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Studio d'Arte Palma
April 27 — June 15, 2019
New York: 64th Street
Gladstone is pleased to present an exhibition of rare and seminal designs by Italo-Brazilian artist Lina Bo Bardi in collaboration with Giancarlo Palanti, accompanied by a selection of important works by artists whom worked concurrently to Bo Bardi in Brazil. Best known for her prolific career as an architect and designer, Bo Bardi dedicated herself to art’s emancipation from the predilection for western modernism in favor of the combination of contemporary formalism mixed with regional vernacular. Lina Bo Bardi’s work represents the creative and social modernity throughout Mid-Century Brazil, an era characterized by cultural and artistic experimentation, and this exhibition demonstrates her important place in history.

설치
Installation View, Lina Bo Bardi & Giancarlo Palanti: Studio d'Arte Palma, at Gladstone 64, 2019
Installation View, Lina Bo Bardi & Giancarlo Palanti: Studio d'Arte Palma, at Gladstone 64, 2019
Installation View, Lina Bo Bardi & Giancarlo Palanti: Studio d'Arte Palma, at Gladstone 64, 2019
Installation View, Lina Bo Bardi & Giancarlo Palanti: Studio d'Arte Palma, at Gladstone 64, 2019
Installation View, Lina Bo Bardi & Giancarlo Palanti: Studio d'Arte Palma, at Gladstone 64, 2019





작품
Estúdio de Arte Palma: Lina Bo Bardi and Giancarlo Palanti
Design: Giancarlo Palanti
Chair C12, 1948
Pau marfim wood, fabric upholstery
32 1⁄2 x 17 3⁄8 x 18 1⁄2 inches (82.5 x 44 x 47 cm)
With the support of Instituto Bardi | Casa de Vidro
Estúdio de Arte Palma: Lina Bo Bardi and Giancarlo Palanti
Design: Giancarlo Palanti
Chair C12, 1948
Pau marfim wood, fabric upholstery
32 1⁄2 x 17 3⁄8 x 18 1⁄2 inches
With the support of Instituto Bardi | Casa de Vidro
Estúdio de Arte Palma: Lina Bo Bardi and Giancarlo Palanti
Design: Giancarlo Palanti
Tridente armchair / P9, 1948
Jacarandà wood, fabric upholstery by Janet Yonati 100% Mohair velvet
34 5⁄8 x 25 1⁄4 x 33 inches (88 x 64 x 84 cm)
With the support of Instituto Bardi | Casa de Vidro
Estúdio de Arte Palma: Lina Bo Bardi and Giancarlo Palanti
Design: Giancarlo Palanti
Tridente armchair / P9, 1948
Jacarandà wood, fabric upholstery by Janet Yonati 100% Mohair velvet
34 5⁄8 x 25 1⁄4 x 33 inches (88 x 64 x 84 cm)
With the support of Instituto Bardi | Casa de Vidro
Estúdio de Arte Palma: Lina Bo Bardi and Giancarlo Palanti
Design: Giancarlo Palanti
Tridente armchair / P9, 1948
Jacarandà wood, fabric upholstery by Janet Yonati 100% Mohair velvet
34 5⁄8 x 25 1⁄4 x 33 inches (88 x 64 x 84 cm)
With the support of Instituto Bardi | Casa de Vidro
Estúdio de Arte Palma: Lina Bo Bardi and Giancarlo Palanti
Design: Giancarlo Palanti
Tridente armchair / P9, 1948
Jacarandà wood, fabric upholstery by Janet Yonati 100% Mohair velvet
34 5⁄8 x 25 1⁄4 x 33 inches (88 x 64 x 84 cm)
With the support of Instituto Bardi | Casa de Vidro
Estúdio de Arte Palma: Lina Bo Bardi and Giancarlo Palanti
Design: Giancarlo Palanti
Zig Zag armchair used for the foyer of the Teatro Cultura Artística, São Paulo, 1949-1950
Cabreuva wood, Cavallino leather upholstery
32 x 21 7⁄8 x 35 1⁄2 inches (81.5 x 55.4 x 90 cm)
With the support of Instituto Bardi | Casa de Vidro
Estúdio de Arte Palma: Lina Bo Bardi and Giancarlo Palanti
Design: Lina Bo Bardi
Rare desk, 1949-1950 ca.
