Centre Pompidou,” May-June 2001.
Adamopoulos, Konstantin. “Pole Self,” April 2001.
Cowan, Amber. “Nationwide Choice: Mirror’s Edge,” The New York Times, March 2001.
Jeffrey, Moira. “Shape of Things to Come,” The Sunday Herald, March 4, 2001.
Cattelan, Maurizio. “soap wars,” ID, August 2001.
Morton, Tom. “Thomas Hirschhorn, Stephen Friedman Gallery,” Frieze, October 2001.
Poli, Francesco. “Thomas Hirschhorn: Centre Pompidou,” Tema Celeste, Vol. 85, May-June 2001.
Bonami, Francesco. “Energy Yes, Quality No,” Flash Art, January/February 2001, Vol. 216.
Buchloh, Benjamin. “Cargo and Cult: The Displays of Thomas Hirschhorn,” Artforum, November 2001, p.109-115.
Bush, Kate. “Thomas Hirschhorn,” Artforum, December 2001, p. 94.
“Thomas Hirschhorn,” Regards, January 2001.
“Prix Marcel Duchamp: le choix des collectionneurs,” Art press No. 264, January 2001.
Mahoney, Elisabeth. “Vivre sa vie,” Art Monthly, February 2001.
Bellet, Harry. “Le prix Marcel-Duchamp, propre et consensuel,” Le Monde, February 4-5, 2001.
Thomsen, Henrike. “Die Meraphysik des Sandsacks,” Financial Times Deutschland, February 2, 2001.
“Hirschhorn l’intranquille,” Politis, vol. 1, March 2001.
Nuridsany, Michel. “Les enchaînements de Thomas Hirschhorn,” Le Figaro, March 3, 2001.
Thomsen, Henrike. “Diese Plumpheit nehme ich auf mich,” Tageszeitung Taz, March 3, 2001.
“Thomas Hirschhorn,” Aden, March 8-14, 2001.
Poli, Francesco, “Parigi risponde a Londra con il caotico Hirschhorn,” La Stampa, March 10, 2001.
“Un Helvète à Beaubourg,” dimanche.ch, March 18, 2001.
Herzog, Samuel. “Engagiert und unverbindlich,” Neue Zürcher Zeitung International, March 21, 2001.
Benhamou-Huet, J. “Le monument du laureate,” Les Echos, March 23, 2001.
Pastre, Elke. “Mit Pappkarton und Plastik in die Kunstelite,” Der Kunsthandel, March 2001.
Fleck, Robert. “Thomas Hirschhorn, Prix Marcel Duchamp,” Kunstzeitung, March 2001.
Frimbois, Jean-Pierre. “Thomas Hirschhorn,” Art Actuel, March/April 2001.
“Travailler politiquement,” Cassandre, March/April 2001.
Poli, Francesco. “Il consumo logora chi non ce l’ha,” Il Manifesto, April 24, 2001.
Michelon, Olivier. “Un centre d’art autonome,” Le Journal des Arts, April 27–May 10, 2001.
Bogiatsè, Nantia. “Thomas Hisrchhorn: Sculptur Sortier Station,” Taxudromos, 2001.
“Hirschhorn, de Beaubourg à Stalingrad,” Connaissance des Arts, April 2001.
Mulholland, Neil. “Vivre sa Vie,” Frieze, No. 59, May 2001.
Fernandez, Agnès. “L’art s’encanaille,” Télérama, May 9-16, 2001.
Gauville, Hervé. “Hirschhorn campe sous le métro,” Libération, May 14, 2001.
Bajac, Emma. “Thomas Hirschhorn,” Zurban, 2001.
“Hirschhorn disfraza el Macba de yacimiento arqueologico,” La Vanguardia, May 18, 2001.
Fontova, Rosario. “Thomas Hirschhorn converteix el segle XX en arqueologia,” El periodico, May 18, 2001.
Frisach, Montse. “Thomas Hirschhorn, arqueoleg del present,” Avui, May 18, 2001.
Uberquoi, Marie-Claire. “Hirschhorn crea en el Macba su peculiar 'campo arqueologico,’” El Mundo, May 18, 2001.
S.D. “Una instalacion de Thomas Hirschhorn une compromiso y arqueologia,” La Razon, May 18, 2001.
Serra, Catalina. “Hirschhorn transforma el vestibulo del Macba en yacimiento arqueologico,” El Pais, May 22, 2001.
Jonquet, François. “Descente d’avant-garde,” Nova Magazine, May 2001.
