Lina Bo Bardi
Giancarlo Palanti
Studio d'Arte Palma
April 27 — June 15, 2019
New York: 64th Street
Gladstone is pleased to present an exhibition of rare and seminal designs by Italo-Brazilian artist Lina Bo Bardi in collaboration with Giancarlo Palanti, accompanied by a selection of important works by artists whom worked concurrently to Bo Bardi in Brazil. Best known for her prolific career as an architect and designer, Bo Bardi dedicated herself to art’s emancipation from the predilection for western modernism in favor of the combination of contemporary formalism mixed with regional vernacular. Lina Bo Bardi’s work represents the creative and social modernity throughout Mid-Century Brazil, an era characterized by cultural and artistic experimentation, and this exhibition demonstrates her important place in history.

Installation
Installation View, Lina Bo Bardi & Giancarlo Palanti: Studio d'Arte Palma, at Gladstone 64, 2019
Installation View, Lina Bo Bardi & Giancarlo Palanti: Studio d'Arte Palma, at Gladstone 64, 2019
Installation View, Lina Bo Bardi & Giancarlo Palanti: Studio d'Arte Palma, at Gladstone 64, 2019
Installation View, Lina Bo Bardi & Giancarlo Palanti: Studio d'Arte Palma, at Gladstone 64, 2019
Installation View, Lina Bo Bardi & Giancarlo Palanti: Studio d'Arte Palma, at Gladstone 64, 2019





Work
Estúdio de Arte Palma: Lina Bo Bardi and Giancarlo Palanti
Design: Giancarlo Palanti
Chair C12, 1948
Pau marfim wood, fabric upholstery
32 1⁄2 x 17 3⁄8 x 18 1⁄2 inches (82.5 x 44 x 47 cm)
With the support of Instituto Bardi | Casa de Vidro
Estúdio de Arte Palma: Lina Bo Bardi and Giancarlo Palanti
Design: Giancarlo Palanti
Chair C12, 1948
Pau marfim wood, fabric upholstery
32 1⁄2 x 17 3⁄8 x 18 1⁄2 inches
With the support of Instituto Bardi | Casa de Vidro
Estúdio de Arte Palma: Lina Bo Bardi and Giancarlo Palanti
Design: Giancarlo Palanti
Tridente armchair / P9, 1948
Jacarandà wood, fabric upholstery by Janet Yonati 100% Mohair velvet
34 5⁄8 x 25 1⁄4 x 33 inches (88 x 64 x 84 cm)
With the support of Instituto Bardi | Casa de Vidro
Estúdio de Arte Palma: Lina Bo Bardi and Giancarlo Palanti
Design: Giancarlo Palanti
Tridente armchair / P9, 1948
Jacarandà wood, fabric upholstery by Janet Yonati 100% Mohair velvet
34 5⁄8 x 25 1⁄4 x 33 inches (88 x 64 x 84 cm)
With the support of Instituto Bardi | Casa de Vidro
Estúdio de Arte Palma: Lina Bo Bardi and Giancarlo Palanti
Design: Giancarlo Palanti
Tridente armchair / P9, 1948
Jacarandà wood, fabric upholstery by Janet Yonati 100% Mohair velvet
34 5⁄8 x 25 1⁄4 x 33 inches (88 x 64 x 84 cm)
With the support of Instituto Bardi | Casa de Vidro
Estúdio de Arte Palma: Lina Bo Bardi and Giancarlo Palanti
Design: Giancarlo Palanti
Tridente armchair / P9, 1948
Jacarandà wood, fabric upholstery by Janet Yonati 100% Mohair velvet
34 5⁄8 x 25 1⁄4 x 33 inches (88 x 64 x 84 cm)
With the support of Instituto Bardi | Casa de Vidro
Estúdio de Arte Palma: Lina Bo Bardi and Giancarlo Palanti
Design: Giancarlo Palanti
Zig Zag armchair used for the foyer of the Teatro Cultura Artística, São Paulo, 1949-1950
Cabreuva wood, Cavallino leather upholstery
32 x 21 7⁄8 x 35 1⁄2 inches (81.5 x 55.4 x 90 cm)
With the support of Instituto Bardi | Casa de Vidro
Estúdio de Arte Palma: Lina Bo Bardi and Giancarlo Palanti
Design: Lina Bo Bardi
Rare desk, 1949-1950 ca.