Caviuna wood, metal details
30 1⁄2 x 50 3⁄8 x 27 1⁄2 inches (77.5 x 128 x 70 cm)
With the support of Instituto Bardi | Casa de Vidro
Estúdio de Arte Palma: Lina Bo Bardi and Giancarlo Palanti
Design: Lina Bo Bardi
Rocking chair / P13, 1948-1949
Plywood, pau marfim wood, fabric upholstery
32 1⁄2 x 25 3⁄4 x 37 1⁄4 inches (82.5 x 65.5 x 94.5 cm)
With the support of Instituto Bardi | Casa de Vidro
Estúdio de Arte Palma: Lina Bo Bardi and Giancarlo Palanti
Design: Lina Bo Bardi
Tripé armchair, 1948 | edition by Nucleon 8, 1980s
Metal, cavallino leather upholstery
29 1⁄2 x 25 3⁄4 x 27 1⁄2 inches (75 x 64 x 70 cm)
With the support of Instituto Bardi | Casa de Vidro
Estúdio de Arte Palma: Lina Bo Bardi and Giancarlo Palanti
Design: Lina Bo Bardi and Giancarlo Palanti
Dining table, 1949-1951 ca.
Pau marfim wood
30 3⁄8 x 55 1⁄8 x 31 1⁄2 inches (77 x 140 x 80 cm)
With the support of Instituto Bardi | Casa de Vidro
Estúdio de Arte Palma: Lina Bo Bardi and Giancarlo Palanti
Design: Lina Bo Bardi and Giancarlo Palanti
High table, 1949-1951 ca.
Pau marfim wood
33 1⁄2 x 19 5⁄8 x 19 5⁄8 inches (85 x 50 x 50 cm)
With the support of Instituto Bardi | Casa de Vidro
Estúdio de Arte Palma: Lina Bo Bardi and Giancarlo Palanti
Design: Lina Bo Bardi and Giancarlo Palanti
Low table, 1949-1951 ca.
Pau marfim wood
13 3⁄4 x 27 1⁄2 x 14 1⁄2 inches (35 x 70 x 37 cm)
With the support of Instituto Bardi | Casa de Vidro
Manufactured by PAUBRA S.A. Moveis e Esquadrias
Desk, after 1952
Wood
30 x 31 1⁄2 x 15 3⁄4 inches (76 x 80 x 40 cm)
With the support of Instituto Bardi | Casa de Vidro
Manufactured by PAUBRA S.A. Moveis e Esquadrias
Low table, 1952
Wood
12 5⁄8 x 40 1⁄8 x 15 3⁄4 inches (32 x 102 x 40 cm)
Manufacturer's label
With the support of Instituto Bardi | Casa de Vidro
Manufactured by PAUBRA S.A. Moveis e Esquadrias
Low table, after 1952
Wood
16 1⁄8 x 17 7⁄8 x 13 3⁄4 inches (41 x 45.2 x 35 cm)
Manufacturer's label
With the support of Instituto Bardi | Casa de Vidro
Design: Lina Bo Bardi
Deckchair designed for Casa Valéria Cirell, Morumbi - São Paulo, after 1958
Iron, removable leather upholstery
33 7⁄8 x 25 3⁄4 x 43 3⁄8 inches (86 x 65.5 x 110 cm)
With the support of Instituto Bardi | Casa de Vidro
Design: Lina Bo Bardi
MASP chair designed for the MASP (Museu de arte de São Paulo) auditorium - Folding and stackable chair, 1947
Jacarandà wood, original leather upholstery
35 1⁄2 x 17 3⁄4 x 22 1⁄2 inches (90 x 45 x 57 cm)
Example provided with letter of provenance
With the support of Instituto Bardi | Casa de Vidro