Schwaab, Catherine. “Un art sans complexes,” Paris-Match, May 2001.
Molina, Angela. “El artista desobediente,” ABC Cultural, June 2001.
Adamopoulos, Konstantin. “Pole Self,” Gentleman’s Agreement and Hostile Takeover #0, June 2001.
Chêne, Valérie. “Epreuves d’artistes,” Mécènes, June 2001.
“Hirschhorn campe à Stalingrad,” Sofa, June 2001.
Ebner, Jörn. “Einmal waschen un schleudern,” FAZ, June 30, 2001.
Bussel, David. “Soap wars,” I-D, June 2001.
Searle, Adrian. “My ugly laundrette,” The Guardian, July 2001.
Oliveras, Juame Vidal. “Hirschhorn, la dificultad del compromiso,” El Cultural, July 2001.
Manchester, Clare. “Thomas Hirschhorn,” Art Monthly, July/August 2001.
Espinosa, Guillermo. “Thomas Hirschhorn,” Revista Vanidad, July/August 2001.
Aleu, Esther. “Arqueologia d’un compromis,” Nova Ciutat Vella, July/August 2001.
Anderegg, Roger. “Unruhe im Karton,” Sonntags Zeitung, August 19, 2001.
Doswald, Christoph. “Provokante Probleme,” Facts, August 23, 2001.
“Ich bin ein Künstler–Arbeiter-Soldat,” Limmattaler Tagblatt, August 23, 2001.
Ulmer, Brigitte. “Umschwärmter Wüterich,” Cash, No. 34, August 24, 2001.
Frey-Hauser, Marianne. “Thomas Hirschhorn,” Davoser Zeitung, August 24, 2001.
Renggli, Hans. “Glanz der Gestrandeten,” Tages Angeiger, August 24-30, 2001.
Spinelli, Claudia. “Hochsicherheitszone cor neoexpressionistischer Kulisse,” Neue Zürcher Zeitung, August 28, 2001.
“Warum Davos ins Museum kommt,”Bünduer Tagblatt, 2001.
Fray, Lilith. “Panzer in Davos,” Blick, August 29, 2001.
“Friedliche von Gewalttätigen trennen,” Der Zürcher Oberländer, August 29, 2001.
Wüst, Karl. “Eine Grosse Wolke vor der Sonne,”Thurgauer Zeitung, August 29, 2001.
“Die niedliche hochsicherheitszone,” WOZ, August 30, 2001.
Neubauer, Susanne. “Ein eigenwilliger Künstler-Soldat baut weiter,” Aargauer Zeitung, August 30, 2001.
Ernst, Meret. “Endgültig unheilbare Wirtschaftslandschaft,” Tages-Anzeiger, August 30, 2001. Litmanowitsch, Ursula. “Thomas Hirschhorns Davos,” Schaffhauser Nachtichten, August 30, 2001.
Schmid, Michael. “Im Bunker der Kontrollgesellschaft,” Der Landbote, August 31, 2001.
Schmid, Michael. “Hinter jeder Ecke lauert der Feind,” Zürichsee-Zeitung, August 31, 2001.
Badrutt Schoch, Ursula. “Ausnahmezustand Kunst,”St. Gallen Tagblatt, August 31, 2001.
“Street (s)cul(p)ture. Thomas Hirschhorn à Stalingrad,” Mixt(e), August 2001.
Vachtova, Ludmila. “Jeder kämpft gegen jeden, und niemand weiss warum,” Basler Zeitung, September 1-2, 2001.
A.M., “Gegen das Elitäre, füs das Prekäre,” Bolero, September 1, 2001.
“Thomas Hirschhorn im Kunsthaus Zürich,” Züri Anzeiger, September 4, 2001.
Berg, Viviane. “Weltwirtschaftschaos,” Tacles, September 7, 2001.
Suter, Daniel. “Das Phantom von Davos,” Tages-Anzieger, September 8, 2001.
Schuler, Christoph. “Kunst am Rand,” Tages-Anzieger, September 10, 2001.
Frey-Hauser, Marianne. “Annäherung an eine Kampfzone,” Davoser Zeitung, September 11, 2001.
Oberholzer, Nilkaus. “Spielsoldaten im Baselitz-Saal,” Neue Luzerner Zeitung, September 14, 2001.
J.S. “Thomas Hirschhorn au sommet de Davos,” La Liberté, September 15, 2001.
“Das WEF gehört ins Museum,” Vorwärts, October 5, 2001.