Caviuna wood, metal details
30 1⁄2 x 50 3⁄8 x 27 1⁄2 inches (77.5 x 128 x 70 cm)
With the support of Instituto Bardi | Casa de Vidro
Estúdio de Arte Palma: Lina Bo Bardi and Giancarlo Palanti
Design: Lina Bo Bardi
Rocking chair / P13, 1948-1949
Plywood, pau marfim wood, fabric upholstery
32 1⁄2 x 25 3⁄4 x 37 1⁄4 inches (82.5 x 65.5 x 94.5 cm)
With the support of Instituto Bardi | Casa de Vidro
Estúdio de Arte Palma: Lina Bo Bardi and Giancarlo Palanti
Design: Lina Bo Bardi
Tripé armchair, 1948 | edition by Nucleon 8, 1980s
Metal, cavallino leather upholstery
29 1⁄2 x 25 3⁄4 x 27 1⁄2 inches (75 x 64 x 70 cm)
With the support of Instituto Bardi | Casa de Vidro
Estúdio de Arte Palma: Lina Bo Bardi and Giancarlo Palanti
Design: Lina Bo Bardi and Giancarlo Palanti
Dining table, 1949-1951 ca.
Pau marfim wood
30 3⁄8 x 55 1⁄8 x 31 1⁄2 inches (77 x 140 x 80 cm)
With the support of Instituto Bardi | Casa de Vidro
Estúdio de Arte Palma: Lina Bo Bardi and Giancarlo Palanti
Design: Lina Bo Bardi and Giancarlo Palanti
High table, 1949-1951 ca.
Pau marfim wood
33 1⁄2 x 19 5⁄8 x 19 5⁄8 inches (85 x 50 x 50 cm)
With the support of Instituto Bardi | Casa de Vidro
Estúdio de Arte Palma: Lina Bo Bardi and Giancarlo Palanti
Design: Lina Bo Bardi and Giancarlo Palanti
Low table, 1949-1951 ca.
Pau marfim wood
13 3⁄4 x 27 1⁄2 x 14 1⁄2 inches (35 x 70 x 37 cm)
With the support of Instituto Bardi | Casa de Vidro
Manufactured by PAUBRA S.A. Moveis e Esquadrias
Desk, after 1952
Wood
30 x 31 1⁄2 x 15 3⁄4 inches (76 x 80 x 40 cm)
With the support of Instituto Bardi | Casa de Vidro
Manufactured by PAUBRA S.A. Moveis e Esquadrias
Low table, 1952
Wood
12 5⁄8 x 40 1⁄8 x 15 3⁄4 inches (32 x 102 x 40 cm)
Manufacturer's label
With the support of Instituto Bardi | Casa de Vidro
Manufactured by PAUBRA S.A. Moveis e Esquadrias
Low table, after 1952
Wood
16 1⁄8 x 17 7⁄8 x 13 3⁄4 inches (41 x 45.2 x 35 cm)
Manufacturer's label
With the support of Instituto Bardi | Casa de Vidro
Design: Lina Bo Bardi
Deckchair designed for Casa Valéria Cirell, Morumbi - São Paulo, after 1958
Iron, removable leather upholstery
33 7⁄8 x 25 3⁄4 x 43 3⁄8 inches (86 x 65.5 x 110 cm)
With the support of Instituto Bardi | Casa de Vidro
Design: Lina Bo Bardi
MASP chair designed for the MASP (Museu de arte de São Paulo) auditorium - Folding and stackable chair, 1947
Jacarandà wood, original leather upholstery
35 1⁄2 x 17 3⁄4 x 22 1⁄2 inches (90 x 45 x 57 cm)
Example provided with letter of provenance
With the support of Instituto Bardi | Casa de Vidro
Design: Lina Bo Bardi
Rare church seating designed for the Espírito Santo do Cerrado Church (1967‐1982), Minas Gerais and also used for the Santa Maria dos Anjos chapel (1978) in Ibiúna, São Paulo, 1980