Catsaros, Christophe. “Thomas Hirschhorn, Skulptur Sortier Station,” Art Présence, no. 40, October/November/December, 2001.
Herzog, Samuel. “Vollgebastelt,” Kunstzeitung, November 2001.
“Thomas Hirschhorn ‘Wirtschaftslandschaft Davos,’ im Kunsthaus,” Kunst-Bulletin, November 2001.
Bethemont, Hauviette. “Soldat de l’art,” Lyon Capitale, November 2001.
Tillet, Pierre. “De quelques désordres dans l’art,” Le petit bulletin, November 14, 2001.
Bethemont, Hauviette. “Petit chez soi en temps de guerre,” Le petit bulletin, November 28, 2001.
2000
Samuel, Laure. “Hexagone,” Art and Auction, September 2000.
Nottrot, Ina. “Lebensfragen sind Kunstfragen,” Luxembourger Wort, January 5, 2000.
“Mirror’s Edge Reflects the Future of Art,” Natural Post, March 18, 2000.
Scott, Michael. “Exhibition shows political power shift,” Vancouver Sun, March 28, 2000.
Shier, Reid. “Pause and reflect: the art world takes a look in the mirror,” Vancouver, March 26, 2000.
Michelon, Olivier. “Urbi et Orbi: La Beauté réussit surtout aux papiers,” Le Journal des Arts, no. 108, 2000.
Snodgrass, Susan. “The Rubbish Heap of History,” Art in America, May 2000.
de Smet, Catherine. “Relier le monde, Thomas Hirschhorn et l’imprimé,” Les Cahiers du Musée National d’Art Moderne, no. 72, Summer 2000.
Lebovici, E. “Pluie de prix sur les arts plastiques,” Libération, December 6, 2000.
Nuridsany, M. “Tillmans et Hirschhorn à l’honneur,” Le Figaro, December 7, 2000.
Nottrot, Ina. “Lebensfragen sind Kunstfragen,” Luxembourger Wort, January 5, 2000.
“Mirror’s Edge Reflects the Future of Art,” Natural Post, March 18, 2000.
Scott, Michael. “Exhibition shows political power shift,” Vancouver Sun, March 28, 2000.
Shier, Reid. “Pause and reflect: the art world takes a look in the mirror,” Vancouver, March 26, 2000.
Michelon, Olivier. “Urbi et Orbi: La Beauté réussit surtout aux papiers,” Le Journal des Arts, no. 108, 2000.
Snodgrass, Susan. “The Rubbish Heap of History,” Art in America, May 2000.
de Smet, Catherine. “Relier le monde, Thomas Hirschhorn et l’imprimé,” Les Cahiers du Musée National d’Art Moderne, no. 72, Summer 2000.
Lebovici, E. “Pluie de prix sur les arts plastiques,” Libération, December 6, 2000.
Nuridsany, M. “Tillmans et Hirschhorn à l’honneur,” Le Figaro, December 7, 2000.
1999
Dotin, Ester. “A conversation with Thomas Hirschhorn,” Studio, no. 97, November 1999.
“La feria compra fuera, y las instituciones, dentro,” El Pais, February 14, 1999.
Rubinstein, Raphaël. “A missed Rendez-vous,” Art in America, no. 3, March 1999, p. 58-63.
Kuni, Verena. “The Big Issue,” Frieze, no. 45, March/April 1999, p. 59.
“Das magische Zimmer,” Der Spiegel, April 1999.
Hein, Till. “Ist da Energie drin?,” Süddeutsche Zeitung, no. 17, April 29, 1999.
Storr, R. and H. Szeemann. “Prince of Tides: Venice 99,” Artforum, May 1999, p. 160- 165.
“Thomas Hirschhorn,” Les Inrockuptibles, supplement to no. 202, June 1999.
“Venise la modernissime,” Libération, June 14, 1999.
“Thomas Hirschhorn,” France, no. 50, Summer 1999.
“Thomas Hirschhorn,” Beaux-Arts, no. 184, September 1999.
Birnbaum, Daniel. “Pratice in Theory,” Artforum, September 1999, p. 154.
“International et actuel,” Le Journal des Arts, no. 88, September 1999, p. 10-23.
“Thomas Hirschhorn,” Aden, no. 86, September 1999, p. 15-21.
Colard, Jean-Max. “Thomas more,” Les Inrockuptibles, September 22-28, 1999.
Breerette, Geneviève. “Galeries parisiennes, on rouvre!” Le Monde, September 25, 1999.
Gellatly, A and Heiser, J. “Just Add Water,” Frieze, no. 48, October 1999, p. 66-71.
D.S. “Les dénonciations de Hirschhorn,” L’Oeil, no. 510, October 1999.
Francblin, Catherine. “Thomas Hirschhorn, art = énergie,” Beaux-Arts, October 1999, no. 185.
“Thomas Hirschhorn,” Aden, November 3-9, 1999.
Chappuis, Yvane. “Thomas Hirschhorn: la volonté de comprendre,” Mouvements, no. 6, October-December 1999.
Lorgé, Marie-Anne. “Mordant plastique et politique,” Jeudi, December 16, 1999.
“Die Schrift an der Wand,” Tageblatt, December 27, 1999.
Hansen, José. “La volonté de donner forme,” Land, no. 52, December 24, 1999.
“Mirror’s Edge,” Flash Art, vol. 32, November/December 1999.
Gingeras, Alison. “Thomas Hirschhorn: grace a la betise,” Art Press, 1999.
“La feria compra fuera, y las instituciones, dentro,” El Pais, February 14, 1999.
Rubinstein, Raphaël. “A missed Rendez-vous,” Art in America, no. 3, March 1999, p. 58-63.
Kuni, Verena. “The Big Issue,” Frieze, no. 45, March/April 1999, p. 59.
“Das magische Zimmer,” Der Spiegel, April 1999.
Hein, Till. “Ist da Energie drin?,” Süddeutsche Zeitung, no. 17, April 29, 1999.
Storr, R. and H. Szeemann. “Prince of Tides: Venice 99,” Artforum, May 1999, p. 160- 165.
“Thomas Hirschhorn,” Les Inrockuptibles, supplement to no. 202, June 1999.
“Venise la modernissime,” Libération, June 14, 1999.
“Thomas Hirschhorn,” France, no. 50, Summer 1999.
“Thomas Hirschhorn,” Beaux-Arts, no. 184, September 1999.
Birnbaum, Daniel. “Pratice in Theory,” Artforum, September 1999, p. 154.
“International et actuel,” Le Journal des Arts, no. 88, September 1999, p. 10-23.
“Thomas Hirschhorn,” Aden, no. 86, September 1999, p. 15-21.
Colard, Jean-Max. “Thomas more,” Les Inrockuptibles, September 22-28, 1999.
Breerette, Geneviève. “Galeries parisiennes, on rouvre!” Le Monde, September 25, 1999.
Gellatly, A and Heiser, J. “Just Add Water,” Frieze, no. 48, October 1999, p. 66-71.
D.S. “Les dénonciations de Hirschhorn,” L’Oeil, no. 510, October 1999.
Francblin, Catherine. “Thomas Hirschhorn, art = énergie,” Beaux-Arts, October 1999, no. 185.
“Thomas Hirschhorn,” Aden, November 3-9, 1999.
Chappuis, Yvane. “Thomas Hirschhorn: la volonté de comprendre,” Mouvements, no. 6, October-December 1999.
Lorgé, Marie-Anne. “Mordant plastique et politique,” Jeudi, December 16, 1999.
“Die Schrift an der Wand,” Tageblatt, December 27, 1999.
Hansen, José. “La volonté de donner forme,” Land, no. 52, December 24, 1999.
“Mirror’s Edge,” Flash Art, vol. 32, November/December 1999.
Gingeras, Alison. “Thomas Hirschhorn: grace a la betise,” Art Press, 1999.
1998
Currah, Mark. “Thomas Hirschhorn Chisenhale,” Time Out, December 1998.
E. J. “Thomas Hirschhorn, Kunsthalle Bern,” Artforum, no. 5, January 1998.
Doswald, Christoph. “Nonchalance: be good, be bad, just be,” Cimal, no. 50.
EB. “Neues im Heldensaal,” Kölner Stadt Anzeiger, March 28-29, 1998.
Cuvelier, Pascaline. “Weak Affinities,” Artforum, no. 9, May 1998.
Kaltwasser, Ute. “Die Stadt zahlt einen hohen Preis,” K.ST Auz, May 2, 1998.
“Schnapsidee,” FAZ, May 17, 1998.
Löffler, Petra. “An den Zapfsäulen des Wohlstands,” Die Tageszeitung, May 26, 1998.
Fayet, Roger. “Junge Kunst sprengt Grenzen,” Blick, June 4, 1998.
Herbstreuth, Peter. “Die bekämpfung des Betruges,” TSP, Berlin, June 4, 1998.