Wood
25 5⁄8 x 19 3⁄4 x 19 3⁄4 inches (65 x 50 x 50 cm)
Original drawings available at the Instituto Bardi | Casa de Vidro, São Paulo Brazil, 1980
With the support of Instituto Bardi | Casa de Vidro
Design: Lina Bo Bardi
SESC - Pompéia stool designed for the SESC Pompéia, São Paulo, 1970-1980
Pinus elliottii wood
26 3⁄8 x 21 3⁄8 x 15 inches (67 x 54.3 x 38.1 cm)
Provided with expertise of autenticity by Marcelo Ferraz
With the support of Instituto Bardi | Casa de Vidro
Hercules Barsotti
Leituras superpostas, 1965
Acrylic on canvas
27 1⁄2 x 27 1⁄2 inches (69.9 x 69.9 cm)
Signed and dated with title verso
Sergio Camargo
Untitled, c. 1970's
Carrara marble
23 1⁄2 x 9 3⁄4 x 9 3⁄4 inches (59.7 x 24.8 x 24.8 cm)
Aluísio Carvão
Composição, c. 1950's
Gouache on cardboard
12 1⁄2 x 9 inches (32 x 23 cm)
14 1⁄4 x 10 3⁄4 x 1 5⁄8 inches (36.2 x 27.3 x 4.1 cm) framed
Signed verso
Aluísio Carvão
Composição, c. 1950's
Gouache on cardboard
11 x 8 5⁄8 inches (28 x 22 cm)
14 1⁄4 x 10 3⁄4 x 1 5⁄8 inches (36.2 x 27.3 x 4.1 cm) framed
Signed verso
Aluísio Carvão
Untitled, c. 1950's
Gouache on cardboard
11 1⁄2 x 11 3⁄4 inches (29.2 x 29.8 cm)
19 1⁄2 x 19 1⁄2 x 2 1⁄8 inches (49.5 x 49.5 x 5.4 cm) framed
Signed recto
Lygia Clark
Unidade, 1959-1984
Industrial paint on wood
11 7⁄8 x 11 7⁄8 x 1 3⁄8 inches (30 x 30 x 3.5 cm)
Signed verso
Ivan Serpa
Untitled, 1955
Collage and gouache on paper
18 7⁄8 x 13 3⁄4 inches (48 x 35 cm)
26 x 20 1⁄2 x 1 5⁄8 inches (66 x 52.1 x 4.1 cm) framed
Signed and dated recto
Ivan Serpa
Untitled, 1956
Gouache on cardboard
6 7⁄8 x 4 5⁄8 inches (17.5 x 12 cm)
Signed and dated recto
Ivan Serpa
Untitled, 1958
Gouache on cardboard
6 7⁄8 x 4 5⁄8 inches (17.5 x 11.7 cm)
13 1⁄4 x 11 1⁄4 x 1 5⁄8 inches (33.7 x 28.6 x 4.1 cm) framed
Signed and dated recto
Ivan Serpa
Untitled, 1958
Gouache on cardboard
6 7⁄8 x 4 5⁄8 inches (17.5 x 11.7 cm)
13 1⁄4 x 11 1⁄4 x 1 5⁄8 inches (33.7 x 28.6 x 4.1 cm) framed
Signed and dated recto
Ivan Serpa
Untitled, 1958
Gouache on cardboard
6 7⁄8 x 4 5⁄8 inches (17.5 x 11.7 cm)
13 1⁄4 x 11 1⁄4 x 1 5⁄8 inches (33.7 x 28.6 x 4.1 cm) framed
Signed and dated recto
Ivan Serpa
Untitled, 1967
Typewriter and felt tip pen on paper
10 5⁄8 x 9 1⁄4 inches (27 x 23.5 cm)
13 7⁄8 x 16 3⁄8 x 1 5⁄8 inches (35.2 x 41.6 x 4.1 cm) framed
Signed and dated recto
Alfredo Volpi
Untitled, c. 1970s
Tempera on canvas
26 3⁄4 x 40 1⁄2 inches (68 x 103 cm)
Signed verso
Alfredo Volpi
Untitled, c.1960's-1970's
Tempera on canvas
12 15⁄16 x 18 1⁄4 inches (33 x 46.5 cm)
13 1⁄4 x 18 3⁄4 x 1 inches (33.7 x 47.6 x 2.5 cm) framed
Signed verso

