Zschokke, Ali. “Das Kunstprojekt von Hirschhorn,” uniaktuel, June 22, 1998.
Maurer, Simon. “Ein Kunst-Kiosk erregt die Uni-Gemüter,” Tages-Anzeiger, June 26, 1998.
Steiner, Juri. “Thomas Hirschhorn,” Neue Zürcher Zeitung, July 15, 1998.
Ulmer, Brigitte. “Mit Pappkartoin in die Kunstelite,” Sonntags Zeitung, August 23, 1998.
Gingeras, Alison. “Grâce à la bêtise,” Art Press, no. 239, October 1998, p. 19-25.
Gauville, Hervé. “Au supermarché de la création française,” Libération, November 5,1998. Falconer, Morgan. “The thousand year blues start here,” Highbury and Islington Express, December 1998.
Goumarre, Laurent. “Musee d’art moderne de la Ville de Paris,” Art Press, February 1998.
Levine, Angela. “But is this art,” The Jerusalem Post, September 1998.
E. J. “Thomas Hirschhorn, Kunsthalle Bern,” Artforum, no. 5, January 1998.
Doswald, Christoph. “Nonchalance: be good, be bad, just be,” Cimal, no. 50.
EB. “Neues im Heldensaal,” Kölner Stadt Anzeiger, March 28-29, 1998.
Cuvelier, Pascaline. “Weak Affinities,” Artforum, no. 9, May 1998.
Kaltwasser, Ute. “Die Stadt zahlt einen hohen Preis,” K.ST Auz, May 2, 1998.
“Schnapsidee,” FAZ, May 17, 1998.
Löffler, Petra. “An den Zapfsäulen des Wohlstands,” Die Tageszeitung, May 26, 1998.
Fayet, Roger. “Junge Kunst sprengt Grenzen,” Blick, June 4, 1998.
Herbstreuth, Peter. “Die bekämpfung des Betruges,” TSP, Berlin, June 4, 1998.
Zschokke, Ali. “Das Kunstprojekt von Hirschhorn,” uniaktuel, June 22, 1998.
Maurer, Simon. “Ein Kunst-Kiosk erregt die Uni-Gemüter,” Tages-Anzeiger, June 26, 1998.
Steiner, Juri. “Thomas Hirschhorn,” Neue Zürcher Zeitung, July 15, 1998.
Ulmer, Brigitte. “Mit Pappkartoin in die Kunstelite,” Sonntags Zeitung, August 23, 1998.
Gingeras, Alison. “Grâce à la bêtise,” Art Press, no. 239, October 1998, p. 19-25.
Gauville, Hervé. “Au supermarché de la création française,” Libération, November 5,1998. Falconer, Morgan. “The thousand year blues start here,” Highbury and Islington Express, December 1998.
Goumarre, Laurent. “Musee d’art moderne de la Ville de Paris,” Art Press, February 1998.
Levine, Angela. “But is this art,” The Jerusalem Post, September 1998.
1997
Mauberret, Christophe and Eric Vidal. “Thomas Hirschhorn,” Le Voyeur, Winter 1997.
Donn, Chiara. “Hirschhorn, un poverista ricco,” Arte, no. 281, January 1997.
Hou Hanru. “Thomas Hirschhorn,” Flash Art, no. 192, January/February 1997, p. 88.
Thurnauer, Agnès. “Le sexe des larmes,” Le Journal des Expositions, no. 42, February 1997.
Lebovici, Elisabeth. “Comment faire couler une larme,” Libération, February 1997.
Craddock, Sacha. “Around the Galleries,” The New York Times, March 1997.
Coomer, Martin. “Parisien(ne)s,” Time Out, March 1997.
Dahan, Eric. “L’art sorti de la grotte,” Libération, April 24, 1997.
Legros, Hervé. “Visitez Lascaux III,” Art contemporain (FRAC), April 1997.
Buchloh, Benjamin. “Sculpture Projects in Münster,” Artforum, no. 1, September 1997.
Lebovici, Elisabeth. “Münster, ville d’art,” Libération, September 4, 1997.
Lebovici, Elisabeth. “Deux expos ouvre-boîte,” Libération, September 9, 1997.
Dion, François. “Thomas Hirschhorn,” Parachute, no. 88, October 1997, p. 43-44.
“Kitsch im Silbersee,” Taz Bremen Samstag, October 12, 1997.
Zenglein, Detlev. “Ein Mikrokosmos aus Aluminium und Holz,” Hansestadt, Bremen, October 1997.
KR. “Thomas Hirschhorn,” Beaux-Arts, no. 161, October 1997, p. 123.
Ulrich, Maurice. “Hirschhorn, révélation de la FIAC,” L’humanité hebdo, November 20-26, 1997, no. 1.
Cuvelier, Pascaline. “City of Slights,” Artforum, no. 3, November 1997, p. 45-49.
Hedinger, Johannes M. “Mehr ist immer mehr,” Die Wochenzeitung, no. 48,November 27, 1997. Craddock, Sacha. “Parisiennes,” The New York Times, March 1997.
Hunt, Ian. “Parisien(ne)s,” Art Monthly, 1997.
Donn, Chiara. “Hirschhorn, un poverista ricco,” Arte, no. 281, January 1997.
Hou Hanru. “Thomas Hirschhorn,” Flash Art, no. 192, January/February 1997, p. 88.
Thurnauer, Agnès. “Le sexe des larmes,” Le Journal des Expositions, no. 42, February 1997.
Lebovici, Elisabeth. “Comment faire couler une larme,” Libération, February 1997.
Craddock, Sacha. “Around the Galleries,” The New York Times, March 1997.
Coomer, Martin. “Parisien(ne)s,” Time Out, March 1997.
Dahan, Eric. “L’art sorti de la grotte,” Libération, April 24, 1997.
Legros, Hervé. “Visitez Lascaux III,” Art contemporain (FRAC), April 1997.
Buchloh, Benjamin. “Sculpture Projects in Münster,” Artforum, no. 1, September 1997.
Lebovici, Elisabeth. “Münster, ville d’art,” Libération, September 4, 1997.
Lebovici, Elisabeth. “Deux expos ouvre-boîte,” Libération, September 9, 1997.
Dion, François. “Thomas Hirschhorn,” Parachute, no. 88, October 1997, p. 43-44.
“Kitsch im Silbersee,” Taz Bremen Samstag, October 12, 1997.
Zenglein, Detlev. “Ein Mikrokosmos aus Aluminium und Holz,” Hansestadt, Bremen, October 1997.
KR. “Thomas Hirschhorn,” Beaux-Arts, no. 161, October 1997, p. 123.
Ulrich, Maurice. “Hirschhorn, révélation de la FIAC,” L’humanité hebdo, November 20-26, 1997, no. 1.
Cuvelier, Pascaline. “City of Slights,” Artforum, no. 3, November 1997, p. 45-49.
Hedinger, Johannes M. “Mehr ist immer mehr,” Die Wochenzeitung, no. 48,November 27, 1997. Craddock, Sacha. “Parisiennes,” The New York Times, March 1997.
Hunt, Ian. “Parisien(ne)s,” Art Monthly, 1997.
1996
Perren, Fabian. “Ein Buffet aus Drucksachen,” Eermer Zeitung, January 8, 1996.
Herbstreuth, Peter. “Gefühl der Leere,” Der Tagespiegel, March 9, 1996.
Carrera, G. “La maquina Hirschhorn,” Cultura 53, May 7, 1996.
“Hirschhorn, en Rekalde Area2,” Deia, May 12, 1996.
“He intentado construir un dialogo visual,” El Mundo, May 14, 1996.
Arregi, Montse. “Mundua ulertzeko makina,” Egunkaria, May 14, 1996.
Fernandez, Alicia. “Organismo autonomo,” El Correo, May 25, 1996.
Saenz de Gorbea, Xabier. “Voluntad global,” Deia Igandea, June 9, 1996.
Badrutt Schoch, Ursula. “Ein beengendes Gebastel,” St-Galler-Tagblatt, June 2, 1996.
Urquijo, Javier. “Colecciçonar hoy para mañana,” Bilbao, June 1996.
Viot, Nathalie. “W.U.E. – World–Understanding–Engine,” Rekarte, no. 16, July 1996.
Cassagnau, Pascale. “Thomas Hirschhorn, W.U.E. – World–Understanding–Engine,” Omnibus, no. 17, July 1996.
Fleury, Jean-Damien. “Le Merci-Bus de Thomas Hirschhorn,” La Liberté, July 11, 1996.
Hrebstreuth, Peter. “Ein Riesengebastel und orientierungsloses Rotieren,” Kunst-Bulletin, no. 4, 1996.
“Kunstfan,” Neue bildende Kunst, no. 4, August/September 1996.
Schatz, Corinne. “Unterwanderte Strategien,” Neue Bildende Kunst, no. 4, August/September 1996, p. 102.
Reust, Hans Rudolf. “Thomas Hirschhorn,” Artforum, no. 1, September 1996, p. 118.
Bühler, Daniela. “Gegnsätzliches im Zwischen Raum,” Luzern heute Samstag, September 21, 1996.
Oberholzer, Niklaus. “Tränen fliessen in Thomas Hirschhorn Welt,” Neue Luzerner Zeitung, September 21, 1996.
Vogel, Maria. “Tiefgrundige Kunst der Oberfläche – Gedanken über heutiges Leben,” Willasautr Bote, September 29, 1996.
Guéhenneux, Lise. “Thomas Hirschhorn Rekaldee-Area 2,” blocnotes, no. 13, September/October 1996.
“Thomas Hirschhorn à Borny: l’art monte dans la rue,” Metz et ses quartiers, October 2, 1996.
Koelemeijer, Judith. “Laboratorium voor jonge kunsteraars,” Volkskrant, October 4, 1996.
“Konspirativer Treff entpuppt sich als das Vor-Ort-Projekt,” LKZ, November 8, 1996.
“Ein Tisch der Tränen in der Kunsthalle-prekär,” November 15, 1996.
Herbstreuth, Peter. “Gefühl der Leere,” Der Tagespiegel, March 9, 1996.
Carrera, G. “La maquina Hirschhorn,” Cultura 53, May 7, 1996.
“Hirschhorn, en Rekalde Area2,” Deia, May 12, 1996.
“He intentado construir un dialogo visual,” El Mundo, May 14, 1996.
Arregi, Montse. “Mundua ulertzeko makina,” Egunkaria, May 14, 1996.
Fernandez, Alicia. “Organismo autonomo,” El Correo, May 25, 1996.
Saenz de Gorbea, Xabier. “Voluntad global,” Deia Igandea, June 9, 1996.
Badrutt Schoch, Ursula. “Ein beengendes Gebastel,” St-Galler-Tagblatt, June 2, 1996.
Urquijo, Javier. “Colecciçonar hoy para mañana,” Bilbao, June 1996.
Viot, Nathalie. “W.U.E. – World–Understanding–Engine,” Rekarte, no. 16, July 1996.
Cassagnau, Pascale. “Thomas Hirschhorn, W.U.E. – World–Understanding–Engine,” Omnibus, no. 17, July 1996.
Fleury, Jean-Damien. “Le Merci-Bus de Thomas Hirschhorn,” La Liberté, July 11, 1996.
Hrebstreuth, Peter. “Ein Riesengebastel und orientierungsloses Rotieren,” Kunst-Bulletin, no. 4, 1996.
“Kunstfan,” Neue bildende Kunst, no. 4, August/September 1996.
Schatz, Corinne. “Unterwanderte Strategien,” Neue Bildende Kunst, no. 4, August/September 1996, p. 102.
Reust, Hans Rudolf. “Thomas Hirschhorn,” Artforum, no. 1, September 1996, p. 118.
Bühler, Daniela. “Gegnsätzliches im Zwischen Raum,” Luzern heute Samstag, September 21, 1996.
Oberholzer, Niklaus. “Tränen fliessen in Thomas Hirschhorn Welt,” Neue Luzerner Zeitung, September 21, 1996.
Vogel, Maria. “Tiefgrundige Kunst der Oberfläche – Gedanken über heutiges Leben,” Willasautr Bote, September 29, 1996.
Guéhenneux, Lise. “Thomas Hirschhorn Rekaldee-Area 2,” blocnotes, no. 13, September/October 1996.
“Thomas Hirschhorn à Borny: l’art monte dans la rue,” Metz et ses quartiers, October 2, 1996.
Koelemeijer, Judith. “Laboratorium voor jonge kunsteraars,” Volkskrant, October 4, 1996.
“Konspirativer Treff entpuppt sich als das Vor-Ort-Projekt,” LKZ, November 8, 1996.
“Ein Tisch der Tränen in der Kunsthalle-prekär,” November 15, 1996.
1995
Werneburg, Brigitte. “Thomas Hirschhorn Bilderinstallation im Bethanien,” January 24, 1995.
Michelle Nicol, and René Amman. “Kunsthaus Schweiz, Thomas Hirschhorn,” Das Magazin, no. 24, May 1995.
Hermange, Emmanuel. “Thomas Hirschhorn,” La recherche photographique, no. 19, Autumn 1995.
Fleury, Jean-Damien. “Installé à son Grand Buffet, Thomas Hirschhorn fait ripaille,” La presse du dimanche, December 1995.
Michelle Nicol, and René Amman. “Kunsthaus Schweiz, Thomas Hirschhorn,” Das Magazin, no. 24, May 1995.
Hermange, Emmanuel. “Thomas Hirschhorn,” La recherche photographique, no. 19, Autumn 1995.
Fleury, Jean-Damien. “Installé à son Grand Buffet, Thomas Hirschhorn fait ripaille,” La presse du dimanche, December 1995.
1994
Gebhardt, Sabine. “Feuilleton,” Basler Zeitung, no. 12, January 1995.
Gall, Emmanuelle. “N. Elemento, C. Feyzdjou, T. Hirschhorn, E. Nussbicker,” Le journal des expositions, no. 15, April 1995.
Nuridsany, Michel. “Le musée s’ouvre aux experiences,” Le Figaro, May 5, 1995.
J.L.P. “La bande des quatre,” Figaroscope, May 4-10, 1995.
Mircher, Eric. “Invitations,” Galeries, May 1995.
“Nathalie Elemento, Chohreh Feyzdjou, Thomas Hirschhorn, E. Nussbicker,” Le Monde, May 14, 1995.
Morice, Anne-Marie. “Tracts artistiques,” La Croix, May 15-16, 1995.
Jouannais, Jean-Yves. “Le pari de la faiblesse,” Art Press, no. 195, October 1995.
Gall, Emmanuelle. “N. Elemento, C. Feyzdjou, T. Hirschhorn, E. Nussbicker,” Le journal des expositions, no. 15, April 1995.
Nuridsany, Michel. “Le musée s’ouvre aux experiences,” Le Figaro, May 5, 1995.
J.L.P. “La bande des quatre,” Figaroscope, May 4-10, 1995.
Mircher, Eric. “Invitations,” Galeries, May 1995.
“Nathalie Elemento, Chohreh Feyzdjou, Thomas Hirschhorn, E. Nussbicker,” Le Monde, May 14, 1995.
Morice, Anne-Marie. “Tracts artistiques,” La Croix, May 15-16, 1995.
Jouannais, Jean-Yves. “Le pari de la faiblesse,” Art Press, no. 195, October 1995.
1993
“Kartons und andere Kisten,” Berner Zeitung, March 15, 1993.
Uldry, Dominique. “Hirschhorn,” Der Bund, no. 27, March 23, 1993.
Bugmann, Urs. “Es ist natürlich keine Kunst,” LNN, April 27, 1993.
Oberholzer, Niklaus. “Die Galeriefenster vernagelt,” Luzern Zeitung, April 27, 1993.
Mack, Gerhard. “Zwischen Abfall und Form,” St-Galler Tagblatt, October 12, 1993.
Uldry, Dominique. “Hirschhorn,” Der Bund, no. 27, March 23, 1993.
Bugmann, Urs. “Es ist natürlich keine Kunst,” LNN, April 27, 1993.
Oberholzer, Niklaus. “Die Galeriefenster vernagelt,” Luzern Zeitung, April 27, 1993.
Mack, Gerhard. “Zwischen Abfall und Form,” St-Galler Tagblatt, October 12, 1993.
1991
Philippon, Sylvie. “Thomas Hirschhorn: Vom dialektischen Denken zur Struktur,” Halle Sud Genève, no. 27, 1991.
“Gegen die Bilderflut,” Der Bund, no. 95, June 1991.
Hergott, Fabrice. “Thomas Hirschhorn, une échelle de Jacob,” Omnibus, no.1, November 1991.
Oberholzer, Niklaus. “Tränen fliessen in Thomas Hirschhorn Welt,” Neue, 1991.
“Gegen die Bilderflut,” Der Bund, no. 95, June 1991.
Hergott, Fabrice. “Thomas Hirschhorn, une échelle de Jacob,” Omnibus, no.1, November 1991.
Oberholzer, Niklaus. “Tränen fliessen in Thomas Hirschhorn Welt,” Neue, 1991.
Documentary Videos
“Rencontre avec l'art contemporain, Thomas Hirschhorn,”no. 1, édition Artfilms, 1999.
“Deleuze-Monument, Thomas Hirschhorn, La Beauté, Avignon, 2000,” édition Artfilms, 2000.
Wülfen, Thomas, “Beyond Mission Impossible,” in Janus, no. 14, 2003.
Wülfen, Thomas, “Beyond Mission Impossible,” in Janus, no. 14, 2003.